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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 134 52 it is the complementary color RGB 206 121 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 134 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 134 52 shade: RGB 54 134 47, RGB 71 152 66, RGB 88 170 85, RGB 105 188 104 and RGB 122 206 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 134 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 32 116 33, RGB 15 98 14, RGB 0 80 0 and RGB 0 62 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 69 134 49, RGB 92 134 49, RGB 114 134 49 and RGB 134 130 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 49 134 75, RGB 49 134 98, RGB 49 134 120 and RGB 49 124 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 134 52 shade matches the following richer shades: RGB 49 134 52, RGB 34 148 38, RGB 19 163 24 and RGB 5 178 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 64 119 66, RGB 79 104 80, RGB 94 89 93 and RGB 108 74 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 134 52 shade: RGB 91 134 49, RGB 69 134 49, RGB 49 134 52, RGB 49 134 74 and RGB 49 134 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 134 52 shade: RGB 27 73 28, RGB 38 103 40, RGB 49 134 52, RGB 60 164 64 and RGB 76 189 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 49 114 134 and RGB 134 49 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 52 49 134 and RGB 134 52 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 49 114 134, RGB 134 49 131 and RGB 134 69 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 134 52 shade: RGB 49 134 52, RGB 49 88 134, RGB 134 49 131 and RGB 134 94 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

Complementary color

CMYK 0 / 41 / 1 / 19

HEX #CE79CB

RGB 206 121 203

HSL 302.12, 0.46%, 0.64%

LAB 62.6, 45.26, -28.67

 

CMYK 60 / 0 / 65 / 47

HEX #36862F

RGB 54 134 47

HSL 115.17, 0.48%, 0.35%

LAB 49.54, -42.15, 38.56

 

CMYK 53 / 0 / 57 / 40

HEX #479842

RGB 71 152 66

HSL 116.51, 0.39%, 0.43%

LAB 56.28, -42.48, 37.36

 

CMYK 48 / 0 / 50 / 33

HEX #58AA55

RGB 88 170 85

HSL 117.88, 0.33%, 0.5%

LAB 62.91, -42.54, 36.04

 

CMYK 44 / 0 / 45 / 26

HEX #69BC68

RGB 105 188 104

HSL 119.29, 0.39%, 0.57%

LAB 69.45, -42.46, 34.73

 

CMYK 41 / 0 / 40 / 19

HEX #7ACE7B

RGB 122 206 123

HSL 120.71, 0.46%, 0.64%

LAB 75.89, -42.29, 33.47

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 72 / 0 / 72 / 55

HEX #207421

RGB 32 116 33

HSL 120.71, 0.57%, 0.29%

LAB 42.62, -41.96, 37.15

 

CMYK 85 / 0 / 86 / 62

HEX #0F620E

RGB 15 98 14

HSL 119.29, 0.75%, 0.22%

LAB 35.73, -40.18, 37.47

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 49 / 0 / 63 / 47

HEX #458631

RGB 69 134 49

HSL 105.88, 0.46%, 0.36%

LAB 50.14, -37.55, 38.46

 

CMYK 31 / 0 / 63 / 47

HEX #5C8631

RGB 92 134 49

HSL 89.65, 0.46%, 0.36%

LAB 51.32, -29.35, 40.1

 

CMYK 15 / 0 / 63 / 47

HEX #728631

RGB 114 134 49

HSL 74.12, 0.46%, 0.36%

LAB 52.78, -20.3, 42.13

 

CMYK 0 / 3 / 63 / 47

HEX #868231

RGB 134 130 49

HSL 57.18, 0.46%, 0.36%

LAB 53.23, -9.32, 43.08

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 63 / 0 / 44 / 47

HEX #31864B

RGB 49 134 75

HSL 138.35, 0.46%, 0.36%

LAB 49.75, -39.29, 24.38

 

CMYK 63 / 0 / 27 / 47

HEX #318662

RGB 49 134 98

HSL 154.59, 0.46%, 0.36%

LAB 50.2, -34.53, 11.98

 

CMYK 63 / 0 / 10 / 47

HEX #318678

RGB 49 134 120

HSL 170.12, 0.46%, 0.36%

LAB 50.76, -28.93, -0

 

CMYK 63 / 7 / 0 / 47

HEX #317C86

RGB 49 124 134

HSL 187.06, 0.46%, 0.36%

LAB 47.99, -19.7, -12.33

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 77 / 0 / 74 / 42

HEX #229426

RGB 34 148 38

HSL 122.11, 0.63%, 0.36%

LAB 53.66, -52.27, 46.62

 

CMYK 88 / 0 / 85 / 36

HEX #13A318

RGB 19 163 24

HSL 122.08, 0.79%, 0.36%

LAB 58.41, -59.67, 55.52

 

CMYK 97 / 0 / 94 / 30

HEX #05B20B

RGB 5 178 11

HSL 122.08, 0.95%, 0.36%

LAB 63.26, -65.3, 62.15

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 46 / 0 / 45 / 53

HEX #407742

RGB 64 119 66

HSL 122.18, 0.3%, 0.36%

LAB 45.19, -30.13, 23.6

 

CMYK 24 / 0 / 23 / 59

HEX #4F6850

RGB 79 104 80

HSL 122.4, 0.14%, 0.36%

LAB 41.44, -14.55, 10.56

 

CMYK 0 / 5 / 1 / 63

HEX #5E595D

RGB 94 89 93

HSL 312, 0.03%, 0.36%

LAB 38.4, 2.84, -1.59

 

CMYK 0 / 31 / 1 / 58

HEX #6C4A6B

RGB 108 74 107

HSL 301.76, 0.19%, 0.36%

LAB 36.27, 20.48, -13.36

 

CMYK 32 / 0 / 63 / 47

HEX #5B8631

RGB 91 134 49

HSL 90.35, 0.46%, 0.36%

LAB 51.26, -29.73, 40.02

 

CMYK 49 / 0 / 63 / 47

HEX #458631

RGB 69 134 49

HSL 105.88, 0.46%, 0.36%

LAB 50.14, -37.55, 38.46

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 63 / 0 / 45 / 47

HEX #31864A

RGB 49 134 74

HSL 137.65, 0.46%, 0.36%

LAB 49.73, -39.47, 24.91

 

CMYK 63 / 0 / 28 / 47

HEX #318661

RGB 49 134 97

HSL 153.88, 0.46%, 0.36%

LAB 50.18, -34.76, 12.52

 

CMYK 63 / 0 / 62 / 71

HEX #1B491C

RGB 27 73 28

HSL 121.3, 0.46%, 0.2%

LAB 26.97, -26.42, 22.03

 

CMYK 63 / 0 / 61 / 60

HEX #266728

RGB 38 103 40

HSL 121.85, 0.46%, 0.28%

LAB 38.32, -34.67, 29.04

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 63 / 0 / 61 / 36

HEX #3CA440

RGB 60 164 64

HSL 122.31, 0.46%, 0.44%

LAB 59.78, -50.2, 42.31

 

CMYK 60 / 0 / 58 / 26

HEX #4CBD50

RGB 76 189 80

HSL 122.12, 0.46%, 0.52%

LAB 68.4, -53.89, 44.97

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 63 / 15 / 0 / 47

HEX #317286

RGB 49 114 134

HSL 194.12, 0.46%, 0.36%

LAB 44.81, -14.21, -17.17

 

CMYK 0 / 63 / 40 / 47

HEX #863150

RGB 134 49 80

HSL 338.12, 0.46%, 0.36%

LAB 33.66, 39.4, 0.3

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 61 / 63 / 0 / 47

HEX #343186

RGB 52 49 134

HSL 242.12, 0.46%, 0.36%

LAB 25.71, 27.97, -47.36

 

CMYK 0 / 61 / 63 / 47

HEX #863431

RGB 134 52 49

HSL 2.12, 0.46%, 0.36%

LAB 33.45, 34.97, 19.96

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 63 / 15 / 0 / 47

HEX #317286

RGB 49 114 134

HSL 194.12, 0.46%, 0.36%

LAB 44.81, -14.21, -17.17

 

CMYK 0 / 63 / 2 / 47

HEX #863183

RGB 134 49 131

HSL 302.12, 0.46%, 0.36%

LAB 35.8, 47.09, -28.76

 

CMYK 0 / 49 / 63 / 47

HEX #864531

RGB 134 69 49

HSL 14.12, 0.46%, 0.36%

LAB 37.02, 25.85, 24.43

 

CMYK 63 / 0 / 61 / 47

HEX #318634

RGB 49 134 52

HSL 122.12, 0.46%, 0.36%

LAB 49.44, -42.82, 36.02

 

CMYK 63 / 34 / 0 / 47

HEX #315886

RGB 49 88 134

HSL 212.47, 0.46%, 0.36%

LAB 36.66, 1.43, -29.83

 

CMYK 0 / 63 / 2 / 47

HEX #863183

RGB 134 49 131

HSL 302.12, 0.46%, 0.36%

LAB 35.8, 47.09, -28.76

 

CMYK 0 / 30 / 63 / 47

HEX #865E31

RGB 134 94 49

HSL 31.76, 0.46%, 0.36%

LAB 43.21, 11.28, 31.85

 

Description

Color code: RGB 49 134 52 | qconv.com Color code: RGB 49 134 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 134 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 134 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 61 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 61% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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