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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 159 150 it is the complementary color RGB 206 96 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 159 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 159 150 shade: RGB 54 159 145, RGB 71 177 164, RGB 88 195 183, RGB 105 213 202 and RGB 122 231 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 159 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 32 141 131, RGB 15 123 112, RGB 0 105 93 and RGB 0 87 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 49 159 121, RGB 49 159 91, RGB 49 159 61 and RGB 66 159 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 49 139 159, RGB 49 109 159, RGB 49 79 159 and RGB 49 49 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 159 150 shade matches the following richer shades: RGB 49 159 150, RGB 32 176 165 and RGB 15 193 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 66 143 136, RGB 82 126 122, RGB 99 109 108 and RGB 116 92 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 159 150 shade: RGB 49 159 91, RGB 49 159 121, RGB 49 159 150, RGB 49 139 159 and RGB 49 110 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 159 150 shade: RGB 29 96 91, RGB 39 128 121, RGB 49 159 150, RGB 58 191 180 and RGB 87 203 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 62 49 159 and RGB 159 106 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 150 49 159 and RGB 159 150 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 62 49 159, RGB 159 49 58 and RGB 147 159 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 159 150 shade: RGB 49 159 150, RGB 95 49 159, RGB 159 49 58 and RGB 113 159 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

Complementary color

CMYK 0 / 53 / 49 / 19

HEX #CE6069

RGB 206 96 105

HSL 355.09, 0.53%, 0.59%

LAB 54.56, 44.37, 16.09

 

CMYK 66 / 0 / 9 / 38

HEX #369F91

RGB 54 159 145

HSL 172, 0.49%, 0.42%

LAB 59.55, -33.13, -1.48

 

CMYK 60 / 0 / 7 / 31

HEX #47B1A4

RGB 71 177 164

HSL 172.64, 0.43%, 0.49%

LAB 66.11, -33.46, -2.44

 

CMYK 55 / 0 / 6 / 24

HEX #58C3B7

RGB 88 195 183

HSL 173.27, 0.47%, 0.55%

LAB 72.58, -33.65, -3.31

 

CMYK 51 / 0 / 5 / 16

HEX #69D5CA

RGB 105 213 202

HSL 173.89, 0.56%, 0.62%

LAB 78.96, -33.73, -4.11

 

CMYK 47 / 0 / 4 / 9

HEX #7AE7DD

RGB 122 231 221

HSL 174.5, 0.69%, 0.69%

LAB 85.26, -33.76, -4.85

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 77 / 0 / 7 / 45

HEX #208D83

RGB 32 141 131

HSL 174.5, 0.63%, 0.34%

LAB 52.94, -31.76, -3.23

 

CMYK 88 / 0 / 9 / 52

HEX #0F7B70

RGB 15 123 112

HSL 173.89, 0.78%, 0.27%

LAB 46.23, -30.58, -2.01

 

CMYK 100 / 0 / 11 / 59

HEX #00695D

RGB 0 105 93

HSL 173.14, 1%, 0.21%

LAB 39.4, -28.94, -0.61

 

CMYK 100 / 0 / 15 / 66

HEX #00574A

RGB 0 87 74

HSL 171.03, 1%, 0.17%

LAB 32.5, -26.28, 1.12

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 69 / 0 / 24 / 38

HEX #319F79

RGB 49 159 121

HSL 159.27, 0.53%, 0.41%

LAB 58.82, -40.13, 10.99

 

CMYK 69 / 0 / 43 / 38

HEX #319F5B

RGB 49 159 91

HSL 142.91, 0.53%, 0.41%

LAB 58.23, -46.48, 26.71

 

CMYK 69 / 0 / 62 / 38

HEX #319F3D

RGB 49 159 61

HSL 126.55, 0.53%, 0.41%

LAB 57.83, -51.04, 41.4

 

CMYK 58 / 0 / 69 / 38

HEX #429F31

RGB 66 159 49

HSL 110.73, 0.53%, 0.41%

LAB 58.2, -48.45, 47.22

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 69 / 13 / 0 / 38

HEX #318B9F

RGB 49 139 159

HSL 190.91, 0.53%, 0.41%

LAB 53.62, -19.73, -18.37

 

CMYK 69 / 31 / 0 / 38

HEX #316D9F

RGB 49 109 159

HSL 207.27, 0.53%, 0.41%

LAB 44.37, -2.63, -32.71

 

CMYK 69 / 50 / 0 / 38

HEX #314F9F

RGB 49 79 159

HSL 223.64, 0.53%, 0.41%

LAB 35.49, 16.58, -46.83

 

CMYK 69 / 69 / 0 / 38

HEX #31319F

RGB 49 49 159

HSL 240, 0.53%, 0.41%

LAB 27.72, 36.23, -59.48

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 82 / 0 / 6 / 31

HEX #20B0A5

RGB 32 176 165

HSL 175.42, 0.69%, 0.41%

LAB 65.02, -38.05, -4.69

 

CMYK 92 / 0 / 7 / 24

HEX #0FC1B3

RGB 15 193 179

HSL 175.28, 0.86%, 0.41%

LAB 70.52, -42.63, -4.31

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 54 / 0 / 5 / 44

HEX #428F88

RGB 66 143 136

HSL 174.55, 0.37%, 0.41%

LAB 54.64, -25.48, -3.52

 

CMYK 35 / 0 / 3 / 51

HEX #527E7A

RGB 82 126 122

HSL 174.55, 0.21%, 0.41%

LAB 49.64, -16.06, -2.65

 

CMYK 9 / 0 / 1 / 57

HEX #636D6C

RGB 99 109 108

HSL 174, 0.05%, 0.41%

LAB 45.18, -4, -0.75

 

CMYK 0 / 21 / 19 / 55

HEX #745C5E

RGB 116 92 94

HSL 355, 0.12%, 0.41%

LAB 41.49, 10.13, 2.57

 

CMYK 69 / 0 / 43 / 38

HEX #319F5B

RGB 49 159 91

HSL 142.91, 0.53%, 0.41%

LAB 58.23, -46.48, 26.71

 

CMYK 69 / 0 / 24 / 38

HEX #319F79

RGB 49 159 121

HSL 159.27, 0.53%, 0.41%

LAB 58.82, -40.13, 10.99

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 69 / 13 / 0 / 38

HEX #318B9F

RGB 49 139 159

HSL 190.91, 0.53%, 0.41%

LAB 53.62, -19.73, -18.37

 

CMYK 69 / 31 / 0 / 38

HEX #316E9F

RGB 49 110 159

HSL 206.73, 0.53%, 0.41%

LAB 44.67, -3.24, -32.23

 

CMYK 70 / 0 / 5 / 62

HEX #1D605B

RGB 29 96 91

HSL 175.52, 0.54%, 0.25%

LAB 36.71, -21.92, -3.28

 

CMYK 70 / 0 / 5 / 50

HEX #278079

RGB 39 128 121

HSL 175.28, 0.53%, 0.33%

LAB 48.57, -27.45, -3.83

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 70 / 0 / 6 / 25

HEX #3ABFB4

RGB 58 191 180

HSL 175.04, 0.53%, 0.49%

LAB 70.49, -37.71, -4.84

 

CMYK 57 / 0 / 4 / 20

HEX #57CBC2

RGB 87 203 194

HSL 175.34, 0.53%, 0.57%

LAB 75.22, -34.74, -5.38

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 61 / 69 / 0 / 38

HEX #3E319F

RGB 62 49 159

HSL 247.09, 0.53%, 0.41%

LAB 28.71, 38.06, -57.82

 

CMYK 0 / 33 / 69 / 38

HEX #9F6A31

RGB 159 106 49

HSL 31.09, 0.53%, 0.41%

LAB 49.38, 15.64, 39.66

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 6 / 69 / 0 / 38

HEX #96319F

RGB 150 49 159

HSL 295.09, 0.53%, 0.41%

LAB 39.89, 56.17, -39.21

 

CMYK 0 / 6 / 69 / 38

HEX #9F9631

RGB 159 150 49

HSL 55.09, 0.53%, 0.41%

LAB 61.14, -8.92, 52.03

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 61 / 69 / 0 / 38

HEX #3E319F

RGB 62 49 159

HSL 247.09, 0.53%, 0.41%

LAB 28.71, 38.06, -57.82

 

CMYK 0 / 69 / 64 / 38

HEX #9F313A

RGB 159 49 58

HSL 355.09, 0.53%, 0.41%

LAB 37.61, 45.9, 20.55

 

CMYK 8 / 0 / 69 / 38

HEX #939F31

RGB 147 159 49

HSL 66.55, 0.53%, 0.41%

LAB 62.69, -18.9, 53.28

 

CMYK 69 / 0 / 6 / 38

HEX #319F96

RGB 49 159 150

HSL 175.09, 0.53%, 0.41%

LAB 59.57, -32.52, -4.29

 

CMYK 40 / 69 / 0 / 38

HEX #5F319F

RGB 95 49 159

HSL 265.09, 0.53%, 0.41%

LAB 32.11, 44, -52.13

 

CMYK 0 / 69 / 64 / 38

HEX #9F313A

RGB 159 49 58

HSL 355.09, 0.53%, 0.41%

LAB 37.61, 45.9, 20.55

 

CMYK 29 / 0 / 69 / 38

HEX #719F31

RGB 113 159 49

HSL 85.09, 0.53%, 0.41%

LAB 60.36, -32.94, 50.15

 

Description

Color code: RGB 49 159 150 | qconv.com Color code: RGB 49 159 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 159 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 159 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 6 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 6% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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