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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 15 11 it is the complementary color RGB 206 240 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 15 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 15 11 shade: RGB 54 15 6, RGB 71 33 25, RGB 88 51 44, RGB 105 69 63 and RGB 122 87 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 15 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 32 0 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 15 11 shade: RGB 49 15 11 and RGB 49 11 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 49 25 11, RGB 49 36 11, RGB 49 46 11 and RGB 42 49 11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 15 11 shade matches the following richer shades: RGB 49 15 11, RGB 54 11 6 and RGB 59 7 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 44 19 16, RGB 39 23 21, RGB 35 27 26 and RGB 30 31 31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 15 11 shade: RGB 49 11 28, RGB 49 11 17, RGB 49 15 11, RGB 49 25 11 and RGB 49 35 11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 38 49 11 and RGB 11 22 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 11 49 15 and RGB 15 11 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 38 49 11, RGB 11 46 49 and RGB 22 11 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 15 11 shade: RGB 49 15 11, RGB 26 49 11, RGB 11 46 49 and RGB 34 11 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

Complementary color

CMYK 16 / 2 / 0 / 4

HEX #CEF0F4

RGB 206 240 244

HSL 186.32, 0.63%, 0.88%

LAB 92.56, -10.17, -5.64

 

CMYK 0 / 72 / 89 / 79

HEX #360F06

RGB 54 15 6

HSL 11.25, 0.8%, 0.12%

LAB 10.1, 18.9, 13.11

 

CMYK 0 / 54 / 65 / 72

HEX #472119

RGB 71 33 25

HSL 10.43, 0.48%, 0.19%

LAB 17.91, 17.26, 13.62

 

CMYK 0 / 42 / 50 / 65

HEX #58332C

RGB 88 51 44

HSL 9.55, 0.33%, 0.26%

LAB 25.64, 15.82, 11.53

 

CMYK 0 / 34 / 40 / 59

HEX #69453F

RGB 105 69 63

HSL 8.57, 0.25%, 0.33%

LAB 33.18, 14.67, 9.94

 

CMYK 0 / 29 / 33 / 52

HEX #7A5752

RGB 122 87 82

HSL 7.5, 0.2%, 0.4%

LAB 40.51, 13.74, 8.63

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 0 / 78 / 78 / 81

HEX #310B0B

RGB 49 11 11

HSL 0, 0.63%, 0.12%

LAB 8.28, 19.28, 8.3

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 0 / 49 / 78 / 81

HEX #31190B

RGB 49 25 11

HSL 22.11, 0.63%, 0.12%

LAB 11.77, 10.4, 13.24

 

CMYK 0 / 27 / 78 / 81

HEX #31240B

RGB 49 36 11

HSL 39.47, 0.63%, 0.12%

LAB 15.16, 2.74, 17.74

 

CMYK 0 / 6 / 78 / 81

HEX #312E0B

RGB 49 46 11

HSL 55.26, 0.63%, 0.12%

LAB 18.5, -4.01, 21.84

 

CMYK 14 / 0 / 78 / 81

HEX #2A310B

RGB 42 49 11

HSL 71.05, 0.63%, 0.12%

LAB 18.86, -9.64, 22.08

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 0 / 80 / 89 / 79

HEX #360B06

RGB 54 11 6

HSL 6.25, 0.8%, 0.12%

LAB 9.29, 21.06, 11.96

 

CMYK 0 / 88 / 98 / 77

HEX #3B0701

RGB 59 7 1

HSL 6.21, 0.97%, 0.12%

LAB 9.67, 24.69, 14.69

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 0 / 57 / 64 / 83

HEX #2C1310

RGB 44 19 16

HSL 6.43, 0.47%, 0.12%

LAB 9.31, 12.45, 7.2

 

CMYK 0 / 41 / 46 / 85

HEX #271715

RGB 39 23 21

HSL 6.67, 0.3%, 0.12%

LAB 9.78, 7.77, 4.65

 

CMYK 0 / 23 / 26 / 86

HEX #231B1A

RGB 35 27 26

HSL 6.67, 0.15%, 0.12%

LAB 10.67, 3.72, 2.17

 

CMYK 3 / 0 / 0 / 88

HEX #1E1F1F

RGB 30 31 31

HSL 180, 0.02%, 0.12%

LAB 11.65, -0.47, -0.17

 

CMYK 0 / 78 / 43 / 81

HEX #310B1C

RGB 49 11 28

HSL 333.16, 0.63%, 0.12%

LAB 8.79, 21.18, -1.8

 

CMYK 0 / 78 / 65 / 81

HEX #310B11

RGB 49 11 17

HSL 350.53, 0.63%, 0.12%

LAB 8.42, 19.81, 5.48

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 0 / 49 / 78 / 81

HEX #31190B

RGB 49 25 11

HSL 22.11, 0.63%, 0.12%

LAB 11.77, 10.4, 13.24

 

CMYK 0 / 29 / 78 / 81

HEX #31230B

RGB 49 35 11

HSL 37.89, 0.63%, 0.12%

LAB 14.84, 3.43, 17.32

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 22 / 0 / 78 / 81

HEX #26310B

RGB 38 49 11

HSL 77.37, 0.63%, 0.12%

LAB 18.51, -11.68, 21.59

 

CMYK 78 / 55 / 0 / 81

HEX #0B1631

RGB 11 22 49

HSL 222.63, 0.63%, 0.12%

LAB 7.83, 6.09, -19.47

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 78 / 0 / 69 / 81

HEX #0B310F

RGB 11 49 15

HSL 126.32, 0.63%, 0.12%

LAB 17, -21.98, 17.49

 

CMYK 69 / 78 / 0 / 81

HEX #0F0B31

RGB 15 11 49

HSL 246.32, 0.63%, 0.12%

LAB 5.08, 13.76, -23.84

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 22 / 0 / 78 / 81

HEX #26310B

RGB 38 49 11

HSL 77.37, 0.63%, 0.12%

LAB 18.51, -11.68, 21.59

 

CMYK 78 / 6 / 0 / 81

HEX #0B2E31

RGB 11 46 49

HSL 184.74, 0.63%, 0.12%

LAB 16.73, -11.12, -5.61

 

CMYK 55 / 78 / 0 / 81

HEX #160B31

RGB 22 11 49

HSL 257.37, 0.63%, 0.12%

LAB 5.71, 16.18, -22.81

 

CMYK 0 / 69 / 78 / 81

HEX #310F0B

RGB 49 15 11

HSL 6.32, 0.63%, 0.12%

LAB 9.15, 16.96, 9.56

 

CMYK 47 / 0 / 78 / 81

HEX #1A310B

RGB 26 49 11

HSL 96.32, 0.63%, 0.12%

LAB 17.65, -17.3, 20.35

 

CMYK 78 / 6 / 0 / 81

HEX #0B2E31

RGB 11 46 49

HSL 184.74, 0.63%, 0.12%

LAB 16.73, -11.12, -5.61

 

CMYK 31 / 78 / 0 / 81

HEX #220B31

RGB 34 11 49

HSL 276.32, 0.63%, 0.12%

LAB 7.24, 20.44, -20.28

 

Description

Color code: RGB 49 15 11 | qconv.com Color code: RGB 49 15 11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 15 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 15 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 78 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 78% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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