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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 162 162 it is the complementary color RGB 206 93 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 162 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 162 162 shade: RGB 54 162 157, RGB 71 180 176, RGB 88 198 195, RGB 105 216 214 and RGB 122 234 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 162 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 162 162 shade: RGB 49 162 162, RGB 32 144 143, RGB 15 126 124, RGB 0 108 105 and RGB 0 90 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 162 162 shade: RGB 48 161 161, RGB 48 161 130, RGB 48 161 100, RGB 48 161 69 and RGB 56 161 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 162 162 shade: RGB 48 161 161, RGB 48 130 161, RGB 48 100 161, RGB 48 69 161 and RGB 48 48 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 162 162 shade matches the following richer shades: RGB 48 161 161, RGB 31 177 177 and RGB 14 194 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 162 162 shade: RGB 48 161 161, RGB 65 144 144, RGB 81 127 127, RGB 98 110 110 and RGB 115 93 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 162 162 shade: RGB 48 161 100, RGB 48 161 130, RGB 48 161 161, RGB 48 130 161 and RGB 48 100 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 162 162 shade: RGB 29 97 97, RGB 38 129 129, RGB 48 161 161, RGB 57 192 192 and RGB 86 204 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 162 162 shade: RGB 49 162 162, RGB 70 48 161 and RGB 161 115 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 162 162 shade: RGB 49 162 162, RGB 161 48 161 and RGB 161 161 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 162 162 shade: RGB 49 162 162, RGB 70 48 161, RGB 161 48 48 and RGB 138 161 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 162 162 shade: RGB 49 162 162, RGB 104 48 161, RGB 161 48 48 and RGB 104 161 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 0 / 36

HEX #31A2A2

RGB 49 162 162

HSL 180, 0.54%, 0.41%

LAB 60.87, -30.48, -9.14

 

Complementary color

CMYK 0 / 55 / 55 / 19

HEX #CE5D5D

RGB 206 93 93

HSL 0, 0.54%, 0.59%

LAB 53.75, 44.79, 22.03

 

CMYK 67 / 0 / 3 / 36

HEX #36A29D

RGB 54 162 157

HSL 177.22, 0.5%, 0.42%

LAB 60.83, -31.19, -6.37

 

CMYK 61 / 0 / 2 / 29

HEX #47B4B0

RGB 71 180 176

HSL 177.8, 0.43%, 0.49%

LAB 67.36, -31.64, -7.23

 

CMYK 56 / 0 / 2 / 22

HEX #58C6C3

RGB 88 198 195

HSL 178.36, 0.49%, 0.56%

LAB 73.81, -31.92, -8.02

 

CMYK 51 / 0 / 1 / 15

HEX #69D8D6

RGB 105 216 214

HSL 178.92, 0.59%, 0.63%

LAB 80.16, -32.09, -8.75

 

CMYK 48 / 0 / 0 / 8

HEX #7AEAE9

RGB 122 234 233

HSL 179.46, 0.73%, 0.7%

LAB 86.44, -32.19, -9.42

 

CMYK 70 / 0 / 0 / 36

HEX #31A2A2

RGB 49 162 162

HSL 180, 0.54%, 0.41%

LAB 60.87, -30.48, -9.14

 

CMYK 78 / 0 / 1 / 44

HEX #20908F

RGB 32 144 143

HSL 179.46, 0.64%, 0.35%

LAB 54.28, -29.59, -8.19

 

CMYK 88 / 0 / 2 / 51

HEX #0F7E7C

RGB 15 126 124

HSL 178.92, 0.79%, 0.28%

LAB 47.6, -28.29, -7.09

 

CMYK 100 / 0 / 3 / 58

HEX #006C69

RGB 0 108 105

HSL 178.33, 1%, 0.21%

LAB 40.81, -26.54, -5.84

 

CMYK 100 / 0 / 4 / 65

HEX #005A56

RGB 0 90 86

HSL 177.33, 1%, 0.18%

LAB 33.95, -23.85, -4.31

 

CMYK 70 / 0 / 0 / 37

HEX #30A1A1

RGB 48 161 161

HSL 180, 0.54%, 0.41%

LAB 60.51, -30.43, -9.12

 

CMYK 70 / 0 / 19 / 37

HEX #30A182

RGB 48 161 130

HSL 163.54, 0.54%, 0.41%

LAB 59.64, -38.96, 7.1

 

CMYK 70 / 0 / 38 / 37

HEX #30A164

RGB 48 161 100

HSL 147.61, 0.54%, 0.41%

LAB 59.01, -45.73, 22.88

 

CMYK 70 / 0 / 57 / 37

HEX #30A145

RGB 48 161 69

HSL 131.15, 0.54%, 0.41%

LAB 58.55, -50.92, 38.42

 

CMYK 65 / 0 / 70 / 37

HEX #38A130

RGB 56 161 48

HSL 115.75, 0.54%, 0.41%

LAB 58.55, -51.68, 47.91

 

CMYK 70 / 0 / 0 / 37

HEX #30A1A1

RGB 48 161 161

HSL 180, 0.54%, 0.41%

LAB 60.51, -30.43, -9.12

 

CMYK 70 / 19 / 0 / 37

HEX #3082A1

RGB 48 130 161

HSL 196.46, 0.54%, 0.41%

LAB 50.88, -14.32, -23.74

 

CMYK 70 / 38 / 0 / 37

HEX #3064A1

RGB 48 100 161

HSL 212.39, 0.54%, 0.41%

LAB 41.71, 3.51, -38.08

 

CMYK 70 / 57 / 0 / 37

HEX #3045A1

RGB 48 69 161

HSL 228.85, 0.54%, 0.41%

LAB 32.83, 23.84, -52.35

 

CMYK 70 / 70 / 0 / 37

HEX #3030A1

RGB 48 48 161

HSL 240, 0.54%, 0.41%

LAB 27.62, 37.42, -60.87

 

CMYK 70 / 0 / 0 / 37

HEX #30A1A1

RGB 48 161 161

HSL 180, 0.54%, 0.41%

LAB 60.51, -30.43, -9.12

 

CMYK 82 / 0 / 0 / 31

HEX #1FB1B1

RGB 31 177 177

HSL 180, 0.7%, 0.41%

LAB 65.68, -35.06, -10.39

 

CMYK 93 / 0 / 0 / 24

HEX #0EC2C2

RGB 14 194 194

HSL 180, 0.87%, 0.41%

LAB 71.26, -38.72, -11.41

 

CMYK 70 / 0 / 0 / 37

HEX #30A1A1

RGB 48 161 161

HSL 180, 0.54%, 0.41%

LAB 60.51, -30.43, -9.12

 

CMYK 55 / 0 / 0 / 44

HEX #419090

RGB 65 144 144

HSL 180, 0.38%, 0.41%

LAB 55.16, -23.97, -7.36

 

CMYK 36 / 0 / 0 / 50

HEX #517F7F

RGB 81 127 127

HSL 180, 0.22%, 0.41%

LAB 50.05, -15.62, -4.99

 

CMYK 11 / 0 / 0 / 57

HEX #626E6E

RGB 98 110 110

HSL 180, 0.06%, 0.41%

LAB 45.46, -4.51, -1.55

RGB 98 110 110

CMYK 0 / 19 / 19 / 55

HEX #735D5D

RGB 115 93 93

HSL 0, 0.11%, 0.41%

LAB 41.63, 8.94, 3.37

RGB 115 93 93

CMYK 70 / 0 / 38 / 37

HEX #30A164

RGB 48 161 100

HSL 147.61, 0.54%, 0.41%

LAB 59.01, -45.73, 22.88

 

CMYK 70 / 0 / 19 / 37

HEX #30A182

RGB 48 161 130

HSL 163.54, 0.54%, 0.41%

LAB 59.64, -38.96, 7.1

 

CMYK 70 / 0 / 0 / 37

HEX #30A1A1

RGB 48 161 161

HSL 180, 0.54%, 0.41%

LAB 60.51, -30.43, -9.12

 

CMYK 70 / 19 / 0 / 37

HEX #3082A1

RGB 48 130 161

HSL 196.46, 0.54%, 0.41%

LAB 50.88, -14.32, -23.74

 

CMYK 70 / 38 / 0 / 37

HEX #3064A1

RGB 48 100 161

HSL 212.39, 0.54%, 0.41%

LAB 41.71, 3.51, -38.08

 

CMYK 70 / 0 / 0 / 62

HEX #1D6161

RGB 29 97 97

HSL 180, 0.54%, 0.25%

LAB 37.25, -20.55, -6.19

 

CMYK 71 / 0 / 0 / 49

HEX #268181

RGB 38 129 129

HSL 180, 0.54%, 0.33%

LAB 49.13, -25.69, -7.71

 

CMYK 70 / 0 / 0 / 37

HEX #30A1A1

RGB 48 161 161

HSL 180, 0.54%, 0.41%

LAB 60.51, -30.43, -9.12

 

CMYK 70 / 0 / 0 / 25

HEX #39C0C0

RGB 57 192 192

HSL 180, 0.54%, 0.49%

LAB 71.13, -34.93, -10.46

 

CMYK 58 / 0 / 0 / 20

HEX #56CCCC

RGB 86 204 204

HSL 180, 0.54%, 0.57%

LAB 75.78, -32.72, -9.97

 

CMYK 70 / 0 / 0 / 36

HEX #31A2A2

RGB 49 162 162

HSL 180, 0.54%, 0.41%

LAB 60.87, -30.48, -9.14

 

CMYK 57 / 70 / 0 / 37

HEX #4630A1

RGB 70 48 161

HSL 251.68, 0.54%, 0.41%

LAB 29.39, 40.54, -57.9

 

CMYK 0 / 29 / 70 / 37

HEX #A17330

RGB 161 115 48

HSL 35.58, 0.54%, 0.41%

LAB 51.9, 11.34, 42.95

 

CMYK 70 / 0 / 0 / 36

HEX #31A2A2

RGB 49 162 162

HSL 180, 0.54%, 0.41%

LAB 60.87, -30.48, -9.14

 

CMYK 0 / 70 / 0 / 37

HEX #A130A1

RGB 161 48 161

HSL 300, 0.54%, 0.41%

LAB 41.63, 59.45, -37.53

 

CMYK 0 / 0 / 70 / 37

HEX #A1A130

RGB 161 161 48

HSL 60, 0.54%, 0.41%

LAB 64.39, -13.9, 55.73

 

CMYK 70 / 0 / 0 / 36

HEX #31A2A2

RGB 49 162 162

HSL 180, 0.54%, 0.41%

LAB 60.87, -30.48, -9.14

 

CMYK 57 / 70 / 0 / 37

HEX #4630A1

RGB 70 48 161

HSL 251.68, 0.54%, 0.41%

LAB 29.39, 40.54, -57.9

 

CMYK 0 / 70 / 70 / 37

HEX #A13030

RGB 161 48 48

HSL 0, 0.54%, 0.41%

LAB 37.67, 46.39, 26.89

 

CMYK 14 / 0 / 70 / 37

HEX #8AA130

RGB 138 161 48

HSL 72.21, 0.54%, 0.41%

LAB 62.6, -23.81, 53.35

 

CMYK 70 / 0 / 0 / 36

HEX #31A2A2

RGB 49 162 162

HSL 180, 0.54%, 0.41%

LAB 60.87, -30.48, -9.14

 

CMYK 35 / 70 / 0 / 37

HEX #6830A1

RGB 104 48 161

HSL 269.73, 0.54%, 0.41%

LAB 33.2, 46.85, -51.51

 

CMYK 0 / 70 / 70 / 37

HEX #A13030

RGB 161 48 48

HSL 0, 0.54%, 0.41%

LAB 37.67, 46.39, 26.89

 

CMYK 35 / 0 / 70 / 37

HEX #68A130

RGB 104 161 48

HSL 90.27, 0.54%, 0.41%

LAB 60.47, -37.32, 50.5

 

Description

Color code: RGB 49 162 162 | qconv.com Color code: RGB 49 162 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 162 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 162 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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