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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 196 68 it is the complementary color RGB 206 59 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 196 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 196 68 shade: RGB 54 196 63, RGB 71 214 82, RGB 88 232 101, RGB 105 250 120 and RGB 122 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 196 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 196 68 shade: RGB 49 196 68, RGB 32 178 49, RGB 15 160 30, RGB 0 142 11 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 196 68 shade: RGB 48 195 67, RGB 69 195 48, RGB 109 195 48, RGB 148 195 48 and RGB 188 195 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 196 68 shade: RGB 48 195 67, RGB 48 195 107, RGB 48 195 147, RGB 48 195 186 and RGB 48 165 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 196 68 shade matches the following richer shades: RGB 48 195 67, RGB 29 215 53 and RGB 9 235 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 196 68 shade: RGB 48 195 67, RGB 68 176 82, RGB 88 156 97, RGB 108 136 112 and RGB 128 116 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 196 68 shade: RGB 110 195 48, RGB 70 195 48, RGB 48 195 66, RGB 48 195 105 and RGB 48 195 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 196 68 shade: RGB 32 129 45, RGB 40 162 56, RGB 48 195 67, RGB 75 210 93 and RGB 108 218 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 196 68 shade: RGB 49 196 68, RGB 48 149 195 and RGB 195 48 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 196 68 shade: RGB 49 196 68, RGB 66 48 195 and RGB 195 66 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 196 68 shade: RGB 49 196 68, RGB 48 149 195, RGB 195 48 178 and RGB 195 95 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 196 68 shade: RGB 49 196 68, RGB 48 105 195, RGB 195 48 178 and RGB 195 139 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 65 / 23

HEX #31C444

RGB 49 196 68

HSL 127.76, 0.6%, 0.48%

LAB 69.86, -62.86, 51.79

 

Complementary color

CMYK 0 / 71 / 9 / 19

HEX #CE3BBB

RGB 206 59 187

HSL 307.76, 0.6%, 0.52%

LAB 51.65, 70.11, -36.57

 

CMYK 72 / 0 / 68 / 23

HEX #36C43F

RGB 54 196 63

HSL 123.8, 0.57%, 0.49%

LAB 69.91, -62.58, 53.93

 

CMYK 67 / 0 / 62 / 16

HEX #47D652

RGB 71 214 82

HSL 124.62, 0.64%, 0.56%

LAB 76.09, -63.6, 52.9

 

CMYK 62 / 0 / 56 / 9

HEX #58E865

RGB 88 232 101

HSL 125.42, 0.76%, 0.63%

LAB 82.23, -64.25, 51.69

 

CMYK 58 / 0 / 52 / 2

HEX #69FA78

RGB 105 250 120

HSL 126.21, 0.94%, 0.7%

LAB 88.32, -64.62, 50.42

 

CMYK 52 / 0 / 45 / 0

HEX #7AFF8B

RGB 122 255 139

HSL 127.67, 1%, 0.74%

LAB 90.56, -59.91, 44.37

 

CMYK 75 / 0 / 65 / 23

HEX #31C444

RGB 49 196 68

HSL 127.76, 0.6%, 0.48%

LAB 69.86, -62.86, 51.79

 

CMYK 82 / 0 / 72 / 30

HEX #20B231

RGB 32 178 49

HSL 126.99, 0.7%, 0.41%

LAB 63.65, -61.21, 52.68

 

CMYK 91 / 0 / 81 / 37

HEX #0FA01E

RGB 15 160 30

HSL 126.21, 0.83%, 0.34%

LAB 57.4, -58.76, 52.92

 

CMYK 100 / 0 / 92 / 44

HEX #008E0B

RGB 0 142 11

HSL 124.65, 1%, 0.28%

LAB 51.12, -55.37, 51.87

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 75 / 0 / 66 / 24

HEX #30C343

RGB 48 195 67

HSL 127.76, 0.6%, 0.48%

LAB 69.51, -62.78, 51.83

 

CMYK 65 / 0 / 75 / 24

HEX #45C330

RGB 69 195 48

HSL 111.43, 0.6%, 0.48%

LAB 69.83, -60.64, 59.5

 

CMYK 44 / 0 / 75 / 24

HEX #6DC330

RGB 109 195 48

HSL 95.1, 0.6%, 0.48%

LAB 71.21, -49.86, 61.32

 

CMYK 24 / 0 / 75 / 24

HEX #94C330

RGB 148 195 48

HSL 79.18, 0.6%, 0.48%

LAB 73.25, -35.9, 63.98

 

CMYK 4 / 0 / 75 / 24

HEX #BCC330

RGB 188 195 48

HSL 62.86, 0.6%, 0.48%

LAB 76.03, -19.54, 67.59

 

CMYK 75 / 0 / 66 / 24

HEX #30C343

RGB 48 195 67

HSL 127.76, 0.6%, 0.48%

LAB 69.51, -62.78, 51.83

 

CMYK 75 / 0 / 45 / 24

HEX #30C36B

RGB 48 195 107

HSL 144.08, 0.6%, 0.48%

LAB 69.98, -57.28, 33.54

 

CMYK 75 / 0 / 25 / 24

HEX #30C393

RGB 48 195 147

HSL 160.41, 0.6%, 0.48%

LAB 70.71, -49.17, 13.42

 

CMYK 75 / 0 / 5 / 24

HEX #30C3BA

RGB 48 195 186

HSL 176.33, 0.6%, 0.48%

LAB 71.69, -39.09, -6.36

 

CMYK 75 / 15 / 0 / 24

HEX #30A5C3

RGB 48 165 195

HSL 192.24, 0.6%, 0.48%

LAB 62.91, -21.81, -24.58

 

CMYK 75 / 0 / 66 / 24

HEX #30C343

RGB 48 195 67

HSL 127.76, 0.6%, 0.48%

LAB 69.51, -62.78, 51.83

 

CMYK 87 / 0 / 75 / 16

HEX #1DD735

RGB 29 215 53

HSL 127.74, 0.76%, 0.48%

LAB 75.53, -72.24, 63.24

 

CMYK 96 / 0 / 84 / 8

HEX #09EB26

RGB 9 235 38

HSL 127.7, 0.93%, 0.48%

LAB 81.63, -79.73, 73.1

 

CMYK 75 / 0 / 66 / 24

HEX #30C343

RGB 48 195 67

HSL 127.76, 0.6%, 0.48%

LAB 69.51, -62.78, 51.83

 

CMYK 61 / 0 / 53 / 31

HEX #44B052

RGB 68 176 82

HSL 127.78, 0.44%, 0.48%

LAB 64.07, -50.58, 38.8

 

CMYK 44 / 0 / 38 / 39

HEX #589C61

RGB 88 156 97

HSL 127.94, 0.28%, 0.48%

LAB 58.71, -34.52, 24.35

 

CMYK 21 / 0 / 18 / 47

HEX #6C8870

RGB 108 136 112

HSL 128.57, 0.11%, 0.48%

LAB 53.99, -15.02, 9.65

 

CMYK 0 / 9 / 2 / 50

HEX #80747E

RGB 128 116 126

HSL 310, 0.05%, 0.48%

LAB 50.2, 6.57, -3.8

 

CMYK 44 / 0 / 75 / 24

HEX #6EC330

RGB 110 195 48

HSL 94.69, 0.6%, 0.48%

LAB 71.25, -49.54, 61.38

 

CMYK 64 / 0 / 75 / 24

HEX #46C330

RGB 70 195 48

HSL 111.02, 0.6%, 0.48%

LAB 69.86, -60.43, 59.53

 

CMYK 75 / 0 / 66 / 24

HEX #30C342

RGB 48 195 66

HSL 127.35, 0.6%, 0.48%

LAB 69.51, -62.89, 52.23

 

CMYK 75 / 0 / 46 / 24

HEX #30C369

RGB 48 195 105

HSL 143.27, 0.6%, 0.48%

LAB 69.95, -57.62, 34.52

 

CMYK 75 / 0 / 26 / 24

HEX #30C390

RGB 48 195 144

HSL 159.18, 0.6%, 0.48%

LAB 70.64, -49.86, 14.95

 

CMYK 75 / 0 / 65 / 49

HEX #20812D

RGB 32 129 45

HSL 128.04, 0.6%, 0.32%

LAB 47.23, -45.34, 36.74

 

CMYK 75 / 0 / 65 / 36

HEX #28A238

RGB 40 162 56

HSL 127.87, 0.6%, 0.4%

LAB 58.58, -54.25, 44.45

 

CMYK 75 / 0 / 66 / 24

HEX #30C343

RGB 48 195 67

HSL 127.76, 0.6%, 0.48%

LAB 69.51, -62.78, 51.83

 

CMYK 64 / 0 / 56 / 18

HEX #4BD25D

RGB 75 210 93

HSL 128, 0.6%, 0.56%

LAB 75.06, -60.12, 46.79

 

CMYK 50 / 0 / 44 / 15

HEX #6CDA7B

RGB 108 218 123

HSL 128.18, 0.6%, 0.64%

LAB 78.9, -51.26, 37.25

 

CMYK 75 / 0 / 65 / 23

HEX #31C444

RGB 49 196 68

HSL 127.76, 0.6%, 0.48%

LAB 69.86, -62.86, 51.79

 

CMYK 75 / 24 / 0 / 24

HEX #3095C3

RGB 48 149 195

HSL 198.78, 0.6%, 0.48%

LAB 58.1, -13.24, -32.02

 

CMYK 0 / 75 / 54 / 24

HEX #C3305A

RGB 195 48 90

HSL 342.86, 0.6%, 0.48%

LAB 44.88, 59.69, 11.47

 

CMYK 75 / 0 / 65 / 23

HEX #31C444

RGB 49 196 68

HSL 127.76, 0.6%, 0.48%

LAB 69.86, -62.86, 51.79

 

CMYK 66 / 75 / 0 / 24

HEX #4230C3

RGB 66 48 195

HSL 247.35, 0.6%, 0.48%

LAB 32.29, 50.5, -73.41

 

CMYK 0 / 66 / 75 / 24

HEX #C34230

RGB 195 66 48

HSL 7.35, 0.6%, 0.48%

LAB 46.59, 50.5, 38.71

 

CMYK 75 / 0 / 65 / 23

HEX #31C444

RGB 49 196 68

HSL 127.76, 0.6%, 0.48%

LAB 69.86, -62.86, 51.79

 

CMYK 75 / 24 / 0 / 24

HEX #3095C3

RGB 48 149 195

HSL 198.78, 0.6%, 0.48%

LAB 58.1, -13.24, -32.02

 

CMYK 0 / 75 / 9 / 24

HEX #C330B2

RGB 195 48 178

HSL 306.94, 0.6%, 0.48%

LAB 48.17, 69.77, -36.91

 

CMYK 0 / 51 / 75 / 24

HEX #C35F30

RGB 195 95 48

HSL 19.18, 0.6%, 0.48%

LAB 51.84, 36.81, 44.27

 

CMYK 75 / 0 / 65 / 23

HEX #31C444

RGB 49 196 68

HSL 127.76, 0.6%, 0.48%

LAB 69.86, -62.86, 51.79

 

CMYK 75 / 46 / 0 / 24

HEX #3069C3

RGB 48 105 195

HSL 216.73, 0.6%, 0.48%

LAB 45.18, 13.06, -52.45

 

CMYK 0 / 75 / 9 / 24

HEX #C330B2

RGB 195 48 178

HSL 306.94, 0.6%, 0.48%

LAB 48.17, 69.77, -36.91

 

CMYK 0 / 29 / 75 / 24

HEX #C38B30

RGB 195 139 48

HSL 37.14, 0.6%, 0.48%

LAB 61.9, 13.06, 54.41

 

Description

Color code: RGB 49 196 68 | qconv.com Color code: RGB 49 196 68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 196 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 196 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 65% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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