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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 49 200 162 it is the complementary color RGB 206 55 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 49 200 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 49 200 162 shade: RGB 54 200 157, RGB 71 218 176, RGB 88 236 195, RGB 105 254 214 and RGB 122 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 49 200 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 49 200 162 shade: RGB 49 200 162, RGB 32 182 143, RGB 15 164 124, RGB 0 146 105 and RGB 0 128 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 49 200 162 shade: RGB 48 201 162, RGB 48 201 121, RGB 48 201 80, RGB 57 201 48 and RGB 99 201 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 49 200 162 shade: RGB 48 201 162, RGB 48 198 201, RGB 48 157 201, RGB 48 116 201 and RGB 48 75 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 49 200 162 shade matches the following richer shades: RGB 48 201 162, RGB 28 221 172 and RGB 8 241 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 49 200 162 shade: RGB 48 201 162, RGB 68 180 152, RGB 89 160 142, RGB 109 140 132 and RGB 129 120 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 49 200 162 shade: RGB 48 201 79, RGB 48 201 119, RGB 48 201 160, RGB 48 201 201 and RGB 48 160 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 49 200 162 shade: RGB 32 134 109, RGB 40 167 135, RGB 48 201 162, RGB 78 212 178 and RGB 112 220 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 49 200 162 shade: RGB 49 200 162, RGB 48 58 201 and RGB 201 99 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 49 200 162 shade: RGB 49 200 162, RGB 160 48 201 and RGB 201 160 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 49 200 162 shade: RGB 49 200 162, RGB 48 58 201, RGB 201 48 89 and RGB 201 191 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 49 200 162 shade: RGB 49 200 162, RGB 84 48 201, RGB 201 48 89 and RGB 165 201 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

Complementary color

CMYK 0 / 73 / 55 / 19

HEX #CE375D

RGB 206 55 93

HSL 344.9, 0.61%, 0.51%

LAB 47.81, 60.78, 13.99

 

CMYK 73 / 0 / 22 / 22

HEX #36C89D

RGB 54 200 157

HSL 162.33, 0.57%, 0.5%

LAB 72.58, -48.08, 10.68

 

CMYK 67 / 0 / 19 / 15

HEX #47DAB0

RGB 71 218 176

HSL 162.86, 0.67%, 0.57%

LAB 78.82, -48.6, 9.45

 

CMYK 63 / 0 / 17 / 7

HEX #58ECC3

RGB 88 236 195

HSL 163.38, 0.8%, 0.64%

LAB 85, -48.93, 8.31

 

CMYK 59 / 0 / 16 / 0

HEX #69FED6

RGB 105 254 214

HSL 163.89, 0.99%, 0.7%

LAB 91.12, -49.12, 7.27

 

CMYK 52 / 0 / 9 / 0

HEX #7AFFE9

RGB 122 255 233

HSL 170.08, 1%, 0.74%

LAB 92.37, -41.82, -0.67

 

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

CMYK 82 / 0 / 21 / 29

HEX #20B68F

RGB 32 182 143

HSL 164.4, 0.7%, 0.42%

LAB 66.33, -46.55, 9.37

 

CMYK 91 / 0 / 24 / 36

HEX #0FA47C

RGB 15 164 124

HSL 163.89, 0.83%, 0.35%

LAB 59.99, -45.2, 10.89

 

CMYK 100 / 0 / 28 / 43

HEX #009269

RGB 0 146 105

HSL 163.15, 1%, 0.29%

LAB 53.58, -43.42, 12.57

 

CMYK 100 / 0 / 33 / 50

HEX #008056

RGB 0 128 86

HSL 160.31, 1%, 0.25%

LAB 47.12, -40.85, 14.51

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A2

RGB 48 201 162

HSL 164.71, 0.61%, 0.49%

LAB 72.9, -48.03, 8.43

 

CMYK 76 / 0 / 40 / 21

HEX #30C979

RGB 48 201 121

HSL 148.63, 0.61%, 0.49%

LAB 72.08, -56.95, 29.08

 

CMYK 76 / 0 / 60 / 21

HEX #30C950

RGB 48 201 80

HSL 132.55, 0.61%, 0.49%

LAB 71.54, -63.28, 48.46

 

CMYK 72 / 0 / 76 / 21

HEX #39C930

RGB 57 201 48

HSL 116.47, 0.61%, 0.49%

LAB 71.46, -64.91, 61.01

 

CMYK 51 / 0 / 76 / 21

HEX #63C930

RGB 99 201 48

HSL 100, 0.61%, 0.49%

LAB 72.65, -55.22, 62.58

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A2

RGB 48 201 162

HSL 164.71, 0.61%, 0.49%

LAB 72.9, -48.03, 8.43

 

CMYK 76 / 1 / 0 / 21

HEX #30C6C9

RGB 48 198 201

HSL 181.18, 0.61%, 0.49%

LAB 73.05, -36.14, -12.52

 

CMYK 76 / 22 / 0 / 21

HEX #309DC9

RGB 48 157 201

HSL 197.25, 0.61%, 0.49%

LAB 60.75, -15.57, -31.28

 

CMYK 76 / 42 / 0 / 21

HEX #3074C9

RGB 48 116 201

HSL 213.33, 0.61%, 0.49%

LAB 48.68, 8.37, -50.29

 

CMYK 76 / 63 / 0 / 21

HEX #304BC9

RGB 48 75 201

HSL 229.41, 0.61%, 0.49%

LAB 37.62, 34.66, -68.18

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A2

RGB 48 201 162

HSL 164.71, 0.61%, 0.49%

LAB 72.9, -48.03, 8.43

 

CMYK 87 / 0 / 22 / 13

HEX #1CDDAC

RGB 28 221 172

HSL 164.77, 0.78%, 0.49%

LAB 79.01, -55.33, 11.74

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B6

RGB 8 241 182

HSL 164.81, 0.94%, 0.49%

LAB 85.17, -61.38, 15.19

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A2

RGB 48 201 162

HSL 164.71, 0.61%, 0.49%

LAB 72.9, -48.03, 8.43

 

CMYK 62 / 0 / 16 / 29

HEX #44B498

RGB 68 180 152

HSL 165, 0.45%, 0.49%

LAB 66.63, -38.49, 4.94

 

CMYK 44 / 0 / 11 / 37

HEX #59A08E

RGB 89 160 142

HSL 164.79, 0.29%, 0.49%

LAB 60.97, -26.79, 2.44

 

CMYK 22 / 0 / 6 / 45

HEX #6D8C84

RGB 109 140 132

HSL 164.52, 0.12%, 0.49%

LAB 55.76, -12.66, 0.68

 

CMYK 0 / 7 / 5 / 49

HEX #81787A

RGB 129 120 122

HSL 346.67, 0.04%, 0.49%

LAB 51.27, 3.83, 0.14

 

CMYK 76 / 0 / 61 / 21

HEX #30C94F

RGB 48 201 79

HSL 132.16, 0.61%, 0.49%

LAB 71.53, -63.4, 48.9

 

CMYK 76 / 0 / 41 / 21

HEX #30C977

RGB 48 201 119

HSL 147.84, 0.61%, 0.49%

LAB 72.05, -57.32, 30.08

 

CMYK 76 / 0 / 20 / 21

HEX #30C9A0

RGB 48 201 160

HSL 163.92, 0.61%, 0.49%

LAB 72.85, -48.52, 9.44

 

CMYK 76 / 0 / 0 / 21

HEX #30C9C9

RGB 48 201 201

HSL 180, 0.61%, 0.49%

LAB 73.95, -37.53, -11.17

 

CMYK 76 / 20 / 0 / 21

HEX #30A0C9

RGB 48 160 201

HSL 196.08, 0.61%, 0.49%

LAB 61.64, -17.19, -29.89

 

CMYK 76 / 0 / 19 / 47

HEX #20866D

RGB 32 134 109

HSL 165.29, 0.61%, 0.33%

LAB 50.05, -34.7, 5.34

 

CMYK 76 / 0 / 19 / 35

HEX #28A787

RGB 40 167 135

HSL 164.88, 0.61%, 0.41%

LAB 61.51, -41.42, 6.95

 

CMYK 76 / 0 / 19 / 21

HEX #30C9A2

RGB 48 201 162

HSL 164.71, 0.61%, 0.49%

LAB 72.9, -48.03, 8.43

 

CMYK 63 / 0 / 16 / 17

HEX #4ED4B2

RGB 78 212 178

HSL 164.78, 0.61%, 0.57%

LAB 77.23, -44.44, 6.13

 

CMYK 49 / 0 / 12 / 14

HEX #70DCC1

RGB 112 220 193

HSL 165, 0.61%, 0.65%

LAB 81.01, -37.59, 3.71

 

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

CMYK 76 / 71 / 0 / 21

HEX #303AC9

RGB 48 58 201

HSL 236.08, 0.61%, 0.49%

LAB 33.71, 45.13, -74.6

 

CMYK 0 / 51 / 76 / 21

HEX #C96330

RGB 201 99 48

HSL 20, 0.61%, 0.49%

LAB 53.55, 37.14, 46.33

 

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

CMYK 20 / 76 / 0 / 21

HEX #A030C9

RGB 160 48 201

HSL 283.92, 0.61%, 0.49%

LAB 43.95, 66.57, -57.4

 

CMYK 0 / 20 / 76 / 21

HEX #C9A030

RGB 201 160 48

HSL 43.92, 0.61%, 0.49%

LAB 67.85, 4.28, 60.37

 

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

CMYK 76 / 71 / 0 / 21

HEX #303AC9

RGB 48 58 201

HSL 236.08, 0.61%, 0.49%

LAB 33.71, 45.13, -74.6

 

CMYK 0 / 76 / 56 / 21

HEX #C93059

RGB 201 48 89

HSL 343.92, 0.61%, 0.49%

LAB 45.98, 61.32, 13.78

 

CMYK 0 / 5 / 76 / 21

HEX #C9BF30

RGB 201 191 48

HSL 56.08, 0.61%, 0.49%

LAB 76, -11.98, 67.95

 

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

CMYK 58 / 76 / 0 / 21

HEX #5430C9

RGB 84 48 201

HSL 254.12, 0.61%, 0.49%

LAB 34.43, 54.37, -73.33

 

CMYK 0 / 76 / 56 / 21

HEX #C93059

RGB 201 48 89

HSL 343.92, 0.61%, 0.49%

LAB 45.98, 61.32, 13.78

 

CMYK 18 / 0 / 76 / 21

HEX #A5C930

RGB 165 201 48

HSL 74.12, 0.61%, 0.49%

LAB 76.06, -31.94, 67.02

 

Description

Color code: RGB 49 200 162 | qconv.com Color code: RGB 49 200 162 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 200 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 200 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 19 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 19% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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