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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 52 110 it is the complementary color RGB 202 203 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 52 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 52 110 shade: RGB 58 52 105, RGB 75 70 124, RGB 92 88 143, RGB 109 106 162 and RGB 126 124 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 52 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 36 34 91, RGB 19 16 72, RGB 2 0 53 and RGB 0 0 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 69 52 110, RGB 84 52 110, RGB 100 52 110 and RGB 110 52 105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 52 110 shade: RGB 53 52 110 and RGB 52 52 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 52 110 shade matches the following richer shades: RGB 53 52 110, RGB 40 39 124, RGB 27 25 137 and RGB 14 12 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 65 65 97, RGB 78 78 84, RGB 91 91 71 and RGB 104 105 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 52 110 shade: RGB 52 82 110, RGB 52 66 110, RGB 53 52 110, RGB 68 52 110 and RGB 84 52 110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 52 110 shade: RGB 26 25 54, RGB 39 39 82, RGB 53 52 110, RGB 66 65 139 and RGB 80 78 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 110 52 98 and RGB 74 110 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 110 53 52 and RGB 52 110 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 110 52 98, RGB 109 110 52 and RGB 52 110 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 52 110 shade: RGB 53 52 110, RGB 110 52 80, RGB 109 110 52 and RGB 52 110 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

Complementary color

CMYK 0 / 0 / 29 / 20

HEX #CACB91

RGB 202 203 145

HSL 61.03, 0.36%, 0.68%

LAB 80.36, -9.49, 28.9

 

CMYK 45 / 50 / 0 / 59

HEX #3A3469

RGB 58 52 105

HSL 246.79, 0.34%, 0.31%

LAB 24.88, 17.47, -30.27

 

CMYK 40 / 44 / 0 / 51

HEX #4B467C

RGB 75 70 124

HSL 245.56, 0.28%, 0.38%

LAB 32.55, 16.33, -30.03

 

CMYK 36 / 38 / 0 / 44

HEX #5C588F

RGB 92 88 143

HSL 244.36, 0.24%, 0.45%

LAB 39.98, 15.41, -29.87

 

CMYK 33 / 35 / 0 / 36

HEX #6D6AA2

RGB 109 106 162

HSL 243.21, 0.23%, 0.53%

LAB 47.19, 14.65, -29.79

 

CMYK 30 / 31 / 0 / 29

HEX #7E7CB5

RGB 126 124 181

HSL 242.11, 0.28%, 0.6%

LAB 54.22, 14, -29.78

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 60 / 63 / 0 / 64

HEX #24225B

RGB 36 34 91

HSL 242.11, 0.46%, 0.25%

LAB 16.87, 19.58, -34.07

 

CMYK 74 / 78 / 0 / 72

HEX #131048

RGB 19 16 72

HSL 243.21, 0.64%, 0.17%

LAB 8.8, 21.88, -34.33

 

CMYK 96 / 100 / 0 / 79

HEX #020035

RGB 2 0 53

HSL 242.26, 1%, 0.1%

LAB 2.44, 16.84, -31.1

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 37 / 53 / 0 / 57

HEX #45346E

RGB 69 52 110

HSL 257.59, 0.36%, 0.32%

LAB 26.29, 22.13, -31.16

 

CMYK 24 / 53 / 0 / 57

HEX #54346E

RGB 84 52 110

HSL 273.1, 0.36%, 0.32%

LAB 28.02, 26.57, -28.3

 

CMYK 9 / 53 / 0 / 57

HEX #64346E

RGB 100 52 110

HSL 289.66, 0.36%, 0.32%

LAB 30.14, 31.53, -24.83

 

CMYK 0 / 53 / 5 / 57

HEX #6E3469

RGB 110 52 105

HSL 305.17, 0.36%, 0.32%

LAB 31.33, 33.68, -19.68

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 53 / 53 / 0 / 57

HEX #34346E

RGB 52 52 110

HSL 240, 0.36%, 0.32%

LAB 24.68, 17.58, -33.84

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 68 / 69 / 0 / 51

HEX #28277C

RGB 40 39 124

HSL 240.71, 0.52%, 0.32%

LAB 21.42, 28.98, -48.1

 

CMYK 80 / 82 / 0 / 46

HEX #1B1989

RGB 27 25 137

HSL 241.07, 0.69%, 0.32%

LAB 18.95, 40.57, -60.42

 

CMYK 91 / 92 / 0 / 41

HEX #0E0C96

RGB 14 12 150

HSL 240.87, 0.85%, 0.32%

LAB 18.18, 49.72, -69.81

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 33 / 33 / 0 / 62

HEX #414161

RGB 65 65 97

HSL 240, 0.2%, 0.32%

LAB 28.82, 8.39, -18.87

 

CMYK 7 / 7 / 0 / 67

HEX #4E4E54

RGB 78 78 84

HSL 240, 0.04%, 0.32%

LAB 33.37, 1.34, -3.53

 

CMYK 0 / 0 / 22 / 64

HEX #5B5B47

RGB 91 91 71

HSL 60, 0.12%, 0.32%

LAB 38.13, -3.81, 11.57

 

CMYK 1 / 0 / 45 / 59

HEX #68693A

RGB 104 105 58

HSL 61.28, 0.29%, 0.32%

LAB 43.29, -8.08, 26.23

 

CMYK 53 / 25 / 0 / 57

HEX #34526E

RGB 52 82 110

HSL 208.97, 0.36%, 0.32%

LAB 33.75, -2.43, -19.52

 

CMYK 53 / 40 / 0 / 57

HEX #34426E

RGB 52 66 110

HSL 225.52, 0.36%, 0.32%

LAB 28.78, 8.03, -27.31

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 38 / 53 / 0 / 57

HEX #44346E

RGB 68 52 110

HSL 256.55, 0.36%, 0.32%

LAB 26.19, 21.85, -31.33

 

CMYK 24 / 53 / 0 / 57

HEX #54346E

RGB 84 52 110

HSL 273.1, 0.36%, 0.32%

LAB 28.02, 26.57, -28.3

 

CMYK 52 / 54 / 0 / 79

HEX #1A1936

RGB 26 25 54

HSL 242.07, 0.37%, 0.15%

LAB 10.42, 9.84, -18.89

 

CMYK 52 / 52 / 0 / 68

HEX #272752

RGB 39 39 82

HSL 240, 0.36%, 0.24%

LAB 17.88, 13.46, -26.39

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 53 / 53 / 0 / 45

HEX #42418B

RGB 66 65 139

HSL 240.81, 0.36%, 0.4%

LAB 31.35, 22.06, -41.27

 

CMYK 52 / 53 / 0 / 35

HEX #504EA7

RGB 80 78 167

HSL 241.35, 0.36%, 0.48%

LAB 37.74, 26.02, -47.9

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 0 / 53 / 11 / 57

HEX #6E3462

RGB 110 52 98

HSL 312.41, 0.36%, 0.32%

LAB 31, 32.36, -15.69

 

CMYK 33 / 0 / 53 / 57

HEX #4A6E34

RGB 74 110 52

HSL 97.24, 0.36%, 0.32%

LAB 42.54, -24.29, 28.12

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 0 / 52 / 53 / 57

HEX #6E3534

RGB 110 53 52

HSL 1.03, 0.36%, 0.32%

LAB 29.69, 25.11, 12.34

 

CMYK 53 / 0 / 52 / 57

HEX #346E35

RGB 52 110 53

HSL 121.03, 0.36%, 0.32%

LAB 41.44, -31.83, 25.96

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 0 / 53 / 11 / 57

HEX #6E3462

RGB 110 52 98

HSL 312.41, 0.36%, 0.32%

LAB 31, 32.36, -15.69

 

CMYK 1 / 0 / 53 / 57

HEX #6D6E34

RGB 109 110 52

HSL 61.03, 0.36%, 0.32%

LAB 45.15, -9.3, 31.87

 

CMYK 53 / 0 / 42 / 57

HEX #346E40

RGB 52 110 64

HSL 132.41, 0.36%, 0.32%

LAB 41.61, -29.97, 19.99

 

CMYK 52 / 53 / 0 / 57

HEX #35346E

RGB 53 52 110

HSL 241.03, 0.36%, 0.32%

LAB 24.76, 17.83, -33.7

 

CMYK 0 / 53 / 27 / 57

HEX #6E3450

RGB 110 52 80

HSL 331.03, 0.36%, 0.32%

LAB 30.28, 29.31, -5.13

 

CMYK 1 / 0 / 53 / 57

HEX #6D6E34

RGB 109 110 52

HSL 61.03, 0.36%, 0.32%

LAB 45.15, -9.3, 31.87

 

CMYK 53 / 0 / 25 / 57

HEX #346E52

RGB 52 110 82

HSL 151.03, 0.36%, 0.32%

LAB 41.99, -26.21, 9.91

 

Description

Color code: RGB 53 52 110 | qconv.com Color code: RGB 53 52 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 52 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 52 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 53 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 53% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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