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Color name
RGB 53 67 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 67 34 it is the complementary color RGB 202 188 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 67 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 67 34 shade: RGB 58 67 29, RGB 75 85 48, RGB 92 103 67, RGB 109 121 86 and RGB 126 139 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 67 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 36 49 15, RGB 19 31 0 and RGB 2 13 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 62 67 34, RGB 67 63 34, RGB 67 54 34 and RGB 67 45 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 44 67 34, RGB 35 67 34, RGB 34 67 42 and RGB 34 67 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 67 34 shade matches the following richer shades: RGB 53 67 34, RGB 54 76 25, RGB 56 84 17, RGB 57 92 9 and RGB 58 100 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 52 59 42, RGB 51 51 50, RGB 49 43 58 and RGB 48 34 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 67 34 shade: RGB 67 63 34, RGB 62 67 34, RGB 53 67 34, RGB 44 67 34 and RGB 35 67 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 67 34 shade: RGB 10 12 6, RGB 31 40 20, RGB 53 67 34, RGB 75 95 47 and RGB 96 122 61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 34 67 54 and RGB 67 34 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 34 53 67 and RGB 67 34 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 34 67 54, RGB 48 34 67 and RGB 67 34 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 67 34 shade: RGB 53 67 34, RGB 34 67 65, RGB 48 34 67 and RGB 67 34 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

Complementary color

CMYK 9 / 15 / 0 / 13

HEX #CABCDD

RGB 202 188 221

HSL 265.45, 0.33%, 0.8%

LAB 78.31, 11.13, -14.7

 

CMYK 13 / 0 / 57 / 74

HEX #3A431D

RGB 58 67 29

HSL 74.21, 0.4%, 0.19%

LAB 26.74, -10.7, 21.65

 

CMYK 12 / 0 / 44 / 67

HEX #4B5530

RGB 75 85 48

HSL 76.22, 0.28%, 0.26%

LAB 34.41, -10.9, 20.27

 

CMYK 11 / 0 / 35 / 60

HEX #5C6743

RGB 92 103 67

HSL 78.33, 0.21%, 0.33%

LAB 41.82, -11, 18.96

 

CMYK 10 / 0 / 29 / 53

HEX #6D7956

RGB 109 121 86

HSL 80.57, 0.17%, 0.41%

LAB 49, -11.05, 17.76

 

CMYK 9 / 0 / 24 / 45

HEX #7E8B69

RGB 126 139 105

HSL 82.94, 0.14%, 0.48%

LAB 56.01, -11.08, 16.65

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 27 / 0 / 69 / 81

HEX #24310F

RGB 36 49 15

HSL 82.94, 0.53%, 0.13%

LAB 18.39, -12.26, 19.49

 

CMYK 39 / 0 / 100 / 88

HEX #131F00

RGB 19 31 0

HSL 83.23, 1%, 0.06%

LAB 9.94, -11.78, 14.62

 

CMYK 85 / 0 / 100 / 95

HEX #020D00

RGB 2 13 0

HSL 110.77, 1%, 0.03%

LAB 2.72, -4.79, 3.98

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 7 / 0 / 49 / 74

HEX #3E4322

RGB 62 67 34

HSL 69.09, 0.33%, 0.2%

LAB 27.17, -8.15, 19.28

 

CMYK 0 / 6 / 49 / 74

HEX #433F22

RGB 67 63 34

HSL 52.73, 0.33%, 0.2%

LAB 26.34, -3.24, 18.36

 

CMYK 0 / 19 / 49 / 74

HEX #433622

RGB 67 54 34

HSL 36.36, 0.33%, 0.2%

LAB 23.5, 2.55, 14.73

 

CMYK 0 / 33 / 49 / 74

HEX #432D22

RGB 67 45 34

HSL 20, 0.33%, 0.2%

LAB 20.77, 8.51, 11.15

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 34 / 0 / 49 / 74

HEX #2C4322

RGB 44 67 34

HSL 101.82, 0.33%, 0.2%

LAB 25.76, -16.31, 17.21

 

CMYK 48 / 0 / 49 / 74

HEX #234322

RGB 35 67 34

HSL 118.18, 0.33%, 0.2%

LAB 25.22, -19.85, 16.42

 

CMYK 49 / 0 / 37 / 74

HEX #22432A

RGB 34 67 42

HSL 134.55, 0.33%, 0.2%

LAB 25.33, -18.64, 11.52

 

CMYK 49 / 0 / 24 / 74

HEX #224333

RGB 34 67 51

HSL 150.91, 0.33%, 0.2%

LAB 25.54, -16.54, 6

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 29 / 0 / 67 / 70

HEX #364C19

RGB 54 76 25

HSL 85.88, 0.5%, 0.2%

LAB 29.47, -18.1, 26.92

 

CMYK 33 / 0 / 80 / 67

HEX #385411

RGB 56 84 17

HSL 85.07, 0.66%, 0.2%

LAB 32.31, -22.1, 33.64

 

CMYK 38 / 0 / 90 / 64

HEX #395C09

RGB 57 92 9

HSL 85.3, 0.82%, 0.2%

LAB 35.09, -26.08, 38.95

 

CMYK 42 / 0 / 99 / 61

HEX #3A6401

RGB 58 100 1

HSL 85.45, 0.98%, 0.2%

LAB 37.87, -29.77, 43.59

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 12 / 0 / 29 / 77

HEX #343B2A

RGB 52 59 42

HSL 84.71, 0.17%, 0.2%

LAB 23.75, -6.64, 9.59

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 16 / 26 / 0 / 77

HEX #312B3A

RGB 49 43 58

HSL 264, 0.15%, 0.2%

LAB 18.74, 6.39, -8.57

 

CMYK 28 / 49 / 0 / 74

HEX #302243

RGB 48 34 67

HSL 265.45, 0.33%, 0.2%

LAB 16.39, 14.87, -18.45

 

CMYK 0 / 6 / 49 / 74

HEX #433F22

RGB 67 63 34

HSL 52.73, 0.33%, 0.2%

LAB 26.34, -3.24, 18.36

 

CMYK 7 / 0 / 49 / 74

HEX #3E4322

RGB 62 67 34

HSL 69.09, 0.33%, 0.2%

LAB 27.17, -8.15, 19.28

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 34 / 0 / 49 / 74

HEX #2C4322

RGB 44 67 34

HSL 101.82, 0.33%, 0.2%

LAB 25.76, -16.31, 17.21

 

CMYK 48 / 0 / 49 / 74

HEX #234322

RGB 35 67 34

HSL 118.18, 0.33%, 0.2%

LAB 25.22, -19.85, 16.42

 

CMYK 17 / 0 / 50 / 95

HEX #0A0C06

RGB 10 12 6

HSL 80, 0.33%, 0.04%

LAB 3.08, -1.4, 2.12

 

CMYK 23 / 0 / 50 / 84

HEX #1F2814

RGB 31 40 20

HSL 87, 0.33%, 0.12%

LAB 14.73, -8.45, 11.89

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 21 / 0 / 51 / 63

HEX #4B5F2F

RGB 75 95 47

HSL 85, 0.34%, 0.28%

LAB 37.64, -16.67, 24.89

 

CMYK 21 / 0 / 50 / 52

HEX #607A3D

RGB 96 122 61

HSL 85.57, 0.33%, 0.36%

LAB 47.93, -20.46, 30.18

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 49 / 0 / 19 / 74

HEX #224336

RGB 34 67 54

HSL 156.36, 0.33%, 0.2%

LAB 25.63, -15.77, 4.16

 

CMYK 0 / 49 / 0 / 74

HEX #432243

RGB 67 34 67

HSL 300, 0.33%, 0.2%

LAB 18.98, 21.67, -14.21

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 49 / 21 / 0 / 74

HEX #223543

RGB 34 53 67

HSL 205.45, 0.33%, 0.2%

LAB 21.18, -3.18, -11.11

 

CMYK 0 / 49 / 21 / 74

HEX #432235

RGB 67 34 53

HSL 325.45, 0.33%, 0.2%

LAB 18.34, 18.79, -5.47

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 49 / 0 / 19 / 74

HEX #224336

RGB 34 67 54

HSL 156.36, 0.33%, 0.2%

LAB 25.63, -15.77, 4.16

 

CMYK 28 / 49 / 0 / 74

HEX #302243

RGB 48 34 67

HSL 265.45, 0.33%, 0.2%

LAB 16.39, 14.87, -18.45

 

CMYK 0 / 49 / 30 / 74

HEX #43222F

RGB 67 34 47

HSL 336.36, 0.33%, 0.2%

LAB 18.11, 17.72, -1.6

 

CMYK 21 / 0 / 49 / 74

HEX #354322

RGB 53 67 34

HSL 85.45, 0.33%, 0.2%

LAB 26.41, -12.37, 18.17

 

CMYK 49 / 0 / 3 / 74

HEX #224341

RGB 34 67 65

HSL 176.36, 0.33%, 0.2%

LAB 25.97, -12.66, -2.56

 

CMYK 28 / 49 / 0 / 74

HEX #302243

RGB 48 34 67

HSL 265.45, 0.33%, 0.2%

LAB 16.39, 14.87, -18.45

 

CMYK 0 / 49 / 46 / 74

HEX #432224

RGB 67 34 36

HSL 356.36, 0.33%, 0.2%

LAB 17.76, 16.03, 5.65

 

Description

Color code: RGB 53 67 34 | qconv.com Color code: RGB 53 67 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 67 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 67 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 49 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 49% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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