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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 79 150 it is the complementary color RGB 202 176 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 79 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 79 150 shade: RGB 58 79 145, RGB 75 97 164, RGB 92 115 183, RGB 109 133 202 and RGB 126 151 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 79 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 36 61 131, RGB 19 43 112, RGB 2 25 93 and RGB 0 7 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 53 53 150, RGB 79 53 150, RGB 106 53 150 and RGB 132 53 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 79 150 shade: RGB 53 79 150 and RGB 53 53 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 79 150 shade matches the following richer shades: RGB 53 79 150, RGB 36 71 167, RGB 20 63 183 and RGB 3 56 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 69 86 134, RGB 86 94 117, RGB 102 102 101 and RGB 119 109 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 79 150 shade: RGB 53 133 150, RGB 53 106 150, RGB 53 80 150, RGB 53 54 150 and RGB 77 53 150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 79 150 shade: RGB 31 47 89, RGB 42 63 120, RGB 53 79 150, RGB 63 95 181 and RGB 89 118 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 142 53 150 and RGB 119 150 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 150 53 80 and RGB 80 150 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 142 53 150, RGB 150 123 53 and RGB 61 150 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 79 150 shade: RGB 53 79 150, RGB 150 53 129, RGB 150 123 53 and RGB 53 150 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

Complementary color

CMYK 0 / 13 / 48 / 21

HEX #CAB069

RGB 202 176 105

HSL 43.92, 0.48%, 0.6%

LAB 72.65, 0.05, 39.64

 

CMYK 60 / 46 / 0 / 43

HEX #3A4F91

RGB 58 79 145

HSL 225.52, 0.43%, 0.4%

LAB 35.07, 13.12, -39.01

 

CMYK 54 / 41 / 0 / 36

HEX #4B61A4

RGB 75 97 164

HSL 225.17, 0.37%, 0.47%

LAB 42.35, 11.79, -38.77

 

CMYK 50 / 37 / 0 / 28

HEX #5C73B7

RGB 92 115 183

HSL 224.84, 0.39%, 0.54%

LAB 49.44, 10.74, -38.6

 

CMYK 46 / 34 / 0 / 21

HEX #6D85CA

RGB 109 133 202

HSL 224.52, 0.47%, 0.61%

LAB 56.38, 9.9, -38.47

 

CMYK 43 / 32 / 0 / 13

HEX #7E97DD

RGB 126 151 221

HSL 224.21, 0.58%, 0.68%

LAB 63.17, 9.19, -38.4

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 73 / 53 / 0 / 49

HEX #243D83

RGB 36 61 131

HSL 224.21, 0.57%, 0.33%

LAB 27.71, 15.98, -42.28

 

CMYK 83 / 62 / 0 / 56

HEX #132B70

RGB 19 43 112

HSL 224.52, 0.71%, 0.26%

LAB 20.19, 18.76, -42.49

 

CMYK 98 / 73 / 0 / 64

HEX #02195D

RGB 2 25 93

HSL 224.84, 0.96%, 0.19%

LAB 12.6, 22.36, -42.47

 

CMYK 100 / 91 / 0 / 71

HEX #00074A

RGB 0 7 74

HSL 234.32, 1%, 0.15%

LAB 5.84, 25.81, -40.65

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 65 / 65 / 0 / 41

HEX #353596

RGB 53 53 150

HSL 240, 0.48%, 0.4%

LAB 28.13, 31.14, -53.31

 

CMYK 47 / 65 / 0 / 41

HEX #4F3596

RGB 79 53 150

HSL 256.08, 0.48%, 0.4%

LAB 30.43, 35.95, -49.47

 

CMYK 29 / 65 / 0 / 41

HEX #6A3596

RGB 106 53 150

HSL 272.78, 0.48%, 0.4%

LAB 33.59, 42.02, -44.2

 

CMYK 12 / 65 / 0 / 41

HEX #843596

RGB 132 53 150

HSL 288.87, 0.48%, 0.4%

LAB 37.21, 48.39, -38.19

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 65 / 65 / 0 / 41

HEX #353596

RGB 53 53 150

HSL 240, 0.48%, 0.4%

LAB 28.13, 31.14, -53.31

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 78 / 57 / 0 / 35

HEX #2447A7

RGB 36 71 167

HSL 223.97, 0.65%, 0.4%

LAB 33.29, 23.24, -55.23

 

CMYK 89 / 66 / 0 / 28

HEX #143FB7

RGB 20 63 183

HSL 224.17, 0.8%, 0.4%

LAB 32.08, 33.51, -66.75

 

CMYK 99 / 72 / 0 / 22

HEX #0338C8

RGB 3 56 200

HSL 223.86, 0.97%, 0.4%

LAB 31.85, 43.73, -77.14

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 49 / 36 / 0 / 47

HEX #455686

RGB 69 86 134

HSL 224.31, 0.32%, 0.4%

LAB 37.19, 7.43, -28.91

 

CMYK 26 / 20 / 0 / 54

HEX #565E75

RGB 86 94 117

HSL 224.52, 0.15%, 0.4%

LAB 40.03, 2.54, -14.02

 

CMYK 0 / 0 / 1 / 60

HEX #666665

RGB 102 102 101

HSL 60, 0%, 0.4%

LAB 43.16, -0.2, 0.56

 

CMYK 0 / 8 / 29 / 53

HEX #776D54

RGB 119 109 84

HSL 42.86, 0.17%, 0.4%

LAB 46.31, -0.33, 15.41

 

CMYK 65 / 11 / 0 / 41

HEX #358596

RGB 53 133 150

HSL 190.52, 0.48%, 0.4%

LAB 51.54, -18.75, -16.33

 

CMYK 65 / 29 / 0 / 41

HEX #356A96

RGB 53 106 150

HSL 207.22, 0.48%, 0.4%

LAB 43.16, -3.3, -29.25

 

CMYK 65 / 47 / 0 / 41

HEX #355096

RGB 53 80 150

HSL 223.3, 0.48%, 0.4%

LAB 35.39, 13.27, -41.55

 

CMYK 65 / 64 / 0 / 41

HEX #353696

RGB 53 54 150

HSL 239.38, 0.48%, 0.4%

LAB 28.37, 30.5, -52.91

 

CMYK 49 / 65 / 0 / 41

HEX #4D3596

RGB 77 53 150

HSL 254.85, 0.48%, 0.4%

LAB 30.22, 35.54, -49.81

 

CMYK 65 / 47 / 0 / 65

HEX #1F2F59

RGB 31 47 89

HSL 223.45, 0.48%, 0.24%

LAB 20.23, 8.36, -27.36

 

CMYK 65 / 48 / 0 / 53

HEX #2A3F78

RGB 42 63 120

HSL 223.85, 0.48%, 0.32%

LAB 27.85, 11.41, -35.14

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 65 / 48 / 0 / 29

HEX #3F5FB5

RGB 63 95 181

HSL 223.73, 0.48%, 0.48%

LAB 42.12, 16.54, -49.19

 

CMYK 55 / 40 / 0 / 23

HEX #5976C4

RGB 89 118 196

HSL 223.74, 0.48%, 0.56%

LAB 50.76, 12.38, -44

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 5 / 65 / 0 / 41

HEX #8E3596

RGB 142 53 150

HSL 295.05, 0.48%, 0.4%

LAB 38.72, 50.9, -35.7

 

CMYK 21 / 0 / 65 / 41

HEX #779635

RGB 119 150 53

HSL 79.18, 0.48%, 0.4%

LAB 58.03, -25.94, 46.11

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 0 / 65 / 47 / 41

HEX #963550

RGB 150 53 80

HSL 343.3, 0.48%, 0.4%

LAB 37.13, 42.97, 5.67

 

CMYK 47 / 0 / 65 / 41

HEX #509635

RGB 80 150 53

HSL 103.3, 0.48%, 0.4%

LAB 55.86, -40.41, 43.12

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 5 / 65 / 0 / 41

HEX #8E3596

RGB 142 53 150

HSL 295.05, 0.48%, 0.4%

LAB 38.72, 50.9, -35.7

 

CMYK 0 / 18 / 65 / 41

HEX #967B35

RGB 150 123 53

HSL 43.3, 0.48%, 0.4%

LAB 52.85, 2.13, 41.21

 

CMYK 59 / 0 / 65 / 41

HEX #3D9635

RGB 61 150 53

HSL 115.05, 0.48%, 0.4%

LAB 55.14, -45.92, 42.11

 

CMYK 65 / 47 / 0 / 41

HEX #354F96

RGB 53 79 150

HSL 223.92, 0.48%, 0.4%

LAB 35.1, 13.93, -42.02

 

CMYK 0 / 65 / 14 / 41

HEX #963581

RGB 150 53 129

HSL 312.99, 0.48%, 0.4%

LAB 38.92, 49.39, -22.45

 

CMYK 0 / 18 / 65 / 41

HEX #967B35

RGB 150 123 53

HSL 43.3, 0.48%, 0.4%

LAB 52.85, 2.13, 41.21

 

CMYK 65 / 0 / 51 / 41

HEX #35964A

RGB 53 150 74

HSL 132.99, 0.48%, 0.4%

LAB 55.14, -45.04, 31.78

 

Description

Color code: RGB 53 79 150 | qconv.com Color code: RGB 53 79 150 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 79 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 79 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 47 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 47% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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