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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 83 58 it is the complementary color RGB 202 172 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 83 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 83 58 shade: RGB 58 83 53, RGB 75 101 72, RGB 92 119 91, RGB 109 137 110 and RGB 126 155 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 83 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 36 65 39, RGB 19 47 20, RGB 2 29 1 and RGB 0 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 56 83 53, RGB 64 83 53, RGB 73 83 53 and RGB 81 83 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 53 83 66, RGB 53 83 75, RGB 53 83 83 and RGB 53 76 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 83 58 shade matches the following richer shades: RGB 53 83 58, RGB 42 95 51, RGB 31 106 43, RGB 20 117 36 and RGB 9 128 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 64 72 66, RGB 75 61 73, RGB 87 50 81 and RGB 98 39 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 83 58 shade: RGB 64 83 53, RGB 56 83 53, RGB 53 83 58, RGB 53 83 66 and RGB 53 83 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 83 58 shade: RGB 21 33 23, RGB 37 58 41, RGB 53 83 58, RGB 69 109 76 and RGB 85 134 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 53 72 83 and RGB 83 53 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 58 53 83 and RGB 83 58 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 53 72 83, RGB 83 53 78 and RGB 83 64 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 83 58 shade: RGB 53 83 58, RGB 53 63 83, RGB 83 53 78 and RGB 83 73 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

Complementary color

CMYK 0 / 15 / 2 / 21

HEX #CAACC5

RGB 202 172 197

HSL 310, 0.22%, 0.73%

LAB 73.61, 15.2, -8.68

 

CMYK 30 / 0 / 36 / 67

HEX #3A5335

RGB 58 83 53

HSL 110, 0.22%, 0.27%

LAB 32.58, -16.21, 14.62

 

CMYK 26 / 0 / 29 / 60

HEX #4B6548

RGB 75 101 72

HSL 113.79, 0.17%, 0.34%

LAB 40.03, -15.97, 13.38

 

CMYK 23 / 0 / 24 / 53

HEX #5C775B

RGB 92 119 91

HSL 117.86, 0.13%, 0.41%

LAB 47.27, -15.76, 12.27

 

CMYK 20 / 0 / 20 / 46

HEX #6D896E

RGB 109 137 110

HSL 122.14, 0.11%, 0.48%

LAB 54.31, -15.58, 11.26

 

CMYK 19 / 0 / 17 / 39

HEX #7E9B81

RGB 126 155 129

HSL 126.21, 0.13%, 0.55%

LAB 61.19, -15.42, 10.33

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 45 / 0 / 40 / 75

HEX #244127

RGB 36 65 39

HSL 126.21, 0.29%, 0.2%

LAB 24.65, -17.46, 12.54

 

CMYK 60 / 0 / 57 / 82

HEX #132F14

RGB 19 47 20

HSL 122.14, 0.42%, 0.13%

LAB 16.61, -17.67, 14.12

 

CMYK 93 / 0 / 97 / 89

HEX #021D01

RGB 2 29 1

HSL 117.86, 0.93%, 0.06%

LAB 8.07, -15.55, 11.4

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 33 / 0 / 36 / 67

HEX #385335

RGB 56 83 53

HSL 114, 0.22%, 0.27%

LAB 32.45, -17, 14.42

 

CMYK 23 / 0 / 36 / 67

HEX #405335

RGB 64 83 53

HSL 98, 0.22%, 0.27%

LAB 32.99, -13.76, 15.25

 

CMYK 12 / 0 / 36 / 67

HEX #495335

RGB 73 83 53

HSL 80, 0.22%, 0.27%

LAB 33.69, -9.88, 16.3

 

CMYK 2 / 0 / 36 / 67

HEX #515335

RGB 81 83 53

HSL 64, 0.22%, 0.27%

LAB 34.38, -6.3, 17.34

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 36 / 0 / 20 / 67

HEX #355342

RGB 53 83 66

HSL 146, 0.22%, 0.27%

LAB 32.56, -15.4, 6.46

 

CMYK 36 / 0 / 10 / 67

HEX #35534B

RGB 53 83 75

HSL 164, 0.22%, 0.27%

LAB 32.81, -13.2, 1.14

 

CMYK 36 / 0 / 0 / 67

HEX #355353

RGB 53 83 83

HSL 180, 0.22%, 0.27%

LAB 33.07, -11.06, -3.55

 

CMYK 36 / 8 / 0 / 67

HEX #354C53

RGB 53 76 83

HSL 194, 0.22%, 0.27%

LAB 30.76, -6.83, -6.99

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 56 / 0 / 46 / 63

HEX #2A5F33

RGB 42 95 51

HSL 130.19, 0.39%, 0.27%

LAB 35.82, -28.29, 19.92

 

CMYK 71 / 0 / 59 / 58

HEX #1F6A2B

RGB 31 106 43

HSL 129.6, 0.55%, 0.27%

LAB 39.2, -37.13, 28.46

 

CMYK 83 / 0 / 69 / 54

HEX #147524

RGB 20 117 36

HSL 129.9, 0.71%, 0.27%

LAB 42.76, -44.02, 35.89

 

CMYK 93 / 0 / 77 / 50

HEX #09801D

RGB 9 128 29

HSL 130.08, 0.87%, 0.27%

LAB 46.43, -49.46, 42.58

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 11 / 0 / 8 / 72

HEX #404842

RGB 64 72 66

HSL 135, 0.06%, 0.27%

LAB 29.71, -4.62, 2.49

 

CMYK 0 / 19 / 3 / 71

HEX #4B3D49

RGB 75 61 73

HSL 308.57, 0.1%, 0.27%

LAB 27.61, 8.56, -5.02

 

CMYK 0 / 43 / 7 / 66

HEX #573251

RGB 87 50 81

HSL 309.73, 0.27%, 0.27%

LAB 26.45, 22.07, -11.9

 

CMYK 0 / 60 / 10 / 62

HEX #622758

RGB 98 39 88

HSL 310.17, 0.43%, 0.27%

LAB 26.02, 33.58, -17.04

 

CMYK 23 / 0 / 36 / 67

HEX #405335

RGB 64 83 53

HSL 98, 0.22%, 0.27%

LAB 32.99, -13.76, 15.25

 

CMYK 33 / 0 / 36 / 67

HEX #385335

RGB 56 83 53

HSL 114, 0.22%, 0.27%

LAB 32.45, -17, 14.42

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 36 / 0 / 20 / 67

HEX #355342

RGB 53 83 66

HSL 146, 0.22%, 0.27%

LAB 32.56, -15.4, 6.46

 

CMYK 36 / 0 / 11 / 67

HEX #35534A

RGB 53 83 74

HSL 162, 0.22%, 0.27%

LAB 32.78, -13.45, 1.73

 

CMYK 36 / 0 / 30 / 87

HEX #152117

RGB 21 33 23

HSL 130, 0.22%, 0.11%

LAB 11.34, -7.99, 5.11

 

CMYK 36 / 0 / 29 / 77

HEX #253A29

RGB 37 58 41

HSL 131.43, 0.22%, 0.19%

LAB 22.23, -12.67, 7.97

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 37 / 0 / 30 / 57

HEX #456D4C

RGB 69 109 76

HSL 130.5, 0.22%, 0.35%

LAB 42.34, -21.69, 14.1

 

CMYK 37 / 0 / 31 / 47

HEX #55865D

RGB 85 134 93

HSL 129.8, 0.22%, 0.43%

LAB 51.58, -25.68, 16.98

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 36 / 13 / 0 / 67

HEX #354853

RGB 53 72 83

HSL 202, 0.22%, 0.27%

LAB 29.45, -4.34, -8.96

 

CMYK 0 / 36 / 28 / 67

HEX #53353C

RGB 83 53 60

HSL 346, 0.22%, 0.27%

LAB 25.9, 14.62, 1.16

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 30 / 36 / 0 / 67

HEX #3A3553

RGB 58 53 83

HSL 250, 0.22%, 0.27%

LAB 23.9, 9.95, -17.44

 

CMYK 0 / 30 / 36 / 67

HEX #533A35

RGB 83 58 53

HSL 10, 0.22%, 0.27%

LAB 27.08, 10.28, 7.49

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 36 / 13 / 0 / 67

HEX #354853

RGB 53 72 83

HSL 202, 0.22%, 0.27%

LAB 29.45, -4.34, -8.96

 

CMYK 0 / 36 / 6 / 67

HEX #53354E

RGB 83 53 78

HSL 310, 0.22%, 0.27%

LAB 26.55, 18.04, -9.82

 

CMYK 0 / 23 / 36 / 67

HEX #534035

RGB 83 64 53

HSL 22, 0.22%, 0.27%

LAB 28.81, 6.43, 9.88

 

CMYK 36 / 0 / 30 / 67

HEX #35533A

RGB 53 83 58

HSL 130, 0.22%, 0.27%

LAB 32.37, -17.15, 11.2

 

CMYK 36 / 24 / 0 / 67

HEX #353F53

RGB 53 63 83

HSL 220, 0.22%, 0.27%

LAB 26.55, 1.49, -13.38

 

CMYK 0 / 36 / 6 / 67

HEX #53354E

RGB 83 53 78

HSL 310, 0.22%, 0.27%

LAB 26.55, 18.04, -9.82

 

CMYK 0 / 12 / 36 / 67

HEX #534935

RGB 83 73 53

HSL 40, 0.22%, 0.27%

LAB 31.49, 0.74, 13.53

 

Description

Color code: RGB 53 83 58 | qconv.com Color code: RGB 53 83 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 83 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 83 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 30 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 30% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - 乳酸菌と酵母、発酵から生まれた乳酸菌飲料...
Link: http://www.calpis.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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