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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 125 21 it is the complementary color RGB 202 130 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 125 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 125 21 shade: RGB 58 125 16, RGB 75 143 35, RGB 92 161 54, RGB 109 179 73 and RGB 126 197 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 125 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 125 21 shade: RGB 53 125 21, RGB 36 107 2, RGB 19 89 0, RGB 2 71 0 and RGB 0 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 125 21 shade: RGB 53 126 21, RGB 82 126 21, RGB 110 126 21, RGB 126 114 21 and RGB 126 85 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 125 21 shade: RGB 53 126 21, RGB 25 126 21, RGB 21 126 45, RGB 21 126 74 and RGB 21 126 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 125 21 shade matches the following richer shades: RGB 53 126 21 and RGB 49 138 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 125 21 shade: RGB 53 126 21, RGB 58 114 33, RGB 62 102 45, RGB 67 90 57 and RGB 72 78 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 125 21 shade: RGB 110 126 21, RGB 82 126 21, RGB 54 126 21, RGB 26 126 21 and RGB 21 126 44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 125 21 shade: RGB 23 55 9, RGB 38 91 15, RGB 53 126 21, RGB 68 161 27 and RGB 83 197 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 125 21 shade: RGB 53 125 21, RGB 21 126 114 and RGB 126 21 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 125 21 shade: RGB 53 125 21, RGB 21 54 126 and RGB 126 21 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 125 21 shade: RGB 53 125 21, RGB 21 126 114, RGB 93 21 126 and RGB 126 21 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 125 21 shade: RGB 53 125 21, RGB 21 107 126, RGB 93 21 126 and RGB 126 40 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 83 / 51

HEX #357D15

RGB 53 125 21

HSL 101.54, 0.71%, 0.29%

LAB 46.28, -41.09, 45.5

 

Complementary color

CMYK 14 / 44 / 0 / 8

HEX #CA82EA

RGB 202 130 234

HSL 281.54, 0.71%, 0.71%

LAB 65.33, 45.37, -41.75

 

CMYK 54 / 0 / 87 / 51

HEX #3A7D10

RGB 58 125 16

HSL 96.88, 0.77%, 0.28%

LAB 46.45, -39.84, 47.14

 

CMYK 48 / 0 / 76 / 44

HEX #4B8F23

RGB 75 143 35

HSL 97.78, 0.61%, 0.35%

LAB 53.24, -40.63, 47.72

 

CMYK 43 / 0 / 66 / 37

HEX #5CA136

RGB 92 161 54

HSL 98.69, 0.5%, 0.42%

LAB 59.92, -41.03, 47.26

 

CMYK 39 / 0 / 59 / 30

HEX #6DB349

RGB 109 179 73

HSL 99.62, 0.42%, 0.49%

LAB 66.5, -41.2, 46.35

 

CMYK 36 / 0 / 53 / 23

HEX #7EC55C

RGB 126 197 92

HSL 100.57, 0.48%, 0.57%

LAB 72.98, -41.23, 45.24

 

CMYK 58 / 0 / 83 / 51

HEX #357D15

RGB 53 125 21

HSL 101.54, 0.71%, 0.29%

LAB 46.28, -41.09, 45.5

 

CMYK 66 / 0 / 98 / 58

HEX #246B02

RGB 36 107 2

HSL 100.57, 0.96%, 0.21%

LAB 39.4, -39.76, 44.16

 

CMYK 79 / 0 / 100 / 65

HEX #135900

RGB 19 89 0

HSL 107.19, 1%, 0.17%

LAB 32.44, -37.23, 38.97

 

CMYK 97 / 0 / 100 / 72

HEX #024700

RGB 2 71 0

HSL 118.31, 1%, 0.14%

LAB 25.32, -33.93, 32.89

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 58 / 0 / 83 / 51

HEX #357E15

RGB 53 126 21

HSL 101.71, 0.71%, 0.29%

LAB 46.62, -41.48, 45.81

 

CMYK 35 / 0 / 83 / 51

HEX #527E15

RGB 82 126 21

HSL 85.14, 0.71%, 0.29%

LAB 47.97, -31.51, 47.54

 

CMYK 13 / 0 / 83 / 51

HEX #6E7E15

RGB 110 126 21

HSL 69.14, 0.71%, 0.29%

LAB 49.85, -19.6, 49.93

 

CMYK 0 / 10 / 83 / 51

HEX #7E7215

RGB 126 114 21

HSL 53.14, 0.71%, 0.29%

LAB 47.66, -5.64, 48.54

 

CMYK 0 / 33 / 83 / 51

HEX #7E5515

RGB 126 85 21

HSL 36.57, 0.71%, 0.29%

LAB 39.56, 11.27, 41.33

 

CMYK 58 / 0 / 83 / 51

HEX #357E15

RGB 53 126 21

HSL 101.71, 0.71%, 0.29%

LAB 46.62, -41.48, 45.81

 

CMYK 80 / 0 / 83 / 51

HEX #197E15

RGB 25 126 21

HSL 117.71, 0.71%, 0.29%

LAB 45.88, -47.64, 44.86

 

CMYK 83 / 0 / 64 / 51

HEX #157E2D

RGB 21 126 45

HSL 133.71, 0.71%, 0.29%

LAB 46, -45.93, 35.3

 

CMYK 83 / 0 / 41 / 51

HEX #157E4A

RGB 21 126 74

HSL 150.29, 0.71%, 0.29%

LAB 46.41, -41.07, 20.45

 

CMYK 83 / 0 / 19 / 51

HEX #157E66

RGB 21 126 102

HSL 166.29, 0.71%, 0.29%

LAB 47.03, -34.31, 5.08

 

CMYK 58 / 0 / 83 / 51

HEX #357E15

RGB 53 126 21

HSL 101.71, 0.71%, 0.29%

LAB 46.62, -41.48, 45.81

 

CMYK 64 / 0 / 93 / 46

HEX #318A09

RGB 49 138 9

HSL 101.4, 0.88%, 0.29%

LAB 50.51, -47.5, 52.01

 

CMYK 58 / 0 / 83 / 51

HEX #357E15

RGB 53 126 21

HSL 101.71, 0.71%, 0.29%

LAB 46.62, -41.48, 45.81

 

CMYK 49 / 0 / 71 / 55

HEX #3A7221

RGB 58 114 33

HSL 101.48, 0.55%, 0.29%

LAB 42.83, -34.12, 37.64

 

CMYK 39 / 0 / 56 / 60

HEX #3E662D

RGB 62 102 45

HSL 102.11, 0.39%, 0.29%

LAB 39.1, -25.82, 27.58

 

CMYK 26 / 0 / 37 / 65

HEX #435A39

RGB 67 90 57

HSL 101.82, 0.22%, 0.29%

LAB 35.6, -15.76, 16.33

 

CMYK 8 / 0 / 12 / 69

HEX #484E45

RGB 72 78 69

HSL 100, 0.06%, 0.29%

LAB 32.38, -4.38, 4.5

 

CMYK 13 / 0 / 83 / 51

HEX #6E7E15

RGB 110 126 21

HSL 69.14, 0.71%, 0.29%

LAB 49.85, -19.6, 49.93

 

CMYK 35 / 0 / 83 / 51

HEX #527E15

RGB 82 126 21

HSL 85.14, 0.71%, 0.29%

LAB 47.97, -31.51, 47.54

 

CMYK 57 / 0 / 83 / 51

HEX #367E15

RGB 54 126 21

HSL 101.14, 0.71%, 0.29%

LAB 46.66, -41.19, 45.86

 

CMYK 79 / 0 / 83 / 51

HEX #1A7E15

RGB 26 126 21

HSL 117.14, 0.71%, 0.29%

LAB 45.9, -47.49, 44.88

 

CMYK 83 / 0 / 65 / 51

HEX #157E2C

RGB 21 126 44

HSL 133.14, 0.71%, 0.29%

LAB 45.99, -46.05, 35.77

 

CMYK 58 / 0 / 84 / 78

HEX #173709

RGB 23 55 9

HSL 101.74, 0.72%, 0.13%

LAB 19.78, -21.72, 23.64

 

CMYK 58 / 0 / 84 / 64

HEX #265B0F

RGB 38 91 15

HSL 101.84, 0.72%, 0.21%

LAB 33.83, -32.24, 35.56

 

CMYK 58 / 0 / 83 / 51

HEX #357E15

RGB 53 126 21

HSL 101.71, 0.71%, 0.29%

LAB 46.62, -41.48, 45.81

 

CMYK 58 / 0 / 83 / 37

HEX #44A11B

RGB 68 161 27

HSL 101.64, 0.71%, 0.37%

LAB 58.79, -50.21, 55.45

 

CMYK 58 / 0 / 83 / 23

HEX #53C521

RGB 83 197 33

HSL 101.71, 0.71%, 0.45%

LAB 70.79, -58.91, 64.94

 

CMYK 58 / 0 / 83 / 51

HEX #357D15

RGB 53 125 21

HSL 101.54, 0.71%, 0.29%

LAB 46.28, -41.09, 45.5

 

CMYK 83 / 0 / 10 / 51

HEX #157E72

RGB 21 126 114

HSL 173.14, 0.71%, 0.29%

LAB 47.36, -30.87, -1.52

 

CMYK 0 / 83 / 24 / 51

HEX #7E1560

RGB 126 21 96

HSL 317.14, 0.71%, 0.29%

LAB 28.94, 49.81, -17.35

 

CMYK 58 / 0 / 83 / 51

HEX #357D15

RGB 53 125 21

HSL 101.54, 0.71%, 0.29%

LAB 46.28, -41.09, 45.5

 

CMYK 83 / 57 / 0 / 51

HEX #15367E

RGB 21 54 126

HSL 221.14, 0.71%, 0.29%

LAB 24.65, 16.92, -44.14

 

CMYK 0 / 83 / 57 / 51

HEX #7E1536

RGB 126 21 54

HSL 341.14, 0.71%, 0.29%

LAB 27.4, 45.27, 8.36

 

CMYK 58 / 0 / 83 / 51

HEX #357D15

RGB 53 125 21

HSL 101.54, 0.71%, 0.29%

LAB 46.28, -41.09, 45.5

 

CMYK 83 / 0 / 10 / 51

HEX #157E72

RGB 21 126 114

HSL 173.14, 0.71%, 0.29%

LAB 47.36, -30.87, -1.52

 

CMYK 26 / 83 / 0 / 51

HEX #5D157E

RGB 93 21 126

HSL 281.14, 0.71%, 0.29%

LAB 24.86, 47.9, -43.49

 

CMYK 0 / 83 / 74 / 51

HEX #7E1521

RGB 126 21 33

HSL 353.14, 0.71%, 0.29%

LAB 26.97, 43.93, 21.86

 

CMYK 58 / 0 / 83 / 51

HEX #357D15

RGB 53 125 21

HSL 101.54, 0.71%, 0.29%

LAB 46.28, -41.09, 45.5

 

CMYK 83 / 15 / 0 / 51

HEX #156B7E

RGB 21 107 126

HSL 190.86, 0.71%, 0.29%

LAB 41.5, -17.18, -17.5

 

CMYK 26 / 83 / 0 / 51

HEX #5D157E

RGB 93 21 126

HSL 281.14, 0.71%, 0.29%

LAB 24.86, 47.9, -43.49

 

CMYK 0 / 68 / 83 / 51

HEX #7E2815

RGB 126 40 21

HSL 10.86, 0.71%, 0.29%

LAB 29.43, 36.2, 31.83

 

Description

Color code: RGB 53 125 21 | qconv.com Color code: RGB 53 125 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 125 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 125 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 83 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 83% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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