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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 142 97 it is the complementary color RGB 202 113 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 142 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 142 97 shade: RGB 58 142 92, RGB 75 160 111, RGB 92 178 130, RGB 109 196 149 and RGB 126 214 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 142 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 142 97 shade: RGB 53 142 97, RGB 36 124 78, RGB 19 106 59, RGB 2 88 40 and RGB 0 70 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 142 97 shade: RGB 52 141 96, RGB 52 141 72, RGB 56 141 52, RGB 80 141 52 and RGB 104 141 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 142 97 shade: RGB 52 141 96, RGB 52 141 120, RGB 52 138 141, RGB 52 114 141 and RGB 52 90 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 142 97 shade matches the following richer shades: RGB 52 141 96, RGB 36 157 96, RGB 20 172 96 and RGB 5 188 95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 142 97 shade: RGB 52 141 96, RGB 68 125 96, RGB 83 110 96, RGB 99 94 96 and RGB 115 78 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 142 97 shade: RGB 56 141 52, RGB 52 141 71, RGB 52 141 95, RGB 52 141 119 and RGB 52 139 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 142 97 shade: RGB 30 81 55, RGB 41 111 75, RGB 52 141 96, RGB 63 171 116 and RGB 84 191 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 142 97 shade: RGB 53 142 97, RGB 52 80 141 and RGB 141 59 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 142 97 shade: RGB 53 142 97, RGB 95 52 141 and RGB 141 95 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 142 97 shade: RGB 53 142 97, RGB 52 80 141, RGB 141 52 98 and RGB 141 113 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 142 97 shade: RGB 53 142 97, RGB 52 53 141, RGB 141 52 98 and RGB 141 139 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 32 / 44

HEX #358E61

RGB 53 142 97

HSL 149.66, 0.46%, 0.38%

LAB 52.91, -37.46, 16.32

 

Complementary color

CMYK 0 / 44 / 22 / 21

HEX #CA719E

RGB 202 113 158

HSL 329.66, 0.46%, 0.62%

LAB 58.82, 40.7, -8.79

 

CMYK 59 / 0 / 35 / 44

HEX #3A8E5C

RGB 58 142 92

HSL 144.29, 0.42%, 0.39%

LAB 52.97, -37.38, 19.24

 

CMYK 53 / 0 / 31 / 37

HEX #4BA06F

RGB 75 160 111

HSL 145.41, 0.36%, 0.46%

LAB 59.69, -37.33, 17.9

 

CMYK 48 / 0 / 27 / 30

HEX #5CB282

RGB 92 178 130

HSL 146.51, 0.36%, 0.53%

LAB 66.31, -37.17, 16.68

 

CMYK 44 / 0 / 24 / 23

HEX #6DC495

RGB 109 196 149

HSL 147.59, 0.42%, 0.6%

LAB 72.83, -36.96, 15.57

 

CMYK 41 / 0 / 21 / 16

HEX #7ED6A8

RGB 126 214 168

HSL 148.64, 0.52%, 0.67%

LAB 79.25, -36.73, 14.54

 

CMYK 63 / 0 / 32 / 44

HEX #358E61

RGB 53 142 97

HSL 149.66, 0.46%, 0.38%

LAB 52.91, -37.46, 16.32

 

CMYK 71 / 0 / 37 / 51

HEX #247C4E

RGB 36 124 78

HSL 148.64, 0.55%, 0.31%

LAB 46.1, -37.17, 17.81

 

CMYK 82 / 0 / 44 / 58

HEX #136A3B

RGB 19 106 59

HSL 147.59, 0.7%, 0.25%

LAB 39.18, -36.43, 19.5

 

CMYK 98 / 0 / 55 / 65

HEX #025828

RGB 2 88 40

HSL 146.51, 0.96%, 0.18%

LAB 32.14, -35.06, 21.39

 

CMYK 100 / 0 / 70 / 73

HEX #004615

RGB 0 70 21

HSL 138, 1%, 0.14%

LAB 25.06, -31.82, 23.46

 

CMYK 63 / 0 / 32 / 45

HEX #348D60

RGB 52 141 96

HSL 149.66, 0.46%, 0.38%

LAB 52.54, -37.45, 16.36

 

CMYK 63 / 0 / 49 / 45

HEX #348D48

RGB 52 141 72

HSL 133.48, 0.46%, 0.38%

LAB 52.12, -42, 29.05

 

CMYK 60 / 0 / 63 / 45

HEX #388D34

RGB 56 141 52

HSL 117.3, 0.46%, 0.38%

LAB 51.99, -43.82, 39

 

CMYK 43 / 0 / 63 / 45

HEX #508D34

RGB 80 141 52

HSL 101.12, 0.46%, 0.38%

LAB 52.95, -36.64, 40.34

 

CMYK 26 / 0 / 63 / 45

HEX #688D34

RGB 104 141 52

HSL 84.94, 0.46%, 0.38%

LAB 54.28, -27.7, 42.19

 

CMYK 63 / 0 / 32 / 45

HEX #348D60

RGB 52 141 96

HSL 149.66, 0.46%, 0.38%

LAB 52.54, -37.45, 16.36

 

CMYK 63 / 0 / 15 / 45

HEX #348D78

RGB 52 141 120

HSL 165.84, 0.46%, 0.38%

LAB 53.1, -31.71, 3.41

 

CMYK 63 / 2 / 0 / 45

HEX #348A8D

RGB 52 138 141

HSL 182.02, 0.46%, 0.38%

LAB 52.76, -24.33, -9.25

 

CMYK 63 / 19 / 0 / 45

HEX #34728D

RGB 52 114 141

HSL 198.2, 0.46%, 0.38%

LAB 45.2, -11.31, -20.73

 

CMYK 63 / 36 / 0 / 45

HEX #345A8D

RGB 52 90 141

HSL 214.38, 0.46%, 0.38%

LAB 37.78, 3.28, -32.31

 

CMYK 63 / 0 / 32 / 45

HEX #348D60

RGB 52 141 96

HSL 149.66, 0.46%, 0.38%

LAB 52.54, -37.45, 16.36

 

CMYK 77 / 0 / 39 / 38

HEX #249D60

RGB 36 157 96

HSL 149.75, 0.63%, 0.38%

LAB 57.4, -46.8, 22.87

 

CMYK 88 / 0 / 44 / 33

HEX #14AC60

RGB 20 172 96

HSL 150, 0.79%, 0.38%

LAB 62.08, -54.01, 28.98

 

CMYK 97 / 0 / 49 / 26

HEX #05BC5F

RGB 5 188 95

HSL 149.51, 0.95%, 0.38%

LAB 67.15, -60.44, 35.93

 

CMYK 63 / 0 / 32 / 45

HEX #348D60

RGB 52 141 96

HSL 149.66, 0.46%, 0.38%

LAB 52.54, -37.45, 16.36

 

CMYK 46 / 0 / 23 / 51

HEX #447D60

RGB 68 125 96

HSL 149.47, 0.3%, 0.38%

LAB 47.93, -25.93, 10.07

 

CMYK 25 / 0 / 13 / 57

HEX #536E60

RGB 83 110 96

HSL 148.89, 0.14%, 0.38%

LAB 44, -13.08, 4.6

 

CMYK 0 / 5 / 3 / 61

HEX #635E60

RGB 99 94 96

HSL 336, 0.03%, 0.38%

LAB 40.41, 2.4, -0.43

 

CMYK 0 / 32 / 16 / 55

HEX #734E61

RGB 115 78 97

HSL 329.19, 0.19%, 0.38%

LAB 37.76, 18.76, -4.77

 

CMYK 60 / 0 / 63 / 45

HEX #388D34

RGB 56 141 52

HSL 117.3, 0.46%, 0.38%

LAB 51.99, -43.82, 39

 

CMYK 63 / 0 / 50 / 45

HEX #348D47

RGB 52 141 71

HSL 132.81, 0.46%, 0.38%

LAB 52.1, -42.16, 29.56

 

CMYK 63 / 0 / 33 / 45

HEX #348D5F

RGB 52 141 95

HSL 148.99, 0.46%, 0.38%

LAB 52.52, -37.67, 16.9

 

CMYK 63 / 0 / 16 / 45

HEX #348D77

RGB 52 141 119

HSL 165.17, 0.46%, 0.38%

LAB 53.07, -31.97, 3.95

 

CMYK 63 / 1 / 0 / 45

HEX #348B8D

RGB 52 139 141

HSL 181.35, 0.46%, 0.38%

LAB 53.08, -24.84, -8.78

 

CMYK 63 / 0 / 32 / 68

HEX #1E5137

RGB 30 81 55

HSL 149.41, 0.46%, 0.22%

LAB 30.49, -24.07, 10.31

 

CMYK 63 / 0 / 32 / 56

HEX #296F4B

RGB 41 111 75

HSL 149.14, 0.46%, 0.3%

LAB 41.76, -31.07, 13.7

 

CMYK 63 / 0 / 32 / 45

HEX #348D60

RGB 52 141 96

HSL 149.66, 0.46%, 0.38%

LAB 52.54, -37.45, 16.36

 

CMYK 63 / 0 / 32 / 33

HEX #3FAB74

RGB 63 171 116

HSL 149.44, 0.46%, 0.46%

LAB 62.88, -43.77, 19.45

 

CMYK 56 / 0 / 28 / 25

HEX #54BF89

RGB 84 191 137

HSL 149.72, 0.46%, 0.54%

LAB 70.14, -43.42, 18.15

 

CMYK 63 / 0 / 32 / 44

HEX #358E61

RGB 53 142 97

HSL 149.66, 0.46%, 0.38%

LAB 52.91, -37.46, 16.32

 

CMYK 63 / 43 / 0 / 45

HEX #34508D

RGB 52 80 141

HSL 221.12, 0.46%, 0.38%

LAB 34.78, 9.78, -37.06

 

CMYK 0 / 58 / 63 / 45

HEX #8D3B34

RGB 141 59 52

HSL 4.72, 0.46%, 0.38%

LAB 36.06, 34.33, 21.65

 

CMYK 63 / 0 / 32 / 44

HEX #358E61

RGB 53 142 97

HSL 149.66, 0.46%, 0.38%

LAB 52.91, -37.46, 16.32

 

CMYK 33 / 63 / 0 / 45

HEX #5F348D

RGB 95 52 141

HSL 268.99, 0.46%, 0.38%

LAB 31.37, 37.64, -42.31

 

CMYK 0 / 33 / 63 / 45

HEX #8D5F34

RGB 141 95 52

HSL 28.99, 0.46%, 0.38%

LAB 44.37, 14.11, 31.79

 

CMYK 63 / 0 / 32 / 44

HEX #358E61

RGB 53 142 97

HSL 149.66, 0.46%, 0.38%

LAB 52.91, -37.46, 16.32

 

CMYK 63 / 43 / 0 / 45

HEX #34508D

RGB 52 80 141

HSL 221.12, 0.46%, 0.38%

LAB 34.78, 9.78, -37.06

 

CMYK 0 / 63 / 30 / 45

HEX #8D3462

RGB 141 52 98

HSL 328.99, 0.46%, 0.38%

LAB 35.99, 42.58, -7.66

 

CMYK 0 / 20 / 63 / 45

HEX #8D7134

RGB 141 113 52

HSL 41.12, 0.46%, 0.38%

LAB 49.16, 3.66, 37.32

 

CMYK 63 / 0 / 32 / 44

HEX #358E61

RGB 53 142 97

HSL 149.66, 0.46%, 0.38%

LAB 52.91, -37.46, 16.32

 

CMYK 63 / 62 / 0 / 45

HEX #34358D

RGB 52 53 141

HSL 239.33, 0.46%, 0.38%

LAB 27.3, 27.81, -49.13

 

CMYK 0 / 63 / 30 / 45

HEX #8D3462

RGB 141 52 98

HSL 328.99, 0.46%, 0.38%

LAB 35.99, 42.58, -7.66

 

CMYK 0 / 1 / 63 / 45

HEX #8D8B34

RGB 141 139 52

HSL 58.65, 0.46%, 0.38%

LAB 56.46, -10.85, 45.37

 

Description

Color code: RGB 53 142 97 | qconv.com Color code: RGB 53 142 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 142 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 142 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 32 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 32% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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