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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 150 85 it is the complementary color RGB 202 105 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 150 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 150 85 shade: RGB 58 150 80, RGB 75 168 99, RGB 92 186 118, RGB 109 204 137 and RGB 126 222 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 150 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 36 132 66, RGB 19 114 47, RGB 2 96 28 and RGB 0 78 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 53 150 58, RGB 73 150 53, RGB 99 150 53 and RGB 126 150 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 53 150 111, RGB 53 150 138, RGB 53 137 150 and RGB 53 110 150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 150 85 shade matches the following richer shades: RGB 53 150 85, RGB 36 167 79, RGB 20 183 74 and RGB 3 200 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 69 134 90, RGB 86 117 96, RGB 102 101 102 and RGB 119 84 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 150 85 shade: RGB 74 150 53, RGB 53 150 57, RGB 53 150 84, RGB 53 150 110 and RGB 53 150 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 150 85 shade: RGB 31 89 50, RGB 42 120 68, RGB 53 150 85, RGB 63 181 102 and RGB 89 196 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 53 100 150 and RGB 150 53 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 84 53 150 and RGB 150 84 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 53 100 150, RGB 150 53 119 and RGB 150 103 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 150 85 shade: RGB 53 150 85, RGB 53 70 150, RGB 150 53 119 and RGB 150 133 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

Complementary color

CMYK 0 / 48 / 16 / 21

HEX #CA69AA

RGB 202 105 170

HSL 319.79, 0.48%, 0.6%

LAB 57.62, 46.65, -17.53

 

CMYK 61 / 0 / 47 / 41

HEX #3A9650

RGB 58 150 80

HSL 134.35, 0.44%, 0.41%

LAB 55.37, -42.95, 28.95

 

CMYK 55 / 0 / 41 / 34

HEX #4BA863

RGB 75 168 99

HSL 135.48, 0.38%, 0.48%

LAB 62, -43.05, 27.5

 

CMYK 51 / 0 / 37 / 27

HEX #5CBA76

RGB 92 186 118

HSL 136.6, 0.41%, 0.55%

LAB 68.53, -42.98, 26.16

 

CMYK 47 / 0 / 33 / 20

HEX #6DCC89

RGB 109 204 137

HSL 137.68, 0.48%, 0.61%

LAB 74.98, -42.81, 24.91

 

CMYK 43 / 0 / 30 / 13

HEX #7EDE9C

RGB 126 222 156

HSL 138.75, 0.59%, 0.68%

LAB 81.33, -42.6, 23.74

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 73 / 0 / 50 / 48

HEX #248442

RGB 36 132 66

HSL 138.75, 0.57%, 0.33%

LAB 48.6, -42.7, 27.74

 

CMYK 83 / 0 / 59 / 55

HEX #13722F

RGB 19 114 47

HSL 137.68, 0.71%, 0.26%

LAB 41.81, -41.63, 29.42

 

CMYK 98 / 0 / 71 / 62

HEX #02601C

RGB 2 96 28

HSL 136.6, 0.96%, 0.19%

LAB 34.93, -39.75, 30.97

 

CMYK 100 / 0 / 88 / 69

HEX #004E09

RGB 0 78 9

HSL 126.92, 1%, 0.15%

LAB 28.03, -35.85, 31.81

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 65 / 0 / 61 / 41

HEX #35963A

RGB 53 150 58

HSL 123.09, 0.48%, 0.4%

LAB 54.94, -47.27, 39.52

 

CMYK 51 / 0 / 65 / 41

HEX #499635

RGB 73 150 53

HSL 107.63, 0.48%, 0.4%

LAB 55.57, -42.58, 42.72

 

CMYK 34 / 0 / 65 / 41

HEX #639635

RGB 99 150 53

HSL 91.55, 0.48%, 0.4%

LAB 56.8, -33.79, 44.42

 

CMYK 16 / 0 / 65 / 41

HEX #7E9635

RGB 126 150 53

HSL 74.85, 0.48%, 0.4%

LAB 58.51, -23.03, 46.77

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 65 / 0 / 26 / 41

HEX #35966F

RGB 53 150 111

HSL 155.88, 0.48%, 0.4%

LAB 55.8, -37.84, 12.4

 

CMYK 65 / 0 / 8 / 41

HEX #35968A

RGB 53 150 138

HSL 172.58, 0.48%, 0.4%

LAB 56.49, -30.96, -1.99

 

CMYK 65 / 9 / 0 / 41

HEX #358996

RGB 53 137 150

HSL 188.04, 0.48%, 0.4%

LAB 52.79, -20.88, -14.43

 

CMYK 65 / 27 / 0 / 41

HEX #356E96

RGB 53 110 150

HSL 204.74, 0.48%, 0.4%

LAB 44.39, -5.71, -27.33

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 78 / 0 / 53 / 35

HEX #24A74F

RGB 36 167 79

HSL 139.69, 0.65%, 0.4%

LAB 60.41, -53.51, 35.65

 

CMYK 89 / 0 / 60 / 28

HEX #14B74A

RGB 20 183 74

HSL 139.88, 0.8%, 0.4%

LAB 65.37, -61.17, 43.95

 

CMYK 99 / 0 / 66 / 22

HEX #03C844

RGB 3 200 68

HSL 139.8, 0.97%, 0.4%

LAB 70.69, -67.93, 52.58

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 49 / 0 / 33 / 47

HEX #45865A

RGB 69 134 90

HSL 139.38, 0.32%, 0.4%

LAB 50.75, -31.26, 17.43

 

CMYK 26 / 0 / 18 / 54

HEX #567560

RGB 86 117 96

HSL 139.35, 0.15%, 0.4%

LAB 46.37, -15.87, 8.01

 

CMYK 0 / 1 / 0 / 60

HEX #666566

RGB 102 101 102

HSL 300, 0%, 0.4%

LAB 42.9, 0.6, -0.43

 

CMYK 0 / 29 / 10 / 53

HEX #77546B

RGB 119 84 107

HSL 320.57, 0.17%, 0.4%

LAB 40.12, 18.54, -7.42

 

CMYK 51 / 0 / 65 / 41

HEX #4A9635

RGB 74 150 53

HSL 107.01, 0.48%, 0.4%

LAB 55.61, -42.28, 42.77

 

CMYK 65 / 0 / 62 / 41

HEX #359639

RGB 53 150 57

HSL 122.47, 0.48%, 0.4%

LAB 54.93, -47.39, 39.98

 

CMYK 65 / 0 / 44 / 41

HEX #359654

RGB 53 150 84

HSL 139.18, 0.48%, 0.4%

LAB 55.29, -43.37, 26.67

 

CMYK 65 / 0 / 27 / 41

HEX #35966E

RGB 53 150 110

HSL 155.26, 0.48%, 0.4%

LAB 55.78, -38.07, 12.94

 

CMYK 65 / 0 / 9 / 41

HEX #359688

RGB 53 150 136

HSL 171.34, 0.48%, 0.4%

LAB 56.43, -31.51, -0.93

 

CMYK 65 / 0 / 44 / 65

HEX #1F5932

RGB 31 89 50

HSL 139.66, 0.48%, 0.24%

LAB 33.28, -28.71, 17.12

 

CMYK 65 / 0 / 43 / 53

HEX #2A7844

RGB 42 120 68

HSL 140, 0.48%, 0.32%

LAB 44.72, -36.26, 21.71

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 65 / 0 / 44 / 29

HEX #3FB566

RGB 63 181 102

HSL 139.83, 0.48%, 0.48%

LAB 65.8, -50.44, 30.79

 

CMYK 55 / 0 / 36 / 23

HEX #59C47D

RGB 89 196 125

HSL 140.19, 0.48%, 0.56%

LAB 71.61, -46.69, 26.55

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 65 / 33 / 0 / 41

HEX #356496

RGB 53 100 150

HSL 210.93, 0.48%, 0.4%

LAB 41.33, 0.4, -32.12

 

CMYK 0 / 65 / 59 / 41

HEX #96353D

RGB 150 53 61

HSL 355.05, 0.48%, 0.4%

LAB 36.68, 41.27, 17.13

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 44 / 65 / 0 / 41

HEX #543596

RGB 84 53 150

HSL 259.18, 0.48%, 0.4%

LAB 30.96, 37.01, -48.58

 

CMYK 0 / 44 / 65 / 41

HEX #965435

RGB 150 84 53

HSL 19.18, 0.48%, 0.4%

LAB 42.89, 24.49, 29.77

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 65 / 33 / 0 / 41

HEX #356496

RGB 53 100 150

HSL 210.93, 0.48%, 0.4%

LAB 41.33, 0.4, -32.12

 

CMYK 0 / 65 / 21 / 41

HEX #963577

RGB 150 53 119

HSL 319.18, 0.48%, 0.4%

LAB 38.48, 47.86, -16.93

 

CMYK 0 / 31 / 65 / 41

HEX #966735

RGB 150 103 53

HSL 30.93, 0.48%, 0.4%

LAB 47.55, 13.59, 35.24

 

CMYK 65 / 0 / 43 / 41

HEX #359655

RGB 53 150 85

HSL 139.79, 0.48%, 0.4%

LAB 55.3, -43.2, 26.15

 

CMYK 65 / 53 / 0 / 41

HEX #354696

RGB 53 70 150

HSL 229.48, 0.48%, 0.4%

LAB 32.57, 19.93, -46.1

 

CMYK 0 / 65 / 21 / 41

HEX #963577

RGB 150 53 119

HSL 319.18, 0.48%, 0.4%

LAB 38.48, 47.86, -16.93

 

CMYK 0 / 11 / 65 / 41

HEX #968535

RGB 150 133 53

HSL 49.48, 0.48%, 0.4%

LAB 55.6, -3.46, 44.22

 

Description

Color code: RGB 53 150 85 | qconv.com Color code: RGB 53 150 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 150 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 150 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 43 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 43% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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