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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 175 58 it is the complementary color RGB 202 80 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 175 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 175 58 shade: RGB 58 175 53, RGB 75 193 72, RGB 92 211 91, RGB 109 229 110 and RGB 126 247 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 175 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 175 58 shade: RGB 53 175 58, RGB 36 157 39, RGB 19 139 20, RGB 2 121 1 and RGB 0 103 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 175 58 shade: RGB 52 176 57, RGB 81 176 52, RGB 114 176 52, RGB 147 176 52 and RGB 176 172 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 175 58 shade: RGB 52 176 57, RGB 52 176 91, RGB 52 176 124, RGB 52 176 158 and RGB 52 161 176

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 175 58 shade matches the following richer shades: RGB 52 176 57, RGB 34 195 40 and RGB 15 213 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 175 58 shade: RGB 52 176 57, RGB 71 158 74, RGB 89 139 91, RGB 108 121 108 and RGB 127 102 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 175 58 shade: RGB 114 176 52, RGB 81 176 52, RGB 52 176 56, RGB 52 176 89 and RGB 52 176 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 175 58 shade: RGB 33 113 37, RGB 43 144 47, RGB 52 176 57, RGB 70 199 76 and RGB 102 209 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 175 58 shade: RGB 53 175 58, RGB 52 147 176 and RGB 176 52 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 175 58 shade: RGB 53 175 58, RGB 56 52 176 and RGB 176 56 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 175 58 shade: RGB 53 175 58, RGB 52 147 176, RGB 176 52 172 and RGB 176 81 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 175 58 shade: RGB 53 175 58, RGB 52 110 176, RGB 176 52 172 and RGB 176 118 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 67 / 31

HEX #35AF3A

RGB 53 175 58

HSL 122.46, 0.54%, 0.45%

LAB 63.11, -56.22, 48.64

 

Complementary color

CMYK 0 / 60 / 2 / 21

HEX #CA50C5

RGB 202 80 197

HSL 302.46, 0.54%, 0.55%

LAB 54.37, 62.76, -38.11

 

CMYK 67 / 0 / 70 / 31

HEX #3AAF35

RGB 58 175 53

HSL 117.54, 0.54%, 0.45%

LAB 63.19, -55.72, 50.81

 

CMYK 61 / 0 / 63 / 24

HEX #4BC148

RGB 75 193 72

HSL 118.51, 0.49%, 0.52%

LAB 69.54, -56.51, 49.89

 

CMYK 56 / 0 / 57 / 17

HEX #5CD35B

RGB 92 211 91

HSL 119.5, 0.58%, 0.59%

LAB 75.83, -56.94, 48.74

 

CMYK 52 / 0 / 52 / 10

HEX #6DE56E

RGB 109 229 110

HSL 120.5, 0.7%, 0.66%

LAB 82.06, -57.14, 47.5

 

CMYK 49 / 0 / 48 / 3

HEX #7EF781

RGB 126 247 129

HSL 121.49, 0.88%, 0.73%

LAB 88.23, -57.19, 46.24

 

CMYK 70 / 0 / 67 / 31

HEX #35AF3A

RGB 53 175 58

HSL 122.46, 0.54%, 0.45%

LAB 63.11, -56.22, 48.64

 

CMYK 77 / 0 / 75 / 38

HEX #249D27

RGB 36 157 39

HSL 121.49, 0.63%, 0.38%

LAB 56.72, -54.83, 49.35

 

CMYK 86 / 0 / 86 / 45

HEX #138B14

RGB 19 139 20

HSL 120.5, 0.76%, 0.31%

LAB 50.28, -52.62, 49.18

 

CMYK 98 / 0 / 99 / 53

HEX #027901

RGB 2 121 1

HSL 119.5, 0.98%, 0.24%

LAB 43.78, -49.44, 47.72

 

CMYK 100 / 0 / 100 / 60

HEX #006700

RGB 0 103 0

HSL 120, 1%, 0.2%

LAB 37.3, -44.28, 42.74

 

CMYK 70 / 0 / 68 / 31

HEX #34B039

RGB 52 176 57

HSL 122.42, 0.54%, 0.45%

LAB 63.41, -56.85, 49.37

 

CMYK 54 / 0 / 70 / 31

HEX #51B034

RGB 81 176 52

HSL 105.97, 0.54%, 0.45%

LAB 64.2, -50.6, 52.47

 

CMYK 35 / 0 / 70 / 31

HEX #72B034

RGB 114 176 52

HSL 90, 0.54%, 0.45%

LAB 65.65, -39.99, 54.43

 

CMYK 16 / 0 / 70 / 31

HEX #93B034

RGB 147 176 52

HSL 74.03, 0.54%, 0.45%

LAB 67.65, -27.17, 57.1

 

CMYK 0 / 2 / 70 / 31

HEX #B0AC34

RGB 176 172 52

HSL 58.06, 0.54%, 0.45%

LAB 68.74, -12.85, 58.92

 

CMYK 70 / 0 / 68 / 31

HEX #34B039

RGB 52 176 57

HSL 122.42, 0.54%, 0.45%

LAB 63.41, -56.85, 49.37

 

CMYK 70 / 0 / 48 / 31

HEX #34B05B

RGB 52 176 91

HSL 138.87, 0.54%, 0.45%

LAB 63.78, -52.42, 33.84

 

CMYK 70 / 0 / 30 / 31

HEX #34B07C

RGB 52 176 124

HSL 154.84, 0.54%, 0.45%

LAB 64.35, -46.1, 17.06

 

CMYK 70 / 0 / 10 / 31

HEX #34B09E

RGB 52 176 158

HSL 171.29, 0.54%, 0.45%

LAB 65.16, -37.74, -0.56

 

CMYK 70 / 9 / 0 / 31

HEX #34A1B0

RGB 52 161 176

HSL 187.26, 0.54%, 0.45%

LAB 61.09, -25.31, -16.69

 

CMYK 70 / 0 / 68 / 31

HEX #34B039

RGB 52 176 57

HSL 122.42, 0.54%, 0.45%

LAB 63.41, -56.85, 49.37

 

CMYK 83 / 0 / 79 / 24

HEX #22C328

RGB 34 195 40

HSL 122.24, 0.7%, 0.45%

LAB 69.13, -66.8, 61.12

 

CMYK 93 / 0 / 89 / 16

HEX #0FD517

RGB 15 213 23

HSL 122.42, 0.87%, 0.45%

LAB 74.67, -74.14, 70

 

CMYK 70 / 0 / 68 / 31

HEX #34B039

RGB 52 176 57

HSL 122.42, 0.54%, 0.45%

LAB 63.41, -56.85, 49.37

 

CMYK 55 / 0 / 53 / 38

HEX #479E4A

RGB 71 158 74

HSL 122.07, 0.38%, 0.45%

LAB 58.31, -43.87, 35.81

 

CMYK 36 / 0 / 35 / 45

HEX #598B5B

RGB 89 139 91

HSL 122.4, 0.22%, 0.45%

LAB 53.32, -27.17, 20.5

 

CMYK 11 / 0 / 11 / 53

HEX #6C796C

RGB 108 121 108

HSL 120, 0.06%, 0.45%

LAB 49.43, -7.52, 5.49

 

CMYK 0 / 20 / 1 / 50

HEX #7F667E

RGB 127 102 126

HSL 302.4, 0.11%, 0.45%

LAB 46.34, 14.49, -9.56

 

CMYK 35 / 0 / 70 / 31

HEX #72B034

RGB 114 176 52

HSL 90, 0.54%, 0.45%

LAB 65.65, -39.99, 54.43

 

CMYK 54 / 0 / 70 / 31

HEX #51B034

RGB 81 176 52

HSL 105.97, 0.54%, 0.45%

LAB 64.2, -50.6, 52.47

 

CMYK 70 / 0 / 68 / 31

HEX #34B038

RGB 52 176 56

HSL 121.94, 0.54%, 0.45%

LAB 63.4, -56.94, 49.77

 

CMYK 70 / 0 / 49 / 31

HEX #34B059

RGB 52 176 89

HSL 137.9, 0.54%, 0.45%

LAB 63.76, -52.74, 34.82

 

CMYK 70 / 0 / 30 / 31

HEX #34B07B

RGB 52 176 123

HSL 154.35, 0.54%, 0.45%

LAB 64.33, -46.32, 17.58

 

CMYK 71 / 0 / 67 / 56

HEX #217125

RGB 33 113 37

HSL 123, 0.55%, 0.29%

LAB 41.64, -40.2, 34.27

 

CMYK 70 / 0 / 67 / 44

HEX #2B902F

RGB 43 144 47

HSL 122.38, 0.54%, 0.37%

LAB 52.58, -48.43, 41.83

 

CMYK 70 / 0 / 68 / 31

HEX #34B039

RGB 52 176 57

HSL 122.42, 0.54%, 0.45%

LAB 63.41, -56.85, 49.37

 

CMYK 65 / 0 / 62 / 22

HEX #46C74C

RGB 70 199 76

HSL 122.79, 0.54%, 0.53%

LAB 71.33, -59.29, 50.12

 

CMYK 51 / 0 / 49 / 18

HEX #66D16A

RGB 102 209 106

HSL 122.24, 0.54%, 0.61%

LAB 75.74, -51.7, 41.61

 

CMYK 70 / 0 / 67 / 31

HEX #35AF3A

RGB 53 175 58

HSL 122.46, 0.54%, 0.45%

LAB 63.11, -56.22, 48.64

 

CMYK 70 / 16 / 0 / 31

HEX #3493B0

RGB 52 147 176

HSL 194.03, 0.54%, 0.45%

LAB 56.81, -18.02, -23.23

 

CMYK 0 / 70 / 44 / 31

HEX #B03462

RGB 176 52 98

HSL 337.74, 0.54%, 0.45%

LAB 42.1, 53.43, 2.06

 

CMYK 70 / 0 / 67 / 31

HEX #35AF3A

RGB 53 175 58

HSL 122.46, 0.54%, 0.45%

LAB 63.11, -56.22, 48.64

 

CMYK 68 / 70 / 0 / 31

HEX #3834B0

RGB 56 52 176

HSL 241.94, 0.54%, 0.45%

LAB 30.48, 41.07, -65.17

 

CMYK 0 / 68 / 70 / 31

HEX #B03834

RGB 176 56 52

HSL 1.94, 0.54%, 0.45%

LAB 41.7, 48.39, 29.96

 

CMYK 70 / 0 / 67 / 31

HEX #35AF3A

RGB 53 175 58

HSL 122.46, 0.54%, 0.45%

LAB 63.11, -56.22, 48.64

 

CMYK 70 / 16 / 0 / 31

HEX #3493B0

RGB 52 147 176

HSL 194.03, 0.54%, 0.45%

LAB 56.81, -18.02, -23.23

 

CMYK 0 / 70 / 2 / 31

HEX #B034AC

RGB 176 52 172

HSL 301.94, 0.54%, 0.45%

LAB 45.17, 63.3, -38.32

 

CMYK 0 / 54 / 70 / 31

HEX #B05134

RGB 176 81 52

HSL 14.03, 0.54%, 0.45%

LAB 46.13, 36.7, 35.1

 

CMYK 70 / 0 / 67 / 31

HEX #35AF3A

RGB 53 175 58

HSL 122.46, 0.54%, 0.45%

LAB 63.11, -56.22, 48.64

 

CMYK 70 / 38 / 0 / 31

HEX #346EB0

RGB 52 110 176

HSL 211.94, 0.54%, 0.45%

LAB 45.66, 3.41, -40.65

 

CMYK 0 / 70 / 2 / 31

HEX #B034AC

RGB 176 52 172

HSL 301.94, 0.54%, 0.45%

LAB 45.17, 63.3, -38.32

 

CMYK 0 / 33 / 70 / 31

HEX #B07634

RGB 176 118 52

HSL 31.94, 0.54%, 0.45%

LAB 54.49, 16.55, 44.33

 

Description

Color code: RGB 53 175 58 | qconv.com Color code: RGB 53 175 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 175 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 175 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 67 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 67% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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