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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 53 190 69 it is the complementary color RGB 202 65 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 53 190 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 53 190 69 shade: RGB 58 190 64, RGB 75 208 83, RGB 92 226 102, RGB 109 244 121 and RGB 126 255 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 53 190 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 36 172 50, RGB 19 154 31, RGB 2 136 12 and RGB 0 118 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 74 190 53, RGB 111 190 53, RGB 148 190 53 and RGB 185 190 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 53 190 106, RGB 53 190 143, RGB 53 190 180 and RGB 53 164 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 53 190 69 shade matches the following richer shades: RGB 53 190 69, RGB 34 210 54 and RGB 14 230 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 73 171 85, RGB 93 151 100, RGB 113 131 115 and RGB 133 111 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 53 190 69 shade: RGB 110 190 53, RGB 74 190 53, RGB 53 190 69, RGB 53 190 106 and RGB 53 190 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 53 190 69 shade: RGB 35 126 46, RGB 44 158 58, RGB 53 190 69, RGB 80 205 94 and RGB 112 214 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 53 147 190 and RGB 190 53 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 69 53 190 and RGB 190 69 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 53 147 190, RGB 190 53 174 and RGB 190 97 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 53 190 69 shade: RGB 53 190 69, RGB 53 106 190, RGB 190 53 174 and RGB 190 138 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

Complementary color

CMYK 0 / 68 / 8 / 21

HEX #CA41BA

RGB 202 65 186

HSL 307.01, 0.56%, 0.52%

LAB 51.7, 66.93, -35.95

 

CMYK 69 / 0 / 66 / 25

HEX #3ABE40

RGB 58 190 64

HSL 122.73, 0.53%, 0.49%

LAB 68.09, -59.79, 51.58

 

CMYK 64 / 0 / 60 / 18

HEX #4BD053

RGB 75 208 83

HSL 123.61, 0.59%, 0.55%

LAB 74.34, -60.63, 50.49

 

CMYK 59 / 0 / 55 / 11

HEX #5CE266

RGB 92 226 102

HSL 124.48, 0.7%, 0.62%

LAB 80.53, -61.12, 49.25

 

CMYK 55 / 0 / 50 / 4

HEX #6DF479

RGB 109 244 121

HSL 125.33, 0.86%, 0.69%

LAB 86.67, -61.37, 47.96

 

CMYK 51 / 0 / 45 / 0

HEX #7EFF8C

RGB 126 255 140

HSL 126.51, 1%, 0.75%

LAB 90.71, -58.78, 44.11

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 79 / 0 / 71 / 33

HEX #24AC32

RGB 36 172 50

HSL 126.18, 0.65%, 0.41%

LAB 61.75, -58.73, 50.34

 

CMYK 88 / 0 / 80 / 40

HEX #139A1F

RGB 19 154 31

HSL 125.33, 0.78%, 0.34%

LAB 55.43, -56.56, 50.75

 

CMYK 99 / 0 / 91 / 47

HEX #02880C

RGB 2 136 12

HSL 124.48, 0.97%, 0.27%

LAB 49.07, -53.45, 49.92

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 61 / 0 / 72 / 25

HEX #4ABE35

RGB 74 190 53

HSL 110.8, 0.56%, 0.48%

LAB 68.42, -57.43, 56.36

 

CMYK 42 / 0 / 72 / 25

HEX #6FBE35

RGB 111 190 53

HSL 94.6, 0.56%, 0.48%

LAB 69.8, -46.87, 58.21

 

CMYK 22 / 0 / 72 / 25

HEX #94BE35

RGB 148 190 53

HSL 78.39, 0.56%, 0.48%

LAB 71.81, -33.33, 60.89

 

CMYK 3 / 0 / 72 / 25

HEX #B9BE35

RGB 185 190 53

HSL 62.19, 0.56%, 0.48%

LAB 74.44, -18.1, 64.34

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 72 / 0 / 44 / 25

HEX #35BE6A

RGB 53 190 106

HSL 143.21, 0.56%, 0.48%

LAB 68.48, -54.9, 32.14

 

CMYK 72 / 0 / 25 / 25

HEX #35BE8F

RGB 53 190 143

HSL 159.42, 0.56%, 0.48%

LAB 69.16, -47.4, 13.42

 

CMYK 72 / 0 / 5 / 25

HEX #35BEB4

RGB 53 190 180

HSL 175.62, 0.56%, 0.48%

LAB 70.09, -37.92, -5.44

 

CMYK 72 / 14 / 0 / 25

HEX #35A4BE

RGB 53 164 190

HSL 191.39, 0.56%, 0.48%

LAB 62.53, -22.29, -22.36

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 84 / 0 / 74 / 18

HEX #22D236

RGB 34 210 54

HSL 126.82, 0.72%, 0.48%

LAB 74, -70.26, 61.4

 

CMYK 94 / 0 / 83 / 10

HEX #0EE627

RGB 14 230 39

HSL 126.94, 0.89%, 0.48%

LAB 80.09, -78.16, 71.49

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 57 / 0 / 50 / 33

HEX #49AB55

RGB 73 171 85

HSL 127.35, 0.4%, 0.48%

LAB 62.67, -47.02, 35.63

 

CMYK 38 / 0 / 34 / 41

HEX #5D9764

RGB 93 151 100

HSL 127.24, 0.24%, 0.48%

LAB 57.44, -30.07, 21.06

 

CMYK 14 / 0 / 12 / 49

HEX #718373

RGB 113 131 115

HSL 126.67, 0.07%, 0.48%

LAB 52.93, -9.86, 6.46

 

CMYK 0 / 17 / 2 / 48

HEX #856F82

RGB 133 111 130

HSL 308.18, 0.09%, 0.48%

LAB 49.46, 12.18, -7.22

 

CMYK 42 / 0 / 72 / 25

HEX #6EBE35

RGB 110 190 53

HSL 95.04, 0.56%, 0.48%

LAB 69.75, -47.2, 58.15

 

CMYK 61 / 0 / 72 / 25

HEX #4ABE35

RGB 74 190 53

HSL 110.8, 0.56%, 0.48%

LAB 68.42, -57.43, 56.36

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 72 / 0 / 44 / 25

HEX #35BE6A

RGB 53 190 106

HSL 143.21, 0.56%, 0.48%

LAB 68.48, -54.9, 32.14

 

CMYK 72 / 0 / 25 / 25

HEX #35BE8E

RGB 53 190 142

HSL 158.98, 0.56%, 0.48%

LAB 69.14, -47.63, 13.93

 

CMYK 72 / 0 / 63 / 51

HEX #237E2E

RGB 35 126 46

HSL 127.25, 0.57%, 0.32%

LAB 46.28, -43.57, 35.21

 

CMYK 72 / 0 / 63 / 38

HEX #2C9E3A

RGB 44 158 58

HSL 127.37, 0.56%, 0.4%

LAB 57.36, -51.97, 42.21

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 61 / 0 / 54 / 20

HEX #50CD5E

RGB 80 205 94

HSL 126.72, 0.56%, 0.56%

LAB 73.66, -57.13, 44.68

 

CMYK 48 / 0 / 42 / 16

HEX #70D67C

RGB 112 214 124

HSL 127.06, 0.55%, 0.64%

LAB 77.87, -48.41, 35.45

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 72 / 23 / 0 / 25

HEX #3593BE

RGB 53 147 190

HSL 198.83, 0.56%, 0.48%

LAB 57.41, -13.2, -30.26

 

CMYK 0 / 72 / 52 / 25

HEX #BE355C

RGB 190 53 92

HSL 342.92, 0.56%, 0.48%

LAB 44.61, 56.69, 9.72

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 64 / 72 / 0 / 25

HEX #4535BE

RGB 69 53 190

HSL 247.01, 0.56%, 0.48%

LAB 32.98, 46.63, -69.31

 

CMYK 0 / 64 / 72 / 25

HEX #BE4535

RGB 190 69 53

HSL 7.01, 0.56%, 0.48%

LAB 46.26, 47.7, 35.31

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 72 / 23 / 0 / 25

HEX #3593BE

RGB 53 147 190

HSL 198.83, 0.56%, 0.48%

LAB 57.41, -13.2, -30.26

 

CMYK 0 / 72 / 8 / 25

HEX #BE35AE

RGB 190 53 174

HSL 307.01, 0.56%, 0.48%

LAB 47.69, 66.48, -35.38

 

CMYK 0 / 49 / 72 / 25

HEX #BE6135

RGB 190 97 53

HSL 19.27, 0.56%, 0.48%

LAB 51.56, 34.01, 41.21

 

CMYK 72 / 0 / 64 / 25

HEX #35BE45

RGB 53 190 69

HSL 127.01, 0.56%, 0.48%

LAB 68.03, -60.14, 49.36

 

CMYK 72 / 44 / 0 / 25

HEX #356ABE

RGB 53 106 190

HSL 216.79, 0.56%, 0.48%

LAB 45.34, 11.22, -49.3

 

CMYK 0 / 72 / 8 / 25

HEX #BE35AE

RGB 190 53 174

HSL 307.01, 0.56%, 0.48%

LAB 47.69, 66.48, -35.38

 

CMYK 0 / 27 / 72 / 25

HEX #BE8A35

RGB 190 138 53

HSL 37.23, 0.56%, 0.48%

LAB 61.12, 11.65, 51.31

 

Description

Color code: RGB 53 190 69 | qconv.com Color code: RGB 53 190 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 190 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
53 190 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 64 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 64% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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