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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 122 46 it is the complementary color RGB 205 133 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 122 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 122 46 shade: RGB 55 122 41, RGB 72 140 60, RGB 89 158 79, RGB 106 176 98 and RGB 123 194 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 122 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 33 104 27, RGB 16 86 8, RGB 0 68 0 and RGB 0 50 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 70 122 46, RGB 91 122 46, RGB 111 122 46 and RGB 122 112 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 46 122 62, RGB 46 122 83, RGB 46 122 103 and RGB 46 120 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 122 46 shade matches the following richer shades: RGB 50 122 46, RGB 38 135 32, RGB 25 149 19 and RGB 13 162 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 62 108 59, RGB 74 94 73, RGB 86 81 87 and RGB 98 67 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 122 46 shade: RGB 91 122 46, RGB 71 122 46, RGB 51 122 46, RGB 46 122 61 and RGB 46 122 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 122 46 shade: RGB 25 62 23, RGB 37 92 34, RGB 50 122 46, RGB 62 151 57 and RGB 74 181 68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 46 111 122 and RGB 122 46 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 46 51 122 and RGB 122 46 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 46 111 122, RGB 116 46 122 and RGB 122 56 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 122 46 shade: RGB 50 122 46, RGB 46 89 122, RGB 116 46 122 and RGB 122 79 46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

Complementary color

CMYK 2 / 36 / 0 / 18

HEX #CD85D1

RGB 205 133 209

HSL 296.84, 0.45%, 0.67%

LAB 65.25, 39.71, -27.96

 

CMYK 55 / 0 / 66 / 52

HEX #377A29

RGB 55 122 41

HSL 109.63, 0.5%, 0.32%

LAB 45.49, -37.67, 36.85

 

CMYK 49 / 0 / 57 / 45

HEX #488C3C

RGB 72 140 60

HSL 111, 0.4%, 0.39%

LAB 52.35, -37.9, 35.7

 

CMYK 44 / 0 / 50 / 38

HEX #599E4F

RGB 89 158 79

HSL 112.41, 0.33%, 0.46%

LAB 59.11, -37.89, 34.41

 

CMYK 40 / 0 / 44 / 31

HEX #6AB062

RGB 106 176 98

HSL 113.85, 0.33%, 0.54%

LAB 65.75, -37.76, 33.12

 

CMYK 37 / 0 / 40 / 24

HEX #7BC275

RGB 123 194 117

HSL 115.32, 0.39%, 0.61%

LAB 72.28, -37.57, 31.87

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 68 / 0 / 74 / 59

HEX #21681B

RGB 33 104 27

HSL 115.32, 0.59%, 0.26%

LAB 38.38, -37.83, 35.29

 

CMYK 81 / 0 / 91 / 66

HEX #105608

RGB 16 86 8

HSL 113.85, 0.83%, 0.18%

LAB 31.31, -36.23, 35.28

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 43 / 0 / 62 / 52

HEX #467A2E

RGB 70 122 46

HSL 101.05, 0.45%, 0.33%

LAB 46.2, -32.24, 35.46

 

CMYK 25 / 0 / 62 / 52

HEX #5B7A2E

RGB 91 122 46

HSL 84.47, 0.45%, 0.33%

LAB 47.42, -24.15, 37.16

 

CMYK 9 / 0 / 62 / 52

HEX #6F7A2E

RGB 111 122 46

HSL 68.68, 0.45%, 0.33%

LAB 48.88, -15.54, 39.19

 

CMYK 0 / 8 / 62 / 52

HEX #7A702E

RGB 122 112 46

HSL 52.11, 0.45%, 0.33%

LAB 46.87, -4.99, 37.24

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 62 / 0 / 49 / 52

HEX #2E7A3E

RGB 46 122 62

HSL 132.63, 0.45%, 0.33%

LAB 45.42, -37.24, 25.97

 

CMYK 62 / 0 / 32 / 52

HEX #2E7A53

RGB 46 122 83

HSL 149.21, 0.45%, 0.33%

LAB 45.8, -33.16, 14.57

 

CMYK 62 / 0 / 16 / 52

HEX #2E7A67

RGB 46 122 103

HSL 165, 0.45%, 0.33%

LAB 46.28, -28.29, 3.49

 

CMYK 62 / 2 / 0 / 52

HEX #2E787A

RGB 46 120 122

HSL 181.58, 0.45%, 0.33%

LAB 46.2, -21.85, -7.92

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 72 / 0 / 76 / 47

HEX #268720

RGB 38 135 32

HSL 116.5, 0.62%, 0.33%

LAB 49.31, -47.64, 44.5

 

CMYK 83 / 0 / 87 / 42

HEX #199513

RGB 25 149 19

HSL 117.23, 0.77%, 0.33%

LAB 53.76, -55.08, 52.59

 

CMYK 92 / 0 / 97 / 36

HEX #0DA205

RGB 13 162 5

HSL 116.94, 0.94%, 0.33%

LAB 57.98, -60.5, 58.61

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 43 / 0 / 45 / 58

HEX #3E6C3B

RGB 62 108 59

HSL 116.33, 0.29%, 0.33%

LAB 41.32, -26.69, 22.56

 

CMYK 21 / 0 / 22 / 63

HEX #4A5E49

RGB 74 94 73

HSL 117.14, 0.13%, 0.33%

LAB 37.74, -12.24, 9.59

 

CMYK 1 / 7 / 0 / 66

HEX #565157

RGB 86 81 87

HSL 290, 0.04%, 0.33%

LAB 35.11, 3.32, -2.78

 

CMYK 2 / 33 / 0 / 61

HEX #624364

RGB 98 67 100

HSL 296.36, 0.2%, 0.33%

LAB 32.99, 19.62, -14.07

 

CMYK 25 / 0 / 62 / 52

HEX #5B7A2E

RGB 91 122 46

HSL 84.47, 0.45%, 0.33%

LAB 47.42, -24.15, 37.16

 

CMYK 42 / 0 / 62 / 52

HEX #477A2E

RGB 71 122 46

HSL 100.26, 0.45%, 0.33%

LAB 46.25, -31.88, 35.53

 

CMYK 58 / 0 / 62 / 52

HEX #337A2E

RGB 51 122 46

HSL 116.05, 0.45%, 0.33%

LAB 45.39, -38.25, 34.31

 

CMYK 62 / 0 / 50 / 52

HEX #2E7A3D

RGB 46 122 61

HSL 131.84, 0.45%, 0.33%

LAB 45.41, -37.41, 26.5

 

CMYK 62 / 0 / 34 / 52

HEX #2E7A51

RGB 46 122 81

HSL 147.63, 0.45%, 0.33%

LAB 45.76, -33.6, 15.67

 

CMYK 60 / 0 / 63 / 76

HEX #193E17

RGB 25 62 23

HSL 116.92, 0.46%, 0.17%

LAB 22.7, -22.65, 19.79

 

CMYK 60 / 0 / 63 / 64

HEX #255C22

RGB 37 92 34

HSL 116.9, 0.46%, 0.25%

LAB 34.32, -31.08, 27.5

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 59 / 0 / 62 / 41

HEX #3E9739

RGB 62 151 57

HSL 116.81, 0.45%, 0.41%

LAB 55.54, -45.6, 40.74

 

CMYK 59 / 0 / 62 / 29

HEX #4AB544

RGB 74 181 68

HSL 116.81, 0.45%, 0.49%

LAB 65.69, -52.78, 47.31

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 62 / 9 / 0 / 52

HEX #2E6F7A

RGB 46 111 122

HSL 188.68, 0.45%, 0.33%

LAB 43.29, -17.01, -12.3

 

CMYK 0 / 62 / 34 / 52

HEX #7A2E51

RGB 122 46 81

HSL 332.37, 0.45%, 0.33%

LAB 31.08, 36.89, -4.38

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 62 / 58 / 0 / 52

HEX #2E337A

RGB 46 51 122

HSL 236.05, 0.45%, 0.33%

LAB 24.81, 21.22, -41.3

 

CMYK 0 / 62 / 58 / 52

HEX #7A2E33

RGB 122 46 51

HSL 356.05, 0.45%, 0.33%

LAB 30.23, 33.58, 14.08

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 62 / 9 / 0 / 52

HEX #2E6F7A

RGB 46 111 122

HSL 188.68, 0.45%, 0.33%

LAB 43.29, -17.01, -12.3

 

CMYK 5 / 62 / 0 / 52

HEX #742E7A

RGB 116 46 122

HSL 295.26, 0.45%, 0.33%

LAB 31.97, 41.9, -29.37

 

CMYK 0 / 54 / 62 / 52

HEX #7A382E

RGB 122 56 46

HSL 7.89, 0.45%, 0.33%

LAB 32.18, 27.86, 19.81

 

CMYK 59 / 0 / 62 / 52

HEX #327A2E

RGB 50 122 46

HSL 116.84, 0.45%, 0.33%

LAB 45.35, -38.52, 34.26

 

CMYK 62 / 27 / 0 / 52

HEX #2E597A

RGB 46 89 122

HSL 206.05, 0.45%, 0.33%

LAB 36.23, -4.11, -23.14

 

CMYK 5 / 62 / 0 / 52

HEX #742E7A

RGB 116 46 122

HSL 295.26, 0.45%, 0.33%

LAB 31.97, 41.9, -29.37

 

CMYK 0 / 35 / 62 / 52

HEX #7A4F2E

RGB 122 79 46

HSL 26.05, 0.45%, 0.33%

LAB 37.71, 14.46, 26.65

 

Description

Color code: RGB 50 122 46 | qconv.com Color code: RGB 50 122 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 122 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 122 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 62 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 62% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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