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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 203 96 it is the complementary color RGB 205 52 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 203 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 203 96 shade: RGB 55 203 91, RGB 72 221 110, RGB 89 239 129, RGB 106 255 148 and RGB 123 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 203 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 203 96 shade: RGB 50 203 96, RGB 33 185 77, RGB 16 167 58, RGB 0 149 39 and RGB 0 131 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 203 96 shade: RGB 51 204 97, RGB 51 204 55, RGB 87 204 51, RGB 128 204 51 and RGB 170 204 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 203 96 shade: RGB 51 204 97, RGB 51 204 138, RGB 51 204 179, RGB 51 187 204 and RGB 51 145 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 203 96 shade matches the following richer shades: RGB 51 204 97, RGB 30 224 88 and RGB 9 245 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 203 96 shade: RGB 51 204 97, RGB 71 183 105, RGB 92 162 113, RGB 112 142 121 and RGB 133 121 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 203 96 shade: RGB 86 204 51, RGB 51 204 56, RGB 51 204 96, RGB 51 204 137 and RGB 51 204 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 203 96 shade: RGB 34 137 65, RGB 42 170 81, RGB 51 204 97, RGB 84 212 122 and RGB 117 220 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 203 96 shade: RGB 50 203 96, RGB 51 127 204 and RGB 204 51 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 203 96 shade: RGB 50 203 96, RGB 96 51 204 and RGB 204 96 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 203 96 shade: RGB 50 203 96, RGB 51 127 204, RGB 204 51 158 and RGB 204 127 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 203 96 shade: RGB 50 203 96, RGB 51 81 204, RGB 204 51 158 and RGB 204 173 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 53 / 20

HEX #32CB60

RGB 50 203 96

HSL 138.04, 0.6%, 0.5%

LAB 72.38, -61.54, 42.02

 

Complementary color

CMYK 0 / 75 / 22 / 20

HEX #CD349F

RGB 205 52 159

HSL 318.04, 0.6%, 0.5%

LAB 49.42, 68.23, -23.61

 

CMYK 73 / 0 / 55 / 20

HEX #37CB5B

RGB 55 203 91

HSL 134.59, 0.59%, 0.51%

LAB 72.41, -61.51, 44.46

 

CMYK 67 / 0 / 50 / 13

HEX #48DD6E

RGB 72 221 110

HSL 135.3, 0.69%, 0.57%

LAB 78.59, -62.27, 43

 

CMYK 63 / 0 / 46 / 6

HEX #59EF81

RGB 89 239 129

HSL 136, 0.82%, 0.64%

LAB 84.71, -62.72, 41.58

 

CMYK 58 / 0 / 42 / 0

HEX #6AFF94

RGB 106 255 148

HSL 136.91, 1%, 0.71%

LAB 90.19, -62.21, 39.44

 

CMYK 52 / 0 / 35 / 0

HEX #7BFFA7

RGB 123 255 167

HSL 140, 1%, 0.74%

LAB 91.02, -55.24, 31.21

 

CMYK 75 / 0 / 53 / 20

HEX #32CB60

RGB 50 203 96

HSL 138.04, 0.6%, 0.5%

LAB 72.38, -61.54, 42.02

 

CMYK 82 / 0 / 58 / 27

HEX #21B94D

RGB 33 185 77

HSL 137.37, 0.7%, 0.43%

LAB 66.18, -60.26, 43.55

 

CMYK 90 / 0 / 65 / 35

HEX #10A73A

RGB 16 167 58

HSL 136.69, 0.83%, 0.36%

LAB 59.94, -58.34, 44.99

 

CMYK 100 / 0 / 74 / 42

HEX #009527

RGB 0 149 39

HSL 135.7, 1%, 0.29%

LAB 53.64, -55.69, 46.1

 

CMYK 100 / 0 / 85 / 49

HEX #008314

RGB 0 131 20

HSL 129.16, 1%, 0.26%

LAB 47.34, -51.72, 46.42

 

CMYK 75 / 0 / 52 / 20

HEX #33CC61

RGB 51 204 97

HSL 138.04, 0.6%, 0.5%

LAB 72.73, -61.6, 41.96

 

CMYK 75 / 0 / 73 / 20

HEX #33CC37

RGB 51 204 55

HSL 121.57, 0.6%, 0.5%

LAB 72.34, -66.3, 59.46

 

CMYK 57 / 0 / 75 / 20

HEX #57CC33

RGB 87 204 51

HSL 105.88, 0.6%, 0.5%

LAB 73.19, -59.35, 61.98

 

CMYK 37 / 0 / 75 / 20

HEX #80CC33

RGB 128 204 51

HSL 89.8, 0.6%, 0.5%

LAB 74.83, -47.01, 64.14

 

CMYK 17 / 0 / 75 / 20

HEX #AACC33

RGB 170 204 51

HSL 73.33, 0.6%, 0.5%

LAB 77.26, -31.19, 67.31

 

CMYK 75 / 0 / 52 / 20

HEX #33CC61

RGB 51 204 97

HSL 138.04, 0.6%, 0.5%

LAB 72.73, -61.6, 41.96

 

CMYK 75 / 0 / 32 / 20

HEX #33CC8A

RGB 51 204 138

HSL 154.12, 0.6%, 0.5%

LAB 73.37, -54.32, 21.92

 

CMYK 75 / 0 / 12 / 20

HEX #33CCB3

RGB 51 204 179

HSL 170.2, 0.6%, 0.5%

LAB 74.28, -44.62, 1.25

 

CMYK 75 / 8 / 0 / 20

HEX #33BBCC

RGB 51 187 204

HSL 186.67, 0.6%, 0.5%

LAB 69.9, -29.68, -18.89

 

CMYK 75 / 29 / 0 / 20

HEX #3391CC

RGB 51 145 204

HSL 203.14, 0.6%, 0.5%

LAB 57.38, -7.5, -38.21

 

CMYK 75 / 0 / 52 / 20

HEX #33CC61

RGB 51 204 97

HSL 138.04, 0.6%, 0.5%

LAB 72.73, -61.6, 41.96

 

CMYK 87 / 0 / 61 / 12

HEX #1EE058

RGB 30 224 88

HSL 137.94, 0.76%, 0.5%

LAB 78.63, -71.47, 53.02

 

CMYK 96 / 0 / 67 / 4

HEX #09F550

RGB 9 245 80

HSL 138.05, 0.93%, 0.5%

LAB 84.97, -79.53, 63.28

 

CMYK 75 / 0 / 52 / 20

HEX #33CC61

RGB 51 204 97

HSL 138.04, 0.6%, 0.5%

LAB 72.73, -61.6, 41.96

 

CMYK 61 / 0 / 43 / 28

HEX #47B769

RGB 71 183 105

HSL 138.21, 0.44%, 0.5%

LAB 66.69, -49.06, 30.43

 

CMYK 43 / 0 / 30 / 36

HEX #5CA271

RGB 92 162 113

HSL 138, 0.28%, 0.5%

LAB 61.05, -33.18, 18.77

 

CMYK 21 / 0 / 15 / 44

HEX #708E79

RGB 112 142 121

HSL 138, 0.12%, 0.5%

LAB 56.26, -15.03, 7.74

 

CMYK 0 / 9 / 3 / 48

HEX #857981

RGB 133 121 129

HSL 320, 0.05%, 0.5%

LAB 52.11, 6.12, -2.7

 

CMYK 58 / 0 / 75 / 20

HEX #56CC33

RGB 86 204 51

HSL 106.27, 0.6%, 0.5%

LAB 73.16, -59.6, 61.93

 

CMYK 75 / 0 / 73 / 20

HEX #33CC38

RGB 51 204 56

HSL 121.96, 0.6%, 0.5%

LAB 72.35, -66.22, 59.11

 

CMYK 75 / 0 / 53 / 20

HEX #33CC60

RGB 51 204 96

HSL 137.65, 0.6%, 0.5%

LAB 72.72, -61.74, 42.43

 

CMYK 75 / 0 / 33 / 20

HEX #33CC89

RGB 51 204 137

HSL 153.73, 0.6%, 0.5%

LAB 73.35, -54.53, 22.42

 

CMYK 75 / 0 / 13 / 20

HEX #33CCB2

RGB 51 204 178

HSL 169.8, 0.6%, 0.5%

LAB 74.26, -44.88, 1.75

 

CMYK 75 / 0 / 53 / 46

HEX #228941

RGB 34 137 65

HSL 138.06, 0.6%, 0.34%

LAB 50.23, -45.12, 30.3

 

CMYK 75 / 0 / 52 / 33

HEX #2AAA51

RGB 42 170 81

HSL 138.28, 0.6%, 0.42%

LAB 61.51, -53.42, 36.03

 

CMYK 75 / 0 / 52 / 20

HEX #33CC61

RGB 51 204 97

HSL 138.04, 0.6%, 0.5%

LAB 72.73, -61.6, 41.96

 

CMYK 60 / 0 / 42 / 17

HEX #54D47A

RGB 84 212 122

HSL 137.81, 0.6%, 0.58%

LAB 76.3, -54.74, 34.24

 

CMYK 47 / 0 / 33 / 14

HEX #75DC94

RGB 117 220 148

HSL 138.06, 0.6%, 0.66%

LAB 80.24, -45.6, 26.34

 

CMYK 75 / 0 / 53 / 20

HEX #32CB60

RGB 50 203 96

HSL 138.04, 0.6%, 0.5%

LAB 72.38, -61.54, 42.02

 

CMYK 75 / 38 / 0 / 20

HEX #337FCC

RGB 51 127 204

HSL 210.2, 0.6%, 0.5%

LAB 52.11, 3.09, -46.53

 

CMYK 0 / 75 / 68 / 20

HEX #CC3342

RGB 204 51 66

HSL 354.12, 0.6%, 0.5%

LAB 46.44, 59.81, 28.55

 

CMYK 75 / 0 / 53 / 20

HEX #32CB60

RGB 50 203 96

HSL 138.04, 0.6%, 0.5%

LAB 72.38, -61.54, 42.02

 

CMYK 53 / 75 / 0 / 20

HEX #6033CC

RGB 96 51 204

HSL 257.65, 0.6%, 0.5%

LAB 36.39, 55.36, -71.81

 

CMYK 0 / 53 / 75 / 20

HEX #CC6033

RGB 204 96 51

HSL 17.65, 0.6%, 0.5%

LAB 53.43, 39.96, 44.86

 

CMYK 75 / 0 / 53 / 20

HEX #32CB60

RGB 50 203 96

HSL 138.04, 0.6%, 0.5%

LAB 72.38, -61.54, 42.02

 

CMYK 75 / 38 / 0 / 20

HEX #337FCC

RGB 51 127 204

HSL 210.2, 0.6%, 0.5%

LAB 52.11, 3.09, -46.53

 

CMYK 0 / 75 / 23 / 20

HEX #CC339E

RGB 204 51 158

HSL 318.04, 0.6%, 0.5%

LAB 49.1, 68.17, -23.53

 

CMYK 0 / 38 / 75 / 20

HEX #CC7F33

RGB 204 127 51

HSL 29.8, 0.6%, 0.5%

LAB 60.12, 23.64, 51.73

 

CMYK 75 / 0 / 53 / 20

HEX #32CB60

RGB 50 203 96

HSL 138.04, 0.6%, 0.5%

LAB 72.38, -61.54, 42.02

 

CMYK 75 / 60 / 0 / 20

HEX #3351CC

RGB 51 81 204

HSL 228.24, 0.6%, 0.5%

LAB 39.49, 32.24, -66.86

 

CMYK 0 / 75 / 23 / 20

HEX #CC339E

RGB 204 51 158

HSL 318.04, 0.6%, 0.5%

LAB 49.1, 68.17, -23.53

 

CMYK 0 / 15 / 75 / 20

HEX #CCAD33

RGB 204 173 51

HSL 47.84, 0.6%, 0.5%

LAB 71.53, -1.21, 62.86

 

Description

Color code: RGB 50 203 96 | qconv.com Color code: RGB 50 203 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 203 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 203 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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