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Color name
RGB 51 84 167

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 84 167 it is the complementary color RGB 204 171 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 84 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 84 167 shade: RGB 56 84 162, RGB 73 102 181, RGB 90 120 200, RGB 107 138 219 and RGB 124 156 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 84 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 34 66 148, RGB 17 48 129, RGB 0 30 110 and RGB 0 12 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 51 53 167, RGB 81 51 167, RGB 112 51 167 and RGB 143 51 167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 51 53 167 and RGB 51 51 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 84 167 shade matches the following richer shades: RGB 51 84 167, RGB 33 76 185 and RGB 16 69 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 69 92 150, RGB 87 99 132, RGB 104 107 114 and RGB 122 115 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 84 167 shade: RGB 51 148 167, RGB 51 117 167, RGB 51 86 167, RGB 51 55 167 and RGB 78 51 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 84 167 shade: RGB 32 52 104, RGB 41 68 136, RGB 51 84 167, RGB 64 101 196 and RGB 95 127 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 156 51 167 and RGB 132 167 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 167 51 86 and RGB 86 167 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 156 51 167, RGB 167 132 51 and RGB 63 167 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 84 167 shade: RGB 51 84 167, RGB 167 51 144, RGB 167 132 51 and RGB 51 167 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

Complementary color

CMYK 0 / 16 / 57 / 20

HEX #CCAB58

RGB 204 171 88

HSL 42.93, 0.53%, 0.57%

LAB 71.33, 2.07, 46.6

 

CMYK 65 / 48 / 0 / 36

HEX #3854A2

RGB 56 84 162

HSL 224.15, 0.49%, 0.43%

LAB 37.46, 15.58, -45.44

 

CMYK 60 / 44 / 0 / 29

HEX #4966B5

RGB 73 102 181

HSL 223.89, 0.43%, 0.5%

LAB 44.6, 13.96, -45.19

 

CMYK 55 / 40 / 0 / 22

HEX #5A78C8

RGB 90 120 200

HSL 223.64, 0.5%, 0.57%

LAB 51.58, 12.67, -44.98

 

CMYK 51 / 37 / 0 / 14

HEX #6B8ADB

RGB 107 138 219

HSL 223.39, 0.61%, 0.64%

LAB 58.43, 11.62, -44.81

 

CMYK 48 / 34 / 0 / 7

HEX #7C9CEE

RGB 124 156 238

HSL 223.16, 0.77%, 0.71%

LAB 65.15, 10.75, -44.69

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 77 / 55 / 0 / 42

HEX #224294

RGB 34 66 148

HSL 223.16, 0.63%, 0.36%

LAB 30.34, 18.96, -48.53

 

CMYK 87 / 63 / 0 / 49

HEX #113081

RGB 17 48 129

HSL 223.39, 0.77%, 0.29%

LAB 23.06, 22.06, -48.63

 

CMYK 100 / 73 / 0 / 57

HEX #001E6E

RGB 0 30 110

HSL 223.64, 1%, 0.22%

LAB 15.77, 25.83, -48.46

 

CMYK 100 / 87 / 0 / 64

HEX #000C5B

RGB 0 12 91

HSL 232.09, 1%, 0.18%

LAB 9.14, 30.12, -46.85

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 69 / 68 / 0 / 35

HEX #3335A7

RGB 51 53 167

HSL 238.97, 0.53%, 0.43%

LAB 29.51, 36.78, -61.37

 

CMYK 51 / 69 / 0 / 35

HEX #5133A7

RGB 81 51 167

HSL 255.52, 0.53%, 0.43%

LAB 31.59, 42.53, -57.86

 

CMYK 33 / 69 / 0 / 35

HEX #7033A7

RGB 112 51 167

HSL 271.55, 0.53%, 0.43%

LAB 35.21, 48.52, -51.82

 

CMYK 14 / 69 / 0 / 35

HEX #8F33A7

RGB 143 51 167

HSL 287.59, 0.53%, 0.43%

LAB 39.58, 55.28, -44.56

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 69 / 68 / 0 / 35

HEX #3335A7

RGB 51 53 167

HSL 238.97, 0.53%, 0.43%

LAB 29.51, 36.78, -61.37

 

CMYK 69 / 69 / 0 / 35

HEX #3333A7

RGB 51 51 167

HSL 240, 0.53%, 0.43%

LAB 29.06, 38.01, -62.11

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 82 / 59 / 0 / 27

HEX #214CB9

RGB 33 76 185

HSL 223.03, 0.7%, 0.43%

LAB 35.97, 26.59, -61.54

 

CMYK 92 / 66 / 0 / 20

HEX #1045CB

RGB 16 69 203

HSL 222.99, 0.85%, 0.43%

LAB 35.36, 37.05, -73.1

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 54 / 39 / 0 / 41

HEX #455C96

RGB 69 92 150

HSL 222.96, 0.37%, 0.43%

LAB 39.78, 8.89, -34.51

 

CMYK 34 / 25 / 0 / 48

HEX #576384

RGB 87 99 132

HSL 224, 0.21%, 0.43%

LAB 42.18, 3.89, -19.84

 

CMYK 9 / 6 / 0 / 55

HEX #686B72

RGB 104 107 114

HSL 222, 0.05%, 0.43%

LAB 45.18, 0.36, -4.31

 

CMYK 0 / 6 / 21 / 52

HEX #7A7360

RGB 122 115 96

HSL 43.85, 0.12%, 0.43%

LAB 48.57, -0.69, 11.5

 

CMYK 69 / 11 / 0 / 35

HEX #3394A7

RGB 51 148 167

HSL 189.83, 0.53%, 0.43%

LAB 56.76, -21.61, -18.18

 

CMYK 69 / 30 / 0 / 35

HEX #3375A7

RGB 51 117 167

HSL 205.86, 0.53%, 0.43%

LAB 47.26, -4.26, -32.87

 

CMYK 69 / 49 / 0 / 35

HEX #3356A7

RGB 51 86 167

HSL 221.9, 0.53%, 0.43%

LAB 38.11, 15.27, -47.4

 

CMYK 69 / 67 / 0 / 35

HEX #3337A7

RGB 51 55 167

HSL 237.93, 0.53%, 0.43%

LAB 29.98, 35.54, -60.61

 

CMYK 53 / 69 / 0 / 35

HEX #4E33A7

RGB 78 51 167

HSL 253.97, 0.53%, 0.43%

LAB 31.29, 42.01, -58.36

 

CMYK 69 / 50 / 0 / 59

HEX #203468

RGB 32 52 104

HSL 223.33, 0.53%, 0.27%

LAB 22.87, 10.92, -32.94

 

CMYK 70 / 50 / 0 / 47

HEX #294488

RGB 41 68 136

HSL 222.95, 0.54%, 0.35%

LAB 30.36, 13.92, -41.11

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 67 / 48 / 0 / 23

HEX #4065C4

RGB 64 101 196

HSL 223.18, 0.53%, 0.51%

LAB 44.78, 18.25, -53.64

 

CMYK 54 / 38 / 0 / 19

HEX #5F7FCE

RGB 95 127 206

HSL 222.7, 0.53%, 0.59%

LAB 54.1, 11.44, -44.39

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 7 / 69 / 0 / 35

HEX #9C33A7

RGB 156 51 167

HSL 294.31, 0.53%, 0.43%

LAB 41.57, 58.23, -41.26

 

CMYK 21 / 0 / 69 / 35

HEX #84A733

RGB 132 167 51

HSL 78.1, 0.53%, 0.43%

LAB 63.98, -29.03, 53.45

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 0 / 69 / 49 / 35

HEX #A73356

RGB 167 51 86

HSL 341.9, 0.53%, 0.43%

LAB 40.01, 49.92, 6.37

 

CMYK 49 / 0 / 69 / 35

HEX #56A733

RGB 86 167 51

HSL 101.9, 0.53%, 0.43%

LAB 61.53, -45.7, 50.14

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 7 / 69 / 0 / 35

HEX #9C33A7

RGB 156 51 167

HSL 294.31, 0.53%, 0.43%

LAB 41.57, 58.23, -41.26

 

CMYK 0 / 21 / 69 / 35

HEX #A78433

RGB 167 132 51

HSL 41.9, 0.53%, 0.43%

LAB 57.03, 4.64, 47.19

 

CMYK 62 / 0 / 69 / 35

HEX #3FA733

RGB 63 167 51

HSL 113.79, 0.53%, 0.43%

LAB 60.72, -51.97, 49.04

 

CMYK 69 / 50 / 0 / 35

HEX #3354A7

RGB 51 84 167

HSL 222.93, 0.53%, 0.43%

LAB 37.54, 16.58, -48.31

 

CMYK 0 / 69 / 14 / 35

HEX #A73390

RGB 167 51 144

HSL 311.9, 0.53%, 0.43%

LAB 42.15, 57.07, -26.39

 

CMYK 0 / 21 / 69 / 35

HEX #A78433

RGB 167 132 51

HSL 41.9, 0.53%, 0.43%

LAB 57.03, 4.64, 47.19

 

CMYK 69 / 0 / 56 / 35

HEX #33A74A

RGB 51 167 74

HSL 131.9, 0.53%, 0.43%

LAB 60.64, -51.86, 38.48

 

Description

Color code: RGB 51 84 167 | qconv.com Color code: RGB 51 84 167 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 84 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 84 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 50 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 50% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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