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Color name
RGB 51 123 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 123 29 it is the complementary color RGB 204 132 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 123 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 123 29 shade: RGB 56 123 24, RGB 73 141 43, RGB 90 159 62, RGB 107 177 81 and RGB 124 195 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 123 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 34 105 10, RGB 17 87 0, RGB 0 69 0 and RGB 0 51 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 76 123 29, RGB 102 123 29, RGB 123 119 29 and RGB 123 94 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 29 123 32, RGB 29 123 58, RGB 29 123 83 and RGB 29 123 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 123 29 shade matches the following richer shades: RGB 51 123 29, RGB 44 136 16 and RGB 38 148 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 57 111 41, RGB 64 99 53, RGB 71 86 66 and RGB 77 74 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 123 29 shade: RGB 103 123 29, RGB 78 123 29, RGB 52 123 29, RGB 29 123 30 and RGB 29 123 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 123 29 shade: RGB 23 57 13, RGB 37 90 21, RGB 51 123 29, RGB 65 157 36 and RGB 78 190 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 29 123 119 and RGB 123 29 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 29 52 123 and RGB 123 29 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 29 123 119, RGB 100 29 123 and RGB 123 29 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 123 29 shade: RGB 51 123 29, RGB 29 100 123, RGB 100 29 123 and RGB 123 52 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

Complementary color

CMYK 10 / 42 / 0 / 11

HEX #CC84E2

RGB 204 132 226

HSL 285.96, 0.62%, 0.7%

LAB 65.62, 43.26, -36.85

 

CMYK 54 / 0 / 80 / 52

HEX #387B18

RGB 56 123 24

HSL 100.61, 0.67%, 0.29%

LAB 45.73, -39.22, 44.05

 

CMYK 48 / 0 / 70 / 45

HEX #498D2B

RGB 73 141 43

HSL 101.63, 0.53%, 0.36%

LAB 52.55, -39.82, 43.82

 

CMYK 43 / 0 / 61 / 38

HEX #5A9F3E

RGB 90 159 62

HSL 102.68, 0.44%, 0.43%

LAB 59.27, -40.07, 42.95

 

CMYK 40 / 0 / 54 / 31

HEX #6BB151

RGB 107 177 81

HSL 103.75, 0.38%, 0.51%

LAB 65.88, -40.12, 41.82

 

CMYK 36 / 0 / 49 / 24

HEX #7CC364

RGB 124 195 100

HSL 104.84, 0.44%, 0.58%

LAB 72.39, -40.06, 40.61

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 68 / 0 / 90 / 59

HEX #22690A

RGB 34 105 10

HSL 104.84, 0.83%, 0.23%

LAB 38.66, -39.16, 41.45

 

CMYK 80 / 0 / 100 / 66

HEX #115700

RGB 17 87 0

HSL 108.28, 1%, 0.17%

LAB 31.66, -36.9, 38.33

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 38 / 0 / 76 / 52

HEX #4C7B1D

RGB 76 123 29

HSL 90, 0.62%, 0.3%

LAB 46.7, -31.99, 43.51

 

CMYK 17 / 0 / 76 / 52

HEX #667B1D

RGB 102 123 29

HSL 73.4, 0.62%, 0.3%

LAB 48.36, -21.23, 45.69

 

CMYK 0 / 3 / 76 / 52

HEX #7B771D

RGB 123 119 29

HSL 57.45, 0.62%, 0.3%

LAB 48.88, -9.51, 46.79

 

CMYK 0 / 24 / 76 / 52

HEX #7B5E1D

RGB 123 94 29

HSL 41.49, 0.62%, 0.3%

LAB 41.7, 4.85, 39.86

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 76 / 0 / 74 / 52

HEX #1D7B20

RGB 29 123 32

HSL 121.91, 0.62%, 0.3%

LAB 44.99, -45.12, 40.03

 

CMYK 76 / 0 / 53 / 52

HEX #1D7B3A

RGB 29 123 58

HSL 138.51, 0.62%, 0.3%

LAB 45.27, -41.77, 27.84

 

CMYK 76 / 0 / 33 / 52

HEX #1D7B53

RGB 29 123 83

HSL 154.47, 0.62%, 0.3%

LAB 45.7, -36.81, 14.36

 

CMYK 76 / 0 / 11 / 52

HEX #1D7B6D

RGB 29 123 109

HSL 171.06, 0.62%, 0.3%

LAB 46.35, -30, -0.02

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 68 / 0 / 88 / 47

HEX #2C8810

RGB 44 136 16

HSL 106, 0.79%, 0.3%

LAB 49.72, -47.71, 49.86

 

CMYK 74 / 0 / 97 / 42

HEX #269404

RGB 38 148 4

HSL 105.83, 0.95%, 0.3%

LAB 53.6, -53.34, 55.32

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 49 / 0 / 63 / 56

HEX #396F29

RGB 57 111 41

HSL 106.29, 0.46%, 0.3%

LAB 41.84, -32.3, 32.8

 

CMYK 35 / 0 / 46 / 61

HEX #406335

RGB 64 99 53

HSL 105.65, 0.3%, 0.3%

LAB 38.32, -22.41, 22.19

 

CMYK 17 / 0 / 23 / 66

HEX #475642

RGB 71 86 66

HSL 105, 0.13%, 0.3%

LAB 34.78, -10.2, 9.75

 

CMYK 1 / 5 / 0 / 69

HEX #4D4A4E

RGB 77 74 78

HSL 285, 0.03%, 0.3%

LAB 31.86, 2.11, -1.94

 

CMYK 16 / 0 / 76 / 52

HEX #677B1D

RGB 103 123 29

HSL 72.77, 0.62%, 0.3%

LAB 48.43, -20.79, 45.79

 

CMYK 37 / 0 / 76 / 52

HEX #4E7B1D

RGB 78 123 29

HSL 88.72, 0.62%, 0.3%

LAB 46.81, -31.22, 43.65

 

CMYK 58 / 0 / 76 / 52

HEX #347B1D

RGB 52 123 29

HSL 105.32, 0.62%, 0.3%

LAB 45.61, -40.06, 42.07

 

CMYK 76 / 0 / 76 / 52

HEX #1D7B1E

RGB 29 123 30

HSL 120.64, 0.62%, 0.3%

LAB 44.97, -45.3, 40.82

 

CMYK 76 / 0 / 55 / 52

HEX #1D7B37

RGB 29 123 55

HSL 136.6, 0.62%, 0.3%

LAB 45.22, -42.26, 29.38

 

CMYK 60 / 0 / 77 / 78

HEX #17390D

RGB 23 57 13

HSL 106.36, 0.63%, 0.14%

LAB 20.59, -22.26, 22.81

 

CMYK 59 / 0 / 77 / 65

HEX #255A15

RGB 37 90 21

HSL 106.09, 0.62%, 0.22%

LAB 33.48, -31.66, 32.83

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 59 / 0 / 77 / 38

HEX #419D24

RGB 65 157 36

HSL 105.62, 0.63%, 0.38%

LAB 57.43, -49, 51.36

 

CMYK 59 / 0 / 77 / 25

HEX #4EBE2C

RGB 78 190 44

HSL 106.03, 0.62%, 0.46%

LAB 68.48, -57.1, 59.58

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 76 / 0 / 3 / 52

HEX #1D7B77

RGB 29 123 119

HSL 177.45, 0.62%, 0.3%

LAB 46.66, -27.01, -5.51

 

CMYK 0 / 76 / 27 / 52

HEX #7B1D5A

RGB 123 29 90

HSL 321.06, 0.62%, 0.3%

LAB 28.97, 45.7, -13.43

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 76 / 58 / 0 / 52

HEX #1D347B

RGB 29 52 123

HSL 225.32, 0.62%, 0.3%

LAB 24.15, 18.07, -43.04

 

CMYK 0 / 76 / 58 / 52

HEX #7B1D34

RGB 123 29 52

HSL 345.32, 0.62%, 0.3%

LAB 27.68, 41.54, 9.99

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 76 / 0 / 3 / 52

HEX #1D7B77

RGB 29 123 119

HSL 177.45, 0.62%, 0.3%

LAB 46.66, -27.01, -5.51

 

CMYK 19 / 76 / 0 / 52

HEX #641D7B

RGB 100 29 123

HSL 285.32, 0.62%, 0.3%

LAB 26.79, 45.73, -38.42

 

CMYK 0 / 76 / 73 / 52

HEX #7B1D21

RGB 123 29 33

HSL 357.45, 0.62%, 0.3%

LAB 27.3, 40.28, 22.1

 

CMYK 59 / 0 / 76 / 52

HEX #337B1D

RGB 51 123 29

HSL 105.96, 0.62%, 0.3%

LAB 45.58, -40.34, 42.02

 

CMYK 76 / 19 / 0 / 52

HEX #1D647B

RGB 29 100 123

HSL 194.68, 0.62%, 0.3%

LAB 39.25, -13.34, -19.12

 

CMYK 19 / 76 / 0 / 52

HEX #641D7B

RGB 100 29 123

HSL 285.32, 0.62%, 0.3%

LAB 26.79, 45.73, -38.42

 

CMYK 0 / 58 / 76 / 52

HEX #7B341D

RGB 123 52 29

HSL 14.68, 0.62%, 0.3%

LAB 31.24, 29.36, 29.04

 

Description

Color code: RGB 51 123 29 | qconv.com Color code: RGB 51 123 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 123 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 123 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 76 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 76% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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