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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 183 19 it is the complementary color RGB 204 72 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 183 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 183 19 shade: RGB 56 183 14, RGB 73 201 33, RGB 90 219 52, RGB 107 237 71 and RGB 124 255 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 183 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 183 19 shade: RGB 51 183 19, RGB 34 165 0, RGB 17 147 0, RGB 0 129 0 and RGB 0 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 183 19 shade: RGB 51 184 19, RGB 96 184 19, RGB 140 184 19, RGB 184 183 19 and RGB 184 139 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 183 19 shade: RGB 51 184 19, RGB 19 184 31, RGB 19 184 76, RGB 19 184 120 and RGB 19 184 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 183 19 shade matches the following richer shades: RGB 51 184 19 and RGB 41 201 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 183 19 shade: RGB 51 184 19, RGB 61 168 35, RGB 71 151 52, RGB 81 135 68 and RGB 91 118 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 183 19 shade: RGB 140 184 19, RGB 96 184 19, RGB 52 184 19, RGB 19 184 30 and RGB 19 184 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 183 19 shade: RGB 30 109 11, RGB 41 147 15, RGB 51 184 19, RGB 62 221 23 and RGB 88 233 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 183 19 shade: RGB 51 183 19, RGB 19 184 184 and RGB 184 19 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 183 19 shade: RGB 51 183 19, RGB 19 52 184 and RGB 184 19 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 183 19 shade: RGB 51 183 19, RGB 19 184 184, RGB 151 19 184 and RGB 184 19 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 183 19 shade: RGB 51 183 19, RGB 19 135 184, RGB 151 19 184 and RGB 184 68 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 90 / 28

HEX #33B713

RGB 51 183 19

HSL 108.29, 0.81%, 0.4%

LAB 65.45, -61.75, 62.96

 

Complementary color

CMYK 14 / 69 / 0 / 7

HEX #CC48EC

RGB 204 72 236

HSL 288.29, 0.81%, 0.6%

LAB 55.61, 73.25, -58.25

 

CMYK 69 / 0 / 92 / 28

HEX #38B70E

RGB 56 183 14

HSL 105.09, 0.86%, 0.39%

LAB 65.55, -60.97, 63.91

 

CMYK 64 / 0 / 84 / 21

HEX #49C921

RGB 73 201 33

HSL 105.71, 0.72%, 0.46%

LAB 71.76, -62.64, 65.71

 

CMYK 59 / 0 / 76 / 14

HEX #5ADB34

RGB 90 219 52

HSL 106.35, 0.7%, 0.53%

LAB 77.92, -63.78, 66.3

 

CMYK 55 / 0 / 70 / 7

HEX #6BED47

RGB 107 237 71

HSL 106.99, 0.82%, 0.6%

LAB 84.04, -64.55, 66.15

 

CMYK 51 / 0 / 65 / 0

HEX #7CFF5A

RGB 124 255 90

HSL 107.64, 1%, 0.68%

LAB 90.11, -65.05, 65.54

 

CMYK 72 / 0 / 90 / 28

HEX #33B713

RGB 51 183 19

HSL 108.29, 0.81%, 0.4%

LAB 65.45, -61.75, 62.96

 

CMYK 79 / 0 / 100 / 35

HEX #22A500

RGB 34 165 0

HSL 107.64, 1%, 0.32%

LAB 59.21, -59.38, 60.43

 

CMYK 88 / 0 / 100 / 42

HEX #119300

RGB 17 147 0

HSL 113.06, 1%, 0.29%

LAB 52.93, -55.97, 55.33

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 72 / 0 / 90 / 28

HEX #33B813

RGB 51 184 19

HSL 108.36, 0.81%, 0.4%

LAB 65.77, -62.06, 63.24

 

CMYK 48 / 0 / 90 / 28

HEX #60B813

RGB 96 184 19

HSL 92, 0.81%, 0.4%

LAB 67.14, -50.98, 64.94

 

CMYK 24 / 0 / 90 / 28

HEX #8CB813

RGB 140 184 19

HSL 76, 0.81%, 0.4%

LAB 69.4, -35.12, 67.74

 

CMYK 0 / 1 / 90 / 28

HEX #B8B713

RGB 184 183 19

HSL 59.64, 0.81%, 0.4%

LAB 72.3, -16.11, 71.4

 

CMYK 0 / 24 / 90 / 28

HEX #B88B13

RGB 184 139 19

HSL 43.64, 0.81%, 0.4%

LAB 60.52, 7.24, 62.16

 

CMYK 72 / 0 / 90 / 28

HEX #33B813

RGB 51 184 19

HSL 108.36, 0.81%, 0.4%

LAB 65.77, -62.06, 63.24

 

CMYK 90 / 0 / 83 / 28

HEX #13B81F

RGB 19 184 31

HSL 124.36, 0.81%, 0.4%

LAB 65.37, -65.45, 60.07

 

CMYK 90 / 0 / 59 / 28

HEX #13B84C

RGB 19 184 76

HSL 140.73, 0.81%, 0.4%

LAB 65.7, -61.29, 43.42

 

CMYK 90 / 0 / 35 / 28

HEX #13B878

RGB 19 184 120

HSL 156.73, 0.81%, 0.4%

LAB 66.35, -53.64, 21.88

 

CMYK 90 / 0 / 10 / 28

HEX #13B8A5

RGB 19 184 165

HSL 173.09, 0.81%, 0.4%

LAB 67.38, -42.48, -1.24

 

CMYK 72 / 0 / 90 / 28

HEX #33B813

RGB 51 184 19

HSL 108.36, 0.81%, 0.4%

LAB 65.77, -62.06, 63.24

 

CMYK 80 / 0 / 99 / 21

HEX #29C902

RGB 41 201 2

HSL 108.24, 0.98%, 0.4%

LAB 71.04, -69.06, 69.71

 

CMYK 72 / 0 / 90 / 28

HEX #33B813

RGB 51 184 19

HSL 108.36, 0.81%, 0.4%

LAB 65.77, -62.06, 63.24

 

CMYK 64 / 0 / 79 / 34

HEX #3DA823

RGB 61 168 35

HSL 108.27, 0.66%, 0.4%

LAB 60.89, -54.01, 54.98

 

CMYK 53 / 0 / 66 / 41

HEX #479734

RGB 71 151 52

HSL 108.48, 0.49%, 0.4%

LAB 55.81, -43.68, 43.4

 

CMYK 40 / 0 / 50 / 47

HEX #518744

RGB 81 135 68

HSL 108.36, 0.33%, 0.4%

LAB 51.26, -31.64, 30.35

 

CMYK 23 / 0 / 28 / 54

HEX #5B7655

RGB 91 118 85

HSL 109.09, 0.16%, 0.4%

LAB 46.76, -16.71, 15.07

 

CMYK 24 / 0 / 90 / 28

HEX #8CB813

RGB 140 184 19

HSL 76, 0.81%, 0.4%

LAB 69.4, -35.12, 67.74

 

CMYK 48 / 0 / 90 / 28

HEX #60B813

RGB 96 184 19

HSL 92, 0.81%, 0.4%

LAB 67.14, -50.98, 64.94

 

CMYK 72 / 0 / 90 / 28

HEX #34B813

RGB 52 184 19

HSL 108, 0.81%, 0.4%

LAB 65.79, -61.89, 63.27

 

CMYK 90 / 0 / 84 / 28

HEX #13B81E

RGB 19 184 30

HSL 124, 0.81%, 0.4%

LAB 65.37, -65.5, 60.32

 

CMYK 90 / 0 / 60 / 28

HEX #13B84A

RGB 19 184 74

HSL 140, 0.81%, 0.4%

LAB 65.68, -61.55, 44.32

 

CMYK 72 / 0 / 90 / 57

HEX #1E6D0B

RGB 30 109 11

HSL 108.37, 0.82%, 0.24%

LAB 39.98, -41.49, 42.32

 

CMYK 72 / 0 / 90 / 42

HEX #29930F

RGB 41 147 15

HSL 108.18, 0.81%, 0.32%

LAB 53.36, -52.12, 53.23

 

CMYK 72 / 0 / 90 / 28

HEX #33B813

RGB 51 184 19

HSL 108.36, 0.81%, 0.4%

LAB 65.77, -62.06, 63.24

 

CMYK 72 / 0 / 90 / 13

HEX #3EDD17

RGB 62 221 23

HSL 108.18, 0.81%, 0.48%

LAB 77.76, -71.44, 72.86

 

CMYK 62 / 0 / 78 / 9

HEX #58E934

RGB 88 233 52

HSL 108.07, 0.8%, 0.56%

LAB 82.16, -68.94, 70.35

 

CMYK 72 / 0 / 90 / 28

HEX #33B713

RGB 51 183 19

HSL 108.29, 0.81%, 0.4%

LAB 65.45, -61.75, 62.96

 

CMYK 90 / 0 / 0 / 28

HEX #13B8B8

RGB 19 184 184

HSL 180, 0.81%, 0.4%

LAB 67.93, -36.95, -10.9

 

CMYK 0 / 90 / 36 / 28

HEX #B81376

RGB 184 19 118

HSL 324, 0.81%, 0.4%

LAB 41.16, 66.42, -11.67

 

CMYK 72 / 0 / 90 / 28

HEX #33B713

RGB 51 183 19

HSL 108.29, 0.81%, 0.4%

LAB 65.45, -61.75, 62.96

 

CMYK 90 / 72 / 0 / 28

HEX #1334B8

RGB 19 52 184

HSL 228, 0.81%, 0.4%

LAB 29.55, 40.86, -71.51

 

CMYK 0 / 90 / 72 / 28

HEX #B81334

RGB 184 19 52

HSL 348, 0.81%, 0.4%

LAB 39.42, 61.56, 27.62

 

CMYK 72 / 0 / 90 / 28

HEX #33B713

RGB 51 183 19

HSL 108.29, 0.81%, 0.4%

LAB 65.45, -61.75, 62.96

 

CMYK 90 / 0 / 0 / 28

HEX #13B8B8

RGB 19 184 184

HSL 180, 0.81%, 0.4%

LAB 67.93, -36.95, -10.9

 

CMYK 18 / 90 / 0 / 28

HEX #9713B8

RGB 151 19 184

HSL 288, 0.81%, 0.4%

LAB 38.74, 69.42, -55.95

 

CMYK 0 / 90 / 90 / 28

HEX #B81313

RGB 184 19 19

HSL 0, 0.81%, 0.4%

LAB 39.08, 60.58, 45.75

 

CMYK 72 / 0 / 90 / 28

HEX #33B713

RGB 51 183 19

HSL 108.29, 0.81%, 0.4%

LAB 65.45, -61.75, 62.96

 

CMYK 90 / 27 / 0 / 28

HEX #1387B8

RGB 19 135 184

HSL 197.82, 0.81%, 0.4%

LAB 52.87, -11.95, -33.96

 

CMYK 18 / 90 / 0 / 28

HEX #9713B8

RGB 151 19 184

HSL 288, 0.81%, 0.4%

LAB 38.74, 69.42, -55.95

 

CMYK 0 / 63 / 90 / 28

HEX #B84413

RGB 184 68 19

HSL 17.82, 0.81%, 0.4%

LAB 44.76, 44.87, 50.02

 

Description

Color code: RGB 51 183 19 | qconv.com Color code: RGB 51 183 19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 183 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 183 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 90 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 90% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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