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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 215 18 it is the complementary color RGB 204 40 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 215 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 215 18 shade: RGB 56 215 13, RGB 73 233 32, RGB 90 251 51, RGB 107 255 70 and RGB 124 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 215 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 215 18 shade: RGB 51 215 18, RGB 34 197 0, RGB 17 179 0, RGB 0 161 0 and RGB 0 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 215 18 shade: RGB 50 217 17, RGB 104 217 17, RGB 158 217 17, RGB 212 217 17 and RGB 217 167 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 215 18 shade: RGB 50 217 17, RGB 17 217 37, RGB 17 217 91, RGB 17 217 145 and RGB 17 217 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 215 18 shade matches the following richer shades: RGB 50 217 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 215 18 shade: RGB 50 217 17, RGB 63 198 36, RGB 76 179 55, RGB 88 160 74 and RGB 101 141 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 215 18 shade: RGB 160 217 17, RGB 107 217 17, RGB 54 217 17, RGB 17 217 34 and RGB 17 217 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 215 18 shade: RGB 33 140 11, RGB 42 178 14, RGB 50 217 17, RGB 71 237 38 and RGB 104 240 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 215 18 shade: RGB 51 215 18, RGB 17 213 217 and RGB 217 17 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 215 18 shade: RGB 51 215 18, RGB 17 54 217 and RGB 217 17 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 215 18 shade: RGB 51 215 18, RGB 17 213 217, RGB 180 17 217 and RGB 217 20 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 215 18 shade: RGB 51 215 18, RGB 17 153 217, RGB 180 17 217 and RGB 217 80 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

Complementary color

CMYK 14 / 83 / 0 / 7

HEX #CC28ED

RGB 204 40 237

HSL 289.95, 0.85%, 0.54%

LAB 52.36, 82.96, -64.03

 

CMYK 74 / 0 / 94 / 16

HEX #38D70D

RGB 56 215 13

HSL 107.23, 0.89%, 0.45%

LAB 75.74, -70.85, 72.5

 

CMYK 69 / 0 / 86 / 9

HEX #49E920

RGB 73 233 32

HSL 107.76, 0.82%, 0.52%

LAB 81.73, -72.88, 74.75

 

CMYK 64 / 0 / 80 / 2

HEX #5AFB33

RGB 90 251 51

HSL 108.3, 0.96%, 0.59%

LAB 87.68, -74.38, 75.83

 

CMYK 58 / 0 / 73 / 0

HEX #6BFF46

RGB 107 255 70

HSL 108, 1%, 0.64%

LAB 89.43, -70.83, 71.97

 

CMYK 51 / 0 / 65 / 0

HEX #7CFF59

RGB 124 255 89

HSL 107.35, 1%, 0.67%

LAB 90.1, -65.13, 65.93

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 83 / 0 / 100 / 23

HEX #22C500

RGB 34 197 0

HSL 109.64, 1%, 0.39%

LAB 69.66, -68.77, 68.79

 

CMYK 91 / 0 / 100 / 30

HEX #11B300

RGB 17 179 0

HSL 114.3, 1%, 0.35%

LAB 63.64, -65.19, 63.9

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 77 / 0 / 92 / 15

HEX #32D911

RGB 50 217 17

HSL 110.1, 0.85%, 0.46%

LAB 76.28, -72.23, 72.42

 

CMYK 52 / 0 / 92 / 15

HEX #68D911

RGB 104 217 17

HSL 93.9, 0.85%, 0.46%

LAB 77.64, -60.86, 74.11

 

CMYK 27 / 0 / 92 / 15

HEX #9ED911

RGB 158 217 17

HSL 77.7, 0.85%, 0.46%

LAB 80.14, -42.82, 77.17

 

CMYK 2 / 0 / 92 / 15

HEX #D4D911

RGB 212 217 17

HSL 61.5, 0.85%, 0.46%

LAB 83.79, -21.02, 81.59

 

CMYK 0 / 23 / 92 / 15

HEX #D9A711

RGB 217 167 17

HSL 45, 0.85%, 0.46%

LAB 71.17, 6.73, 72.21

 

CMYK 77 / 0 / 92 / 15

HEX #32D911

RGB 50 217 17

HSL 110.1, 0.85%, 0.46%

LAB 76.28, -72.23, 72.42

 

CMYK 92 / 0 / 83 / 15

HEX #11D925

RGB 17 217 37

HSL 126, 0.85%, 0.46%

LAB 75.99, -74.56, 68.26

 

CMYK 92 / 0 / 58 / 15

HEX #11D95B

RGB 17 217 91

HSL 142.2, 0.85%, 0.46%

LAB 76.38, -69.76, 49.05

 

CMYK 92 / 0 / 33 / 15

HEX #11D991

RGB 17 217 145

HSL 158.4, 0.85%, 0.46%

LAB 77.15, -60.51, 23.35

 

CMYK 92 / 0 / 8 / 15

HEX #11D9C7

RGB 17 217 199

HSL 174.6, 0.85%, 0.46%

LAB 78.38, -47.25, -3.54

 

CMYK 77 / 0 / 92 / 15

HEX #32D911

RGB 50 217 17

HSL 110.1, 0.85%, 0.46%

LAB 76.28, -72.23, 72.42

 

CMYK 77 / 0 / 92 / 15

HEX #32D911

RGB 50 217 17

HSL 110.1, 0.85%, 0.46%

LAB 76.28, -72.23, 72.42

 

CMYK 68 / 0 / 82 / 22

HEX #3FC624

RGB 63 198 36

HSL 110, 0.69%, 0.46%

LAB 70.58, -63.58, 63.78

 

CMYK 58 / 0 / 69 / 30

HEX #4CB337

RGB 76 179 55

HSL 109.84, 0.53%, 0.46%

LAB 65, -52.8, 52.08

 

CMYK 45 / 0 / 54 / 37

HEX #58A04A

RGB 88 160 74

HSL 110.23, 0.37%, 0.46%

LAB 59.63, -39.74, 37.56

 

CMYK 28 / 0 / 34 / 45

HEX #658D5D

RGB 101 141 93

HSL 110, 0.21%, 0.46%

LAB 54.66, -23.61, 21.3

 

CMYK 26 / 0 / 92 / 15

HEX #A0D911

RGB 160 217 17

HSL 77.1, 0.85%, 0.46%

LAB 80.26, -42.06, 77.31

 

CMYK 51 / 0 / 92 / 15

HEX #6BD911

RGB 107 217 17

HSL 93, 0.85%, 0.46%

LAB 77.75, -60.01, 74.24

 

CMYK 75 / 0 / 92 / 15

HEX #36D911

RGB 54 217 17

HSL 108.9, 0.85%, 0.46%

LAB 76.34, -71.66, 72.5

 

CMYK 92 / 0 / 84 / 15

HEX #11D922

RGB 17 217 34

HSL 125.1, 0.85%, 0.46%

LAB 75.98, -74.71, 68.96

 

CMYK 92 / 0 / 60 / 15

HEX #11D957

RGB 17 217 87

HSL 141, 0.85%, 0.46%

LAB 76.33, -70.27, 50.79

 

CMYK 76 / 0 / 92 / 45

HEX #218C0B

RGB 33 140 11

HSL 109.77, 0.85%, 0.3%

LAB 50.81, -51.41, 51.76

 

CMYK 76 / 0 / 92 / 30

HEX #2AB20E

RGB 42 178 14

HSL 109.76, 0.85%, 0.38%

LAB 63.64, -61.83, 62.2

 

CMYK 77 / 0 / 92 / 15

HEX #32D911

RGB 50 217 17

HSL 110.1, 0.85%, 0.46%

LAB 76.28, -72.23, 72.42

 

CMYK 70 / 0 / 84 / 7

HEX #47ED26

RGB 71 237 38

HSL 110.05, 0.85%, 0.54%

LAB 82.94, -74.22, 74.54

 

CMYK 57 / 0 / 68 / 6

HEX #68F04C

RGB 104 240 76

HSL 109.76, 0.85%, 0.62%

LAB 84.89, -65.95, 65.15

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 92 / 2 / 0 / 15

HEX #11D5D9

RGB 17 213 217

HSL 181.2, 0.85%, 0.46%

LAB 77.71, -40.32, -14.19

 

CMYK 0 / 92 / 39 / 15

HEX #D91185

RGB 217 17 133

HSL 325.2, 0.85%, 0.46%

LAB 48.07, 75.45, -9.85

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 92 / 75 / 0 / 15

HEX #1136D9

RGB 17 54 217

HSL 228.9, 0.85%, 0.46%

LAB 33.49, 51.19, -84.27

 

CMYK 0 / 92 / 75 / 15

HEX #D91136

RGB 217 17 54

HSL 348.9, 0.85%, 0.46%

LAB 46.2, 70.34, 36.05

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 92 / 2 / 0 / 15

HEX #11D5D9

RGB 17 213 217

HSL 181.2, 0.85%, 0.46%

LAB 77.71, -40.32, -14.19

 

CMYK 17 / 92 / 0 / 15

HEX #B411D9

RGB 180 17 217

HSL 288.9, 0.85%, 0.46%

LAB 45.79, 79.85, -63.49

 

CMYK 0 / 91 / 92 / 15

HEX #D91411

RGB 217 20 17

HSL 0.9, 0.85%, 0.46%

LAB 46.03, 69.1, 54.58

 

CMYK 76 / 0 / 92 / 16

HEX #33D712

RGB 51 215 18

HSL 109.95, 0.85%, 0.46%

LAB 75.67, -71.48, 71.78

 

CMYK 92 / 29 / 0 / 15

HEX #1199D9

RGB 17 153 217

HSL 199.2, 0.85%, 0.46%

LAB 59.81, -10.09, -41.71

 

CMYK 17 / 92 / 0 / 15

HEX #B411D9

RGB 180 17 217

HSL 288.9, 0.85%, 0.46%

LAB 45.79, 79.85, -63.49

 

CMYK 0 / 63 / 92 / 15

HEX #D95011

RGB 217 80 17

HSL 18.9, 0.85%, 0.46%

LAB 52.43, 51.37, 58.75

 

Description

Color code: RGB 51 215 18 | qconv.com Color code: RGB 51 215 18 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 215 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 215 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 92 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 92% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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