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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 40 143 it is the complementary color RGB 203 215 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 40 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 40 143 shade: RGB 57 40 138, RGB 74 58 157, RGB 91 76 176, RGB 108 94 195 and RGB 125 112 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 40 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 35 22 124, RGB 18 4 105, RGB 1 0 86 and RGB 0 0 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 80 40 143, RGB 107 40 143, RGB 135 40 143 and RGB 143 40 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 40 143 shade: RGB 52 40 143 and RGB 40 40 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 40 143 shade matches the following richer shades: RGB 52 40 143, RGB 40 25 158 and RGB 29 10 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 63 55 128, RGB 75 70 113, RGB 86 84 98 and RGB 97 99 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 40 143 shade: RGB 40 84 143, RGB 40 57 143, RGB 50 40 143, RGB 78 40 143 and RGB 105 40 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 40 143 shade: RGB 28 22 78, RGB 40 31 111, RGB 52 40 143, RGB 64 49 175 and RGB 80 64 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 143 40 112 and RGB 71 143 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 143 50 40 and RGB 40 143 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 143 40 112, RGB 132 143 40 and RGB 40 143 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 40 143 shade: RGB 52 40 143, RGB 143 40 81, RGB 132 143 40 and RGB 40 143 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

Complementary color

CMYK 6 / 0 / 48 / 16

HEX #CBD770

RGB 203 215 112

HSL 66.99, 0.56%, 0.64%

LAB 83.16, -18.86, 49.07

 

CMYK 59 / 71 / 0 / 46

HEX #39288A

RGB 57 40 138

HSL 250.41, 0.55%, 0.35%

LAB 24.39, 35.81, -51.98

 

CMYK 53 / 63 / 0 / 38

HEX #4A3A9D

RGB 74 58 157

HSL 249.7, 0.46%, 0.42%

LAB 31.62, 34.08, -51.82

 

CMYK 48 / 57 / 0 / 31

HEX #5B4CB0

RGB 91 76 176

HSL 249, 0.4%, 0.49%

LAB 38.77, 32.51, -51.53

 

CMYK 45 / 52 / 0 / 24

HEX #6C5EC3

RGB 108 94 195

HSL 248.32, 0.46%, 0.57%

LAB 45.82, 31.13, -51.23

 

CMYK 42 / 48 / 0 / 16

HEX #7D70D6

RGB 125 112 214

HSL 247.65, 0.55%, 0.64%

LAB 52.73, 29.92, -50.96

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 72 / 82 / 0 / 51

HEX #23167C

RGB 35 22 124

HSL 247.65, 0.7%, 0.29%

LAB 17.4, 38.5, -54.74

 

CMYK 83 / 96 / 0 / 59

HEX #120469

RGB 18 4 105

HSL 248.32, 0.93%, 0.21%

LAB 10.82, 39.62, -53.38

 

CMYK 99 / 100 / 0 / 66

HEX #010056

RGB 1 0 86

HSL 240.7, 1%, 0.17%

LAB 6.13, 35.18, -48.47

 

CMYK 100 / 100 / 0 / 74

HEX #000043

RGB 0 0 67

HSL 240, 1%, 0.13%

LAB 3.66, 25.29, -39.29

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 44 / 72 / 0 / 44

HEX #50288F

RGB 80 40 143

HSL 263.3, 0.56%, 0.36%

LAB 27.31, 41.41, -50.21

 

CMYK 25 / 72 / 0 / 44

HEX #6B288F

RGB 107 40 143

HSL 279.03, 0.56%, 0.36%

LAB 30.94, 46.96, -44.16

 

CMYK 6 / 72 / 0 / 44

HEX #87288F

RGB 135 40 143

HSL 295.34, 0.56%, 0.36%

LAB 35.3, 53.25, -36.93

 

CMYK 0 / 72 / 14 / 44

HEX #8F287B

RGB 143 40 123

HSL 311.65, 0.56%, 0.36%

LAB 35.57, 51.83, -24.03

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 72 / 72 / 0 / 44

HEX #28288F

RGB 40 40 143

HSL 240, 0.56%, 0.36%

LAB 23.51, 35.12, -56.59

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 75 / 84 / 0 / 38

HEX #28199E

RGB 40 25 158

HSL 246.77, 0.73%, 0.36%

LAB 22.36, 48.12, -67.74

 

CMYK 83 / 94 / 0 / 33

HEX #1D0AAC

RGB 29 10 172

HSL 247.04, 0.89%, 0.36%

LAB 21.79, 56.81, -77.21

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 51 / 57 / 0 / 50

HEX #3F3780

RGB 63 55 128

HSL 246.58, 0.4%, 0.36%

LAB 27.7, 24.28, -40.33

 

CMYK 34 / 38 / 0 / 56

HEX #4B4671

RGB 75 70 113

HSL 246.98, 0.23%, 0.36%

LAB 31.96, 13.05, -24.07

 

CMYK 12 / 14 / 0 / 62

HEX #565462

RGB 86 84 98

HSL 248.57, 0.08%, 0.36%

LAB 36.37, 3.95, -7.8

 

CMYK 2 / 0 / 16 / 61

HEX #616353

RGB 97 99 83

HSL 67.5, 0.09%, 0.36%

LAB 41.36, -3.92, 8.84

 

CMYK 72 / 41 / 0 / 44

HEX #28548F

RGB 40 84 143

HSL 214.37, 0.56%, 0.36%

LAB 35.55, 5.74, -37.09

 

CMYK 72 / 60 / 0 / 44

HEX #28398F

RGB 40 57 143

HSL 230.1, 0.56%, 0.36%

LAB 27.74, 23.97, -49.67

 

CMYK 65 / 72 / 0 / 44

HEX #32288F

RGB 50 40 143

HSL 245.83, 0.56%, 0.36%

LAB 24.25, 36.39, -55.34

 

CMYK 45 / 72 / 0 / 44

HEX #4E288F

RGB 78 40 143

HSL 262.14, 0.56%, 0.36%

LAB 27.08, 41.03, -50.62

 

CMYK 27 / 72 / 0 / 44

HEX #69288F

RGB 105 40 143

HSL 277.86, 0.56%, 0.36%

LAB 30.65, 46.53, -44.65

 

CMYK 64 / 72 / 0 / 69

HEX #1C164E

RGB 28 22 78

HSL 246.43, 0.56%, 0.2%

LAB 11.76, 21.55, -33.6

 

CMYK 64 / 72 / 0 / 56

HEX #281F6F

RGB 40 31 111

HSL 246.75, 0.56%, 0.28%

LAB 18.27, 29.53, -44.92

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 63 / 72 / 0 / 31

HEX #4031AF

RGB 64 49 175

HSL 247.14, 0.56%, 0.44%

LAB 30.36, 43.49, -64.75

 

CMYK 60 / 68 / 0 / 21

HEX #5040C9

RGB 80 64 201

HSL 247.01, 0.56%, 0.52%

LAB 37.1, 45.39, -68.97

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 0 / 72 / 22 / 44

HEX #8F2870

RGB 143 40 112

HSL 318.06, 0.56%, 0.36%

LAB 35.06, 50.19, -17.91

 

CMYK 50 / 0 / 72 / 44

HEX #478F28

RGB 71 143 40

HSL 101.94, 0.56%, 0.36%

LAB 53.1, -41.53, 45.6

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 0 / 65 / 72 / 44

HEX #8F3228

RGB 143 50 40

HSL 5.83, 0.56%, 0.36%

LAB 34.55, 38.75, 27.24

 

CMYK 72 / 0 / 65 / 44

HEX #288F32

RGB 40 143 50

HSL 125.83, 0.56%, 0.36%

LAB 52.2, -48.32, 40.05

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 0 / 72 / 22 / 44

HEX #8F2870

RGB 143 40 112

HSL 318.06, 0.56%, 0.36%

LAB 35.06, 50.19, -17.91

 

CMYK 8 / 0 / 72 / 44

HEX #848F28

RGB 132 143 40

HSL 66.41, 0.56%, 0.36%

LAB 56.79, -17.72, 50.52

 

CMYK 72 / 0 / 50 / 44

HEX #288F47

RGB 40 143 71

HSL 138.06, 0.56%, 0.36%

LAB 52.45, -45.39, 29.93

 

CMYK 64 / 72 / 0 / 44

HEX #34288F

RGB 52 40 143

HSL 246.99, 0.56%, 0.36%

LAB 24.42, 36.68, -55.07

 

CMYK 0 / 72 / 43 / 44

HEX #8F2851

RGB 143 40 81

HSL 336.12, 0.56%, 0.36%

LAB 33.88, 46.33, 0.18

 

CMYK 8 / 0 / 72 / 44

HEX #848F28

RGB 132 143 40

HSL 66.41, 0.56%, 0.36%

LAB 56.79, -17.72, 50.52

 

CMYK 72 / 0 / 29 / 44

HEX #288F66

RGB 40 143 102

HSL 156.12, 0.56%, 0.36%

LAB 53.01, -39.21, 13.57

 

Description

Color code: RGB 52 40 143 | qconv.com Color code: RGB 52 40 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 40 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 40 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 72 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 72% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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