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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 42 59 it is the complementary color RGB 203 213 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 42 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 42 59 shade: RGB 57 42 54, RGB 74 60 73, RGB 91 78 92, RGB 108 96 111 and RGB 125 114 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 42 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 35 24 40, RGB 18 6 21 and RGB 1 0 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 57 42 59, RGB 59 42 57, RGB 59 42 52 and RGB 59 42 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 47 42 59, RGB 43 42 59 and RGB 42 42 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 42 59 shade matches the following richer shades: RGB 52 42 59, RGB 53 34 67, RGB 55 25 76, RGB 56 17 84 and RGB 58 9 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 51 50 51, RGB 49 58 43, RGB 48 67 34 and RGB 46 75 26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 42 59 shade: RGB 43 42 59, RGB 47 42 59, RGB 52 42 59, RGB 57 42 59 and RGB 59 42 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 42 59 shade: RGB 10 8 11, RGB 31 25 35, RGB 52 42 59, RGB 73 59 83 and RGB 95 76 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 59 42 46 and RGB 42 59 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 59 52 42 and RGB 42 59 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 59 42 46, RGB 49 59 42 and RGB 42 59 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 42 59 shade: RGB 52 42 59, RGB 59 43 42, RGB 49 59 42 and RGB 42 58 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

Complementary color

CMYK 5 / 0 / 8 / 16

HEX #CBD5C4

RGB 203 213 196

HSL 95.29, 0.17%, 0.8%

LAB 84.11, -6.45, 7.23

 

CMYK 0 / 26 / 5 / 78

HEX #392A36

RGB 57 42 54

HSL 312, 0.15%, 0.19%

LAB 19.19, 9.45, -5.03

 

CMYK 0 / 19 / 1 / 71

HEX #4A3C49

RGB 74 60 73

HSL 304.29, 0.1%, 0.26%

LAB 27.21, 8.8, -5.63

 

CMYK 1 / 15 / 0 / 64

HEX #5B4E5C

RGB 91 78 92

HSL 295.71, 0.08%, 0.33%

LAB 34.89, 8.28, -6.19

 

CMYK 3 / 14 / 0 / 56

HEX #6C606F

RGB 108 96 111

HSL 288, 0.07%, 0.41%

LAB 42.31, 7.83, -6.72

 

CMYK 4 / 12 / 0 / 49

HEX #7D7282

RGB 125 114 130

HSL 281.25, 0.07%, 0.48%

LAB 49.5, 7.44, -7.23

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 13 / 40 / 0 / 84

HEX #231828

RGB 35 24 40

HSL 281.25, 0.25%, 0.13%

LAB 10.29, 9.34, -8.8

 

CMYK 14 / 71 / 0 / 92

HEX #120615

RGB 18 6 21

HSL 288, 0.56%, 0.05%

LAB 2.83, 6.24, -5.8

 

CMYK 50 / 100 / 0 / 99

HEX #010002

RGB 1 0 2

HSL 270, 1%, 0%

LAB 0.1, 0.54, -0.66

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 3 / 29 / 0 / 77

HEX #392A3B

RGB 57 42 59

HSL 292.94, 0.17%, 0.2%

LAB 19.4, 10.62, -8.18

 

CMYK 0 / 29 / 3 / 77

HEX #3B2A39

RGB 59 42 57

HSL 307.06, 0.17%, 0.2%

LAB 19.56, 10.98, -6.53

 

CMYK 0 / 29 / 12 / 77

HEX #3B2A34

RGB 59 42 52

HSL 324.71, 0.17%, 0.2%

LAB 19.37, 9.88, -3.36

 

CMYK 0 / 29 / 19 / 77

HEX #3B2A30

RGB 59 42 48

HSL 338.82, 0.17%, 0.2%

LAB 19.22, 9.05, -0.8

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 20 / 29 / 0 / 77

HEX #2F2A3B

RGB 47 42 59

HSL 257.65, 0.17%, 0.2%

LAB 18.26, 6.56, -10.02

 

CMYK 27 / 29 / 0 / 77

HEX #2B2A3B

RGB 43 42 59

HSL 243.53, 0.17%, 0.2%

LAB 17.85, 5, -10.68

 

CMYK 29 / 29 / 0 / 77

HEX #2A2A3B

RGB 42 42 59

HSL 240, 0.17%, 0.2%

LAB 17.75, 4.62, -10.84

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 21 / 49 / 0 / 74

HEX #352243

RGB 53 34 67

HSL 274.55, 0.33%, 0.2%

LAB 17.02, 16.63, -17.42

 

CMYK 28 / 67 / 0 / 70

HEX #37194C

RGB 55 25 76

HSL 275.29, 0.5%, 0.2%

LAB 15.64, 25.54, -25.79

 

CMYK 33 / 80 / 0 / 67

HEX #381154

RGB 56 17 84

HSL 274.93, 0.66%, 0.2%

LAB 14.85, 32.26, -32.51

 

CMYK 37 / 90 / 0 / 64

HEX #3A095C

RGB 58 9 92

HSL 275.42, 0.82%, 0.2%

LAB 14.78, 37.93, -38.03

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 0 / 2 / 0 / 80

HEX #333233

RGB 51 50 51

HSL 300, 0.01%, 0.2%

LAB 20.92, 0.67, -0.48

 

CMYK 16 / 0 / 26 / 77

HEX #313A2B

RGB 49 58 43

HSL 96, 0.15%, 0.2%

LAB 23.18, -7.17, 8.1

 

CMYK 28 / 0 / 49 / 74

HEX #304322

RGB 48 67 34

HSL 94.55, 0.33%, 0.2%

LAB 26.03, -14.6, 17.62

 

CMYK 39 / 0 / 65 / 71

HEX #2E4B1A

RGB 46 75 26

HSL 95.51, 0.49%, 0.2%

LAB 28.61, -20.88, 25.28

 

CMYK 27 / 29 / 0 / 77

HEX #2B2A3B

RGB 43 42 59

HSL 243.53, 0.17%, 0.2%

LAB 17.85, 5, -10.68

 

CMYK 20 / 29 / 0 / 77

HEX #2F2A3B

RGB 47 42 59

HSL 257.65, 0.17%, 0.2%

LAB 18.26, 6.56, -10.02

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 3 / 29 / 0 / 77

HEX #392A3B

RGB 57 42 59

HSL 292.94, 0.17%, 0.2%

LAB 19.4, 10.62, -8.18

 

CMYK 0 / 29 / 3 / 77

HEX #3B2A39

RGB 59 42 57

HSL 307.06, 0.17%, 0.2%

LAB 19.56, 10.98, -6.53

 

CMYK 9 / 27 / 0 / 96

HEX #0A080B

RGB 10 8 11

HSL 280, 0.16%, 0.04%

LAB 2.37, 0.94, -0.96

 

CMYK 11 / 29 / 0 / 86

HEX #1F1923

RGB 31 25 35

HSL 276, 0.17%, 0.12%

LAB 9.86, 5.48, -5.79

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 12 / 29 / 0 / 67

HEX #493B53

RGB 73 59 83

HSL 275, 0.17%, 0.28%

LAB 27.21, 11.42, -12.2

 

CMYK 11 / 29 / 0 / 58

HEX #5F4C6B

RGB 95 76 107

HSL 276.77, 0.17%, 0.36%

LAB 35.33, 14.47, -14.93

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 0 / 29 / 22 / 77

HEX #3B2A2E

RGB 59 42 46

HSL 345.88, 0.17%, 0.2%

LAB 19.15, 8.65, 0.49

 

CMYK 29 / 0 / 24 / 77

HEX #2A3B2D

RGB 42 59 45

HSL 130.59, 0.17%, 0.2%

LAB 23.03, -10.36, 6.49

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 0 / 12 / 29 / 77

HEX #3B342A

RGB 59 52 42

HSL 35.29, 0.17%, 0.2%

LAB 22.13, 1.17, 7.47

 

CMYK 29 / 0 / 12 / 77

HEX #2A3B34

RGB 42 59 52

HSL 155.29, 0.17%, 0.2%

LAB 23.23, -8.68, 2.11

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 0 / 29 / 22 / 77

HEX #3B2A2E

RGB 59 42 46

HSL 345.88, 0.17%, 0.2%

LAB 19.15, 8.65, 0.49

 

CMYK 17 / 0 / 29 / 77

HEX #313B2A

RGB 49 59 42

HSL 95.29, 0.17%, 0.2%

LAB 23.5, -7.99, 9.2

 

CMYK 29 / 0 / 7 / 77

HEX #2A3B37

RGB 42 59 55

HSL 165.88, 0.17%, 0.2%

LAB 23.32, -7.91, 0.24

 

CMYK 12 / 29 / 0 / 77

HEX #342A3B

RGB 52 42 59

HSL 275.29, 0.17%, 0.2%

LAB 18.81, 8.57, -9.13

 

CMYK 0 / 27 / 29 / 77

HEX #3B2B2A

RGB 59 43 42

HSL 3.53, 0.17%, 0.2%

LAB 19.33, 7.23, 3.52

 

CMYK 17 / 0 / 29 / 77

HEX #313B2A

RGB 49 59 42

HSL 95.29, 0.17%, 0.2%

LAB 23.5, -7.99, 9.2

 

CMYK 29 / 2 / 0 / 77

HEX #2A3A3B

RGB 42 58 59

HSL 183.53, 0.17%, 0.2%

LAB 23.12, -6.19, -2.75

 

Description

Color code: RGB 52 42 59 | qconv.com Color code: RGB 52 42 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 42 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 42 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 29 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 29% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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