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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 74 42 it is the complementary color RGB 203 181 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 74 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 74 42 shade: RGB 57 74 37, RGB 74 92 56, RGB 91 110 75, RGB 108 128 94 and RGB 125 146 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 74 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 74 42 shade: RGB 52 74 42, RGB 35 56 23, RGB 18 38 4, RGB 1 20 0 and RGB 0 2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 74 42 shade: RGB 52 75 42, RGB 61 75 42, RGB 70 75 42, RGB 75 71 42 and RGB 75 62 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 74 42 shade: RGB 52 75 42, RGB 43 75 42, RGB 42 75 49, RGB 42 75 58 and RGB 42 75 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 74 42 shade matches the following richer shades: RGB 52 75 42, RGB 48 84 32, RGB 45 94 23, RGB 41 103 13 and RGB 38 113 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 74 42 shade: RGB 52 75 42, RGB 56 65 51, RGB 59 56 61, RGB 63 46 70 and RGB 66 37 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 74 42 shade: RGB 70 75 42, RGB 61 75 42, RGB 52 75 42, RGB 43 75 42 and RGB 42 75 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 74 42 shade: RGB 15 22 12, RGB 34 48 27, RGB 52 75 42, RGB 70 101 57 and RGB 89 127 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 74 42 shade: RGB 52 74 42, RGB 42 75 71 and RGB 75 42 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 74 42 shade: RGB 52 74 42, RGB 42 52 75 and RGB 75 42 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 74 42 shade: RGB 52 74 42, RGB 42 75 71, RGB 64 42 75 and RGB 75 42 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 74 42 shade: RGB 52 74 42, RGB 42 69 75, RGB 64 42 75 and RGB 75 48 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 43 / 71

HEX #344A2A

RGB 52 74 42

HSL 101.25, 0.28%, 0.23%

LAB 28.89, -15.56, 16.43

 

Complementary color

CMYK 5 / 15 / 0 / 16

HEX #CBB5D5

RGB 203 181 213

HSL 281.25, 0.28%, 0.77%

LAB 76.4, 13.67, -13.22

 

CMYK 23 / 0 / 50 / 71

HEX #394A25

RGB 57 74 37

HSL 87.57, 0.33%, 0.22%

LAB 29.16, -14.18, 19.88

 

CMYK 20 / 0 / 39 / 64

HEX #4A5C38

RGB 74 92 56

HSL 90, 0.24%, 0.29%

LAB 36.74, -14.14, 18.52

 

CMYK 17 / 0 / 32 / 57

HEX #5B6E4B

RGB 91 110 75

HSL 92.57, 0.19%, 0.36%

LAB 44.07, -14.07, 17.26

 

CMYK 16 / 0 / 27 / 50

HEX #6C805E

RGB 108 128 94

HSL 95.29, 0.15%, 0.44%

LAB 51.19, -13.98, 16.12

 

CMYK 14 / 0 / 23 / 43

HEX #7D9271

RGB 125 146 113

HSL 98.18, 0.13%, 0.51%

LAB 58.14, -13.9, 15.06

 

CMYK 30 / 0 / 43 / 71

HEX #344A2A

RGB 52 74 42

HSL 101.25, 0.28%, 0.23%

LAB 28.89, -15.56, 16.43

 

CMYK 38 / 0 / 59 / 78

HEX #233817

RGB 35 56 23

HSL 98.18, 0.42%, 0.15%

LAB 21.01, -15.7, 17.88

 

CMYK 53 / 0 / 89 / 85

HEX #122604

RGB 18 38 4

HSL 95.29, 0.81%, 0.08%

LAB 12.76, -15.71, 16.87

 

CMYK 95 / 0 / 100 / 92

HEX #011400

RGB 1 20 0

HSL 117, 1%, 0.04%

LAB 4.58, -8.97, 6.69

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 31 / 0 / 44 / 71

HEX #344B2A

RGB 52 75 42

HSL 101.82, 0.28%, 0.23%

LAB 29.23, -16.12, 16.88

 

CMYK 19 / 0 / 44 / 71

HEX #3D4B2A

RGB 61 75 42

HSL 85.45, 0.28%, 0.23%

LAB 29.89, -12.24, 17.86

 

CMYK 7 / 0 / 44 / 71

HEX #464B2A

RGB 70 75 42

HSL 69.09, 0.28%, 0.23%

LAB 30.64, -8.13, 18.97

 

CMYK 0 / 5 / 44 / 71

HEX #4B472A

RGB 75 71 42

HSL 52.73, 0.28%, 0.23%

LAB 29.84, -3.33, 18.04

 

CMYK 0 / 17 / 44 / 71

HEX #4B3E2A

RGB 75 62 42

HSL 36.36, 0.28%, 0.23%

LAB 27.04, 2.35, 14.41

 

CMYK 31 / 0 / 44 / 71

HEX #344B2A

RGB 52 75 42

HSL 101.82, 0.28%, 0.23%

LAB 29.23, -16.12, 16.88

 

CMYK 43 / 0 / 44 / 71

HEX #2B4B2A

RGB 43 75 42

HSL 118.18, 0.28%, 0.23%

LAB 28.68, -19.67, 16.05

 

CMYK 44 / 0 / 35 / 71

HEX #2A4B31

RGB 42 75 49

HSL 132.73, 0.28%, 0.23%

LAB 28.76, -18.66, 11.8

 

CMYK 44 / 0 / 23 / 71

HEX #2A4B3A

RGB 42 75 58

HSL 149.09, 0.28%, 0.23%

LAB 28.98, -16.62, 6.39

 

CMYK 44 / 0 / 11 / 71

HEX #2A4B43

RGB 42 75 67

HSL 165.45, 0.28%, 0.23%

LAB 29.23, -14.31, 0.97

 

CMYK 31 / 0 / 44 / 71

HEX #344B2A

RGB 52 75 42

HSL 101.82, 0.28%, 0.23%

LAB 29.23, -16.12, 16.88

 

CMYK 43 / 0 / 62 / 67

HEX #305420

RGB 48 84 32

HSL 101.54, 0.45%, 0.23%

LAB 31.97, -23.91, 25.97

 

CMYK 52 / 0 / 76 / 63

HEX #2D5E17

RGB 45 94 23

HSL 101.41, 0.61%, 0.23%

LAB 35.25, -30.62, 33.9

 

CMYK 60 / 0 / 87 / 60

HEX #29670D

RGB 41 103 13

HSL 101.33, 0.78%, 0.23%

LAB 38.2, -36.35, 40.31

 

CMYK 66 / 0 / 96 / 56

HEX #267104

RGB 38 113 4

HSL 101.28, 0.93%, 0.23%

LAB 41.58, -41.38, 45.46

 

CMYK 31 / 0 / 44 / 71

HEX #344B2A

RGB 52 75 42

HSL 101.82, 0.28%, 0.23%

LAB 29.23, -16.12, 16.88

 

CMYK 14 / 0 / 22 / 75

HEX #384133

RGB 56 65 51

HSL 98.57, 0.12%, 0.23%

LAB 26.33, -6.85, 7.33

 

CMYK 3 / 8 / 0 / 76

HEX #3B383D

RGB 59 56 61

HSL 276, 0.04%, 0.23%

LAB 23.98, 2.44, -2.64

 

CMYK 10 / 34 / 0 / 73

HEX #3F2E46

RGB 63 46 70

HSL 282.5, 0.21%, 0.23%

LAB 21.77, 13, -11.99

 

CMYK 18 / 54 / 0 / 69

HEX #422550

RGB 66 37 80

HSL 280.47, 0.37%, 0.23%

LAB 20.28, 22.54, -21.03

 

CMYK 7 / 0 / 44 / 71

HEX #464B2A

RGB 70 75 42

HSL 69.09, 0.28%, 0.23%

LAB 30.64, -8.13, 18.97

 

CMYK 19 / 0 / 44 / 71

HEX #3D4B2A

RGB 61 75 42

HSL 85.45, 0.28%, 0.23%

LAB 29.89, -12.24, 17.86

 

CMYK 31 / 0 / 44 / 71

HEX #344B2A

RGB 52 75 42

HSL 101.82, 0.28%, 0.23%

LAB 29.23, -16.12, 16.88

 

CMYK 43 / 0 / 44 / 71

HEX #2B4B2A

RGB 43 75 42

HSL 118.18, 0.28%, 0.23%

LAB 28.68, -19.67, 16.05

 

CMYK 44 / 0 / 35 / 71

HEX #2A4B31

RGB 42 75 49

HSL 132.73, 0.28%, 0.23%

LAB 28.76, -18.66, 11.8

 

CMYK 32 / 0 / 45 / 91

HEX #0F160C

RGB 15 22 12

HSL 102, 0.29%, 0.07%

LAB 6.34, -4.79, 4.43

 

CMYK 29 / 0 / 44 / 81

HEX #22301B

RGB 34 48 27

HSL 100, 0.28%, 0.15%

LAB 18.07, -10.8, 11.61

 

CMYK 31 / 0 / 44 / 71

HEX #344B2A

RGB 52 75 42

HSL 101.82, 0.28%, 0.23%

LAB 29.23, -16.12, 16.88

 

CMYK 31 / 0 / 44 / 60

HEX #466539

RGB 70 101 57

HSL 102.27, 0.28%, 0.31%

LAB 39.42, -20.51, 21.36

 

CMYK 30 / 0 / 44 / 50

HEX #597F47

RGB 89 127 71

HSL 100.71, 0.28%, 0.39%

LAB 49.2, -24.44, 26.23

 

CMYK 30 / 0 / 43 / 71

HEX #344A2A

RGB 52 74 42

HSL 101.25, 0.28%, 0.23%

LAB 28.89, -15.56, 16.43

 

CMYK 44 / 0 / 5 / 71

HEX #2A4B47

RGB 42 75 71

HSL 172.73, 0.28%, 0.23%

LAB 29.36, -13.2, -1.42

 

CMYK 0 / 44 / 13 / 71

HEX #4B2A41

RGB 75 42 65

HSL 318.18, 0.28%, 0.23%

LAB 22.06, 19.24, -8.02

 

CMYK 30 / 0 / 43 / 71

HEX #344A2A

RGB 52 74 42

HSL 101.25, 0.28%, 0.23%

LAB 28.89, -15.56, 16.43

 

CMYK 44 / 31 / 0 / 71

HEX #2A344B

RGB 42 52 75

HSL 221.82, 0.28%, 0.23%

LAB 21.79, 2.73, -15.51

 

CMYK 0 / 44 / 31 / 71

HEX #4B2A34

RGB 75 42 52

HSL 341.82, 0.28%, 0.23%

LAB 21.58, 16.87, 0.15

 

CMYK 30 / 0 / 43 / 71

HEX #344A2A

RGB 52 74 42

HSL 101.25, 0.28%, 0.23%

LAB 28.89, -15.56, 16.43

 

CMYK 44 / 0 / 5 / 71

HEX #2A4B47

RGB 42 75 71

HSL 172.73, 0.28%, 0.23%

LAB 29.36, -13.2, -1.42

 

CMYK 15 / 44 / 0 / 71

HEX #402A4B

RGB 64 42 75

HSL 280, 0.28%, 0.23%

LAB 21.03, 17.32, -16.51

 

CMYK 0 / 44 / 39 / 71

HEX #4B2A2E

RGB 75 42 46

HSL 352.73, 0.28%, 0.23%

LAB 21.39, 15.92, 4

 

CMYK 30 / 0 / 43 / 71

HEX #344A2A

RGB 52 74 42

HSL 101.25, 0.28%, 0.23%

LAB 28.89, -15.56, 16.43

 

CMYK 44 / 8 / 0 / 71

HEX #2A454B

RGB 42 69 75

HSL 190.91, 0.28%, 0.23%

LAB 27.45, -8.41, -6.85

 

CMYK 15 / 44 / 0 / 71

HEX #402A4B

RGB 64 42 75

HSL 280, 0.28%, 0.23%

LAB 21.03, 17.32, -16.51

 

CMYK 0 / 36 / 44 / 71

HEX #4B302A

RGB 75 48 42

HSL 10.91, 0.28%, 0.23%

LAB 22.92, 11.45, 8.86

 

Description

Color code: RGB 52 74 42 | qconv.com Color code: RGB 52 74 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 74 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 74 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 43 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 43% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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