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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 13 168 it is the complementary color RGB 203 242 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 13 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 13 168 shade: RGB 57 13 163, RGB 74 31 182, RGB 91 49 201, RGB 108 67 220 and RGB 125 85 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 13 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 13 168 shade: RGB 52 13 168, RGB 35 0 149, RGB 18 0 130, RGB 1 0 111 and RGB 0 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 13 168 shade: RGB 51 12 166, RGB 92 12 166, RGB 133 12 166, RGB 166 12 156 and RGB 166 12 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 13 168 shade: RGB 51 12 166 and RGB 12 12 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 13 168 shade matches the following richer shades: RGB 51 12 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 13 168 shade: RGB 51 12 166, RGB 58 26 151, RGB 65 41 137, RGB 72 55 122 and RGB 79 70 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 13 168 shade: RGB 12 55 166, RGB 12 15 166, RGB 50 12 166, RGB 91 12 166 and RGB 132 12 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 13 168 shade: RGB 27 6 89, RGB 39 9 127, RGB 51 12 166, RGB 62 15 204 and RGB 77 23 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 13 168 shade: RGB 52 13 168, RGB 166 12 96 and RGB 35 166 12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 13 168 shade: RGB 52 13 168, RGB 166 50 12 and RGB 12 166 50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 13 168 shade: RGB 52 13 168, RGB 166 12 96, RGB 127 166 12 and RGB 12 166 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 13 168 shade: RGB 52 13 168, RGB 166 12 50, RGB 127 166 12 and RGB 12 166 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 92 / 0 / 34

HEX #340DA8

RGB 52 13 168

HSL 255.1, 0.86%, 0.35%

LAB 23.15, 55.95, -72.48

 

Complementary color

CMYK 16 / 0 / 64 / 5

HEX #CBF257

RGB 203 242 87

HSL 75.1, 0.86%, 0.65%

LAB 90.27, -33.72, 68.05

 

CMYK 65 / 92 / 0 / 36

HEX #390DA3

RGB 57 13 163

HSL 257.6, 0.85%, 0.35%

LAB 23.01, 54.96, -69.67

 

CMYK 59 / 83 / 0 / 29

HEX #4A1FB6

RGB 74 31 182

HSL 257.09, 0.71%, 0.42%

LAB 28.94, 55.44, -71.23

 

CMYK 55 / 76 / 0 / 21

HEX #5B31C9

RGB 91 49 201

HSL 256.58, 0.61%, 0.49%

LAB 35.28, 54.8, -71.91

 

CMYK 51 / 70 / 0 / 14

HEX #6C43DC

RGB 108 67 220

HSL 256.08, 0.69%, 0.56%

LAB 41.8, 53.67, -72.12

 

CMYK 48 / 64 / 0 / 6

HEX #7D55EF

RGB 125 85 239

HSL 255.58, 0.83%, 0.64%

LAB 48.37, 52.37, -72.09

 

CMYK 69 / 92 / 0 / 34

HEX #340DA8

RGB 52 13 168

HSL 255.1, 0.86%, 0.35%

LAB 23.15, 55.95, -72.48

 

CMYK 77 / 100 / 0 / 42

HEX #230095

RGB 35 0 149

HSL 254.09, 1%, 0.29%

LAB 18.04, 53.65, -69.39

 

CMYK 86 / 100 / 0 / 49

HEX #120082

RGB 18 0 130

HSL 248.31, 1%, 0.25%

LAB 14.06, 48.29, -64.14

 

CMYK 99 / 100 / 0 / 56

HEX #01006F

RGB 1 0 111

HSL 240.54, 1%, 0.22%

LAB 10.21, 42.92, -58.35

 

CMYK 100 / 100 / 0 / 64

HEX #00005C

RGB 0 0 92

HSL 240, 1%, 0.18%

LAB 6.98, 37.4, -51.13

 

CMYK 69 / 93 / 0 / 35

HEX #330CA6

RGB 51 12 166

HSL 255.19, 0.87%, 0.35%

LAB 22.72, 55.63, -71.98

 

CMYK 45 / 93 / 0 / 35

HEX #5C0CA6

RGB 92 12 166

HSL 271.17, 0.87%, 0.35%

LAB 27.55, 59.07, -63.84

 

CMYK 20 / 93 / 0 / 35

HEX #850CA6

RGB 133 12 166

HSL 287.14, 0.87%, 0.35%

LAB 33.99, 64.51, -53.05

 

CMYK 0 / 93 / 6 / 35

HEX #A60C9C

RGB 166 12 156

HSL 303.9, 0.87%, 0.35%

LAB 39.19, 68.44, -38.34

 

CMYK 0 / 93 / 31 / 35

HEX #A60C73

RGB 166 12 115

HSL 319.87, 0.87%, 0.35%

LAB 37.13, 63.1, -16.25

 

CMYK 69 / 93 / 0 / 35

HEX #330CA6

RGB 51 12 166

HSL 255.19, 0.87%, 0.35%

LAB 22.72, 55.63, -71.98

 

CMYK 93 / 93 / 0 / 35

HEX #0C0CA6

RGB 12 12 166

HSL 240, 0.87%, 0.35%

LAB 20.42, 54.25, -75.89

 

CMYK 69 / 93 / 0 / 35

HEX #330CA6

RGB 51 12 166

HSL 255.19, 0.87%, 0.35%

LAB 22.72, 55.63, -71.98

 

CMYK 69 / 93 / 0 / 35

HEX #330CA6

RGB 51 12 166

HSL 255.19, 0.87%, 0.35%

LAB 22.72, 55.63, -71.98

 

CMYK 62 / 83 / 0 / 41

HEX #3A1A97

RGB 58 26 151

HSL 255.36, 0.71%, 0.35%

LAB 23.25, 47.19, -61.92

 

CMYK 53 / 70 / 0 / 46

HEX #412989

RGB 65 41 137

HSL 255, 0.54%, 0.35%

LAB 25.31, 36.29, -49.83

 

CMYK 41 / 55 / 0 / 52

HEX #48377A

RGB 72 55 122

HSL 255.22, 0.38%, 0.35%

LAB 28.15, 24.63, -35.79

 

CMYK 27 / 35 / 0 / 58

HEX #4F466C

RGB 79 70 108

HSL 254.21, 0.21%, 0.35%

LAB 32.09, 12.94, -20.69

 

CMYK 93 / 67 / 0 / 35

HEX #0C37A6

RGB 12 55 166

HSL 223.25, 0.87%, 0.35%

LAB 28.28, 31.84, -62.84

 

CMYK 93 / 91 / 0 / 35

HEX #0C0FA6

RGB 12 15 166

HSL 238.83, 0.87%, 0.35%

LAB 20.72, 53.32, -75.37

 

CMYK 70 / 93 / 0 / 35

HEX #320CA6

RGB 50 12 166

HSL 254.81, 0.87%, 0.35%

LAB 22.63, 55.57, -72.13

 

CMYK 45 / 93 / 0 / 35

HEX #5B0CA6

RGB 91 12 166

HSL 270.78, 0.87%, 0.35%

LAB 27.41, 58.96, -64.08

 

CMYK 20 / 93 / 0 / 35

HEX #840CA6

RGB 132 12 166

HSL 286.75, 0.87%, 0.35%

LAB 33.82, 64.36, -53.34

 

CMYK 70 / 93 / 0 / 65

HEX #1B0659

RGB 27 6 89

HSL 255.18, 0.87%, 0.19%

LAB 9.68, 34.37, -44.55

 

CMYK 69 / 93 / 0 / 50

HEX #27097F

RGB 39 9 127

HSL 255.25, 0.87%, 0.27%

LAB 16.3, 45.14, -58.46

 

CMYK 69 / 93 / 0 / 35

HEX #330CA6

RGB 51 12 166

HSL 255.19, 0.87%, 0.35%

LAB 22.72, 55.63, -71.98

 

CMYK 70 / 93 / 0 / 20

HEX #3E0FCC

RGB 62 15 204

HSL 254.92, 0.86%, 0.43%

LAB 28.71, 65.28, -84.62

 

CMYK 68 / 90 / 0 / 7

HEX #4D17ED

RGB 77 23 237

HSL 255.14, 0.86%, 0.51%

LAB 34.61, 72.42, -93.77

 

CMYK 69 / 92 / 0 / 34

HEX #340DA8

RGB 52 13 168

HSL 255.1, 0.86%, 0.35%

LAB 23.15, 55.95, -72.48

 

CMYK 0 / 93 / 42 / 35

HEX #A60C60

RGB 166 12 96

HSL 327.27, 0.87%, 0.35%

LAB 36.39, 61.13, -5.28

 

CMYK 79 / 0 / 93 / 35

HEX #23A60C

RGB 35 166 12

HSL 111.04, 0.87%, 0.35%

LAB 59.58, -59.24, 59.03

 

CMYK 69 / 92 / 0 / 34

HEX #340DA8

RGB 52 13 168

HSL 255.1, 0.86%, 0.35%

LAB 23.15, 55.95, -72.48

 

CMYK 0 / 70 / 93 / 35

HEX #A6320C

RGB 166 50 12

HSL 14.81, 0.87%, 0.35%

LAB 38.58, 46.1, 46.52

 

CMYK 93 / 0 / 70 / 35

HEX #0CA632

RGB 12 166 50

HSL 134.81, 0.87%, 0.35%

LAB 59.51, -59.14, 47.9

 

CMYK 69 / 92 / 0 / 34

HEX #340DA8

RGB 52 13 168

HSL 255.1, 0.86%, 0.35%

LAB 23.15, 55.95, -72.48

 

CMYK 0 / 93 / 42 / 35

HEX #A60C60

RGB 166 12 96

HSL 327.27, 0.87%, 0.35%

LAB 36.39, 61.13, -5.28

 

CMYK 23 / 0 / 93 / 35

HEX #7FA60C

RGB 127 166 12

HSL 75.19, 0.87%, 0.35%

LAB 63.19, -32.22, 63.48

 

CMYK 93 / 0 / 51 / 35

HEX #0CA651

RGB 12 166 81

HSL 146.88, 0.87%, 0.35%

LAB 59.84, -55.06, 33.88

 

CMYK 69 / 92 / 0 / 34

HEX #340DA8

RGB 52 13 168

HSL 255.1, 0.86%, 0.35%

LAB 23.15, 55.95, -72.48

 

CMYK 0 / 93 / 70 / 35

HEX #A60C32

RGB 166 12 50

HSL 345.19, 0.87%, 0.35%

LAB 35.2, 57.84, 22.86

 

CMYK 23 / 0 / 93 / 35

HEX #7FA60C

RGB 127 166 12

HSL 75.19, 0.87%, 0.35%

LAB 63.19, -32.22, 63.48

 

CMYK 93 / 0 / 23 / 35

HEX #0CA67F

RGB 12 166 127

HSL 164.81, 0.87%, 0.35%

LAB 60.68, -45.42, 10.19

 

Description

Color code: RGB 52 13 168 | qconv.com Color code: RGB 52 13 168 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 13 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 13 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 92 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 92% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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