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Color name
RGB 52 146 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 146 80 it is the complementary color RGB 203 109 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 146 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 146 80 shade: RGB 57 146 75, RGB 74 164 94, RGB 91 182 113, RGB 108 200 132 and RGB 125 218 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 146 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 35 128 61, RGB 18 110 42, RGB 1 92 23 and RGB 0 74 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 52 146 55, RGB 75 146 52, RGB 100 146 52 and RGB 125 146 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 52 146 105, RGB 52 146 130, RGB 52 136 146 and RGB 52 110 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 146 80 shade matches the following richer shades: RGB 52 146 80, RGB 36 162 74, RGB 20 178 67 and RGB 4 194 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 68 130 87, RGB 84 114 93, RGB 100 97 100 and RGB 117 81 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 146 80 shade: RGB 76 146 52, RGB 52 146 54, RGB 52 146 79, RGB 52 146 104 and RGB 52 146 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 146 80 shade: RGB 30 85 47, RGB 41 115 63, RGB 52 146 80, RGB 63 176 97 and RGB 86 194 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 52 101 146 and RGB 146 52 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 79 52 146 and RGB 146 79 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 52 101 146, RGB 146 52 119 and RGB 146 97 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 146 80 shade: RGB 52 146 80, RGB 52 72 146, RGB 146 52 119 and RGB 146 125 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

Complementary color

CMYK 0 / 46 / 14 / 20

HEX #CB6DAF

RGB 203 109 175

HSL 317.87, 0.47%, 0.61%

LAB 58.72, 45.73, -18.72

 

CMYK 61 / 0 / 49 / 43

HEX #39924B

RGB 57 146 75

HSL 132.13, 0.44%, 0.4%

LAB 53.96, -42.38, 29.81

 

CMYK 55 / 0 / 43 / 36

HEX #4AA45E

RGB 74 164 94

HSL 133.33, 0.38%, 0.47%

LAB 60.62, -42.48, 28.36

 

CMYK 50 / 0 / 38 / 29

HEX #5BB671

RGB 91 182 113

HSL 134.51, 0.38%, 0.54%

LAB 67.18, -42.41, 27

 

CMYK 46 / 0 / 34 / 22

HEX #6CC884

RGB 108 200 132

HSL 135.65, 0.46%, 0.6%

LAB 73.65, -42.24, 25.73

 

CMYK 43 / 0 / 31 / 15

HEX #7DDA97

RGB 125 218 151

HSL 136.77, 0.56%, 0.67%

LAB 80.03, -42.02, 24.55

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 73 / 0 / 52 / 50

HEX #23803D

RGB 35 128 61

HSL 136.77, 0.57%, 0.32%

LAB 47.15, -42.16, 28.6

 

CMYK 84 / 0 / 62 / 57

HEX #126E2A

RGB 18 110 42

HSL 135.65, 0.72%, 0.25%

LAB 40.32, -41.04, 30.23

 

CMYK 99 / 0 / 75 / 64

HEX #015C17

RGB 1 92 23

HSL 134.51, 0.98%, 0.18%

LAB 33.4, -39.09, 31.61

 

CMYK 100 / 0 / 95 / 71

HEX #004A04

RGB 0 74 4

HSL 123.24, 1%, 0.15%

LAB 26.47, -34.93, 32.31

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 64 / 0 / 62 / 43

HEX #349237

RGB 52 146 55

HSL 121.91, 0.47%, 0.39%

LAB 53.56, -46.35, 39.34

 

CMYK 49 / 0 / 64 / 43

HEX #4B9234

RGB 75 146 52

HSL 105.32, 0.47%, 0.39%

LAB 54.35, -40.42, 41.83

 

CMYK 32 / 0 / 64 / 43

HEX #649234

RGB 100 146 52

HSL 89.36, 0.47%, 0.39%

LAB 55.6, -31.65, 43.57

 

CMYK 14 / 0 / 64 / 43

HEX #7D9234

RGB 125 146 52

HSL 73.4, 0.47%, 0.39%

LAB 57.24, -21.51, 45.82

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 64 / 0 / 28 / 43

HEX #349269

RGB 52 146 105

HSL 153.83, 0.47%, 0.39%

LAB 54.35, -37.65, 13.77

 

CMYK 64 / 0 / 11 / 43

HEX #349282

RGB 52 146 130

HSL 169.79, 0.47%, 0.39%

LAB 54.97, -31.42, 0.37

 

CMYK 64 / 7 / 0 / 43

HEX #348892

RGB 52 136 146

HSL 186.38, 0.47%, 0.39%

LAB 52.3, -21.77, -12.84

 

CMYK 64 / 25 / 0 / 43

HEX #346E92

RGB 52 110 146

HSL 202.98, 0.47%, 0.39%

LAB 44.17, -7.28, -25.3

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 78 / 0 / 54 / 36

HEX #24A24A

RGB 36 162 74

HSL 138.1, 0.64%, 0.39%

LAB 58.71, -52.5, 36.08

 

CMYK 89 / 0 / 62 / 30

HEX #14B243

RGB 20 178 67

HSL 137.85, 0.8%, 0.39%

LAB 63.67, -60.46, 45.19

 

CMYK 98 / 0 / 69 / 24

HEX #04C23D

RGB 4 194 61

HSL 138, 0.96%, 0.39%

LAB 68.71, -66.83, 53.28

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 48 / 0 / 33 / 49

HEX #448257

RGB 68 130 87

HSL 138.39, 0.31%, 0.39%

LAB 49.35, -30.26, 17.24

 

CMYK 26 / 0 / 18 / 55

HEX #54725D

RGB 84 114 93

HSL 138, 0.15%, 0.39%

LAB 45.23, -15.58, 8.16

 

CMYK 0 / 3 / 0 / 61

HEX #646164

RGB 100 97 100

HSL 300, 0.02%, 0.39%

LAB 41.5, 1.81, -1.29

 

CMYK 0 / 31 / 9 / 54

HEX #75516A

RGB 117 81 106

HSL 318.33, 0.18%, 0.39%

LAB 39.08, 19.39, -8.38

 

CMYK 48 / 0 / 64 / 43

HEX #4C9234

RGB 76 146 52

HSL 104.68, 0.47%, 0.39%

LAB 54.39, -40.1, 41.89

 

CMYK 64 / 0 / 63 / 43

HEX #349236

RGB 52 146 54

HSL 121.28, 0.47%, 0.39%

LAB 53.55, -46.47, 39.8

 

CMYK 64 / 0 / 46 / 43

HEX #34924F

RGB 52 146 79

HSL 137.23, 0.47%, 0.39%

LAB 53.87, -42.85, 27.53

 

CMYK 64 / 0 / 29 / 43

HEX #349268

RGB 52 146 104

HSL 153.19, 0.47%, 0.39%

LAB 54.33, -37.88, 14.31

 

CMYK 64 / 0 / 12 / 43

HEX #349281

RGB 52 146 129

HSL 169.15, 0.47%, 0.39%

LAB 54.94, -31.69, 0.9

 

CMYK 65 / 0 / 45 / 67

HEX #1E552F

RGB 30 85 47

HSL 138.55, 0.48%, 0.23%

LAB 31.76, -27.73, 16.93

 

CMYK 64 / 0 / 45 / 55

HEX #29733F

RGB 41 115 63

HSL 137.84, 0.47%, 0.31%

LAB 42.9, -35.29, 22.16

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 64 / 0 / 45 / 31

HEX #3FB061

RGB 63 176 97

HSL 138.05, 0.47%, 0.47%

LAB 64.14, -49.35, 31.25

 

CMYK 56 / 0 / 39 / 24

HEX #56C276

RGB 86 194 118

HSL 137.78, 0.47%, 0.55%

LAB 70.78, -47.83, 29.1

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 64 / 31 / 0 / 43

HEX #346592

RGB 52 101 146

HSL 208.72, 0.47%, 0.39%

LAB 41.39, -1.84, -29.63

 

CMYK 0 / 64 / 57 / 43

HEX #92343F

RGB 146 52 63

HSL 352.98, 0.47%, 0.39%

LAB 35.84, 40.47, 14.61

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 46 / 64 / 0 / 43

HEX #4F3492

RGB 79 52 146

HSL 257.23, 0.47%, 0.39%

LAB 29.9, 35.36, -47.87

 

CMYK 0 / 46 / 64 / 43

HEX #924F34

RGB 146 79 52

HSL 17.23, 0.47%, 0.39%

LAB 41.14, 25.53, 28.1

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 64 / 31 / 0 / 43

HEX #346592

RGB 52 101 146

HSL 208.72, 0.47%, 0.39%

LAB 41.39, -1.84, -29.63

 

CMYK 0 / 64 / 18 / 43

HEX #923477

RGB 146 52 119

HSL 317.23, 0.47%, 0.39%

LAB 37.66, 47.13, -18.25

 

CMYK 0 / 34 / 64 / 43

HEX #926134

RGB 146 97 52

HSL 28.72, 0.47%, 0.39%

LAB 45.51, 15.2, 33.28

 

CMYK 64 / 0 / 45 / 43

HEX #349250

RGB 52 146 80

HSL 137.87, 0.47%, 0.39%

LAB 53.89, -42.67, 27.01

 

CMYK 64 / 51 / 0 / 43

HEX #344892

RGB 52 72 146

HSL 227.23, 0.47%, 0.39%

LAB 32.79, 16.94, -43.31

 

CMYK 0 / 64 / 18 / 43

HEX #923477

RGB 146 52 119

HSL 317.23, 0.47%, 0.39%

LAB 37.66, 47.13, -18.25

 

CMYK 0 / 14 / 64 / 43

HEX #927D34

RGB 146 125 52

HSL 46.6, 0.47%, 0.39%

LAB 52.98, -0.88, 41.72

 

Description

Color code: RGB 52 146 80 | qconv.com Color code: RGB 52 146 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 146 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 146 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 45 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 45% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

96% - The online home of A...
Link: http://applemansigloo.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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