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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 197 165 it is the complementary color RGB 203 58 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 197 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 197 165 shade: RGB 57 197 160, RGB 74 215 179, RGB 91 233 198, RGB 108 251 217 and RGB 125 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 197 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 35 179 146, RGB 18 161 127, RGB 1 143 108 and RGB 0 125 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 52 197 126, RGB 52 197 87, RGB 56 197 52 and RGB 95 197 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 52 190 197, RGB 52 151 197, RGB 52 112 197 and RGB 52 73 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 197 165 shade matches the following richer shades: RGB 52 197 165, RGB 32 217 176 and RGB 12 237 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 72 177 154, RGB 92 156 142, RGB 113 136 131 and RGB 133 116 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 197 165 shade: RGB 52 197 86, RGB 52 197 124, RGB 52 197 163, RGB 52 192 197 and RGB 52 153 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 197 165 shade: RGB 35 132 110, RGB 43 164 138, RGB 52 197 165, RGB 82 209 181 and RGB 114 217 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 52 57 197 and RGB 197 105 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 163 52 197 and RGB 197 163 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 52 57 197, RGB 197 52 86 and RGB 197 192 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 197 165 shade: RGB 52 197 165, RGB 91 52 197, RGB 197 52 86 and RGB 158 197 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

Complementary color

CMYK 0 / 71 / 56 / 20

HEX #CB3A5A

RGB 203 58 90

HSL 346.76, 0.58%, 0.51%

LAB 47.57, 58.62, 15.41

 

CMYK 71 / 0 / 19 / 23

HEX #39C5A0

RGB 57 197 160

HSL 164.14, 0.55%, 0.5%

LAB 71.79, -45.7, 7.94

 

CMYK 66 / 0 / 17 / 16

HEX #4AD7B3

RGB 74 215 179

HSL 164.68, 0.64%, 0.57%

LAB 78.06, -46.15, 6.77

 

CMYK 61 / 0 / 15 / 9

HEX #5BE9C6

RGB 91 233 198

HSL 165.21, 0.76%, 0.64%

LAB 84.27, -46.43, 5.7

 

CMYK 57 / 0 / 14 / 2

HEX #6CFBD9

RGB 108 251 217

HSL 165.73, 0.95%, 0.7%

LAB 90.41, -46.59, 4.71

 

CMYK 51 / 0 / 7 / 0

HEX #7DFFEC

RGB 125 255 236

HSL 171.23, 1%, 0.75%

LAB 92.55, -40.49, -1.96

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 80 / 0 / 18 / 30

HEX #23B392

RGB 35 179 146

HSL 166.25, 0.67%, 0.42%

LAB 65.49, -44.26, 6.53

 

CMYK 89 / 0 / 21 / 37

HEX #12A17F

RGB 18 161 127

HSL 165.73, 0.8%, 0.35%

LAB 59.11, -43.02, 7.97

 

CMYK 99 / 0 / 24 / 44

HEX #018F6C

RGB 1 143 108

HSL 165.21, 0.99%, 0.28%

LAB 52.66, -41.38, 9.58

 

CMYK 100 / 0 / 29 / 51

HEX #007D59

RGB 0 125 89

HSL 162.72, 1%, 0.25%

LAB 46.16, -38.89, 11.45

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 74 / 0 / 36 / 23

HEX #34C57E

RGB 52 197 126

HSL 150.62, 0.58%, 0.49%

LAB 70.99, -53.95, 25.03

 

CMYK 74 / 0 / 56 / 23

HEX #34C557

RGB 52 197 87

HSL 134.48, 0.58%, 0.49%

LAB 70.42, -60.46, 43.95

 

CMYK 72 / 0 / 74 / 23

HEX #38C534

RGB 56 197 52

HSL 118.34, 0.58%, 0.49%

LAB 70.19, -63.51, 58.38

 

CMYK 52 / 0 / 74 / 23

HEX #5FC534

RGB 95 197 52

HSL 102.21, 0.58%, 0.49%

LAB 71.29, -54.6, 59.85

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 74 / 4 / 0 / 23

HEX #34BEC5

RGB 52 190 197

HSL 182.9, 0.58%, 0.49%

LAB 70.59, -33.13, -14.02

 

CMYK 74 / 23 / 0 / 23

HEX #3497C5

RGB 52 151 197

HSL 199.03, 0.58%, 0.49%

LAB 58.88, -13.16, -31.93

 

CMYK 74 / 43 / 0 / 23

HEX #3470C5

RGB 52 112 197

HSL 215.17, 0.58%, 0.49%

LAB 47.43, 9.89, -49.98

 

CMYK 74 / 63 / 0 / 23

HEX #3449C5

RGB 52 73 197

HSL 231.31, 0.58%, 0.49%

LAB 36.98, 34.93, -66.9

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 85 / 0 / 19 / 15

HEX #20D9B0

RGB 32 217 176

HSL 166.7, 0.74%, 0.49%

LAB 77.91, -52.52, 8.07

 

CMYK 95 / 0 / 21 / 7

HEX #0CEDBC

RGB 12 237 188

HSL 166.93, 0.9%, 0.49%

LAB 84.11, -58.34, 10.57

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 59 / 0 / 13 / 31

HEX #48B19A

RGB 72 177 154

HSL 166.86, 0.42%, 0.49%

LAB 65.87, -35.86, 2.75

 

CMYK 41 / 0 / 9 / 39

HEX #5C9C8E

RGB 92 156 142

HSL 166.88, 0.26%, 0.49%

LAB 59.89, -23.97, 0.88

 

CMYK 17 / 0 / 4 / 47

HEX #718883

RGB 113 136 131

HSL 166.96, 0.09%, 0.49%

LAB 54.82, -9.31, -0.08

 

CMYK 0 / 13 / 10 / 48

HEX #857478

RGB 133 116 120

HSL 345.88, 0.07%, 0.49%

LAB 50.49, 7.32, 0.22

 

CMYK 74 / 0 / 56 / 23

HEX #34C556

RGB 52 197 86

HSL 134.07, 0.58%, 0.49%

LAB 70.41, -60.6, 44.4

 

CMYK 74 / 0 / 37 / 23

HEX #34C57C

RGB 52 197 124

HSL 149.79, 0.58%, 0.49%

LAB 70.95, -54.35, 26.03

 

CMYK 74 / 0 / 17 / 23

HEX #34C5A3

RGB 52 197 163

HSL 165.93, 0.58%, 0.49%

LAB 71.76, -45.62, 6.27

 

CMYK 74 / 3 / 0 / 23

HEX #34C0C5

RGB 52 192 197

HSL 182.07, 0.58%, 0.49%

LAB 71.19, -34.08, -13.12

 

CMYK 74 / 22 / 0 / 23

HEX #3499C5

RGB 52 153 197

HSL 198.21, 0.58%, 0.49%

LAB 59.47, -14.26, -31

 

CMYK 73 / 0 / 17 / 48

HEX #23846E

RGB 35 132 110

HSL 166.39, 0.58%, 0.33%

LAB 49.48, -33.09, 3.94

 

CMYK 74 / 0 / 16 / 36

HEX #2BA48A

RGB 43 164 138

HSL 167.11, 0.58%, 0.41%

LAB 60.69, -38.94, 4.1

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 61 / 0 / 13 / 18

HEX #52D1B5

RGB 82 209 181

HSL 166.77, 0.58%, 0.57%

LAB 76.52, -41.69, 3.5

 

CMYK 47 / 0 / 11 / 15

HEX #72D9C2

RGB 114 217 194

HSL 166.6, 0.58%, 0.65%

LAB 80.23, -35.52, 2.07

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 74 / 71 / 0 / 23

HEX #3439C5

RGB 52 57 197

HSL 237.93, 0.58%, 0.49%

LAB 33.32, 44.73, -72.9

 

CMYK 0 / 47 / 74 / 23

HEX #C56934

RGB 197 105 52

HSL 21.93, 0.58%, 0.49%

LAB 54.26, 32.58, 44.92

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 17 / 74 / 0 / 23

HEX #A334C5

RGB 163 52 197

HSL 285.93, 0.58%, 0.49%

LAB 44.62, 64.97, -53.97

 

CMYK 0 / 17 / 74 / 23

HEX #C5A334

RGB 197 163 52

HSL 45.93, 0.58%, 0.49%

LAB 68.25, 1.09, 59.09

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 74 / 71 / 0 / 23

HEX #3439C5

RGB 52 57 197

HSL 237.93, 0.58%, 0.49%

LAB 33.32, 44.73, -72.9

 

CMYK 0 / 74 / 56 / 23

HEX #C53456

RGB 197 52 86

HSL 345.93, 0.58%, 0.49%

LAB 45.63, 58.64, 15.04

 

CMYK 0 / 3 / 74 / 23

HEX #C5C034

RGB 197 192 52

HSL 57.93, 0.58%, 0.49%

LAB 75.96, -14.04, 66.47

 

CMYK 74 / 0 / 16 / 23

HEX #34C5A5

RGB 52 197 165

HSL 166.76, 0.58%, 0.49%

LAB 71.81, -45.12, 5.25

 

CMYK 54 / 74 / 0 / 23

HEX #5B34C5

RGB 91 52 197

HSL 256.14, 0.58%, 0.49%

LAB 35.42, 52.23, -69.34

 

CMYK 0 / 74 / 56 / 23

HEX #C53456

RGB 197 52 86

HSL 345.93, 0.58%, 0.49%

LAB 45.63, 58.64, 15.04

 

CMYK 20 / 0 / 74 / 23

HEX #9EC534

RGB 158 197 52

HSL 76.14, 0.58%, 0.49%

LAB 74.48, -32.67, 64.05

 

Description

Color code: RGB 52 197 165 | qconv.com Color code: RGB 52 197 165 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 197 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 197 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 16 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 16% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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