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Color name
RGB 57 128 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 128 34 it is the complementary color RGB 198 127 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 128 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 128 34 shade: RGB 62 128 29, RGB 79 146 48, RGB 96 164 67, RGB 113 182 86 and RGB 130 200 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 128 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 40 110 15, RGB 23 92 0, RGB 6 74 0 and RGB 0 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 82 128 34, RGB 108 128 34, RGB 128 123 34 and RGB 128 98 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 34 128 36, RGB 34 128 62, RGB 34 128 87 and RGB 34 128 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 128 34 shade matches the following richer shades: RGB 57 128 34, RGB 50 142 21 and RGB 43 155 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 64 115 47, RGB 70 102 60, RGB 77 89 73 and RGB 84 76 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 128 34 shade: RGB 108 128 34, RGB 83 128 34, RGB 57 128 34, RGB 34 128 35 and RGB 34 128 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 128 34 shade: RGB 28 63 16, RGB 42 96 25, RGB 57 128 34, RGB 71 161 42 and RGB 86 194 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 34 128 124 and RGB 128 34 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 34 57 128 and RGB 128 34 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 34 128 124, RGB 105 34 128 and RGB 128 34 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 128 34 shade: RGB 57 128 34, RGB 34 105 128, RGB 105 34 128 and RGB 128 57 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

Complementary color

CMYK 10 / 43 / 0 / 13

HEX #C67FDD

RGB 198 127 221

HSL 285.32, 0.58%, 0.68%

LAB 63.68, 43.15, -37.15

 

CMYK 52 / 0 / 77 / 50

HEX #3E801D

RGB 62 128 29

HSL 100, 0.63%, 0.31%

LAB 47.69, -39.05, 44.26

 

CMYK 46 / 0 / 67 / 43

HEX #4F9230

RGB 79 146 48

HSL 101.02, 0.51%, 0.38%

LAB 54.48, -39.52, 43.82

 

CMYK 41 / 0 / 59 / 36

HEX #60A443

RGB 96 164 67

HSL 102.06, 0.42%, 0.45%

LAB 61.17, -39.7, 42.86

 

CMYK 38 / 0 / 53 / 29

HEX #71B656

RGB 113 182 86

HSL 103.13, 0.4%, 0.53%

LAB 67.75, -39.72, 41.71

 

CMYK 35 / 0 / 48 / 22

HEX #82C869

RGB 130 200 105

HSL 104.21, 0.46%, 0.6%

LAB 74.24, -39.64, 40.5

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 64 / 0 / 86 / 57

HEX #286E0F

RGB 40 110 15

HSL 104.21, 0.76%, 0.25%

LAB 40.63, -39.25, 41.93

 

CMYK 75 / 0 / 100 / 64

HEX #175C00

RGB 23 92 0

HSL 105, 1%, 0.18%

LAB 33.64, -37.47, 39.97

 

CMYK 92 / 0 / 100 / 71

HEX #064A00

RGB 6 74 0

HSL 115.14, 1%, 0.15%

LAB 26.55, -34.25, 34.05

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 36 / 0 / 73 / 50

HEX #528022

RGB 82 128 34

HSL 89.36, 0.58%, 0.32%

LAB 48.7, -31.65, 43.67

 

CMYK 16 / 0 / 73 / 50

HEX #6C8022

RGB 108 128 34

HSL 72.77, 0.58%, 0.32%

LAB 50.38, -20.88, 45.91

 

CMYK 0 / 4 / 73 / 50

HEX #807B22

RGB 128 123 34

HSL 56.81, 0.58%, 0.32%

LAB 50.54, -9.15, 46.62

 

CMYK 0 / 23 / 73 / 50

HEX #806222

RGB 128 98 34

HSL 40.85, 0.58%, 0.32%

LAB 43.42, 5.14, 39.51

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 73 / 0 / 72 / 50

HEX #228024

RGB 34 128 36

HSL 121.28, 0.58%, 0.32%

LAB 46.85, -45.6, 40.36

 

CMYK 73 / 0 / 52 / 50

HEX #22803E

RGB 34 128 62

HSL 137.87, 0.58%, 0.32%

LAB 47.14, -42.18, 28.05

 

CMYK 73 / 0 / 32 / 50

HEX #228057

RGB 34 128 87

HSL 153.83, 0.58%, 0.32%

LAB 47.58, -37.23, 14.64

 

CMYK 73 / 0 / 12 / 50

HEX #228071

RGB 34 128 113

HSL 170.43, 0.58%, 0.32%

LAB 48.22, -30.54, 0.36

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 65 / 0 / 85 / 44

HEX #328E15

RGB 50 142 21

HSL 105.62, 0.74%, 0.32%

LAB 51.93, -48.21, 50.63

 

CMYK 72 / 0 / 95 / 39

HEX #2B9B07

RGB 43 155 7

HSL 105.41, 0.91%, 0.32%

LAB 56.06, -54.61, 56.9

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 44 / 0 / 59 / 55

HEX #40732F

RGB 64 115 47

HSL 105, 0.42%, 0.32%

LAB 43.59, -31.02, 31.87

 

CMYK 31 / 0 / 41 / 60

HEX #46663C

RGB 70 102 60

HSL 105.71, 0.26%, 0.32%

LAB 39.8, -20.55, 20.11

 

CMYK 13 / 0 / 18 / 65

HEX #4D5949

RGB 77 89 73

HSL 105, 0.1%, 0.32%

LAB 36.37, -8.14, 7.71

 

CMYK 3 / 13 / 0 / 66

HEX #544C57

RGB 84 76 87

HSL 283.64, 0.07%, 0.32%

LAB 33.44, 5.66, -5.27

 

CMYK 16 / 0 / 73 / 50

HEX #6C8022

RGB 108 128 34

HSL 72.77, 0.58%, 0.32%

LAB 50.38, -20.88, 45.91

 

CMYK 35 / 0 / 73 / 50

HEX #538022

RGB 83 128 34

HSL 88.72, 0.58%, 0.32%

LAB 48.75, -31.26, 43.74

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 73 / 0 / 73 / 50

HEX #228023

RGB 34 128 35

HSL 120.64, 0.58%, 0.32%

LAB 46.84, -45.69, 40.77

 

CMYK 73 / 0 / 52 / 50

HEX #22803D

RGB 34 128 61

HSL 137.23, 0.58%, 0.32%

LAB 47.13, -42.34, 28.57

 

CMYK 56 / 0 / 75 / 75

HEX #1C3F10

RGB 28 63 16

HSL 104.68, 0.59%, 0.15%

LAB 23.13, -23.02, 24.14

 

CMYK 56 / 0 / 74 / 62

HEX #2A6019

RGB 42 96 25

HSL 105.63, 0.59%, 0.24%

LAB 35.85, -32.29, 33.6

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 56 / 0 / 74 / 37

HEX #47A12A

RGB 71 161 42

HSL 105.38, 0.59%, 0.4%

LAB 58.97, -48.45, 50.81

 

CMYK 56 / 0 / 74 / 24

HEX #56C233

RGB 86 194 51

HSL 105.31, 0.58%, 0.48%

LAB 70.04, -56.02, 58.84

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 73 / 0 / 3 / 50

HEX #22807C

RGB 34 128 124

HSL 177.45, 0.58%, 0.32%

LAB 48.55, -27.3, -5.64

 

CMYK 0 / 73 / 26 / 50

HEX #80225F

RGB 128 34 95

HSL 321.06, 0.58%, 0.32%

LAB 30.78, 45.94, -13.84

RGB 128 34 95

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 73 / 55 / 0 / 50

HEX #223980

RGB 34 57 128

HSL 225.32, 0.58%, 0.32%

LAB 26.23, 17.27, -42.81

 

CMYK 0 / 73 / 55 / 50

HEX #802239

RGB 128 34 57

HSL 345.32, 0.58%, 0.32%

LAB 29.48, 41.65, 9.29

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 73 / 0 / 3 / 50

HEX #22807C

RGB 34 128 124

HSL 177.45, 0.58%, 0.32%

LAB 48.55, -27.3, -5.64

 

CMYK 18 / 73 / 0 / 50

HEX #692280

RGB 105 34 128

HSL 285.32, 0.58%, 0.32%

LAB 28.66, 45.84, -38.52

 

CMYK 0 / 73 / 70 / 50

HEX #802227

RGB 128 34 39

HSL 356.81, 0.58%, 0.32%

LAB 29.11, 40.35, 20.66

 

CMYK 55 / 0 / 73 / 50

HEX #398022

RGB 57 128 34

HSL 105.32, 0.58%, 0.32%

LAB 47.53, -40.2, 42.1

 

CMYK 73 / 18 / 0 / 50

HEX #226980

RGB 34 105 128

HSL 194.68, 0.58%, 0.32%

LAB 41.22, -13.72, -19.12

 

CMYK 18 / 73 / 0 / 50

HEX #692280

RGB 105 34 128

HSL 285.32, 0.58%, 0.32%

LAB 28.66, 45.84, -38.52

 

CMYK 0 / 55 / 73 / 50

HEX #803922

RGB 128 57 34

HSL 14.68, 0.58%, 0.32%

LAB 33.2, 29, 28.56

 

Description

Color code: RGB 57 128 34 | qconv.com Color code: RGB 57 128 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 128 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 128 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 73 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 73% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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