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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 165 127 it is the complementary color RGB 198 90 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 165 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 165 127 shade: RGB 62 165 122, RGB 79 183 141, RGB 96 201 160, RGB 113 219 179 and RGB 130 237 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 165 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 165 127 shade: RGB 57 165 127, RGB 40 147 108, RGB 23 129 89, RGB 6 111 70 and RGB 0 93 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 165 127 shade: RGB 57 167 128, RGB 57 167 98, RGB 57 167 69, RGB 74 167 57 and RGB 104 167 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 165 127 shade: RGB 57 167 128, RGB 57 167 158, RGB 57 146 167, RGB 57 116 167 and RGB 57 87 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 165 127 shade matches the following richer shades: RGB 57 167 128, RGB 39 185 133, RGB 20 203 139 and RGB 2 221 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 165 127 shade: RGB 57 167 128, RGB 75 149 123, RGB 93 130 117, RGB 111 112 112 and RGB 129 94 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 165 127 shade: RGB 57 167 68, RGB 57 167 97, RGB 57 167 126, RGB 57 167 156 and RGB 57 148 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 165 127 shade: RGB 36 105 81, RGB 46 136 104, RGB 57 167 128, RGB 72 192 150 and RGB 103 203 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 165 127 shade: RGB 57 165 127, RGB 57 75 167 and RGB 167 82 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 165 127 shade: RGB 57 165 127, RGB 126 57 167 and RGB 167 126 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 165 127 shade: RGB 57 165 127, RGB 57 75 167, RGB 167 57 97 and RGB 167 148 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 165 127 shade: RGB 57 165 127, RGB 71 57 167, RGB 167 57 97 and RGB 152 167 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 23 / 35

HEX #39A57F

RGB 57 165 127

HSL 158.89, 0.49%, 0.44%

LAB 61.06, -39.92, 10.82

 

Complementary color

CMYK 0 / 55 / 35 / 22

HEX #C65A80

RGB 198 90 128

HSL 338.89, 0.49%, 0.56%

LAB 52.81, 46.97, -0.17

 

CMYK 62 / 0 / 26 / 35

HEX #3EA57A

RGB 62 165 122

HSL 154.95, 0.45%, 0.45%

LAB 61.08, -40.12, 13.65

 

CMYK 57 / 0 / 23 / 28

HEX #4FB78D

RGB 79 183 141

HSL 155.77, 0.42%, 0.51%

LAB 67.62, -40.2, 12.43

 

CMYK 52 / 0 / 20 / 21

HEX #60C9A0

RGB 96 201 160

HSL 156.57, 0.49%, 0.58%

LAB 74.06, -40.15, 11.32

 

CMYK 48 / 0 / 18 / 14

HEX #71DBB3

RGB 113 219 179

HSL 157.36, 0.6%, 0.65%

LAB 80.42, -40.04, 10.3

 

CMYK 45 / 0 / 16 / 7

HEX #82EDC6

RGB 130 237 198

HSL 158.13, 0.75%, 0.72%

LAB 86.7, -39.89, 9.35

 

CMYK 65 / 0 / 23 / 35

HEX #39A57F

RGB 57 165 127

HSL 158.89, 0.49%, 0.44%

LAB 61.06, -39.92, 10.82

 

CMYK 73 / 0 / 27 / 42

HEX #28936C

RGB 40 147 108

HSL 158.13, 0.57%, 0.37%

LAB 54.45, -39.51, 12.16

 

CMYK 82 / 0 / 31 / 49

HEX #178159

RGB 23 129 89

HSL 157.36, 0.7%, 0.3%

LAB 47.76, -38.72, 13.7

 

CMYK 95 / 0 / 37 / 56

HEX #066F46

RGB 6 111 70

HSL 156.57, 0.9%, 0.23%

LAB 40.98, -37.36, 15.46

 

CMYK 100 / 0 / 45 / 64

HEX #005D33

RGB 0 93 51

HSL 152.9, 1%, 0.18%

LAB 34.12, -35.01, 17.52

 

CMYK 66 / 0 / 23 / 35

HEX #39A780

RGB 57 167 128

HSL 158.73, 0.49%, 0.44%

LAB 61.71, -40.56, 11.19

 

CMYK 66 / 0 / 41 / 35

HEX #39A762

RGB 57 167 98

HSL 142.36, 0.49%, 0.44%

LAB 61.12, -46.84, 26.79

 

CMYK 66 / 0 / 59 / 35

HEX #39A745

RGB 57 167 69

HSL 126.55, 0.49%, 0.44%

LAB 60.73, -51.34, 41.03

 

CMYK 56 / 0 / 66 / 35

HEX #4AA739

RGB 74 167 57

HSL 110.73, 0.49%, 0.44%

LAB 61.12, -48.62, 47.07

 

CMYK 38 / 0 / 66 / 35

HEX #68A739

RGB 104 167 57

HSL 94.36, 0.49%, 0.44%

LAB 62.4, -39.23, 48.83

 

CMYK 66 / 0 / 23 / 35

HEX #39A780

RGB 57 167 128

HSL 158.73, 0.49%, 0.44%

LAB 61.71, -40.56, 11.19

 

CMYK 66 / 0 / 5 / 35

HEX #39A79E

RGB 57 167 158

HSL 175.09, 0.49%, 0.44%

LAB 62.49, -32.82, -4.47

 

CMYK 66 / 13 / 0 / 35

HEX #3992A7

RGB 57 146 167

HSL 191.45, 0.49%, 0.44%

LAB 56.31, -19.61, -18.86

 

CMYK 66 / 31 / 0 / 35

HEX #3974A7

RGB 57 116 167

HSL 207.82, 0.49%, 0.44%

LAB 47.17, -2.64, -32.99

 

CMYK 66 / 48 / 0 / 35

HEX #3957A7

RGB 57 87 167

HSL 223.64, 0.49%, 0.44%

LAB 38.68, 15.62, -46.46

 

CMYK 66 / 0 / 23 / 35

HEX #39A780

RGB 57 167 128

HSL 158.73, 0.49%, 0.44%

LAB 61.71, -40.56, 11.19

 

CMYK 79 / 0 / 28 / 27

HEX #27B985

RGB 39 185 133

HSL 158.63, 0.65%, 0.44%

LAB 67.14, -49.45, 15.99

 

CMYK 90 / 0 / 32 / 20

HEX #14CB8B

RGB 20 203 139

HSL 159.02, 0.82%, 0.44%

LAB 72.71, -56.53, 20.43

 

CMYK 99 / 0 / 35 / 13

HEX #02DD90

RGB 2 221 144

HSL 158.9, 0.98%, 0.44%

LAB 78.31, -62.65, 25.43

 

CMYK 66 / 0 / 23 / 35

HEX #39A780

RGB 57 167 128

HSL 158.73, 0.49%, 0.44%

LAB 61.71, -40.56, 11.19

 

CMYK 50 / 0 / 17 / 42

HEX #4B957B

RGB 75 149 123

HSL 158.92, 0.33%, 0.44%

LAB 56.51, -29.58, 6.69

 

CMYK 28 / 0 / 10 / 49

HEX #5D8275

RGB 93 130 117

HSL 158.92, 0.17%, 0.44%

LAB 51.36, -15.94, 2.86

 

CMYK 1 / 0 / 0 / 56

HEX #6F7070

RGB 111 112 112

HSL 180, 0%, 0.44%

LAB 47.15, -0.38, -0.14

 

CMYK 0 / 27 / 18 / 49

HEX #815E6A

RGB 129 94 106

HSL 339.43, 0.16%, 0.44%

LAB 43.82, 16.25, -1.2

 

CMYK 66 / 0 / 59 / 35

HEX #39A744

RGB 57 167 68

HSL 126, 0.49%, 0.44%

LAB 60.72, -51.47, 41.49

 

CMYK 66 / 0 / 42 / 35

HEX #39A761

RGB 57 167 97

HSL 141.82, 0.49%, 0.44%

LAB 61.11, -47.03, 27.3

 

CMYK 66 / 0 / 25 / 35

HEX #39A77E

RGB 57 167 126

HSL 157.64, 0.49%, 0.44%

LAB 61.67, -41.03, 12.23

 

CMYK 66 / 0 / 7 / 35

HEX #39A79C

RGB 57 167 156

HSL 174, 0.49%, 0.44%

LAB 62.43, -33.37, -3.44

 

CMYK 66 / 11 / 0 / 35

HEX #3994A7

RGB 57 148 167

HSL 190.36, 0.49%, 0.44%

LAB 56.92, -20.66, -17.92

 

CMYK 66 / 0 / 23 / 59

HEX #246951

RGB 36 105 81

HSL 159.13, 0.49%, 0.28%

LAB 39.7, -27.91, 7.21

 

CMYK 66 / 0 / 24 / 47

HEX #2E8868

RGB 46 136 104

HSL 158.67, 0.49%, 0.36%

LAB 50.91, -34.6, 9.5

 

CMYK 66 / 0 / 23 / 35

HEX #39A780

RGB 57 167 128

HSL 158.73, 0.49%, 0.44%

LAB 61.71, -40.56, 11.19

 

CMYK 63 / 0 / 22 / 25

HEX #48C096

RGB 72 192 150

HSL 159, 0.49%, 0.52%

LAB 70.37, -43.49, 11.4

 

CMYK 49 / 0 / 17 / 20

HEX #67CBA8

RGB 103 203 168

HSL 159, 0.49%, 0.6%

LAB 75.09, -37.64, 8.52

 

CMYK 65 / 0 / 23 / 35

HEX #39A57F

RGB 57 165 127

HSL 158.89, 0.49%, 0.44%

LAB 61.06, -39.92, 10.82

 

CMYK 66 / 55 / 0 / 35

HEX #394BA7

RGB 57 75 167

HSL 230.18, 0.49%, 0.44%

LAB 35.38, 23.49, -51.78

 

CMYK 0 / 51 / 66 / 35

HEX #A75239

RGB 167 82 57

HSL 13.64, 0.49%, 0.44%

LAB 45.01, 32.91, 30.63

 

CMYK 65 / 0 / 23 / 35

HEX #39A57F

RGB 57 165 127

HSL 158.89, 0.49%, 0.44%

LAB 61.06, -39.92, 10.82

 

CMYK 25 / 66 / 0 / 35

HEX #7E39A7

RGB 126 57 167

HSL 277.64, 0.49%, 0.44%

LAB 38.11, 48.7, -47.04

 

CMYK 0 / 25 / 66 / 35

HEX #A77E39

RGB 167 126 57

HSL 37.64, 0.49%, 0.44%

LAB 55.52, 8.37, 42.72

 

CMYK 65 / 0 / 23 / 35

HEX #39A57F

RGB 57 165 127

HSL 158.89, 0.49%, 0.44%

LAB 61.06, -39.92, 10.82

 

CMYK 66 / 55 / 0 / 35

HEX #394BA7

RGB 57 75 167

HSL 230.18, 0.49%, 0.44%

LAB 35.38, 23.49, -51.78

 

CMYK 0 / 66 / 42 / 35

HEX #A73961

RGB 167 57 97

HSL 338.18, 0.49%, 0.44%

LAB 41.22, 48.53, 1.21

 

CMYK 0 / 11 / 66 / 35

HEX #A79439

RGB 167 148 57

HSL 49.64, 0.49%, 0.44%

LAB 61.39, -3.81, 49.09

 

CMYK 65 / 0 / 23 / 35

HEX #39A57F

RGB 57 165 127

HSL 158.89, 0.49%, 0.44%

LAB 61.06, -39.92, 10.82

 

CMYK 57 / 66 / 0 / 35

HEX #4739A7

RGB 71 57 167

HSL 247.64, 0.49%, 0.44%

LAB 31.93, 37.32, -57.35

 

CMYK 0 / 66 / 42 / 35

HEX #A73961

RGB 167 57 97

HSL 338.18, 0.49%, 0.44%

LAB 41.22, 48.53, 1.21

 

CMYK 9 / 0 / 66 / 35

HEX #98A739

RGB 152 167 57

HSL 68.18, 0.49%, 0.44%

LAB 65.44, -20.32, 52.97

 

Description

Color code: RGB 57 165 127 | qconv.com Color code: RGB 57 165 127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 165 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 165 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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