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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 41 95 it is the complementary color RGB 201 214 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 41 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 41 95 shade: RGB 59 41 90, RGB 76 59 109, RGB 93 77 128, RGB 110 95 147 and RGB 127 113 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 41 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 41 95 shade: RGB 54 41 95, RGB 37 23 76, RGB 20 5 57, RGB 3 0 38 and RGB 0 0 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 41 95 shade: RGB 54 41 96, RGB 69 41 96, RGB 84 41 96, RGB 96 41 93 and RGB 96 41 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 41 95 shade: RGB 54 41 96 and RGB 41 41 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 41 95 shade matches the following richer shades: RGB 54 41 96, RGB 48 30 107, RGB 43 19 118 and RGB 37 7 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 41 95 shade: RGB 54 41 96, RGB 60 52 85, RGB 66 63 74, RGB 71 74 62 and RGB 77 85 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 41 95 shade: RGB 41 57 96, RGB 41 43 96, RGB 54 41 96, RGB 68 41 96 and RGB 83 41 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 41 95 shade: RGB 21 16 38, RGB 38 28 67, RGB 54 41 96, RGB 70 53 125 and RGB 87 66 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 41 95 shade: RGB 54 41 95, RGB 96 41 72 and RGB 50 96 41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 41 95 shade: RGB 54 41 95, RGB 96 54 41 and RGB 41 96 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 41 95 shade: RGB 54 41 95, RGB 96 41 72, RGB 83 96 41 and RGB 41 96 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 41 95 shade: RGB 54 41 95, RGB 96 41 55, RGB 83 96 41 and RGB 41 96 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 57 / 0 / 63

HEX #36295F

RGB 54 41 95

HSL 254.44, 0.4%, 0.27%

LAB 20.81, 20.58, -30.27

 

Complementary color

CMYK 6 / 0 / 25 / 16

HEX #C9D6A0

RGB 201 214 160

HSL 74.44, 0.4%, 0.73%

LAB 83.47, -13.4, 25.27

 

Description

Color code: RGB 54 41 95 | qconv.com Color code: RGB 54 41 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 41 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 41 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 57 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 57% 0% 63% C M Y K

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