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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 50 175 it is the complementary color RGB 201 205 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 50 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 50 175 shade: RGB 59 50 170, RGB 76 68 189, RGB 93 86 208, RGB 110 104 227 and RGB 127 122 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 50 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 50 175 shade: RGB 54 50 175, RGB 37 32 156, RGB 20 14 137, RGB 3 0 118 and RGB 0 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 50 175 shade: RGB 53 49 175, RGB 87 49 175, RGB 121 49 175, RGB 155 49 175 and RGB 175 49 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 50 175 shade: RGB 53 49 175 and RGB 49 49 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 50 175 shade matches the following richer shades: RGB 53 49 175, RGB 36 31 193 and RGB 19 13 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 50 175 shade: RGB 53 49 175, RGB 70 67 156, RGB 87 85 138, RGB 104 103 120 and RGB 121 121 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 50 175 shade: RGB 49 114 175, RGB 49 80 175, RGB 51 49 175, RGB 84 49 175 and RGB 118 49 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 50 175 shade: RGB 33 31 110, RGB 43 40 142, RGB 53 49 175, RGB 68 64 201 and RGB 100 96 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 50 175 shade: RGB 54 50 175, RGB 175 49 147 and RGB 97 175 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 50 175 shade: RGB 54 50 175, RGB 175 51 49 and RGB 49 175 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 50 175 shade: RGB 54 50 175, RGB 175 49 147, RGB 172 175 49 and RGB 49 175 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 50 175 shade: RGB 54 50 175, RGB 175 49 110, RGB 172 175 49 and RGB 49 175 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 71 / 0 / 31

HEX #3632AF

RGB 54 50 175

HSL 241.92, 0.56%, 0.44%

LAB 29.81, 41.67, -65.67

 

Complementary color

CMYK 2 / 0 / 61 / 20

HEX #C9CD50

RGB 201 205 80

HSL 61.92, 0.56%, 0.56%

LAB 79.99, -17.33, 59.89

 

CMYK 65 / 71 / 0 / 33

HEX #3B32AA

RGB 59 50 170

HSL 244.5, 0.55%, 0.43%

LAB 29.7, 40.64, -62.85

 

CMYK 60 / 64 / 0 / 26

HEX #4C44BD

RGB 76 68 189

HSL 243.97, 0.48%, 0.5%

LAB 36.64, 38.62, -62.71

 

CMYK 55 / 59 / 0 / 18

HEX #5D56D0

RGB 93 86 208

HSL 243.44, 0.56%, 0.58%

LAB 43.56, 36.78, -62.43

 

CMYK 52 / 54 / 0 / 11

HEX #6E68E3

RGB 110 104 227

HSL 242.93, 0.69%, 0.65%

LAB 50.41, 35.17, -62.11

 

CMYK 48 / 50 / 0 / 4

HEX #7F7AF6

RGB 127 122 246

HSL 242.42, 0.87%, 0.72%

LAB 57.16, 33.75, -61.79

 

CMYK 69 / 71 / 0 / 31

HEX #3632AF

RGB 54 50 175

HSL 241.92, 0.56%, 0.44%

LAB 29.81, 41.67, -65.67

 

CMYK 76 / 79 / 0 / 39

HEX #25209C

RGB 37 32 156

HSL 242.42, 0.66%, 0.37%

LAB 23.09, 43.85, -65.31

 

CMYK 85 / 90 / 0 / 46

HEX #140E89

RGB 20 14 137

HSL 242.93, 0.81%, 0.3%

LAB 16.84, 45.31, -63.93

 

CMYK 97 / 100 / 0 / 54

HEX #030076

RGB 3 0 118

HSL 241.53, 1%, 0.23%

LAB 11.47, 44.85, -60.81

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 50 / 72 / 0 / 31

HEX #5731AF

RGB 87 49 175

HSL 258.1, 0.56%, 0.44%

LAB 32.52, 46.93, -61.12

 

CMYK 31 / 72 / 0 / 31

HEX #7931AF

RGB 121 49 175

HSL 274.29, 0.56%, 0.44%

LAB 36.66, 53.17, -54.19

 

CMYK 11 / 72 / 0 / 31

HEX #9B31AF

RGB 155 49 175

HSL 290.48, 0.56%, 0.44%

LAB 41.63, 60.24, -45.94

 

CMYK 0 / 72 / 8 / 31

HEX #AF31A1

RGB 175 49 161

HSL 306.67, 0.56%, 0.44%

LAB 44.07, 62.35, -33.53

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 72 / 72 / 0 / 31

HEX #3131AF

RGB 49 49 175

HSL 240, 0.56%, 0.44%

LAB 29.27, 41.71, -66.57

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 81 / 84 / 0 / 24

HEX #241FC1

RGB 36 31 193

HSL 241.85, 0.72%, 0.44%

LAB 27.31, 55.81, -80.53

 

CMYK 91 / 94 / 0 / 17

HEX #130DD3

RGB 19 13 211

HSL 241.82, 0.88%, 0.44%

LAB 27.1, 66.24, -91.44

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 55 / 57 / 0 / 39

HEX #46439C

RGB 70 67 156

HSL 242.02, 0.4%, 0.44%

LAB 33.39, 27.3, -48.36

 

CMYK 37 / 38 / 0 / 46

HEX #57558A

RGB 87 85 138

HSL 242.26, 0.24%, 0.44%

LAB 38.48, 14.38, -29.23

 

CMYK 13 / 14 / 0 / 53

HEX #686778

RGB 104 103 120

HSL 243.53, 0.08%, 0.44%

LAB 44.23, 4.12, -9.34

 

CMYK 0 / 0 / 16 / 53

HEX #797966

RGB 121 121 102

HSL 60, 0.09%, 0.44%

LAB 50.33, -3.54, 10.44

 

CMYK 72 / 35 / 0 / 31

HEX #3172AF

RGB 49 114 175

HSL 209.05, 0.56%, 0.44%

LAB 46.69, 0.12, -38.44

 

CMYK 72 / 54 / 0 / 31

HEX #3150AF

RGB 49 80 175

HSL 225.24, 0.56%, 0.44%

LAB 36.9, 21.92, -54.1

 

CMYK 71 / 72 / 0 / 31

HEX #3331AF

RGB 51 49 175

HSL 240.95, 0.56%, 0.44%

LAB 29.4, 41.92, -66.35

 

CMYK 52 / 72 / 0 / 31

HEX #5431AF

RGB 84 49 175

HSL 256.67, 0.56%, 0.44%

LAB 32.21, 46.43, -61.64

 

CMYK 33 / 72 / 0 / 31

HEX #7631AF

RGB 118 49 175

HSL 272.86, 0.56%, 0.44%

LAB 36.26, 52.58, -54.86

 

CMYK 70 / 72 / 0 / 57

HEX #211F6E

RGB 33 31 110

HSL 241.52, 0.56%, 0.28%

LAB 17.59, 28.12, -45.4

 

CMYK 70 / 72 / 0 / 44

HEX #2B288E

RGB 43 40 142

HSL 241.76, 0.56%, 0.36%

LAB 23.62, 35.13, -55.79

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 66 / 68 / 0 / 21

HEX #4440C9

RGB 68 64 201

HSL 241.75, 0.56%, 0.52%

LAB 36.2, 43.75, -70.47

 

CMYK 52 / 54 / 0 / 18

HEX #6460D2

RGB 100 96 210

HSL 242.11, 0.56%, 0.6%

LAB 46.62, 32.72, -58.61

 

CMYK 69 / 71 / 0 / 31

HEX #3632AF

RGB 54 50 175

HSL 241.92, 0.56%, 0.44%

LAB 29.81, 41.67, -65.67

 

CMYK 0 / 72 / 16 / 31

HEX #AF3193

RGB 175 49 147

HSL 313.33, 0.56%, 0.44%

LAB 43.39, 60.25, -26.18

 

CMYK 45 / 0 / 72 / 31

HEX #61AF31

RGB 97 175 49

HSL 97.14, 0.56%, 0.44%

LAB 64.5, -45.61, 54.13

 

CMYK 69 / 71 / 0 / 31

HEX #3632AF

RGB 54 50 175

HSL 241.92, 0.56%, 0.44%

LAB 29.81, 41.67, -65.67

 

CMYK 0 / 71 / 72 / 31

HEX #AF3331

RGB 175 51 49

HSL 0.95, 0.56%, 0.44%

LAB 40.74, 49.91, 30.57

 

CMYK 72 / 0 / 71 / 31

HEX #31AF33

RGB 49 175 51

HSL 120.95, 0.56%, 0.44%

LAB 62.97, -57.61, 51.3

 

CMYK 69 / 71 / 0 / 31

HEX #3632AF

RGB 54 50 175

HSL 241.92, 0.56%, 0.44%

LAB 29.81, 41.67, -65.67

 

CMYK 0 / 72 / 16 / 31

HEX #AF3193

RGB 175 49 147

HSL 313.33, 0.56%, 0.44%

LAB 43.39, 60.25, -26.18

 

CMYK 2 / 0 / 72 / 31

HEX #ACAF31

RGB 172 175 49

HSL 61.43, 0.56%, 0.44%

LAB 69.22, -16.27, 60.38

 

CMYK 72 / 0 / 57 / 31

HEX #31AF4C

RGB 49 175 76

HSL 132.86, 0.56%, 0.44%

LAB 63.21, -54.8, 40.57

 

CMYK 69 / 71 / 0 / 31

HEX #3632AF

RGB 54 50 175

HSL 241.92, 0.56%, 0.44%

LAB 29.81, 41.67, -65.67

 

CMYK 0 / 72 / 37 / 31

HEX #AF316E

RGB 175 49 110

HSL 330.95, 0.56%, 0.44%

LAB 41.9, 55.51, -5.74

 

CMYK 2 / 0 / 72 / 31

HEX #ACAF31

RGB 172 175 49

HSL 61.43, 0.56%, 0.44%

LAB 69.22, -16.27, 60.38

 

CMYK 72 / 0 / 35 / 31

HEX #31AF72

RGB 49 175 114

HSL 150.95, 0.56%, 0.44%

LAB 63.78, -48.3, 21.69

 

Description

Color code: RGB 54 50 175 | qconv.com Color code: RGB 54 50 175 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 50 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 50 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 71 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 71% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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