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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 93 128 it is the complementary color RGB 201 162 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 93 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 93 128 shade: RGB 59 93 123, RGB 76 111 142, RGB 93 129 161, RGB 110 147 180 and RGB 127 165 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 93 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 93 128 shade: RGB 54 93 128, RGB 37 75 109, RGB 20 57 90, RGB 3 39 71 and RGB 0 21 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 93 128 shade: RGB 54 93 129, RGB 54 73 129, RGB 55 54 129, RGB 75 54 129 and RGB 95 54 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 93 128 shade: RGB 54 93 129, RGB 54 73 129 and RGB 54 54 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 93 128 shade matches the following richer shades: RGB 54 93 129, RGB 39 94 144, RGB 24 95 159 and RGB 9 96 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 93 128 shade: RGB 54 93 129, RGB 69 93 114, RGB 83 92 99, RGB 98 91 84 and RGB 113 90 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 93 128 shade: RGB 54 129 124, RGB 54 114 129, RGB 54 94 129, RGB 54 74 129 and RGB 54 54 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 93 128 shade: RGB 29 51 71, RGB 41 72 100, RGB 54 93 129, RGB 66 114 158 and RGB 83 135 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 93 128 shade: RGB 54 93 128, RGB 104 54 129 and RGB 124 129 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 93 128 shade: RGB 54 93 128, RGB 129 54 94 and RGB 94 129 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 93 128 shade: RGB 54 93 128, RGB 104 54 129, RGB 129 89 54 and RGB 79 129 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 93 128 shade: RGB 54 93 128, RGB 126 54 129, RGB 129 89 54 and RGB 56 129 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 27 / 0 / 50

HEX #365D80

RGB 54 93 128

HSL 208.38, 0.41%, 0.36%

LAB 38.15, -2.73, -23.81

 

Complementary color

CMYK 0 / 19 / 37 / 21

HEX #C9A27F

RGB 201 162 127

HSL 28.38, 0.41%, 0.64%

LAB 69.32, 9.54, 23.65

 

CMYK 52 / 24 / 0 / 52

HEX #3B5D7B

RGB 59 93 123

HSL 208.13, 0.35%, 0.36%

LAB 38.18, -3.18, -20.68

 

CMYK 46 / 22 / 0 / 44

HEX #4C6F8E

RGB 76 111 142

HSL 208.18, 0.3%, 0.43%

LAB 45.44, -3.64, -20.87

 

CMYK 42 / 20 / 0 / 37

HEX #5D81A1

RGB 93 129 161

HSL 208.24, 0.27%, 0.5%

LAB 52.51, -3.99, -21.07

 

CMYK 39 / 18 / 0 / 29

HEX #6E93B4

RGB 110 147 180

HSL 208.29, 0.32%, 0.57%

LAB 59.41, -4.26, -21.3

 

CMYK 36 / 17 / 0 / 22

HEX #7FA5C7

RGB 127 165 199

HSL 208.33, 0.39%, 0.64%

LAB 66.17, -4.49, -21.54

 

CMYK 58 / 27 / 0 / 50

HEX #365D80

RGB 54 93 128

HSL 208.38, 0.41%, 0.36%

LAB 38.15, -2.73, -23.81

 

CMYK 66 / 31 / 0 / 57

HEX #254B6D

RGB 37 75 109

HSL 208.33, 0.49%, 0.29%

LAB 30.71, -1.82, -23.69

 

CMYK 78 / 37 / 0 / 65

HEX #14395A

RGB 20 57 90

HSL 208.29, 0.64%, 0.22%

LAB 23.04, -0.42, -23.57

 

CMYK 96 / 45 / 0 / 72

HEX #032747

RGB 3 39 71

HSL 208.24, 0.92%, 0.15%

LAB 15.09, 1.7, -23.47

 

CMYK 100 / 60 / 0 / 80

HEX #001534

RGB 0 21 52

HSL 215.77, 1%, 0.1%

LAB 7.08, 5.81, -22.89

 

CMYK 58 / 28 / 0 / 49

HEX #365D81

RGB 54 93 129

HSL 208.8, 0.41%, 0.36%

LAB 38.2, -2.39, -24.35

 

CMYK 58 / 43 / 0 / 49

HEX #364981

RGB 54 73 129

HSL 224.8, 0.41%, 0.36%

LAB 32.11, 10.52, -33.93

 

CMYK 57 / 58 / 0 / 49

HEX #373681

RGB 55 54 129

HSL 240.8, 0.41%, 0.36%

LAB 26.84, 23.51, -42.39

 

CMYK 42 / 58 / 0 / 49

HEX #4B3681

RGB 75 54 129

HSL 256.8, 0.41%, 0.36%

LAB 28.69, 28.14, -39.3

 

CMYK 26 / 58 / 0 / 49

HEX #5F3681

RGB 95 54 129

HSL 272.8, 0.41%, 0.36%

LAB 31.01, 33.42, -35.46

 

CMYK 58 / 28 / 0 / 49

HEX #365D81

RGB 54 93 129

HSL 208.8, 0.41%, 0.36%

LAB 38.2, -2.39, -24.35

 

CMYK 58 / 43 / 0 / 49

HEX #364981

RGB 54 73 129

HSL 224.8, 0.41%, 0.36%

LAB 32.11, 10.52, -33.93

 

CMYK 58 / 58 / 0 / 49

HEX #363681

RGB 54 54 129

HSL 240, 0.41%, 0.36%

LAB 26.76, 23.3, -42.52

 

CMYK 58 / 28 / 0 / 49

HEX #365D81

RGB 54 93 129

HSL 208.8, 0.41%, 0.36%

LAB 38.2, -2.39, -24.35

 

CMYK 73 / 35 / 0 / 44

HEX #275E90

RGB 39 94 144

HSL 208.57, 0.57%, 0.36%

LAB 38.64, -0.47, -32.8

 

CMYK 85 / 40 / 0 / 38

HEX #185F9F

RGB 24 95 159

HSL 208.44, 0.74%, 0.36%

LAB 39.38, 2.92, -40.65

 

CMYK 95 / 45 / 0 / 32

HEX #0960AD

RGB 9 96 173

HSL 208.17, 0.9%, 0.36%

LAB 40.31, 6.97, -47.47

 

CMYK 58 / 28 / 0 / 49

HEX #365D81

RGB 54 93 129

HSL 208.8, 0.41%, 0.36%

LAB 38.2, -2.39, -24.35

 

CMYK 39 / 18 / 0 / 55

HEX #455D72

RGB 69 93 114

HSL 208, 0.25%, 0.36%

LAB 38.39, -3.17, -14.78

 

CMYK 16 / 7 / 0 / 61

HEX #535C63

RGB 83 92 99

HSL 206.25, 0.09%, 0.36%

LAB 38.54, -1.86, -5.2

 

CMYK 0 / 7 / 14 / 62

HEX #625B54

RGB 98 91 84

HSL 30, 0.08%, 0.36%

LAB 39.1, 1.47, 5.04

 

CMYK 0 / 20 / 38 / 56

HEX #715A46

RGB 113 90 70

HSL 27.91, 0.23%, 0.36%

LAB 40.02, 6.33, 15.13

 

CMYK 58 / 0 / 4 / 49

HEX #36817C

RGB 54 129 124

HSL 176, 0.41%, 0.36%

LAB 49.42, -24.32, -4.29

 

CMYK 58 / 12 / 0 / 49

HEX #367281

RGB 54 114 129

HSL 192, 0.41%, 0.36%

LAB 44.81, -14.79, -14.17

 

CMYK 58 / 27 / 0 / 49

HEX #365E81

RGB 54 94 129

HSL 208, 0.41%, 0.36%

LAB 38.51, -3.01, -23.86

 

CMYK 58 / 43 / 0 / 49

HEX #364A81

RGB 54 74 129

HSL 224, 0.41%, 0.36%

LAB 32.41, 9.86, -33.46

 

CMYK 58 / 58 / 0 / 49

HEX #363681

RGB 54 54 129

HSL 240, 0.41%, 0.36%

LAB 26.76, 23.3, -42.52

 

CMYK 59 / 28 / 0 / 72

HEX #1D3347

RGB 29 51 71

HSL 208.57, 0.42%, 0.2%

LAB 20.38, -1.86, -15.07

 

CMYK 59 / 28 / 0 / 61

HEX #294864

RGB 41 72 100

HSL 208.47, 0.42%, 0.28%

LAB 29.48, -2.26, -19.89

 

CMYK 58 / 28 / 0 / 49

HEX #365D81

RGB 54 93 129

HSL 208.8, 0.41%, 0.36%

LAB 38.2, -2.39, -24.35

 

CMYK 58 / 28 / 0 / 38

HEX #42729E

RGB 66 114 158

HSL 208.7, 0.41%, 0.44%

LAB 46.53, -2.74, -28.69

 

CMYK 55 / 26 / 0 / 28

HEX #5387B7

RGB 83 135 183

HSL 208.8, 0.41%, 0.52%

LAB 54.64, -3.29, -30.48

 

CMYK 58 / 27 / 0 / 50

HEX #365D80

RGB 54 93 128

HSL 208.38, 0.41%, 0.36%

LAB 38.15, -2.73, -23.81

 

CMYK 19 / 58 / 0 / 49

HEX #683681

RGB 104 54 129

HSL 280, 0.41%, 0.36%

LAB 32.18, 35.91, -33.52

 

CMYK 4 / 0 / 58 / 49

HEX #7C8136

RGB 124 129 54

HSL 64, 0.41%, 0.36%

LAB 52.12, -12.86, 39.24

 

CMYK 58 / 27 / 0 / 50

HEX #365D80

RGB 54 93 128

HSL 208.38, 0.41%, 0.36%

LAB 38.15, -2.73, -23.81

 

CMYK 0 / 58 / 27 / 49

HEX #81365E

RGB 129 54 94

HSL 328, 0.41%, 0.36%

LAB 34.22, 37.08, -7.96

 

CMYK 27 / 0 / 58 / 49

HEX #5E8136

RGB 94 129 54

HSL 88, 0.41%, 0.36%

LAB 49.91, -25.63, 36.13

 

CMYK 58 / 27 / 0 / 50

HEX #365D80

RGB 54 93 128

HSL 208.38, 0.41%, 0.36%

LAB 38.15, -2.73, -23.81

 

CMYK 19 / 58 / 0 / 49

HEX #683681

RGB 104 54 129

HSL 280, 0.41%, 0.36%

LAB 32.18, 35.91, -33.52

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 39 / 0 / 58 / 49

HEX #4F8136

RGB 79 129 54

HSL 100, 0.41%, 0.36%

LAB 49.04, -31.35, 34.89

 

CMYK 58 / 27 / 0 / 50

HEX #365D80

RGB 54 93 128

HSL 208.38, 0.41%, 0.36%

LAB 38.15, -2.73, -23.81

 

CMYK 2 / 58 / 0 / 49

HEX #7E3681

RGB 126 54 129

HSL 297.6, 0.41%, 0.36%

LAB 35.32, 42.14, -28.36

 

CMYK 0 / 31 / 58 / 49

HEX #815936

RGB 129 89 54

HSL 28, 0.41%, 0.36%

LAB 41.34, 12.37, 26.67

 

CMYK 57 / 0 / 58 / 49

HEX #388136

RGB 56 129 54

HSL 118.4, 0.41%, 0.36%

LAB 48.02, -38.74, 33.43

 

Description

Color code: RGB 54 93 128 | qconv.com Color code: RGB 54 93 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 93 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 93 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 27 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 27% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Equator.com
Link: https://www.equator.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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