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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 128 96 it is the complementary color RGB 201 127 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 128 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 128 96 shade: RGB 59 128 91, RGB 76 146 110, RGB 93 164 129, RGB 110 182 148 and RGB 127 200 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 128 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 128 96 shade: RGB 54 128 96, RGB 37 110 77, RGB 20 92 58, RGB 3 74 39 and RGB 0 56 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 128 96 shade: RGB 54 129 96, RGB 54 129 76, RGB 54 129 56, RGB 72 129 54 and RGB 92 129 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 128 96 shade: RGB 54 129 96, RGB 54 129 117, RGB 54 121 129, RGB 54 101 129 and RGB 54 80 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 128 96 shade matches the following richer shades: RGB 54 129 96, RGB 39 144 98, RGB 24 159 100 and RGB 9 173 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 128 96 shade: RGB 54 129 96, RGB 69 114 94, RGB 83 99 92, RGB 98 84 90 and RGB 113 70 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 128 96 shade: RGB 54 129 56, RGB 54 129 76, RGB 54 129 96, RGB 54 129 116 and RGB 54 121 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 128 96 shade: RGB 29 71 53, RGB 41 100 75, RGB 54 129 96, RGB 66 158 118 and RGB 83 183 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 128 96 shade: RGB 54 128 96, RGB 54 71 129 and RGB 129 66 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 128 96 shade: RGB 54 128 96, RGB 96 54 129 and RGB 129 96 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 128 96 shade: RGB 54 128 96, RGB 54 71 129, RGB 129 54 86 and RGB 129 111 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 128 96 shade: RGB 54 128 96, RGB 59 54 129, RGB 129 54 86 and RGB 124 129 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 25 / 50

HEX #368060

RGB 54 128 96

HSL 154.05, 0.41%, 0.36%

LAB 48.34, -31.11, 10.57

 

Complementary color

CMYK 0 / 37 / 21 / 21

HEX #C97F9F

RGB 201 127 159

HSL 334.05, 0.41%, 0.64%

LAB 61.74, 33.05, -5.04

 

CMYK 54 / 0 / 29 / 50

HEX #3B805B

RGB 59 128 91

HSL 147.83, 0.37%, 0.37%

LAB 48.42, -30.99, 13.6

 

CMYK 48 / 0 / 25 / 43

HEX #4C926E

RGB 76 146 110

HSL 149.14, 0.32%, 0.44%

LAB 55.3, -30.82, 12.38

 

CMYK 43 / 0 / 21 / 36

HEX #5DA481

RGB 93 164 129

HSL 150.42, 0.28%, 0.5%

LAB 62.05, -30.59, 11.29

 

CMYK 40 / 0 / 19 / 29

HEX #6EB694

RGB 110 182 148

HSL 151.67, 0.33%, 0.57%

LAB 68.69, -30.35, 10.29

 

CMYK 37 / 0 / 17 / 22

HEX #7FC8A7

RGB 127 200 167

HSL 152.88, 0.4%, 0.64%

LAB 75.21, -30.1, 9.37

 

CMYK 58 / 0 / 25 / 50

HEX #368060

RGB 54 128 96

HSL 154.05, 0.41%, 0.36%

LAB 48.34, -31.11, 10.57

 

CMYK 66 / 0 / 30 / 57

HEX #256E4D

RGB 37 110 77

HSL 152.88, 0.5%, 0.29%

LAB 41.34, -31.03, 11.92

 

CMYK 78 / 0 / 37 / 64

HEX #145C3A

RGB 20 92 58

HSL 151.67, 0.64%, 0.22%

LAB 34.21, -30.58, 13.49

 

CMYK 96 / 0 / 47 / 71

HEX #034A27

RGB 3 74 39

HSL 150.42, 0.92%, 0.15%

LAB 26.91, -29.59, 15.34

 

CMYK 100 / 0 / 64 / 78

HEX #003814

RGB 0 56 20

HSL 141.43, 1%, 0.11%

LAB 19.55, -26.71, 17.59

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 58 / 0 / 41 / 49

HEX #36814C

RGB 54 129 76

HSL 137.6, 0.41%, 0.36%

LAB 48.27, -35.77, 21.92

 

CMYK 58 / 0 / 57 / 49

HEX #368138

RGB 54 129 56

HSL 121.6, 0.41%, 0.36%

LAB 47.97, -39.02, 32.34

 

CMYK 44 / 0 / 58 / 49

HEX #488136

RGB 72 129 54

HSL 105.6, 0.41%, 0.36%

LAB 48.69, -33.79, 34.39

 

CMYK 29 / 0 / 58 / 49

HEX #5C8136

RGB 92 129 54

HSL 89.6, 0.41%, 0.36%

LAB 49.79, -26.42, 35.95

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 58 / 0 / 9 / 49

HEX #368175

RGB 54 129 117

HSL 170.4, 0.41%, 0.36%

LAB 49.21, -26.27, -0.48

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 58 / 22 / 0 / 49

HEX #366581

RGB 54 101 129

HSL 202.4, 0.41%, 0.36%

LAB 40.7, -7.27, -20.47

 

CMYK 58 / 38 / 0 / 49

HEX #365081

RGB 54 80 129

HSL 219.2, 0.41%, 0.36%

LAB 34.2, 5.9, -30.61

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 73 / 0 / 32 / 44

HEX #279062

RGB 39 144 98

HSL 153.71, 0.57%, 0.36%

LAB 53.23, -40.7, 16.14

 

CMYK 85 / 0 / 37 / 38

HEX #189F64

RGB 24 159 100

HSL 153.78, 0.74%, 0.36%

LAB 57.95, -48.11, 21.39

 

CMYK 95 / 0 / 41 / 32

HEX #09AD66

RGB 9 173 102

HSL 154.02, 0.9%, 0.36%

LAB 62.43, -53.85, 26.24

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 39 / 0 / 18 / 55

HEX #45725E

RGB 69 114 94

HSL 153.33, 0.25%, 0.36%

LAB 44.39, -20.44, 6.24

 

CMYK 16 / 0 / 7 / 61

HEX #53635C

RGB 83 99 92

HSL 153.75, 0.09%, 0.36%

LAB 40.47, -7.66, 1.93

 

CMYK 0 / 14 / 8 / 62

HEX #62545A

RGB 98 84 90

HSL 334.29, 0.08%, 0.36%

LAB 37.25, 6.92, -1.36

 

CMYK 0 / 38 / 22 / 56

HEX #714658

RGB 113 70 88

HSL 334.88, 0.23%, 0.36%

LAB 35.19, 21.23, -2.94

 

CMYK 58 / 0 / 57 / 49

HEX #368138

RGB 54 129 56

HSL 121.6, 0.41%, 0.36%

LAB 47.97, -39.02, 32.34

 

CMYK 58 / 0 / 41 / 49

HEX #36814C

RGB 54 129 76

HSL 137.6, 0.41%, 0.36%

LAB 48.27, -35.77, 21.92

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 58 / 0 / 10 / 49

HEX #368174

RGB 54 129 116

HSL 169.6, 0.41%, 0.36%

LAB 49.19, -26.54, 0.07

 

CMYK 58 / 6 / 0 / 49

HEX #367981

RGB 54 121 129

HSL 186.4, 0.41%, 0.36%

LAB 47.03, -18.64, -10.81

 

CMYK 59 / 0 / 25 / 72

HEX #1D4735

RGB 29 71 53

HSL 154.29, 0.42%, 0.2%

LAB 26.81, -19.72, 6.45

 

CMYK 59 / 0 / 25 / 61

HEX #29644B

RGB 41 100 75

HSL 154.58, 0.42%, 0.28%

LAB 38.01, -25.83, 8.49

 

CMYK 58 / 0 / 26 / 49

HEX #368160

RGB 54 129 96

HSL 153.6, 0.41%, 0.36%

LAB 48.67, -31.58, 11.03

 

CMYK 58 / 0 / 25 / 38

HEX #429E76

RGB 66 158 118

HSL 153.91, 0.41%, 0.44%

LAB 58.9, -37.08, 12.85

 

CMYK 55 / 0 / 24 / 28

HEX #53B78B

RGB 83 183 139

HSL 153.6, 0.41%, 0.52%

LAB 67.7, -39.74, 13.67

 

CMYK 58 / 0 / 25 / 50

HEX #368060

RGB 54 128 96

HSL 154.05, 0.41%, 0.36%

LAB 48.34, -31.11, 10.57

 

CMYK 58 / 45 / 0 / 49

HEX #364781

RGB 54 71 129

HSL 226.4, 0.41%, 0.36%

LAB 31.52, 11.86, -34.87

 

CMYK 0 / 49 / 58 / 49

HEX #814236

RGB 129 66 54

HSL 9.6, 0.41%, 0.36%

LAB 35.65, 25.84, 19.51

 

CMYK 58 / 0 / 25 / 50

HEX #368060

RGB 54 128 96

HSL 154.05, 0.41%, 0.36%

LAB 48.34, -31.11, 10.57

 

CMYK 26 / 58 / 0 / 49

HEX #603681

RGB 96 54 129

HSL 273.6, 0.41%, 0.36%

LAB 31.14, 33.69, -35.25

 

CMYK 0 / 26 / 58 / 49

HEX #816036

RGB 129 96 54

HSL 33.6, 0.41%, 0.36%

LAB 43.21, 8.22, 28.95

 

CMYK 58 / 0 / 25 / 50

HEX #368060

RGB 54 128 96

HSL 154.05, 0.41%, 0.36%

LAB 48.34, -31.11, 10.57

 

CMYK 58 / 45 / 0 / 49

HEX #364781

RGB 54 71 129

HSL 226.4, 0.41%, 0.36%

LAB 31.52, 11.86, -34.87

 

CMYK 0 / 58 / 33 / 49

HEX #813656

RGB 129 54 86

HSL 334.4, 0.41%, 0.36%

LAB 33.94, 35.96, -3.25

 

CMYK 0 / 14 / 58 / 49

HEX #816F36

RGB 129 111 54

HSL 45.6, 0.41%, 0.36%

LAB 47.37, -0.54, 33.9

 

CMYK 58 / 0 / 25 / 50

HEX #368060

RGB 54 128 96

HSL 154.05, 0.41%, 0.36%

LAB 48.34, -31.11, 10.57

 

CMYK 54 / 58 / 0 / 49

HEX #3B3681

RGB 59 54 129

HSL 244, 0.41%, 0.36%

LAB 27.17, 24.37, -41.84

 

CMYK 0 / 58 / 33 / 49

HEX #813656

RGB 129 54 86

HSL 334.4, 0.41%, 0.36%

LAB 33.94, 35.96, -3.25

 

CMYK 4 / 0 / 58 / 49

HEX #7C8136

RGB 124 129 54

HSL 64, 0.41%, 0.36%

LAB 52.12, -12.86, 39.24

 

Description

Color code: RGB 54 128 96 | qconv.com Color code: RGB 54 128 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 128 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 128 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 25 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 25% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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