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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 53 79 it is the complementary color RGB 200 202 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 53 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 53 79 shade: RGB 60 53 74, RGB 77 71 93, RGB 94 89 112, RGB 111 107 131 and RGB 128 125 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 53 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 38 35 60, RGB 21 17 41, RGB 4 0 22 and RGB 0 0 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 62 53 79, RGB 69 53 79, RGB 76 53 79 and RGB 79 53 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 53 79 shade: RGB 55 53 79 and RGB 53 53 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 53 79 shade matches the following richer shades: RGB 55 53 79, RGB 46 42 90, RGB 36 31 101, RGB 27 20 111 and RGB 18 10 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 64 63 68, RGB 73 74 58, RGB 82 85 47 and RGB 91 95 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 53 79 shade: RGB 53 65 79, RGB 53 58 79, RGB 54 53 79, RGB 61 53 79 and RGB 68 53 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 53 79 shade: RGB 20 20 30, RGB 37 36 54, RGB 55 53 79, RGB 72 69 104 and RGB 89 86 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 79 53 72 and RGB 61 79 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 79 54 53 and RGB 53 79 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 79 53 72, RGB 77 79 53 and RGB 53 79 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 53 79 shade: RGB 55 53 79, RGB 79 53 64, RGB 77 79 53 and RGB 53 79 68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

Complementary color

CMYK 1 / 0 / 13 / 21

HEX #C8CAB0

RGB 200 202 176

HSL 64.62, 0.2%, 0.74%

LAB 80.55, -5.19, 12.76

 

CMYK 19 / 28 / 0 / 71

HEX #3C354A

RGB 60 53 74

HSL 260, 0.17%, 0.25%

LAB 23.68, 8.14, -11.79

 

CMYK 17 / 24 / 0 / 64

HEX #4D475D

RGB 77 71 93

HSL 256.36, 0.13%, 0.32%

LAB 31.52, 7.61, -12.05

 

CMYK 16 / 21 / 0 / 56

HEX #5E5970

RGB 94 89 112

HSL 253.04, 0.11%, 0.39%

LAB 39.06, 7.16, -12.35

 

CMYK 15 / 18 / 0 / 49

HEX #6F6B83

RGB 111 107 131

HSL 250, 0.1%, 0.47%

LAB 46.36, 6.78, -12.68

 

CMYK 15 / 17 / 0 / 41

HEX #807D96

RGB 128 125 150

HSL 247.2, 0.11%, 0.54%

LAB 53.45, 6.44, -13.03

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 37 / 42 / 0 / 76

HEX #26233C

RGB 38 35 60

HSL 247.2, 0.26%, 0.19%

LAB 15.17, 8.48, -15.57

 

CMYK 49 / 59 / 0 / 84

HEX #151129

RGB 21 17 41

HSL 250, 0.41%, 0.11%

LAB 6.51, 9.15, -15.58

 

CMYK 82 / 100 / 0 / 91

HEX #040016

RGB 4 0 22

HSL 250.91, 1%, 0.04%

LAB 0.76, 4.72, -9.64

 

CMYK 100 / 100 / 0 / 99

HEX #000003

RGB 0 0 3

HSL 240, 1%, 0.01%

LAB 0.06, 0.42, -1.14

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 22 / 33 / 0 / 69

HEX #3E354F

RGB 62 53 79

HSL 260.77, 0.2%, 0.26%

LAB 24.11, 10.25, -14.43

 

CMYK 13 / 33 / 0 / 69

HEX #45354F

RGB 69 53 79

HSL 276.92, 0.2%, 0.26%

LAB 24.88, 12.87, -13.19

 

CMYK 4 / 33 / 0 / 69

HEX #4C354F

RGB 76 53 79

HSL 293.08, 0.2%, 0.26%

LAB 25.71, 15.54, -11.85

 

CMYK 0 / 33 / 5 / 69

HEX #4F354B

RGB 79 53 75

HSL 309.23, 0.2%, 0.26%

LAB 25.91, 15.83, -8.85

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 33 / 33 / 0 / 69

HEX #35354F

RGB 53 53 79

HSL 240, 0.2%, 0.26%

LAB 23.23, 7.01, -15.87

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 49 / 53 / 0 / 65

HEX #2E2A5A

RGB 46 42 90

HSL 245, 0.36%, 0.26%

LAB 19.94, 16.04, -28.4

 

CMYK 64 / 69 / 0 / 60

HEX #241F65

RGB 36 31 101

HSL 244.29, 0.53%, 0.26%

LAB 16.96, 25.31, -40.54

 

CMYK 76 / 82 / 0 / 56

HEX #1B146F

RGB 27 20 111

HSL 244.62, 0.69%, 0.26%

LAB 14.85, 34.5, -50.59

 

CMYK 85 / 92 / 0 / 52

HEX #120A7A

RGB 18 10 122

HSL 244.29, 0.85%, 0.26%

LAB 14.12, 42.19, -58.93

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 6 / 7 / 0 / 73

HEX #403F44

RGB 64 63 68

HSL 252, 0.04%, 0.26%

LAB 26.91, 1.57, -2.9

 

CMYK 1 / 0 / 22 / 71

HEX #494A3A

RGB 73 74 58

HSL 63.75, 0.12%, 0.26%

LAB 30.92, -3.62, 9.44

 

CMYK 4 / 0 / 45 / 67

HEX #52552F

RGB 82 85 47

HSL 64.74, 0.29%, 0.26%

LAB 35, -7.84, 21.73

 

CMYK 4 / 0 / 62 / 63

HEX #5B5F24

RGB 91 95 36

HSL 64.07, 0.45%, 0.26%

LAB 38.79, -10.6, 32.47

 

CMYK 33 / 18 / 0 / 69

HEX #35414F

RGB 53 65 79

HSL 212.31, 0.2%, 0.26%

LAB 27.02, -1.02, -10.04

 

CMYK 33 / 27 / 0 / 69

HEX #353A4F

RGB 53 58 79

HSL 228.46, 0.2%, 0.26%

LAB 24.79, 3.62, -13.46

 

CMYK 32 / 33 / 0 / 69

HEX #36354F

RGB 54 53 79

HSL 242.31, 0.2%, 0.26%

LAB 23.32, 7.36, -15.72

 

CMYK 23 / 33 / 0 / 69

HEX #3D354F

RGB 61 53 79

HSL 258.46, 0.2%, 0.26%

LAB 24.01, 9.88, -14.6

 

CMYK 14 / 33 / 0 / 69

HEX #44354F

RGB 68 53 79

HSL 274.62, 0.2%, 0.26%

LAB 24.76, 12.49, -13.37

 

CMYK 33 / 33 / 0 / 88

HEX #14141E

RGB 20 20 30

HSL 240, 0.2%, 0.1%

LAB 6.71, 2.74, -6.92

 

CMYK 31 / 33 / 0 / 79

HEX #252436

RGB 37 36 54

HSL 243.33, 0.2%, 0.18%

LAB 15.07, 5.48, -11.52

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 31 / 34 / 0 / 59

HEX #484568

RGB 72 69 104

HSL 245.14, 0.2%, 0.34%

LAB 30.96, 10.13, -19.97

 

CMYK 31 / 33 / 0 / 49

HEX #595681

RGB 89 86 129

HSL 244.19, 0.2%, 0.42%

LAB 38.49, 11.79, -23.71

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 0 / 33 / 9 / 69

HEX #4F3548

RGB 79 53 72

HSL 316.15, 0.2%, 0.26%

LAB 25.79, 15.2, -7.04

 

CMYK 23 / 0 / 33 / 69

HEX #3D4F35

RGB 61 79 53

HSL 101.54, 0.2%, 0.26%

LAB 31.44, -12.72, 13.13

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 0 / 32 / 33 / 69

HEX #4F3635

RGB 79 54 53

HSL 2.31, 0.2%, 0.26%

LAB 25.44, 11.04, 5.1

 

CMYK 33 / 0 / 32 / 69

HEX #354F36

RGB 53 79 54

HSL 122.31, 0.2%, 0.26%

LAB 30.91, -15.75, 11.7

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 0 / 33 / 9 / 69

HEX #4F3548

RGB 79 53 72

HSL 316.15, 0.2%, 0.26%

LAB 25.79, 15.2, -7.04

 

CMYK 3 / 0 / 33 / 69

HEX #4D4F35

RGB 77 79 53

HSL 64.62, 0.2%, 0.26%

LAB 32.76, -5.71, 15.13

 

CMYK 33 / 0 / 24 / 69

HEX #354F3C

RGB 53 79 60

HSL 136.15, 0.2%, 0.26%

LAB 31.06, -14.49, 8.13

 

CMYK 30 / 33 / 0 / 69

HEX #37354F

RGB 55 53 79

HSL 244.62, 0.2%, 0.26%

LAB 23.42, 7.71, -15.56

 

CMYK 0 / 33 / 19 / 69

HEX #4F3540

RGB 79 53 64

HSL 334.62, 0.2%, 0.26%

LAB 25.5, 13.61, -2.15

 

CMYK 3 / 0 / 33 / 69

HEX #4D4F35

RGB 77 79 53

HSL 64.62, 0.2%, 0.26%

LAB 32.76, -5.71, 15.13

 

CMYK 33 / 0 / 14 / 69

HEX #354F44

RGB 53 79 68

HSL 154.62, 0.2%, 0.26%

LAB 31.27, -12.63, 3.35

 

Description

Color code: RGB 55 53 79 | qconv.com Color code: RGB 55 53 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 53 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 53 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 33 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 33% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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