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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 110 153 it is the complementary color RGB 200 145 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 110 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 110 153 shade: RGB 60 110 148, RGB 77 128 167, RGB 94 146 186, RGB 111 164 205 and RGB 128 182 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 110 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 38 92 134, RGB 21 74 115, RGB 4 56 96 and RGB 0 38 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 55 84 153, RGB 55 57 153, RGB 79 55 153 and RGB 106 55 153

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 55 84 153, RGB 55 57 153 and RGB 55 55 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 110 153 shade matches the following richer shades: RGB 55 110 153, RGB 38 112 170, RGB 21 114 187 and RGB 4 116 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 72 108 136, RGB 89 106 119, RGB 106 104 102 and RGB 123 102 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 110 153 shade: RGB 55 153 143, RGB 55 137 153, RGB 55 111 153, RGB 55 84 153 and RGB 55 58 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 110 153 shade: RGB 33 66 93, RGB 44 88 123, RGB 55 110 153, RGB 66 132 184 and RGB 94 152 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 117 55 153 and RGB 150 153 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 153 55 111 and RGB 111 153 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 117 55 153, RGB 153 97 55 and RGB 91 153 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 110 153 shade: RGB 55 110 153, RGB 147 55 153, RGB 153 97 55 and RGB 61 153 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

Complementary color

CMYK 0 / 28 / 49 / 22

HEX #C89166

RGB 200 145 102

HSL 26.33, 0.47%, 0.59%

LAB 64.56, 15.69, 30.94

 

CMYK 59 / 26 / 0 / 42

HEX #3C6E94

RGB 60 110 148

HSL 205.91, 0.42%, 0.41%

LAB 44.59, -4.98, -25.81

 

CMYK 54 / 23 / 0 / 35

HEX #4D80A7

RGB 77 128 167

HSL 206, 0.37%, 0.48%

LAB 51.62, -5.63, -25.99

 

CMYK 49 / 22 / 0 / 27

HEX #5E92BA

RGB 94 146 186

HSL 206.09, 0.4%, 0.55%

LAB 58.49, -6.12, -26.19

 

CMYK 46 / 20 / 0 / 20

HEX #6FA4CD

RGB 111 164 205

HSL 206.17, 0.48%, 0.62%

LAB 65.23, -6.51, -26.39

 

CMYK 43 / 19 / 0 / 12

HEX #80B6E0

RGB 128 182 224

HSL 206.25, 0.61%, 0.69%

LAB 71.84, -6.82, -26.61

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 72 / 31 / 0 / 47

HEX #265C86

RGB 38 92 134

HSL 206.25, 0.56%, 0.34%

LAB 37.46, -3.12, -28.6

 

CMYK 82 / 36 / 0 / 55

HEX #154A73

RGB 21 74 115

HSL 206.17, 0.69%, 0.27%

LAB 30.14, -1.46, -28.4

 

CMYK 96 / 42 / 0 / 62

HEX #043860

RGB 4 56 96

HSL 206.09, 0.92%, 0.2%

LAB 22.65, 0.94, -28.15

 

CMYK 100 / 51 / 0 / 70

HEX #00264D

RGB 0 38 77

HSL 210.39, 1%, 0.15%

LAB 15.07, 4.85, -27.62

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 64 / 45 / 0 / 40

HEX #375499

RGB 55 84 153

HSL 222.24, 0.47%, 0.41%

LAB 36.84, 12.11, -41.04

 

CMYK 64 / 63 / 0 / 40

HEX #373999

RGB 55 57 153

HSL 238.78, 0.47%, 0.41%

LAB 29.51, 29.94, -52.88

 

CMYK 48 / 64 / 0 / 40

HEX #4F3799

RGB 79 55 153

HSL 254.69, 0.47%, 0.41%

LAB 31.1, 35.67, -50.2

 

CMYK 31 / 64 / 0 / 40

HEX #6A3799

RGB 106 55 153

HSL 271.22, 0.47%, 0.41%

LAB 34.18, 41.7, -45.07

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 64 / 45 / 0 / 40

HEX #375499

RGB 55 84 153

HSL 222.24, 0.47%, 0.41%

LAB 36.84, 12.11, -41.04

 

CMYK 64 / 63 / 0 / 40

HEX #373999

RGB 55 57 153

HSL 238.78, 0.47%, 0.41%

LAB 29.51, 29.94, -52.88

 

CMYK 64 / 64 / 0 / 40

HEX #373799

RGB 55 55 153

HSL 240, 0.47%, 0.41%

LAB 29.02, 31.22, -53.68

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 78 / 34 / 0 / 33

HEX #2670AA

RGB 38 112 170

HSL 206.36, 0.63%, 0.41%

LAB 45.5, -1.98, -37.41

 

CMYK 89 / 39 / 0 / 27

HEX #1572BB

RGB 21 114 187

HSL 206.39, 0.8%, 0.41%

LAB 46.69, 1.77, -45.45

 

CMYK 98 / 43 / 0 / 20

HEX #0474CC

RGB 4 116 204

HSL 206.4, 0.96%, 0.41%

LAB 48.1, 6.47, -52.97

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 47 / 21 / 0 / 47

HEX #486C88

RGB 72 108 136

HSL 206.25, 0.31%, 0.41%

LAB 44.06, -4.76, -19.43

 

CMYK 25 / 11 / 0 / 53

HEX #596A77

RGB 89 106 119

HSL 206, 0.14%, 0.41%

LAB 43.89, -3.19, -9.37

 

CMYK 0 / 2 / 4 / 58

HEX #6A6866

RGB 106 104 102

HSL 30, 0.02%, 0.41%

LAB 44.12, 0.38, 1.39

 

CMYK 0 / 17 / 30 / 52

HEX #7B6656

RGB 123 102 86

HSL 25.95, 0.18%, 0.41%

LAB 44.78, 5.79, 12.18

 

CMYK 64 / 0 / 7 / 40

HEX #37998F

RGB 55 153 143

HSL 173.88, 0.47%, 0.41%

LAB 57.63, -30.66, -3.16

 

CMYK 64 / 10 / 0 / 40

HEX #378999

RGB 55 137 153

HSL 189.8, 0.47%, 0.41%

LAB 52.95, -19.59, -15.91

 

CMYK 64 / 27 / 0 / 40

HEX #376F99

RGB 55 111 153

HSL 205.71, 0.47%, 0.41%

LAB 44.92, -4.88, -28.29

 

CMYK 64 / 45 / 0 / 40

HEX #375499

RGB 55 84 153

HSL 222.24, 0.47%, 0.41%

LAB 36.84, 12.11, -41.04

 

CMYK 64 / 62 / 0 / 40

HEX #373A99

RGB 55 58 153

HSL 238.16, 0.47%, 0.41%

LAB 29.76, 29.29, -52.47

 

CMYK 65 / 29 / 0 / 64

HEX #21425D

RGB 33 66 93

HSL 207, 0.48%, 0.25%

LAB 26.76, -2.76, -19.65

 

CMYK 64 / 28 / 0 / 52

HEX #2C587B

RGB 44 88 123

HSL 206.58, 0.47%, 0.33%

LAB 35.88, -3.55, -24.32

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 64 / 28 / 0 / 28

HEX #4284B8

RGB 66 132 184

HSL 206.44, 0.47%, 0.49%

LAB 53.08, -4.65, -33.55

 

CMYK 52 / 23 / 0 / 23

HEX #5E98C5

RGB 94 152 197

HSL 206.21, 0.47%, 0.57%

LAB 60.66, -6.2, -29.04

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 24 / 64 / 0 / 40

HEX #753799

RGB 117 55 153

HSL 277.96, 0.47%, 0.41%

LAB 35.62, 44.35, -42.67

 

CMYK 2 / 0 / 64 / 40

HEX #969937

RGB 150 153 55

HSL 61.84, 0.47%, 0.41%

LAB 61.26, -14.11, 49.38

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 0 / 64 / 27 / 40

HEX #99376F

RGB 153 55 111

HSL 325.71, 0.47%, 0.41%

LAB 38.99, 46.73, -11.12

 

CMYK 27 / 0 / 64 / 40

HEX #6F9937

RGB 111 153 55

HSL 85.71, 0.47%, 0.41%

LAB 58.45, -30.43, 45.53

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 24 / 64 / 0 / 40

HEX #753799

RGB 117 55 153

HSL 277.96, 0.47%, 0.41%

LAB 35.62, 44.35, -42.67

 

CMYK 0 / 37 / 64 / 40

HEX #996137

RGB 153 97 55

HSL 25.71, 0.47%, 0.41%

LAB 46.44, 18.52, 32.97

 

CMYK 41 / 0 / 64 / 40

HEX #5B9937

RGB 91 153 55

HSL 97.96, 0.47%, 0.41%

LAB 57.35, -37.83, 44.01

 

CMYK 64 / 28 / 0 / 40

HEX #376E99

RGB 55 110 153

HSL 206.33, 0.47%, 0.41%

LAB 44.61, -4.29, -28.76

 

CMYK 4 / 64 / 0 / 40

HEX #933799

RGB 147 55 153

HSL 296.33, 0.47%, 0.41%

LAB 39.97, 51.85, -35.48

 

CMYK 0 / 37 / 64 / 40

HEX #996137

RGB 153 97 55

HSL 25.71, 0.47%, 0.41%

LAB 46.44, 18.52, 32.97

 

CMYK 60 / 0 / 64 / 40

HEX #3D9937

RGB 61 153 55

HSL 116.33, 0.47%, 0.41%

LAB 56.14, -46.85, 42.32

 

Description

Color code: RGB 55 110 153 | qconv.com Color code: RGB 55 110 153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 110 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 110 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 28 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 28% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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