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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 207 184 it is the complementary color RGB 200 48 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 207 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 207 184 shade: RGB 60 207 179, RGB 77 225 198, RGB 94 243 217, RGB 111 255 236 and RGB 128 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 207 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 207 184 shade: RGB 55 207 184, RGB 38 189 165, RGB 21 171 146, RGB 4 153 127 and RGB 0 135 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 207 184 shade: RGB 53 206 183, RGB 53 206 142, RGB 53 206 100, RGB 53 206 59 and RGB 88 206 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 207 184 shade: RGB 53 206 183, RGB 53 188 206, RGB 53 147 206, RGB 53 106 206 and RGB 53 64 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 207 184 shade matches the following richer shades: RGB 53 206 183, RGB 33 226 197 and RGB 13 246 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 207 184 shade: RGB 53 206 183, RGB 74 186 169, RGB 94 165 155, RGB 114 145 140 and RGB 134 125 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 207 184 shade: RGB 53 206 99, RGB 53 206 140, RGB 53 206 180, RGB 53 191 206 and RGB 53 150 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 207 184 shade: RGB 34 142 126, RGB 42 176 155, RGB 53 206 183, RGB 87 214 195 and RGB 120 222 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 207 184 shade: RGB 55 207 184, RGB 58 53 206 and RGB 206 119 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 207 184 shade: RGB 55 207 184, RGB 180 53 206 and RGB 206 180 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 207 184 shade: RGB 55 207 184, RGB 58 53 206, RGB 206 53 79 and RGB 201 206 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 207 184 shade: RGB 55 207 184, RGB 104 53 206, RGB 206 53 79 and RGB 155 206 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 11 / 19

HEX #37CFB8

RGB 55 207 184

HSL 170.92, 0.61%, 0.51%

LAB 75.39, -44.13, 0.17

 

Complementary color

CMYK 0 / 76 / 65 / 22

HEX #C83047

RGB 200 48 71

HSL 350.92, 0.61%, 0.49%

LAB 45.43, 59.87, 24.08

 

CMYK 71 / 0 / 14 / 19

HEX #3CCFB3

RGB 60 207 179

HSL 168.57, 0.6%, 0.52%

LAB 75.35, -44.79, 2.82

 

CMYK 66 / 0 / 12 / 12

HEX #4DE1C6

RGB 77 225 198

HSL 169.05, 0.71%, 0.59%

LAB 81.57, -45.3, 1.75

 

CMYK 61 / 0 / 11 / 5

HEX #5EF3D9

RGB 94 243 217

HSL 169.53, 0.86%, 0.66%

LAB 87.72, -45.64, 0.76

 

CMYK 56 / 0 / 7 / 0

HEX #6FFFEC

RGB 111 255 236

HSL 172.08, 1%, 0.72%

LAB 92.11, -43.23, -2.65

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 73 / 0 / 11 / 19

HEX #37CFB8

RGB 55 207 184

HSL 170.92, 0.61%, 0.51%

LAB 75.39, -44.13, 0.17

 

CMYK 80 / 0 / 13 / 26

HEX #26BDA5

RGB 38 189 165

HSL 170.46, 0.67%, 0.45%

LAB 69.13, -43.24, 1.34

 

CMYK 88 / 0 / 15 / 33

HEX #15AB92

RGB 21 171 146

HSL 170, 0.78%, 0.38%

LAB 62.81, -42.01, 2.65

 

CMYK 97 / 0 / 17 / 40

HEX #04997F

RGB 4 153 127

HSL 169.53, 0.95%, 0.31%

LAB 56.43, -40.36, 4.11

 

CMYK 100 / 0 / 20 / 47

HEX #00876C

RGB 0 135 108

HSL 168, 1%, 0.26%

LAB 49.99, -38.07, 5.78

 

CMYK 74 / 0 / 11 / 19

HEX #35CEB7

RGB 53 206 183

HSL 170.98, 0.61%, 0.51%

LAB 75.03, -44.2, 0.17

 

CMYK 74 / 0 / 31 / 19

HEX #35CE8E

RGB 53 206 142

HSL 154.9, 0.61%, 0.51%

LAB 74.1, -53.99, 20.81

 

CMYK 74 / 0 / 51 / 19

HEX #35CE64

RGB 53 206 100

HSL 138.43, 0.61%, 0.51%

LAB 73.43, -61.56, 41.38

 

CMYK 74 / 0 / 71 / 19

HEX #35CE3B

RGB 53 206 59

HSL 122.35, 0.61%, 0.51%

LAB 73.03, -66.3, 58.74

 

CMYK 57 / 0 / 74 / 19

HEX #58CE35

RGB 88 206 53

HSL 106.27, 0.61%, 0.51%

LAB 73.85, -59.68, 61.97

 

CMYK 74 / 0 / 11 / 19

HEX #35CEB7

RGB 53 206 183

HSL 170.98, 0.61%, 0.51%

LAB 75.03, -44.2, 0.17

 

CMYK 74 / 9 / 0 / 19

HEX #35BCCE

RGB 53 188 206

HSL 187.06, 0.61%, 0.51%

LAB 70.3, -29.33, -19.37

 

CMYK 74 / 29 / 0 / 19

HEX #3593CE

RGB 53 147 206

HSL 203.14, 0.61%, 0.51%

LAB 58.11, -7.68, -38.18

 

CMYK 74 / 49 / 0 / 19

HEX #356ACE

RGB 53 106 206

HSL 219.22, 0.61%, 0.51%

LAB 46.34, 17.16, -56.9

 

CMYK 74 / 69 / 0 / 19

HEX #3540CE

RGB 53 64 206

HSL 235.69, 0.61%, 0.51%

LAB 35.75, 43.74, -74.14

 

CMYK 74 / 0 / 11 / 19

HEX #35CEB7

RGB 53 206 183

HSL 170.98, 0.61%, 0.51%

LAB 75.03, -44.2, 0.17

 

CMYK 85 / 0 / 13 / 11

HEX #21E2C5

RGB 33 226 197

HSL 170.98, 0.77%, 0.51%

LAB 81.15, -50.74, 1.59

 

CMYK 95 / 0 / 14 / 4

HEX #0DF6D3

RGB 13 246 211

HSL 170.99, 0.93%, 0.51%

LAB 87.34, -56.08, 3.2

 

CMYK 74 / 0 / 11 / 19

HEX #35CEB7

RGB 53 206 183

HSL 170.98, 0.61%, 0.51%

LAB 75.03, -44.2, 0.17

 

CMYK 60 / 0 / 9 / 27

HEX #4ABAA9

RGB 74 186 169

HSL 170.89, 0.45%, 0.51%

LAB 69.07, -35.79, -0.85

 

CMYK 43 / 0 / 6 / 35

HEX #5EA59B

RGB 94 165 155

HSL 171.55, 0.28%, 0.51%

LAB 63.06, -24.79, -1.81

 

CMYK 21 / 0 / 3 / 43

HEX #72918C

RGB 114 145 140

HSL 170.32, 0.12%, 0.51%

LAB 57.77, -11.93, -0.93

 

CMYK 0 / 7 / 6 / 47

HEX #867D7E

RGB 134 125 126

HSL 353.33, 0.04%, 0.51%

LAB 53.21, 3.61, 0.68

 

CMYK 74 / 0 / 52 / 19

HEX #35CE63

RGB 53 206 99

HSL 138.04, 0.61%, 0.51%

LAB 73.42, -61.71, 41.85

 

CMYK 74 / 0 / 32 / 19

HEX #35CE8C

RGB 53 206 140

HSL 154.12, 0.61%, 0.51%

LAB 74.06, -54.41, 21.81

 

CMYK 74 / 0 / 13 / 19

HEX #35CEB4

RGB 53 206 180

HSL 169.8, 0.61%, 0.51%

LAB 74.95, -44.99, 1.68

 

CMYK 74 / 7 / 0 / 19

HEX #35BFCE

RGB 53 191 206

HSL 185.88, 0.61%, 0.51%

LAB 71.2, -30.79, -18.01

 

CMYK 74 / 27 / 0 / 19

HEX #3596CE

RGB 53 150 206

HSL 201.96, 0.61%, 0.51%

LAB 59, -9.38, -36.79

 

CMYK 76 / 0 / 11 / 44

HEX #228E7E

RGB 34 142 126

HSL 171.11, 0.61%, 0.35%

LAB 53.16, -33.42, -0.02

 

CMYK 76 / 0 / 12 / 31

HEX #2AB09B

RGB 42 176 155

HSL 170.6, 0.61%, 0.43%

LAB 64.89, -39.84, 0.69

 

CMYK 74 / 0 / 11 / 19

HEX #35CEB7

RGB 53 206 183

HSL 170.98, 0.61%, 0.51%

LAB 75.03, -44.2, 0.17

 

CMYK 59 / 0 / 9 / 16

HEX #57D6C3

RGB 87 214 195

HSL 171.02, 0.61%, 0.59%

LAB 78.5, -39.53, -1.11

 

CMYK 46 / 0 / 7 / 13

HEX #78DECE

RGB 120 222 206

HSL 170.59, 0.61%, 0.67%

LAB 82.21, -33.61, -1.4

 

CMYK 73 / 0 / 11 / 19

HEX #37CFB8

RGB 55 207 184

HSL 170.92, 0.61%, 0.51%

LAB 75.39, -44.13, 0.17

 

CMYK 72 / 74 / 0 / 19

HEX #3A35CE

RGB 58 53 206

HSL 241.96, 0.61%, 0.51%

LAB 33.78, 50.49, -77.39

 

CMYK 0 / 42 / 74 / 19

HEX #CE7735

RGB 206 119 53

HSL 25.88, 0.61%, 0.51%

LAB 58.58, 28.88, 49.33

 

CMYK 73 / 0 / 11 / 19

HEX #37CFB8

RGB 55 207 184

HSL 170.92, 0.61%, 0.51%

LAB 75.39, -44.13, 0.17

 

CMYK 13 / 74 / 0 / 19

HEX #B435CE

RGB 180 53 206

HSL 289.8, 0.61%, 0.51%

LAB 47.89, 69.67, -53.79

 

CMYK 0 / 13 / 74 / 19

HEX #CEB435

RGB 206 180 53

HSL 49.8, 0.61%, 0.51%

LAB 73.56, -3.94, 64.13

 

CMYK 73 / 0 / 11 / 19

HEX #37CFB8

RGB 55 207 184

HSL 170.92, 0.61%, 0.51%

LAB 75.39, -44.13, 0.17

 

CMYK 72 / 74 / 0 / 19

HEX #3A35CE

RGB 58 53 206

HSL 241.96, 0.61%, 0.51%

LAB 33.78, 50.49, -77.39

 

CMYK 0 / 74 / 62 / 19

HEX #CE354F

RGB 206 53 79

HSL 349.8, 0.61%, 0.51%

LAB 47.28, 60.49, 21.83

 

CMYK 2 / 0 / 74 / 19

HEX #C9CE35

RGB 201 206 53

HSL 61.96, 0.61%, 0.51%

LAB 80.08, -19.29, 70.11

 

CMYK 73 / 0 / 11 / 19

HEX #37CFB8

RGB 55 207 184

HSL 170.92, 0.61%, 0.51%

LAB 75.39, -44.13, 0.17

 

CMYK 50 / 74 / 0 / 19

HEX #6835CE

RGB 104 53 206

HSL 260, 0.61%, 0.51%

LAB 37.74, 56.13, -70.72

 

CMYK 0 / 74 / 62 / 19

HEX #CE354F

RGB 206 53 79

HSL 349.8, 0.61%, 0.51%

LAB 47.28, 60.49, 21.83

 

CMYK 25 / 0 / 74 / 19

HEX #9BCE35

RGB 155 206 53

HSL 80, 0.61%, 0.51%

LAB 76.9, -37.9, 65.98

 

Description

Color code: RGB 55 207 184 | qconv.com Color code: RGB 55 207 184 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 207 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 207 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 11 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 11% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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