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Color name
RGB 55 227 229

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 227 229 it is the complementary color RGB 200 28 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 227 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 227 229 shade: RGB 60 227 224, RGB 77 245 243, RGB 94 255 255, RGB 111 255 255 and RGB 128 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 227 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 227 229 shade: RGB 55 227 229, RGB 38 209 210, RGB 21 191 191, RGB 4 173 172 and RGB 0 155 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 227 229 shade: RGB 56 227 229, RGB 56 180 229, RGB 56 134 229, RGB 56 87 229 and RGB 71 56 229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 227 229 shade: RGB 56 227 229, RGB 56 180 229, RGB 56 134 229, RGB 56 87 229 and RGB 56 56 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 227 229 shade matches the following richer shades: RGB 56 227 229 and RGB 38 244 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 227 229 shade: RGB 56 227 229, RGB 74 209 211, RGB 92 191 192, RGB 110 173 174 and RGB 129 156 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 227 229 shade: RGB 56 229 137, RGB 56 229 183, RGB 56 229 229, RGB 56 183 229 and RGB 56 137 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 227 229 shade: RGB 23 177 179, RGB 28 214 216, RGB 56 227 229, RGB 92 232 233 and RGB 129 237 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 227 229 shade: RGB 55 227 229, RGB 90 56 229 and RGB 229 160 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 227 229 shade: RGB 55 227 229, RGB 229 56 229 and RGB 229 229 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 227 229 shade: RGB 55 227 229, RGB 90 56 229, RGB 229 56 56 and RGB 194 229 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 227 229 shade: RGB 55 227 229, RGB 142 56 229, RGB 229 56 56 and RGB 142 229 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 1 / 0 / 10

HEX #37E3E5

RGB 55 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.6, -40.59, -13.22

 

Complementary color

CMYK 0 / 86 / 87 / 22

HEX #C81C1A

RGB 200 28 26

HSL 0.69, 0.77%, 0.44%

LAB 43.04, 63.39, 47.03

 

CMYK 74 / 0 / 1 / 11

HEX #3CE3E0

RGB 60 227 224

HSL 178.92, 0.75%, 0.56%

LAB 82.53, -41.49, -10.66

 

CMYK 69 / 0 / 1 / 4

HEX #4DF5F3

RGB 77 245 243

HSL 179.29, 0.89%, 0.63%

LAB 88.62, -42.28, -11.55

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 56 / 0 / 0 / 0

HEX #6FFFFF

RGB 111 255 255

HSL 180, 1%, 0.72%

LAB 92.63, -38.44, -11.72

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 76 / 1 / 0 / 10

HEX #37E3E5

RGB 55 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.6, -40.59, -13.22

 

CMYK 82 / 0 / 0 / 18

HEX #26D1D2

RGB 38 209 210

HSL 180.35, 0.69%, 0.49%

LAB 76.48, -39.43, -12.26

 

CMYK 89 / 0 / 0 / 25

HEX #15BFBF

RGB 21 191 191

HSL 180, 0.8%, 0.42%

LAB 70.3, -37.95, -11.2

 

CMYK 98 / 0 / 1 / 32

HEX #04ADAC

RGB 4 173 172

HSL 179.64, 0.95%, 0.35%

LAB 64.07, -36.11, -10.03

 

CMYK 100 / 0 / 1 / 39

HEX #009B99

RGB 0 155 153

HSL 179.23, 1%, 0.3%

LAB 57.79, -33.78, -8.7

 

CMYK 76 / 1 / 0 / 10

HEX #38E3E5

RGB 56 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.61, -40.5, -13.2

 

CMYK 76 / 21 / 0 / 10

HEX #38B4E5

RGB 56 180 229

HSL 196.99, 0.77%, 0.56%

LAB 68.85, -17.57, -34.17

 

CMYK 76 / 41 / 0 / 10

HEX #3886E5

RGB 56 134 229

HSL 212.95, 0.77%, 0.56%

LAB 55.63, 8.58, -54.98

 

CMYK 76 / 62 / 0 / 10

HEX #3857E5

RGB 56 87 229

HSL 229.25, 0.77%, 0.56%

LAB 43.23, 37.97, -75.04

 

CMYK 69 / 76 / 0 / 10

HEX #4738E5

RGB 71 56 229

HSL 245.2, 0.77%, 0.56%

LAB 37.53, 57.24, -84.4

 

CMYK 76 / 1 / 0 / 10

HEX #38E3E5

RGB 56 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.61, -40.5, -13.2

 

CMYK 76 / 21 / 0 / 10

HEX #38B4E5

RGB 56 180 229

HSL 196.99, 0.77%, 0.56%

LAB 68.85, -17.57, -34.17

 

CMYK 76 / 41 / 0 / 10

HEX #3886E5

RGB 56 134 229

HSL 212.95, 0.77%, 0.56%

LAB 55.63, 8.58, -54.98

 

CMYK 76 / 62 / 0 / 10

HEX #3857E5

RGB 56 87 229

HSL 229.25, 0.77%, 0.56%

LAB 43.23, 37.97, -75.04

 

CMYK 76 / 76 / 0 / 10

HEX #3838E5

RGB 56 56 229

HSL 240, 0.77%, 0.56%

LAB 36.6, 56, -85.95

 

CMYK 76 / 1 / 0 / 10

HEX #38E3E5

RGB 56 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.61, -40.5, -13.2

 

CMYK 85 / 1 / 0 / 3

HEX #26F4F7

RGB 38 244 247

HSL 180.86, 0.93%, 0.56%

LAB 87.89, -44.32, -14.79

 

CMYK 76 / 1 / 0 / 10

HEX #38E3E5

RGB 56 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.61, -40.5, -13.2

 

CMYK 65 / 1 / 0 / 17

HEX #4AD1D3

RGB 74 209 211

HSL 180.88, 0.61%, 0.56%

LAB 77.14, -35.12, -11.74

 

CMYK 52 / 1 / 0 / 25

HEX #5CBFC0

RGB 92 191 192

HSL 180.6, 0.44%, 0.56%

LAB 71.79, -28.54, -9.38

 

CMYK 37 / 1 / 0 / 32

HEX #6EADAE

RGB 110 173 174

HSL 180.94, 0.28%, 0.56%

LAB 66.72, -19.88, -6.93

 

CMYK 17 / 0 / 0 / 39

HEX #819C9C

RGB 129 156 156

HSL 180, 0.12%, 0.56%

LAB 62.38, -9.38, -3.15

 

CMYK 76 / 0 / 40 / 10

HEX #38E589

RGB 56 229 137

HSL 148.09, 0.77%, 0.56%

LAB 81.12, -63.1, 32.84

 

CMYK 76 / 0 / 20 / 10

HEX #38E5B7

RGB 56 229 183

HSL 164.05, 0.77%, 0.56%

LAB 82, -53.43, 10.24

 

CMYK 76 / 0 / 0 / 10

HEX #38E5E5

RGB 56 229 229

HSL 180, 0.77%, 0.56%

LAB 83.2, -41.4, -12.32

 

CMYK 76 / 20 / 0 / 10

HEX #38B7E5

RGB 56 183 229

HSL 195.95, 0.77%, 0.56%

LAB 69.73, -19.14, -32.81

 

CMYK 76 / 40 / 0 / 10

HEX #3889E5

RGB 56 137 229

HSL 211.91, 0.77%, 0.56%

LAB 56.48, 6.76, -53.64

 

CMYK 87 / 1 / 0 / 30

HEX #17B1B3

RGB 23 177 179

HSL 180.77, 0.77%, 0.4%

LAB 65.66, -35.01, -11.54

 

CMYK 87 / 1 / 0 / 15

HEX #1CD6D8

RGB 28 214 216

HSL 180.64, 0.77%, 0.48%

LAB 78.05, -40.57, -13.13

 

CMYK 76 / 1 / 0 / 10

HEX #38E3E5

RGB 56 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.61, -40.5, -13.2

 

CMYK 61 / 0 / 0 / 9

HEX #5CE8E9

RGB 92 232 233

HSL 180.43, 0.76%, 0.64%

LAB 84.93, -36.94, -11.77

 

CMYK 46 / 0 / 0 / 7

HEX #81EDEE

RGB 129 237 238

HSL 180.55, 0.76%, 0.72%

LAB 87.68, -30.84, -10.17

 

CMYK 76 / 1 / 0 / 10

HEX #37E3E5

RGB 55 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.6, -40.59, -13.22

 

CMYK 61 / 76 / 0 / 10

HEX #5A38E5

RGB 90 56 229

HSL 251.79, 0.77%, 0.56%

LAB 39, 59.2, -81.91

 

CMYK 0 / 30 / 76 / 10

HEX #E5A038

RGB 229 160 56

HSL 36.07, 0.77%, 0.56%

LAB 70.93, 16.72, 61.29

 

CMYK 76 / 1 / 0 / 10

HEX #37E3E5

RGB 55 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.6, -40.59, -13.22

 

CMYK 0 / 76 / 0 / 10

HEX #E538E5

RGB 229 56 229

HSL 300, 0.77%, 0.56%

LAB 57.21, 82.23, -51.53

 

CMYK 0 / 0 / 76 / 10

HEX #E5E538

RGB 229 229 56

HSL 60, 0.77%, 0.56%

LAB 88.44, -18.77, 77.67

 

CMYK 76 / 1 / 0 / 10

HEX #37E3E5

RGB 55 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.6, -40.59, -13.22

 

CMYK 61 / 76 / 0 / 10

HEX #5A38E5

RGB 90 56 229

HSL 251.79, 0.77%, 0.56%

LAB 39, 59.2, -81.91

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 15 / 0 / 76 / 10

HEX #C2E538

RGB 194 229 56

HSL 72.14, 0.77%, 0.56%

LAB 85.9, -32.99, 74.41

 

CMYK 76 / 1 / 0 / 10

HEX #37E3E5

RGB 55 227 229

HSL 180.69, 0.77%, 0.56%

LAB 82.6, -40.59, -13.22

 

CMYK 38 / 76 / 0 / 10

HEX #8E38E5

RGB 142 56 229

HSL 269.83, 0.77%, 0.56%

LAB 44.57, 66.44, -72.57

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 38 / 0 / 76 / 10

HEX #8EE538

RGB 142 229 56

HSL 90.17, 0.77%, 0.56%

LAB 82.95, -52.18, 70.58

 

Description

Color code: RGB 55 227 229 | qconv.com Color code: RGB 55 227 229 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 227 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 227 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 1 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 1% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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