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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 227 43 it is the complementary color RGB 200 28 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 227 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 227 43 shade: RGB 60 227 38, RGB 77 245 57, RGB 94 255 76, RGB 111 255 95 and RGB 128 255 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 227 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 227 43 shade: RGB 55 227 43, RGB 38 209 24, RGB 21 191 5, RGB 4 173 0 and RGB 0 155 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 227 43 shade: RGB 54 227 42, RGB 104 227 42, RGB 154 227 42, RGB 204 227 42 and RGB 227 200 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 227 43 shade: RGB 54 227 42, RGB 42 227 80, RGB 42 227 130, RGB 42 227 180 and RGB 42 224 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 227 43 shade matches the following richer shades: RGB 54 227 42 and RGB 38 246 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 227 43 shade: RGB 54 227 42, RGB 71 208 62, RGB 88 188 81, RGB 105 169 101 and RGB 122 149 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 227 43 shade: RGB 153 227 42, RGB 104 227 42, RGB 55 227 42, RGB 42 227 79 and RGB 42 227 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 227 43 shade: RGB 31 166 21, RGB 37 202 26, RGB 54 227 42, RGB 89 232 79 and RGB 123 236 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 227 43 shade: RGB 55 227 43, RGB 42 202 227 and RGB 227 42 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 227 43 shade: RGB 55 227 43, RGB 42 55 227 and RGB 227 42 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 227 43 shade: RGB 55 227 43, RGB 42 202 227, RGB 215 42 227 and RGB 227 67 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 227 43 shade: RGB 55 227 43, RGB 42 147 227, RGB 215 42 227 and RGB 227 122 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 81 / 11

HEX #37E32B

RGB 55 227 43

HSL 116.09, 0.77%, 0.53%

LAB 79.57, -73.49, 70.17

 

Complementary color

CMYK 6 / 87 / 0 / 17

HEX #C81CD4

RGB 200 28 212

HSL 296.09, 0.77%, 0.47%

LAB 49.33, 80.56, -54.75

 

CMYK 74 / 0 / 83 / 11

HEX #3CE326

RGB 60 227 38

HSL 113.02, 0.77%, 0.52%

LAB 79.64, -73, 71.5

 

CMYK 69 / 0 / 77 / 4

HEX #4DF539

RGB 77 245 57

HSL 113.62, 0.9%, 0.59%

LAB 85.59, -74.63, 72.06

 

CMYK 63 / 0 / 70 / 0

HEX #5EFF4C

RGB 94 255 76

HSL 113.97, 1%, 0.65%

LAB 89.12, -73.24, 69.47

 

CMYK 56 / 0 / 63 / 0

HEX #6FFF5F

RGB 111 255 95

HSL 114, 1%, 0.69%

LAB 89.73, -67.84, 63.01

 

CMYK 50 / 0 / 55 / 0

HEX #80FF72

RGB 128 255 114

HSL 114.04, 1%, 0.72%

LAB 90.47, -61.59, 55.89

 

CMYK 76 / 0 / 81 / 11

HEX #37E32B

RGB 55 227 43

HSL 116.09, 0.77%, 0.53%

LAB 79.57, -73.49, 70.17

 

CMYK 82 / 0 / 89 / 18

HEX #26D118

RGB 38 209 24

HSL 115.46, 0.79%, 0.46%

LAB 73.6, -71.2, 68.98

 

CMYK 89 / 0 / 97 / 25

HEX #15BF05

RGB 21 191 5

HSL 114.84, 0.95%, 0.38%

LAB 67.6, -68.16, 66.5

 

CMYK 98 / 0 / 100 / 32

HEX #04AD00

RGB 4 173 0

HSL 118.61, 1%, 0.34%

LAB 61.58, -64.23, 62.22

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 76 / 0 / 81 / 11

HEX #36E32A

RGB 54 227 42

HSL 116.11, 0.77%, 0.53%

LAB 79.55, -73.68, 70.4

 

CMYK 54 / 0 / 81 / 11

HEX #68E32A

RGB 104 227 42

HSL 99.89, 0.77%, 0.53%

LAB 80.77, -63.57, 71.96

 

CMYK 32 / 0 / 81 / 11

HEX #9AE32A

RGB 154 227 42

HSL 83.68, 0.77%, 0.53%

LAB 82.9, -47.85, 74.68

 

CMYK 10 / 0 / 81 / 11

HEX #CCE32A

RGB 204 227 42

HSL 67.46, 0.77%, 0.53%

LAB 85.98, -28.56, 78.56

 

CMYK 0 / 12 / 81 / 11

HEX #E3C82A

RGB 227 200 42

HSL 51.24, 0.77%, 0.53%

LAB 80.63, -5.62, 74.69

 

CMYK 76 / 0 / 81 / 11

HEX #36E32A

RGB 54 227 42

HSL 116.11, 0.77%, 0.53%

LAB 79.55, -73.68, 70.4

 

CMYK 81 / 0 / 65 / 11

HEX #2AE350

RGB 42 227 80

HSL 132.32, 0.77%, 0.53%

LAB 79.62, -72.2, 57.54

 

CMYK 81 / 0 / 43 / 11

HEX #2AE382

RGB 42 227 130

HSL 148.54, 0.77%, 0.53%

LAB 80.2, -65.2, 35.12

 

CMYK 81 / 0 / 21 / 11

HEX #2AE3B4

RGB 42 227 180

HSL 164.76, 0.77%, 0.53%

LAB 81.14, -54.74, 10.57

 

CMYK 81 / 1 / 0 / 11

HEX #2AE0E3

RGB 42 224 227

HSL 180.97, 0.77%, 0.53%

LAB 81.48, -40.94, -13.85

 

CMYK 76 / 0 / 81 / 11

HEX #36E32A

RGB 54 227 42

HSL 116.11, 0.77%, 0.53%

LAB 79.55, -73.68, 70.4

 

CMYK 85 / 0 / 91 / 4

HEX #26F617

RGB 38 246 23

HSL 115.96, 0.93%, 0.53%

LAB 85.19, -81.55, 79.02

 

CMYK 76 / 0 / 81 / 11

HEX #36E32A

RGB 54 227 42

HSL 116.11, 0.77%, 0.53%

LAB 79.55, -73.68, 70.4

 

CMYK 66 / 0 / 70 / 18

HEX #47D03E

RGB 71 208 62

HSL 116.3, 0.61%, 0.53%

LAB 74.06, -63.52, 58.81

 

CMYK 53 / 0 / 57 / 26

HEX #58BC51

RGB 88 188 81

HSL 116.07, 0.44%, 0.53%

LAB 68.49, -50.38, 44.71

 

CMYK 38 / 0 / 40 / 34

HEX #69A965

RGB 105 169 101

HSL 116.47, 0.28%, 0.53%

LAB 63.61, -34.45, 28.78

 

CMYK 18 / 0 / 19 / 42

HEX #7A9578

RGB 122 149 120

HSL 115.86, 0.12%, 0.53%

LAB 58.96, -15.37, 12.23

 

CMYK 33 / 0 / 81 / 11

HEX #99E32A

RGB 153 227 42

HSL 84, 0.77%, 0.53%

LAB 82.85, -48.21, 74.61

 

CMYK 54 / 0 / 81 / 11

HEX #68E32A

RGB 104 227 42

HSL 99.89, 0.77%, 0.53%

LAB 80.77, -63.57, 71.96

 

CMYK 76 / 0 / 81 / 11

HEX #37E32A

RGB 55 227 42

HSL 115.78, 0.77%, 0.53%

LAB 79.57, -73.54, 70.42

 

CMYK 81 / 0 / 65 / 11

HEX #2AE34F

RGB 42 227 79

HSL 132, 0.77%, 0.53%

LAB 79.61, -72.31, 57.93

 

CMYK 81 / 0 / 44 / 11

HEX #2AE380

RGB 42 227 128

HSL 147.89, 0.77%, 0.53%

LAB 80.17, -65.55, 36.08

 

CMYK 81 / 0 / 87 / 35

HEX #1FA615

RGB 31 166 21

HSL 115.86, 0.78%, 0.37%

LAB 59.54, -59.45, 57.29

 

CMYK 82 / 0 / 87 / 21

HEX #25CA1A

RGB 37 202 26

HSL 116.25, 0.77%, 0.45%

LAB 71.36, -69.22, 66.65

 

CMYK 76 / 0 / 81 / 11

HEX #36E32A

RGB 54 227 42

HSL 116.11, 0.77%, 0.53%

LAB 79.55, -73.68, 70.4

 

CMYK 62 / 0 / 66 / 9

HEX #59E84F

RGB 89 232 79

HSL 116.08, 0.77%, 0.61%

LAB 82.06, -66.37, 60.86

 

CMYK 48 / 0 / 51 / 7

HEX #7BEC73

RGB 123 236 115

HSL 116.03, 0.76%, 0.69%

LAB 84.71, -55.51, 48.49

 

CMYK 76 / 0 / 81 / 11

HEX #37E32B

RGB 55 227 43

HSL 116.09, 0.77%, 0.53%

LAB 79.57, -73.49, 70.17

 

CMYK 81 / 11 / 0 / 11

HEX #2ACAE3

RGB 42 202 227

HSL 188.11, 0.77%, 0.53%

LAB 75, -30.68, -23.65

 

CMYK 0 / 81 / 44 / 11

HEX #E32A80

RGB 227 42 128

HSL 332.11, 0.77%, 0.53%

LAB 51.32, 72.94, -1.78

 

CMYK 76 / 0 / 81 / 11

HEX #37E32B

RGB 55 227 43

HSL 116.09, 0.77%, 0.53%

LAB 79.57, -73.49, 70.17

 

CMYK 81 / 76 / 0 / 11

HEX #2A37E3

RGB 42 55 227

HSL 235.78, 0.77%, 0.53%

LAB 35.54, 54.99, -86.59

 

CMYK 0 / 81 / 76 / 11

HEX #E32A37

RGB 227 42 55

HSL 355.78, 0.77%, 0.53%

LAB 49.81, 68.44, 40.04

 

CMYK 76 / 0 / 81 / 11

HEX #37E32B

RGB 55 227 43

HSL 116.09, 0.77%, 0.53%

LAB 79.57, -73.49, 70.17

 

CMYK 81 / 11 / 0 / 11

HEX #2ACAE3

RGB 42 202 227

HSL 188.11, 0.77%, 0.53%

LAB 75, -30.68, -23.65

 

CMYK 5 / 81 / 0 / 11

HEX #D72AE3

RGB 215 42 227

HSL 296.11, 0.77%, 0.53%

LAB 53.65, 82.77, -56.22

 

CMYK 0 / 70 / 81 / 11

HEX #E3432A

RGB 227 67 42

HSL 8.11, 0.77%, 0.53%

LAB 52.41, 60.42, 49.57

 

CMYK 76 / 0 / 81 / 11

HEX #37E32B

RGB 55 227 43

HSL 116.09, 0.77%, 0.53%

LAB 79.57, -73.49, 70.17

 

CMYK 81 / 35 / 0 / 11

HEX #2A93E3

RGB 42 147 227

HSL 205.95, 0.77%, 0.53%

LAB 58.89, -1.35, -48.71

 

CMYK 5 / 81 / 0 / 11

HEX #D72AE3

RGB 215 42 227

HSL 296.11, 0.77%, 0.53%

LAB 53.65, 82.77, -56.22

 

CMYK 0 / 46 / 81 / 11

HEX #E37A2A

RGB 227 122 42

HSL 25.95, 0.77%, 0.53%

LAB 62.01, 35.46, 58.38

 

Description

Color code: RGB 55 227 43 | qconv.com Color code: RGB 55 227 43 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 227 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 227 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 81 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 81% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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