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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 43 72 it is the complementary color RGB 199 212 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 43 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 43 72 shade: RGB 61 43 67, RGB 78 61 86, RGB 95 79 105, RGB 112 97 124 and RGB 129 115 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 43 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 43 72 shade: RGB 56 43 72, RGB 39 25 53, RGB 22 7 34 and RGB 5 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 43 72 shade: RGB 57 43 73, RGB 65 43 73, RGB 72 43 73, RGB 73 43 65 and RGB 73 43 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 43 72 shade: RGB 57 43 73, RGB 49 43 73 and RGB 43 43 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 43 72 shade matches the following richer shades: RGB 57 43 73, RGB 56 34 82, RGB 55 25 92, RGB 54 15 101 and RGB 53 6 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 43 72 shade: RGB 57 43 73, RGB 58 53 63, RGB 59 62 54, RGB 60 72 44 and RGB 61 81 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 43 72 shade: RGB 43 46 73, RGB 48 43 73, RGB 56 43 73, RGB 64 43 73 and RGB 72 43 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 43 72 shade: RGB 16 13 21, RGB 37 28 47, RGB 57 43 73, RGB 77 59 99 and RGB 97 74 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 43 72 shade: RGB 56 43 72, RGB 73 43 54 and RGB 43 73 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 43 72 shade: RGB 56 43 72, RGB 73 56 43 and RGB 43 73 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 43 72 shade: RGB 56 43 72, RGB 73 43 54, RGB 60 73 43 and RGB 43 73 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 43 72 shade: RGB 56 43 72, RGB 73 43 45, RGB 60 73 43 and RGB 43 73 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 40 / 0 / 72

HEX #382B48

RGB 56 43 72

HSL 266.9, 0.25%, 0.23%

LAB 20.19, 12.92, -15.87

 

Complementary color

CMYK 6 / 0 / 14 / 17

HEX #C7D4B7

RGB 199 212 183

HSL 86.9, 0.25%, 0.77%

LAB 83.26, -9.55, 12.86

 

CMYK 9 / 36 / 0 / 74

HEX #3D2B43

RGB 61 43 67

HSL 285, 0.22%, 0.22%

LAB 20.54, 13.5, -11.88

 

CMYK 9 / 29 / 0 / 66

HEX #4E3D56

RGB 78 61 86

HSL 280.8, 0.17%, 0.29%

LAB 28.46, 12.74, -12.21

 

CMYK 10 / 25 / 0 / 59

HEX #5F4F69

RGB 95 79 105

HSL 276.92, 0.14%, 0.36%

LAB 36.07, 12.11, -12.54

 

CMYK 10 / 22 / 0 / 51

HEX #70617C

RGB 112 97 124

HSL 273.33, 0.12%, 0.43%

LAB 43.43, 11.57, -12.89

 

CMYK 10 / 20 / 0 / 44

HEX #81738F

RGB 129 115 143

HSL 270, 0.11%, 0.51%

LAB 50.58, 11.1, -13.25

 

CMYK 22 / 40 / 0 / 72

HEX #382B48

RGB 56 43 72

HSL 266.9, 0.25%, 0.23%

LAB 20.19, 12.92, -15.87

 

CMYK 26 / 53 / 0 / 79

HEX #271935

RGB 39 25 53

HSL 270, 0.36%, 0.15%

LAB 11.85, 13.9, -15.81

 

CMYK 35 / 79 / 0 / 87

HEX #160722

RGB 22 7 34

HSL 273.33, 0.66%, 0.08%

LAB 3.96, 11.44, -14.18

 

CMYK 67 / 100 / 0 / 94

HEX #05000F

RGB 5 0 15

HSL 260, 1%, 0.03%

LAB 0.6, 3.5, -5.5

 

CMYK 22 / 41 / 0 / 71

HEX #392B49

RGB 57 43 73

HSL 268, 0.26%, 0.23%

LAB 20.36, 13.57, -16.27

 

CMYK 11 / 41 / 0 / 71

HEX #412B49

RGB 65 43 73

HSL 284, 0.26%, 0.23%

LAB 21.33, 16.52, -14.69

 

CMYK 1 / 41 / 0 / 71

HEX #482B49

RGB 72 43 73

HSL 298, 0.26%, 0.23%

LAB 22.25, 19.14, -13.18

 

CMYK 0 / 41 / 11 / 71

HEX #492B41

RGB 73 43 65

HSL 316, 0.26%, 0.23%

LAB 22.04, 17.8, -8.08

 

CMYK 0 / 41 / 22 / 71

HEX #492B39

RGB 73 43 57

HSL 332, 0.26%, 0.23%

LAB 21.72, 16.24, -3.09

 

CMYK 22 / 41 / 0 / 71

HEX #392B49

RGB 57 43 73

HSL 268, 0.26%, 0.23%

LAB 20.36, 13.57, -16.27

 

CMYK 33 / 41 / 0 / 71

HEX #312B49

RGB 49 43 73

HSL 252, 0.26%, 0.23%

LAB 19.48, 10.72, -17.71

 

CMYK 41 / 41 / 0 / 71

HEX #2B2B49

RGB 43 43 73

HSL 240, 0.26%, 0.23%

LAB 18.9, 8.7, -18.67

 

CMYK 22 / 41 / 0 / 71

HEX #392B49

RGB 57 43 73

HSL 268, 0.26%, 0.23%

LAB 20.36, 13.57, -16.27

 

CMYK 32 / 59 / 0 / 68

HEX #382252

RGB 56 34 82

HSL 267.5, 0.41%, 0.23%

LAB 18.34, 21.84, -25.55

 

CMYK 40 / 73 / 0 / 64

HEX #37195C

RGB 55 25 92

HSL 266.87, 0.57%, 0.23%

LAB 16.89, 30.01, -34.6

 

CMYK 47 / 85 / 0 / 60

HEX #360F65

RGB 54 15 101

HSL 267.21, 0.74%, 0.23%

LAB 15.83, 37.32, -42.32

 

CMYK 52 / 95 / 0 / 56

HEX #35066F

RGB 53 6 111

HSL 266.86, 0.9%, 0.23%

LAB 15.67, 43.06, -49.15

 

CMYK 22 / 41 / 0 / 71

HEX #392B49

RGB 57 43 73

HSL 268, 0.26%, 0.23%

LAB 20.36, 13.57, -16.27

 

CMYK 8 / 16 / 0 / 75

HEX #3A353F

RGB 58 53 63

HSL 270, 0.09%, 0.23%

LAB 23.01, 4.51, -5.44

 

CMYK 5 / 0 / 13 / 76

HEX #3B3E36

RGB 59 62 54

HSL 82.5, 0.07%, 0.23%

LAB 25.69, -3.03, 4.49

 

CMYK 17 / 0 / 39 / 72

HEX #3C482C

RGB 60 72 44

HSL 85.71, 0.24%, 0.23%

LAB 28.84, -10.61, 15.25

 

CMYK 25 / 0 / 57 / 68

HEX #3D5123

RGB 61 81 35

HSL 86.09, 0.4%, 0.23%

LAB 31.8, -16.6, 24.33

 

CMYK 41 / 37 / 0 / 71

HEX #2B2E49

RGB 43 46 73

HSL 234, 0.26%, 0.23%

LAB 19.84, 6.57, -17.19

 

CMYK 34 / 41 / 0 / 71

HEX #302B49

RGB 48 43 73

HSL 250, 0.26%, 0.23%

LAB 19.38, 10.38, -17.87

 

CMYK 23 / 41 / 0 / 71

HEX #382B49

RGB 56 43 73

HSL 266, 0.26%, 0.23%

LAB 20.24, 13.2, -16.46

 

CMYK 12 / 41 / 0 / 71

HEX #402B49

RGB 64 43 73

HSL 282, 0.26%, 0.23%

LAB 21.2, 16.14, -14.89

 

CMYK 1 / 41 / 0 / 71

HEX #482B49

RGB 72 43 73

HSL 298, 0.26%, 0.23%

LAB 22.25, 19.14, -13.18

 

CMYK 24 / 38 / 0 / 92

HEX #100D15

RGB 16 13 21

HSL 262.5, 0.24%, 0.07%

LAB 4.08, 2.59, -3.98

 

CMYK 21 / 40 / 0 / 82

HEX #251C2F

RGB 37 28 47

HSL 268.42, 0.25%, 0.15%

LAB 12.15, 9.2, -11.03

 

CMYK 22 / 41 / 0 / 71

HEX #392B49

RGB 57 43 73

HSL 268, 0.26%, 0.23%

LAB 20.36, 13.57, -16.27

 

CMYK 22 / 40 / 0 / 61

HEX #4D3B63

RGB 77 59 99

HSL 267, 0.25%, 0.31%

LAB 28.4, 16.98, -20.72

 

CMYK 22 / 40 / 0 / 51

HEX #614A7C

RGB 97 74 124

HSL 267.6, 0.25%, 0.39%

LAB 35.78, 20.6, -24.8

 

CMYK 22 / 40 / 0 / 72

HEX #382B48

RGB 56 43 72

HSL 266.9, 0.25%, 0.23%

LAB 20.19, 12.92, -15.87

 

CMYK 0 / 41 / 26 / 71

HEX #492B36

RGB 73 43 54

HSL 338, 0.26%, 0.23%

LAB 21.62, 15.7, -1.2

 

CMYK 41 / 0 / 40 / 71

HEX #2B492C

RGB 43 73 44

HSL 122, 0.26%, 0.23%

LAB 28.01, -18.22, 13.93

 

CMYK 22 / 40 / 0 / 72

HEX #382B48

RGB 56 43 72

HSL 266.9, 0.25%, 0.23%

LAB 20.19, 12.92, -15.87

 

CMYK 0 / 23 / 41 / 71

HEX #49382B

RGB 73 56 43

HSL 26, 0.26%, 0.23%

LAB 25.01, 5.41, 11.01

 

CMYK 41 / 0 / 23 / 71

HEX #2B4938

RGB 43 73 56

HSL 146, 0.26%, 0.23%

LAB 28.29, -15.63, 6.7

 

CMYK 22 / 40 / 0 / 72

HEX #382B48

RGB 56 43 72

HSL 266.9, 0.25%, 0.23%

LAB 20.19, 12.92, -15.87

 

CMYK 0 / 41 / 26 / 71

HEX #492B36

RGB 73 43 54

HSL 338, 0.26%, 0.23%

LAB 21.62, 15.7, -1.2

 

CMYK 18 / 0 / 41 / 71

HEX #3C492B

RGB 60 73 43

HSL 86, 0.26%, 0.23%

LAB 29.16, -11.36, 16.29

 

CMYK 41 / 0 / 15 / 71

HEX #2B493E

RGB 43 73 62

HSL 158, 0.26%, 0.23%

LAB 28.45, -14.15, 3.07

 

CMYK 22 / 40 / 0 / 72

HEX #382B48

RGB 56 43 72

HSL 266.9, 0.25%, 0.23%

LAB 20.19, 12.92, -15.87

 

CMYK 0 / 41 / 38 / 71

HEX #492B2D

RGB 73 43 45

HSL 356, 0.26%, 0.23%

LAB 21.33, 14.22, 4.57

 

CMYK 18 / 0 / 41 / 71

HEX #3C492B

RGB 60 73 43

HSL 86, 0.26%, 0.23%

LAB 29.16, -11.36, 16.29

 

CMYK 41 / 0 / 3 / 71

HEX #2B4947

RGB 43 73 71

HSL 176, 0.26%, 0.23%

LAB 28.73, -11.7, -2.35

 

Description

Color code: RGB 56 43 72 | qconv.com Color code: RGB 56 43 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 43 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 43 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 40 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 40% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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