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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 65 117 it is the complementary color RGB 199 190 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 65 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 65 117 shade: RGB 61 65 112, RGB 78 83 131, RGB 95 101 150, RGB 112 119 169 and RGB 129 137 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 65 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 39 47 98, RGB 22 29 79, RGB 5 11 60 and RGB 0 0 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 63 56 117, RGB 80 56 117, RGB 96 56 117 and RGB 112 56 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 65 117 shade: RGB 56 65 117 and RGB 56 56 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 65 117 shade matches the following richer shades: RGB 56 65 117, RGB 42 55 131, RGB 28 45 145, RGB 14 35 159 and RGB 0 25 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 70 75 103, RGB 84 85 88, RGB 98 94 74 and RGB 112 104 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 65 117 shade: RGB 56 97 117, RGB 56 81 117, RGB 56 65 117, RGB 63 56 117 and RGB 79 56 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 65 117 shade: RGB 29 34 61, RGB 42 49 89, RGB 56 65 117, RGB 69 80 144 and RGB 83 96 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 117 56 114 and RGB 89 117 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 117 56 65 and RGB 65 117 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 117 56 114, RGB 117 107 56 and RGB 56 117 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 65 117 shade: RGB 56 65 117, RGB 117 56 95, RGB 117 107 56 and RGB 56 117 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

Complementary color

CMYK 0 / 5 / 31 / 22

HEX #C7BE8A

RGB 199 190 138

HSL 51.15, 0.35%, 0.66%

LAB 76.56, -4.83, 27.45

 

CMYK 46 / 42 / 0 / 56

HEX #3D4170

RGB 61 65 112

HSL 235.29, 0.29%, 0.34%

LAB 29.27, 11.83, -27.76

 

CMYK 40 / 37 / 0 / 49

HEX #4E5383

RGB 78 83 131

HSL 234.34, 0.25%, 0.41%

LAB 36.83, 10.92, -27.6

 

CMYK 37 / 33 / 0 / 41

HEX #5F6596

RGB 95 101 150

HSL 233.45, 0.22%, 0.48%

LAB 44.15, 10.2, -27.53

 

CMYK 34 / 30 / 0 / 34

HEX #7077A9

RGB 112 119 169

HSL 232.63, 0.25%, 0.55%

LAB 51.27, 9.6, -27.52

 

CMYK 31 / 27 / 0 / 26

HEX #8189BC

RGB 129 137 188

HSL 231.86, 0.31%, 0.62%

LAB 58.22, 9.09, -27.57

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 60 / 52 / 0 / 62

HEX #272F62

RGB 39 47 98

HSL 231.86, 0.43%, 0.27%

LAB 21.38, 13.63, -31.41

 

CMYK 72 / 63 / 0 / 69

HEX #161D4F

RGB 22 29 79

HSL 232.63, 0.56%, 0.2%

LAB 13.31, 15.74, -31.78

 

CMYK 92 / 82 / 0 / 76

HEX #050B3C

RGB 5 11 60

HSL 233.45, 0.85%, 0.13%

LAB 5.4, 17.24, -31.41

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 46 / 52 / 0 / 54

HEX #3F3875

RGB 63 56 117

HSL 246.89, 0.35%, 0.34%

LAB 27.21, 20.03, -34.19

 

CMYK 32 / 52 / 0 / 54

HEX #503875

RGB 80 56 117

HSL 263.61, 0.35%, 0.34%

LAB 28.95, 24.77, -31.31

 

CMYK 18 / 52 / 0 / 54

HEX #603875

RGB 96 56 117

HSL 279.34, 0.35%, 0.34%

LAB 30.88, 29.57, -28.14

 

CMYK 4 / 52 / 0 / 54

HEX #703875

RGB 112 56 117

HSL 295.08, 0.35%, 0.34%

LAB 33.04, 34.51, -24.58

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 52 / 52 / 0 / 54

HEX #383875

RGB 56 56 117

HSL 240, 0.35%, 0.34%

LAB 26.6, 18.25, -35.2

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 68 / 58 / 0 / 49

HEX #2A3783

RGB 42 55 131

HSL 231.24, 0.51%, 0.34%

LAB 26.34, 21.1, -44.49

 

CMYK 81 / 69 / 0 / 43

HEX #1C2D91

RGB 28 45 145

HSL 231.28, 0.68%, 0.34%

LAB 24.22, 31.41, -56.69

 

CMYK 91 / 78 / 0 / 38

HEX #0E239F

RGB 14 35 159

HSL 231.31, 0.84%, 0.34%

LAB 22.99, 41.9, -67.33

 

CMYK 100 / 86 / 0 / 32

HEX #0019AD

RGB 0 25 173

HSL 231.33, 1%, 0.34%

LAB 22.7, 51.32, -76.32

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 32 / 27 / 0 / 60

HEX #464B67

RGB 70 75 103

HSL 230.91, 0.19%, 0.34%

LAB 32.51, 5.27, -16.94

 

CMYK 5 / 3 / 0 / 65

HEX #545558

RGB 84 85 88

HSL 225, 0.02%, 0.34%

LAB 36.15, 0.26, -1.89

 

CMYK 0 / 4 / 24 / 62

HEX #625E4A

RGB 98 94 74

HSL 50, 0.14%, 0.34%

LAB 39.74, -2.08, 12.07

 

CMYK 0 / 7 / 46 / 56

HEX #70683C

RGB 112 104 60

HSL 50.77, 0.3%, 0.34%

LAB 43.76, -3.66, 25.85

 

CMYK 52 / 17 / 0 / 54

HEX #386175

RGB 56 97 117

HSL 199.67, 0.35%, 0.34%

LAB 39.03, -8.31, -15.72

 

CMYK 52 / 31 / 0 / 54

HEX #385175

RGB 56 81 117

HSL 215.41, 0.35%, 0.34%

LAB 34, 1.6, -23.48

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 46 / 52 / 0 / 54

HEX #3F3875

RGB 63 56 117

HSL 246.89, 0.35%, 0.34%

LAB 27.21, 20.03, -34.19

 

CMYK 32 / 52 / 0 / 54

HEX #4F3875

RGB 79 56 117

HSL 262.62, 0.35%, 0.34%

LAB 28.84, 24.47, -31.5

 

CMYK 52 / 44 / 0 / 76

HEX #1D223D

RGB 29 34 61

HSL 230.63, 0.36%, 0.18%

LAB 14.07, 6.58, -18.06

 

CMYK 53 / 45 / 0 / 65

HEX #2A3159

RGB 42 49 89

HSL 231.06, 0.36%, 0.26%

LAB 21.62, 9.67, -25.1

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 52 / 44 / 0 / 44

HEX #455090

RGB 69 80 144

HSL 231.2, 0.35%, 0.42%

LAB 36.02, 14.61, -36.86

 

CMYK 52 / 44 / 0 / 33

HEX #5360AC

RGB 83 96 172

HSL 231.24, 0.35%, 0.5%

LAB 43.04, 16.9, -42.37

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 0 / 52 / 3 / 54

HEX #753872

RGB 117 56 114

HSL 302.95, 0.35%, 0.34%

LAB 33.62, 35.48, -21.74

 

CMYK 24 / 0 / 52 / 54

HEX #597538

RGB 89 117 56

HSL 87.54, 0.35%, 0.34%

LAB 45.81, -21.35, 30.17

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 0 / 52 / 44 / 54

HEX #753841

RGB 117 56 65

HSL 351.15, 0.35%, 0.34%

LAB 31.79, 27.71, 6.97

 

CMYK 44 / 0 / 52 / 54

HEX #417538

RGB 65 117 56

HSL 111.15, 0.35%, 0.34%

LAB 44.42, -30.41, 28.15

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 0 / 52 / 3 / 54

HEX #753872

RGB 117 56 114

HSL 302.95, 0.35%, 0.34%

LAB 33.62, 35.48, -21.74

 

CMYK 0 / 9 / 52 / 54

HEX #756B38

RGB 117 107 56

HSL 50.16, 0.35%, 0.34%

LAB 45.06, -3.55, 29.78

 

CMYK 52 / 0 / 50 / 54

HEX #38753B

RGB 56 117 59

HSL 122.95, 0.35%, 0.34%

LAB 44.06, -32.84, 25.98

 

CMYK 52 / 44 / 0 / 54

HEX #384175

RGB 56 65 117

HSL 231.15, 0.35%, 0.34%

LAB 29.17, 12.16, -31.09

 

CMYK 0 / 52 / 19 / 54

HEX #75385F

RGB 117 56 95

HSL 321.64, 0.35%, 0.34%

LAB 32.78, 32.03, -10.96

 

CMYK 0 / 9 / 52 / 54

HEX #756B38

RGB 117 107 56

HSL 50.16, 0.35%, 0.34%

LAB 45.06, -3.55, 29.78

 

CMYK 52 / 0 / 34 / 54

HEX #38754D

RGB 56 117 77

HSL 140.66, 0.35%, 0.34%

LAB 44.37, -29.57, 16.17

 

Description

Color code: RGB 56 65 117 | qconv.com Color code: RGB 56 65 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 65 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 65 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 44 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 44% 0% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Penta Security
Link: http://www.pentasecurity.cl

15% - League of Legends Ga...
Link: http://www.lolskill.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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