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Color name
RGB 56 88 51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 88 51 it is the complementary color RGB 199 167 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 88 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 88 51 shade: RGB 61 88 46, RGB 78 106 65, RGB 95 124 84, RGB 112 142 103 and RGB 129 160 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 88 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 88 51 shade: RGB 56 88 51, RGB 39 70 32, RGB 22 52 13, RGB 5 34 0 and RGB 0 16 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 88 51 shade: RGB 55 87 50, RGB 65 87 50, RGB 75 87 50, RGB 85 87 50 and RGB 87 79 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 88 51 shade: RGB 55 87 50, RGB 50 87 55, RGB 50 87 65, RGB 50 87 75 and RGB 50 87 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 88 51 shade matches the following richer shades: RGB 55 87 50, RGB 47 98 39, RGB 39 109 27, RGB 30 120 16 and RGB 22 131 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 88 51 shade: RGB 55 87 50, RGB 63 76 61, RGB 71 65 72, RGB 79 54 83 and RGB 87 42 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 88 51 shade: RGB 75 87 50, RGB 65 87 50, RGB 55 87 50, RGB 50 87 54 and RGB 50 87 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 88 51 shade: RGB 22 35 20, RGB 38 61 35, RGB 55 87 50, RGB 71 113 65 and RGB 88 139 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 88 51 shade: RGB 56 88 51, RGB 50 85 87 and RGB 87 50 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 88 51 shade: RGB 56 88 51, RGB 50 55 87 and RGB 87 50 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 88 51 shade: RGB 56 88 51, RGB 50 85 87, RGB 81 50 87 and RGB 87 52 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 88 51 shade: RGB 56 88 51, RGB 50 74 87, RGB 81 50 87 and RGB 87 63 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 42 / 65

HEX #385833

RGB 56 88 51

HSL 111.89, 0.27%, 0.27%

LAB 34.11, -20.06, 17.83

 

Complementary color

CMYK 2 / 18 / 0 / 20

HEX #C7A7CC

RGB 199 167 204

HSL 291.89, 0.27%, 0.73%

LAB 72.32, 18.22, -14.47

 

CMYK 31 / 0 / 48 / 65

HEX #3D582E

RGB 61 88 46

HSL 98.57, 0.31%, 0.26%

LAB 34.33, -18.89, 21.13

 

CMYK 26 / 0 / 39 / 58

HEX #4E6A41

RGB 78 106 65

HSL 100.98, 0.24%, 0.34%

LAB 41.7, -18.73, 19.79

 

CMYK 23 / 0 / 32 / 51

HEX #5F7C54

RGB 95 124 84

HSL 103.5, 0.19%, 0.41%

LAB 48.87, -18.56, 18.55

 

CMYK 21 / 0 / 27 / 44

HEX #708E67

RGB 112 142 103

HSL 106.15, 0.16%, 0.48%

LAB 55.86, -18.39, 17.42

 

CMYK 19 / 0 / 24 / 37

HEX #81A07A

RGB 129 160 122

HSL 108.95, 0.17%, 0.55%

LAB 62.69, -18.23, 16.36

 

CMYK 36 / 0 / 42 / 65

HEX #385833

RGB 56 88 51

HSL 111.89, 0.27%, 0.27%

LAB 34.11, -20.06, 17.83

 

CMYK 44 / 0 / 54 / 73

HEX #274620

RGB 39 70 32

HSL 108.95, 0.37%, 0.2%

LAB 26.49, -20.25, 19.27

 

CMYK 58 / 0 / 75 / 80

HEX #16340D

RGB 22 52 13

HSL 106.15, 0.6%, 0.13%

LAB 18.61, -20.19, 20.54

 

CMYK 85 / 0 / 100 / 87

HEX #052200

RGB 5 34 0

HSL 111.18, 1%, 0.07%

LAB 10.38, -18.75, 15.13

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 37 / 0 / 43 / 66

HEX #375732

RGB 55 87 50

HSL 111.89, 0.27%, 0.27%

LAB 33.69, -20.08, 17.87

 

CMYK 25 / 0 / 43 / 66

HEX #415732

RGB 65 87 50

HSL 95.68, 0.27%, 0.27%

LAB 34.34, -16.08, 18.84

 

CMYK 14 / 0 / 43 / 66

HEX #4B5732

RGB 75 87 50

HSL 79.46, 0.27%, 0.27%

LAB 35.09, -11.77, 19.96

 

CMYK 2 / 0 / 43 / 66

HEX #555732

RGB 85 87 50

HSL 63.24, 0.27%, 0.27%

LAB 35.94, -7.26, 21.22

 

CMYK 0 / 9 / 43 / 66

HEX #574F32

RGB 87 79 50

HSL 47.03, 0.27%, 0.27%

LAB 33.67, -1.52, 18.34

 

CMYK 37 / 0 / 43 / 66

HEX #375732

RGB 55 87 50

HSL 111.89, 0.27%, 0.27%

LAB 33.69, -20.08, 17.87

 

CMYK 43 / 0 / 37 / 66

HEX #325737

RGB 50 87 55

HSL 128.11, 0.27%, 0.27%

LAB 33.5, -20.99, 14.55

 

CMYK 43 / 0 / 25 / 66

HEX #325741

RGB 50 87 65

HSL 144.32, 0.27%, 0.27%

LAB 33.72, -18.87, 8.7

 

CMYK 43 / 0 / 14 / 66

HEX #32574B

RGB 50 87 75

HSL 160.54, 0.27%, 0.27%

LAB 33.99, -16.45, 2.82

 

CMYK 43 / 0 / 2 / 66

HEX #325755

RGB 50 87 85

HSL 176.76, 0.27%, 0.27%

LAB 34.29, -13.76, -3.01

 

CMYK 37 / 0 / 43 / 66

HEX #375732

RGB 55 87 50

HSL 111.89, 0.27%, 0.27%

LAB 33.69, -20.08, 17.87

 

CMYK 52 / 0 / 60 / 62

HEX #2F6227

RGB 47 98 39

HSL 111.86, 0.43%, 0.27%

LAB 36.9, -29.99, 27.99

 

CMYK 64 / 0 / 75 / 57

HEX #276D1B

RGB 39 109 27

HSL 111.22, 0.6%, 0.27%

LAB 40.32, -38.28, 37.36

 

CMYK 75 / 0 / 87 / 53

HEX #1E7810

RGB 30 120 16

HSL 111.92, 0.76%, 0.27%

LAB 43.87, -45.07, 44.49

 

CMYK 83 / 0 / 96 / 49

HEX #168305

RGB 22 131 5

HSL 111.9, 0.93%, 0.27%

LAB 47.51, -50.39, 50.02

 

CMYK 37 / 0 / 43 / 66

HEX #375732

RGB 55 87 50

HSL 111.89, 0.27%, 0.27%

LAB 33.69, -20.08, 17.87

 

CMYK 17 / 0 / 20 / 70

HEX #3F4C3D

RGB 63 76 61

HSL 112, 0.11%, 0.27%

LAB 30.79, -8.56, 7.22

 

CMYK 1 / 10 / 0 / 72

HEX #474148

RGB 71 65 72

HSL 291.43, 0.05%, 0.27%

LAB 28.35, 4.08, -3.32

 

CMYK 5 / 35 / 0 / 67

HEX #4F3653

RGB 79 54 83

HSL 291.72, 0.21%, 0.27%

LAB 26.52, 16.96, -13.2

 

CMYK 7 / 55 / 0 / 63

HEX #572A5E

RGB 87 42 94

HSL 291.92, 0.38%, 0.27%

LAB 25.23, 29.64, -22.34

 

CMYK 14 / 0 / 43 / 66

HEX #4B5732

RGB 75 87 50

HSL 79.46, 0.27%, 0.27%

LAB 35.09, -11.77, 19.96

 

CMYK 25 / 0 / 43 / 66

HEX #415732

RGB 65 87 50

HSL 95.68, 0.27%, 0.27%

LAB 34.34, -16.08, 18.84

 

CMYK 37 / 0 / 43 / 66

HEX #375732

RGB 55 87 50

HSL 111.89, 0.27%, 0.27%

LAB 33.69, -20.08, 17.87

 

CMYK 43 / 0 / 38 / 66

HEX #325736

RGB 50 87 54

HSL 126.49, 0.27%, 0.27%

LAB 33.48, -21.18, 15.13

 

CMYK 43 / 0 / 26 / 66

HEX #325740

RGB 50 87 64

HSL 142.7, 0.27%, 0.27%

LAB 33.7, -19.1, 9.28

 

CMYK 37 / 0 / 43 / 86

HEX #162314

RGB 22 35 20

HSL 112, 0.27%, 0.11%

LAB 12.11, -9.52, 8.28

 

CMYK 38 / 0 / 43 / 76

HEX #263D23

RGB 38 61 35

HSL 113.08, 0.27%, 0.19%

LAB 23.24, -15.24, 13.25

 

CMYK 37 / 0 / 43 / 66

HEX #375732

RGB 55 87 50

HSL 111.89, 0.27%, 0.27%

LAB 33.69, -20.08, 17.87

 

CMYK 37 / 0 / 42 / 56

HEX #477141

RGB 71 113 65

HSL 112.5, 0.27%, 0.35%

LAB 43.55, -25, 22.12

 

CMYK 37 / 0 / 42 / 45

HEX #588B50

RGB 88 139 80

HSL 111.86, 0.27%, 0.43%

LAB 53.08, -29.34, 26.26

 

CMYK 36 / 0 / 42 / 65

HEX #385833

RGB 56 88 51

HSL 111.89, 0.27%, 0.27%

LAB 34.11, -20.06, 17.83

 

CMYK 43 / 2 / 0 / 66

HEX #325557

RGB 50 85 87

HSL 183.24, 0.27%, 0.27%

LAB 33.7, -12.03, -5.16

 

CMYK 0 / 43 / 20 / 66

HEX #573246

RGB 87 50 70

HSL 327.57, 0.27%, 0.27%

LAB 26.01, 19.95, -5.27

 

CMYK 36 / 0 / 42 / 65

HEX #385833

RGB 56 88 51

HSL 111.89, 0.27%, 0.27%

LAB 34.11, -20.06, 17.83

 

CMYK 43 / 37 / 0 / 66

HEX #323757

RGB 50 55 87

HSL 231.89, 0.27%, 0.27%

LAB 23.99, 7.17, -19.98

 

CMYK 0 / 43 / 37 / 66

HEX #573237

RGB 87 50 55

HSL 351.89, 0.27%, 0.27%

LAB 25.51, 17.47, 4.02

 

CMYK 36 / 0 / 42 / 65

HEX #385833

RGB 56 88 51

HSL 111.89, 0.27%, 0.27%

LAB 34.11, -20.06, 17.83

 

CMYK 43 / 2 / 0 / 66

HEX #325557

RGB 50 85 87

HSL 183.24, 0.27%, 0.27%

LAB 33.7, -12.03, -5.16

 

CMYK 7 / 43 / 0 / 66

HEX #513257

RGB 81 50 87

HSL 290.27, 0.27%, 0.27%

LAB 25.92, 21.18, -16.74

 

CMYK 0 / 40 / 43 / 66

HEX #573432

RGB 87 52 50

HSL 3.24, 0.27%, 0.27%

LAB 25.9, 15.5, 7.9

 

CMYK 36 / 0 / 42 / 65

HEX #385833

RGB 56 88 51

HSL 111.89, 0.27%, 0.27%

LAB 34.11, -20.06, 17.83

 

CMYK 43 / 15 / 0 / 66

HEX #324A57

RGB 50 74 87

HSL 201.08, 0.27%, 0.27%

LAB 30.07, -5.36, -10.62

 

CMYK 7 / 43 / 0 / 66

HEX #513257

RGB 81 50 87

HSL 290.27, 0.27%, 0.27%

LAB 25.92, 21.18, -16.74

 

CMYK 0 / 28 / 43 / 66

HEX #573F32

RGB 87 63 50

HSL 21.08, 0.27%, 0.27%

LAB 28.93, 8.5, 12.06

 

Description

Color code: RGB 56 88 51 | qconv.com Color code: RGB 56 88 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 88 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 88 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 42 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 42% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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