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Color name
RGB 56 126 10

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 126 10 it is the complementary color RGB 199 129 245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 126 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 126 10 shade: RGB 61 126 5, RGB 78 144 24, RGB 95 162 43, RGB 112 180 62 and RGB 129 198 81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 126 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 126 10 shade: RGB 56 126 10, RGB 39 108 0, RGB 22 90 0, RGB 5 72 0 and RGB 0 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 126 10 shade: RGB 56 127 10, RGB 88 127 10, RGB 119 127 10, RGB 127 103 10 and RGB 127 71 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 126 10 shade: RGB 56 127 10, RGB 25 127 10, RGB 10 127 27, RGB 10 127 58 and RGB 10 127 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 126 10 shade matches the following richer shades: RGB 56 127 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 126 10 shade: RGB 56 127 10, RGB 59 116 21, RGB 61 105 32, RGB 63 93 43 and RGB 65 82 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 126 10 shade: RGB 119 127 10, RGB 88 127 10, RGB 57 127 10, RGB 25 127 10 and RGB 10 127 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 126 10 shade: RGB 22 51 4, RGB 39 89 7, RGB 56 127 10, RGB 73 165 13 and RGB 90 203 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 126 10 shade: RGB 56 126 10, RGB 10 127 103 and RGB 127 10 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 126 10 shade: RGB 56 126 10, RGB 10 57 127 and RGB 127 10 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 126 10 shade: RGB 56 126 10, RGB 10 127 103, RGB 80 10 127 and RGB 127 10 33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 126 10 shade: RGB 56 126 10, RGB 10 115 127, RGB 80 10 127 and RGB 127 22 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 92 / 51

HEX #387E0A

RGB 56 126 10

HSL 96.21, 0.85%, 0.27%

LAB 46.69, -41.09, 48.69

 

Complementary color

CMYK 19 / 47 / 0 / 4

HEX #C781F5

RGB 199 129 245

HSL 276.21, 0.85%, 0.73%

LAB 65.31, 47.39, -47.87

 

CMYK 52 / 0 / 96 / 51

HEX #3D7E05

RGB 61 126 5

HSL 92.23, 0.92%, 0.26%

LAB 46.88, -39.69, 49.93

 

CMYK 46 / 0 / 83 / 44

HEX #4E9018

RGB 78 144 24

HSL 93, 0.71%, 0.33%

LAB 53.63, -40.7, 51.74

 

CMYK 41 / 0 / 73 / 36

HEX #5FA22B

RGB 95 162 43

HSL 93.78, 0.58%, 0.4%

LAB 60.29, -41.31, 52.09

 

CMYK 38 / 0 / 66 / 29

HEX #70B43E

RGB 112 180 62

HSL 94.58, 0.49%, 0.47%

LAB 66.85, -41.65, 51.62

 

CMYK 35 / 0 / 59 / 22

HEX #81C651

RGB 129 198 81

HSL 95.38, 0.51%, 0.55%

LAB 73.32, -41.81, 50.76

 

CMYK 56 / 0 / 92 / 51

HEX #387E0A

RGB 56 126 10

HSL 96.21, 0.85%, 0.27%

LAB 46.69, -41.09, 48.69

 

CMYK 64 / 0 / 100 / 58

HEX #276C00

RGB 39 108 0

HSL 98.33, 1%, 0.21%

LAB 39.84, -39.44, 45.08

 

CMYK 76 / 0 / 100 / 65

HEX #165A00

RGB 22 90 0

HSL 105.33, 1%, 0.18%

LAB 32.88, -36.97, 39.35

 

CMYK 93 / 0 / 100 / 72

HEX #054800

RGB 5 72 0

HSL 115.83, 1%, 0.14%

LAB 25.76, -33.74, 33.33

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 56 / 0 / 92 / 50

HEX #387F0A

RGB 56 127 10

HSL 96.41, 0.85%, 0.27%

LAB 47.03, -41.48, 48.98

 

CMYK 31 / 0 / 92 / 50

HEX #587F0A

RGB 88 127 10

HSL 80, 0.85%, 0.27%

LAB 48.61, -29.97, 50.94

 

CMYK 6 / 0 / 92 / 50

HEX #777F0A

RGB 119 127 10

HSL 64.1, 0.85%, 0.27%

LAB 50.83, -16.36, 53.67

 

CMYK 0 / 19 / 92 / 50

HEX #7F670A

RGB 127 103 10

HSL 47.69, 0.85%, 0.27%

LAB 44.57, 0.82, 49.02

 

CMYK 0 / 44 / 92 / 50

HEX #7F470A

RGB 127 71 10

HSL 31.28, 0.85%, 0.27%

LAB 36.06, 19.7, 42.36

 

CMYK 56 / 0 / 92 / 50

HEX #387F0A

RGB 56 127 10

HSL 96.41, 0.85%, 0.27%

LAB 47.03, -41.48, 48.98

 

CMYK 80 / 0 / 92 / 50

HEX #197F0A

RGB 25 127 10

HSL 112.31, 0.85%, 0.27%

LAB 46.19, -48.51, 47.93

 

CMYK 92 / 0 / 79 / 50

HEX #0A7F1B

RGB 10 127 27

HSL 128.72, 0.85%, 0.27%

LAB 46.07, -49.23, 42.96

 

CMYK 92 / 0 / 54 / 50

HEX #0A7F3A

RGB 10 127 58

HSL 144.62, 0.85%, 0.27%

LAB 46.38, -45.46, 29.15

 

CMYK 92 / 0 / 29 / 50

HEX #0A7F5A

RGB 10 127 90

HSL 161.03, 0.85%, 0.27%

LAB 46.95, -38.81, 11.97

 

CMYK 56 / 0 / 92 / 50

HEX #387F0A

RGB 56 127 10

HSL 96.41, 0.85%, 0.27%

LAB 47.03, -41.48, 48.98

 

CMYK 56 / 0 / 92 / 50

HEX #387F0A

RGB 56 127 10

HSL 96.41, 0.85%, 0.27%

LAB 47.03, -41.48, 48.98

 

CMYK 49 / 0 / 82 / 55

HEX #3B7415

RGB 59 116 21

HSL 96, 0.69%, 0.27%

LAB 43.47, -35.54, 42.95

 

CMYK 42 / 0 / 70 / 59

HEX #3D6920

RGB 61 105 32

HSL 96.16, 0.53%, 0.27%

LAB 39.91, -29.09, 35.03

 

CMYK 32 / 0 / 54 / 64

HEX #3F5D2B

RGB 63 93 43

HSL 96, 0.37%, 0.27%

LAB 36.1, -21.15, 25.06

 

CMYK 21 / 0 / 34 / 68

HEX #415236

RGB 65 82 54

HSL 96.43, 0.21%, 0.27%

LAB 32.75, -12.59, 14.33

 

CMYK 6 / 0 / 92 / 50

HEX #777F0A

RGB 119 127 10

HSL 64.1, 0.85%, 0.27%

LAB 50.83, -16.36, 53.67

 

CMYK 31 / 0 / 92 / 50

HEX #587F0A

RGB 88 127 10

HSL 80, 0.85%, 0.27%

LAB 48.61, -29.97, 50.94

 

CMYK 55 / 0 / 92 / 50

HEX #397F0A

RGB 57 127 10

HSL 95.9, 0.85%, 0.27%

LAB 47.07, -41.18, 49.03

 

CMYK 80 / 0 / 92 / 50

HEX #197F0A

RGB 25 127 10

HSL 112.31, 0.85%, 0.27%

LAB 46.19, -48.51, 47.93

 

CMYK 92 / 0 / 80 / 50

HEX #0A7F19

RGB 10 127 25

HSL 127.69, 0.85%, 0.27%

LAB 46.06, -49.39, 43.65

 

CMYK 57 / 0 / 92 / 80

HEX #163304

RGB 22 51 4

HSL 97.02, 0.85%, 0.11%

LAB 18.13, -20.68, 23.74

 

CMYK 56 / 0 / 92 / 65

HEX #275907

RGB 39 89 7

HSL 96.59, 0.85%, 0.19%

LAB 33.12, -31.54, 37.48

 

CMYK 56 / 0 / 92 / 50

HEX #387F0A

RGB 56 127 10

HSL 96.41, 0.85%, 0.27%

LAB 47.03, -41.48, 48.98

 

CMYK 56 / 0 / 92 / 35

HEX #49A50D

RGB 73 165 13

HSL 96.32, 0.85%, 0.35%

LAB 60.21, -50.83, 59.79

 

CMYK 56 / 0 / 92 / 20

HEX #5ACB10

RGB 90 203 16

HSL 96.26, 0.85%, 0.43%

LAB 72.84, -59.76, 70.08

 

CMYK 56 / 0 / 92 / 51

HEX #387E0A

RGB 56 126 10

HSL 96.21, 0.85%, 0.27%

LAB 46.69, -41.09, 48.69

 

CMYK 92 / 0 / 19 / 50

HEX #0A7F67

RGB 10 127 103

HSL 167.69, 0.85%, 0.27%

LAB 47.27, -35.38, 4.81

 

CMYK 0 / 92 / 19 / 50

HEX #7F0A67

RGB 127 10 103

HSL 312.31, 0.85%, 0.27%

LAB 28.66, 53.4, -22.32

 

CMYK 56 / 0 / 92 / 51

HEX #387E0A

RGB 56 126 10

HSL 96.21, 0.85%, 0.27%

LAB 46.69, -41.09, 48.69

 

CMYK 92 / 55 / 0 / 50

HEX #0A397F

RGB 10 57 127

HSL 215.9, 0.85%, 0.27%

LAB 25.33, 14.29, -43.68

 

CMYK 0 / 92 / 55 / 50

HEX #7F0A39

RGB 127 10 57

HSL 335.9, 0.85%, 0.27%

LAB 26.8, 48.35, 5.51

 

CMYK 56 / 0 / 92 / 51

HEX #387E0A

RGB 56 126 10

HSL 96.21, 0.85%, 0.27%

LAB 46.69, -41.09, 48.69

 

CMYK 92 / 0 / 19 / 50

HEX #0A7F67

RGB 10 127 103

HSL 167.69, 0.85%, 0.27%

LAB 47.27, -35.38, 4.81

 

CMYK 37 / 92 / 0 / 50

HEX #500A7F

RGB 80 10 127

HSL 275.9, 0.85%, 0.27%

LAB 21.78, 49.18, -49.24

 

CMYK 0 / 92 / 74 / 50

HEX #7F0A21

RGB 127 10 33

HSL 348.21, 0.85%, 0.27%

LAB 26.27, 46.83, 21.08

 

CMYK 56 / 0 / 92 / 51

HEX #387E0A

RGB 56 126 10

HSL 96.21, 0.85%, 0.27%

LAB 46.69, -41.09, 48.69

 

CMYK 92 / 9 / 0 / 50

HEX #0A737F

RGB 10 115 127

HSL 186.15, 0.85%, 0.27%

LAB 44.03, -22.02, -14.25

 

CMYK 37 / 92 / 0 / 50

HEX #500A7F

RGB 80 10 127

HSL 275.9, 0.85%, 0.27%

LAB 21.78, 49.18, -49.24

 

CMYK 0 / 83 / 92 / 50

HEX #7F160A

RGB 127 22 10

HSL 6.15, 0.85%, 0.27%

LAB 27.04, 43.17, 35.27

 

Description

Color code: RGB 56 126 10 | qconv.com Color code: RGB 56 126 10 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 126 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 126 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 92 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 92% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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