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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 179 214 it is the complementary color RGB 199 76 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 179 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 179 214 shade: RGB 61 179 209, RGB 78 197 228, RGB 95 215 247, RGB 112 233 255 and RGB 129 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 179 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 39 161 195, RGB 22 143 176, RGB 5 125 157 and RGB 0 107 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 56 136 214, RGB 56 93 214, RGB 60 56 214 and RGB 103 56 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 56 136 214, RGB 56 93 214 and RGB 56 56 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 179 214 shade matches the following richer shades: RGB 56 179 214, RGB 36 190 233 and RGB 17 200 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 75 168 194, RGB 94 157 175, RGB 114 146 156 and RGB 133 136 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 179 214 shade: RGB 56 214 164, RGB 56 214 206, RGB 56 179 214, RGB 56 137 214 and RGB 56 95 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 179 214 shade: RGB 31 128 155, RGB 38 156 190, RGB 56 179 214, RGB 90 192 221 and RGB 124 205 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 121 56 214 and RGB 214 185 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 214 56 179 and RGB 179 214 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 121 56 214, RGB 214 90 56 and RGB 148 214 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 179 214 shade: RGB 56 179 214, RGB 169 56 214, RGB 214 90 56 and RGB 100 214 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

Complementary color

CMYK 0 / 62 / 79 / 22

HEX #C74C29

RGB 199 76 41

HSL 13.29, 0.66%, 0.47%

LAB 48.85, 47.28, 44.93

 

CMYK 71 / 14 / 0 / 18

HEX #3DB3D1

RGB 61 179 209

HSL 192.16, 0.62%, 0.53%

LAB 67.9, -22.9, -24.66

 

CMYK 66 / 14 / 0 / 11

HEX #4EC5E4

RGB 78 197 228

HSL 192.4, 0.74%, 0.6%

LAB 74.29, -23.72, -25.21

 

CMYK 62 / 13 / 0 / 3

HEX #5FD7F7

RGB 95 215 247

HSL 192.63, 0.9%, 0.67%

LAB 80.6, -24.36, -25.71

 

CMYK 56 / 9 / 0 / 0

HEX #70E9FF

RGB 112 233 255

HSL 189.23, 1%, 0.72%

LAB 86.48, -27.92, -20.96

 

CMYK 49 / 2 / 0 / 0

HEX #81FBFF

RGB 129 251 255

HSL 181.9, 1%, 0.75%

LAB 92.08, -33.16, -12.48

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 80 / 17 / 0 / 24

HEX #27A1C3

RGB 39 161 195

HSL 193.08, 0.67%, 0.46%

LAB 61.53, -20.68, -26.71

 

CMYK 88 / 19 / 0 / 31

HEX #168FB0

RGB 22 143 176

HSL 192.86, 0.78%, 0.39%

LAB 55.02, -19.05, -26.03

 

CMYK 97 / 20 / 0 / 38

HEX #057D9D

RGB 5 125 157

HSL 192.63, 0.94%, 0.32%

LAB 48.43, -16.95, -25.26

 

CMYK 100 / 22 / 0 / 46

HEX #006B8A

RGB 0 107 138

HSL 193.48, 1%, 0.27%

LAB 41.77, -14.18, -24.34

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 74 / 36 / 0 / 16

HEX #3888D6

RGB 56 136 214

HSL 209.62, 0.66%, 0.53%

LAB 55.38, 1.95, -46.97

 

CMYK 74 / 57 / 0 / 16

HEX #385DD6

RGB 56 93 214

HSL 225.95, 0.66%, 0.53%

LAB 43.54, 28.78, -66

 

CMYK 72 / 74 / 0 / 16

HEX #3C38D6

RGB 60 56 214

HSL 241.52, 0.66%, 0.53%

LAB 35.29, 51.6, -79.52

 

CMYK 52 / 74 / 0 / 16

HEX #6738D6

RGB 103 56 214

HSL 257.85, 0.66%, 0.53%

LAB 38.84, 56.71, -73.54

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 74 / 36 / 0 / 16

HEX #3888D6

RGB 56 136 214

HSL 209.62, 0.66%, 0.53%

LAB 55.38, 1.95, -46.97

 

CMYK 74 / 57 / 0 / 16

HEX #385DD6

RGB 56 93 214

HSL 225.95, 0.66%, 0.53%

LAB 43.54, 28.78, -66

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 85 / 18 / 0 / 9

HEX #24BEE9

RGB 36 190 233

HSL 193.1, 0.82%, 0.53%

LAB 71.61, -23.23, -32.1

 

CMYK 93 / 21 / 0 / 1

HEX #11C8FD

RGB 17 200 253

HSL 193.47, 0.98%, 0.53%

LAB 75.15, -22.58, -37.42

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 61 / 13 / 0 / 24

HEX #4BA8C2

RGB 75 168 194

HSL 193.11, 0.49%, 0.53%

LAB 64.48, -19.67, -21.56

 

CMYK 46 / 10 / 0 / 31

HEX #5E9DAF

RGB 94 157 175

HSL 193.33, 0.34%, 0.53%

LAB 61.3, -15.36, -15.68

 

CMYK 27 / 6 / 0 / 39

HEX #72929C

RGB 114 146 156

HSL 194.29, 0.18%, 0.53%

LAB 58.54, -8.74, -8.94

 

CMYK 2 / 0 / 0 / 47

HEX #858888

RGB 133 136 136

HSL 180, 0.01%, 0.53%

LAB 56.46, -1.1, -0.39

 

CMYK 74 / 0 / 23 / 16

HEX #38D6A4

RGB 56 214 164

HSL 161.01, 0.66%, 0.53%

LAB 77.05, -51.88, 13.27

 

CMYK 74 / 0 / 4 / 16

HEX #38D6CE

RGB 56 214 206

HSL 176.96, 0.66%, 0.53%

LAB 78.1, -41.14, -7.66

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 74 / 36 / 0 / 16

HEX #3889D6

RGB 56 137 214

HSL 209.24, 0.66%, 0.53%

LAB 55.67, 1.35, -46.52

 

CMYK 74 / 56 / 0 / 16

HEX #385FD6

RGB 56 95 214

HSL 225.19, 0.66%, 0.53%

LAB 44.06, 27.51, -65.16

 

CMYK 80 / 17 / 0 / 39

HEX #1F809B

RGB 31 128 155

HSL 193.06, 0.67%, 0.36%

LAB 49.61, -17.5, -22.23

 

CMYK 80 / 18 / 0 / 25

HEX #269CBE

RGB 38 156 190

HSL 193.42, 0.67%, 0.45%

LAB 59.8, -19.83, -26.57

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 59 / 13 / 0 / 13

HEX #5AC0DD

RGB 90 192 221

HSL 193.28, 0.66%, 0.61%

LAB 72.95, -21.26, -23.42

 

CMYK 46 / 10 / 0 / 11

HEX #7CCDE4

RGB 124 205 228

HSL 193.27, 0.66%, 0.69%

LAB 78.2, -18.81, -19.11

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 43 / 74 / 0 / 16

HEX #7938D6

RGB 121 56 214

HSL 264.68, 0.66%, 0.53%

LAB 40.81, 59.47, -70.24

 

CMYK 0 / 14 / 74 / 16

HEX #D6B938

RGB 214 185 56

HSL 48.99, 0.66%, 0.53%

LAB 75.62, -2.96, 65.28

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 0 / 74 / 16 / 16

HEX #D638B3

RGB 214 56 179

HSL 313.29, 0.66%, 0.53%

LAB 52.26, 71.77, -30.86

 

CMYK 16 / 0 / 74 / 16

HEX #B3D638

RGB 179 214 56

HSL 73.29, 0.66%, 0.53%

LAB 80.72, -32.01, 69.18

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 43 / 74 / 0 / 16

HEX #7938D6

RGB 121 56 214

HSL 264.68, 0.66%, 0.53%

LAB 40.81, 59.47, -70.24

 

CMYK 0 / 58 / 74 / 16

HEX #D65A38

RGB 214 90 56

HSL 12.91, 0.66%, 0.53%

LAB 53.91, 46.85, 43.29

 

CMYK 31 / 0 / 74 / 16

HEX #94D638

RGB 148 214 56

HSL 85.06, 0.66%, 0.53%

LAB 78.85, -43.86, 66.74

 

CMYK 74 / 16 / 0 / 16

HEX #38B3D6

RGB 56 179 214

HSL 193.29, 0.66%, 0.53%

LAB 67.97, -21.94, -27.31

 

CMYK 21 / 74 / 0 / 16

HEX #A938D6

RGB 169 56 214

HSL 282.91, 0.66%, 0.53%

LAB 47.13, 68, -59.69

 

CMYK 0 / 58 / 74 / 16

HEX #D65A38

RGB 214 90 56

HSL 12.91, 0.66%, 0.53%

LAB 53.91, 46.85, 43.29

 

CMYK 53 / 0 / 74 / 16

HEX #64D638

RGB 100 214 56

HSL 103.29, 0.66%, 0.53%

LAB 76.73, -59.22, 63.94

 

Description

Color code: RGB 56 179 214 | qconv.com Color code: RGB 56 179 214 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 179 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 179 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 16 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 16% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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