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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 221 54 it is the complementary color RGB 199 34 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 221 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 221 54 shade: RGB 61 221 49, RGB 78 239 68, RGB 95 255 87, RGB 112 255 106 and RGB 129 255 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 221 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 221 54 shade: RGB 56 221 54, RGB 39 203 35, RGB 22 185 16, RGB 5 167 0 and RGB 0 149 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 221 54 shade: RGB 56 220 54, RGB 101 220 54, RGB 146 220 54, RGB 191 220 54 and RGB 220 205 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 221 54 shade: RGB 56 220 54, RGB 54 220 97, RGB 54 220 142, RGB 54 220 187 and RGB 54 209 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 221 54 shade matches the following richer shades: RGB 56 220 54 and RGB 37 239 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 221 54 shade: RGB 56 220 54, RGB 74 202 73, RGB 93 183 92, RGB 111 164 111 and RGB 130 145 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 221 54 shade: RGB 146 220 54, RGB 101 220 54, RGB 57 220 54, RGB 54 220 96 and RGB 54 220 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 221 54 shade: RGB 29 164 27, RGB 35 200 33, RGB 56 220 54, RGB 91 226 89 and RGB 126 232 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 221 54 shade: RGB 56 221 54, RGB 54 190 220 and RGB 220 54 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 221 54 shade: RGB 56 221 54, RGB 54 57 220 and RGB 220 54 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 221 54 shade: RGB 56 221 54, RGB 54 190 220, RGB 218 54 220 and RGB 220 84 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 221 54 shade: RGB 56 221 54, RGB 54 140 220, RGB 218 54 220 and RGB 220 134 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 76 / 13

HEX #38DD36

RGB 56 221 54

HSL 119.28, 0.71%, 0.54%

LAB 77.77, -70.88, 65.25

 

Complementary color

CMYK 1 / 83 / 0 / 21

HEX #C722C9

RGB 199 34 201

HSL 299.28, 0.71%, 0.46%

LAB 48.89, 77.56, -49.13

 

CMYK 72 / 0 / 78 / 13

HEX #3DDD31

RGB 61 221 49

HSL 115.81, 0.72%, 0.53%

LAB 77.83, -70.43, 66.89

 

CMYK 67 / 0 / 72 / 6

HEX #4EEF44

RGB 78 239 68

HSL 116.49, 0.84%, 0.6%

LAB 83.85, -71.81, 66.76

 

CMYK 63 / 0 / 66 / 0

HEX #5FFF57

RGB 95 255 87

HSL 117.14, 1%, 0.67%

LAB 89.22, -72.11, 65.5

 

CMYK 56 / 0 / 58 / 0

HEX #70FF6A

RGB 112 255 106

HSL 117.58, 1%, 0.71%

LAB 89.86, -66.48, 58.55

 

CMYK 49 / 0 / 51 / 0

HEX #81FF7D

RGB 129 255 125

HSL 118.15, 1%, 0.75%

LAB 90.63, -60.01, 51.1

 

CMYK 75 / 0 / 76 / 13

HEX #38DD36

RGB 56 221 54

HSL 119.28, 0.71%, 0.54%

LAB 77.77, -70.88, 65.25

 

CMYK 81 / 0 / 83 / 20

HEX #27CB23

RGB 39 203 35

HSL 118.57, 0.71%, 0.47%

LAB 71.73, -68.88, 64.94

 

CMYK 88 / 0 / 91 / 27

HEX #16B910

RGB 22 185 16

HSL 117.87, 0.84%, 0.39%

LAB 65.68, -66.13, 63.5

 

CMYK 97 / 0 / 100 / 35

HEX #05A700

RGB 5 167 0

HSL 118.2, 1%, 0.33%

LAB 59.59, -62.51, 60.62

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 75 / 0 / 75 / 14

HEX #38DC36

RGB 56 220 54

HSL 119.28, 0.7%, 0.54%

LAB 77.46, -70.57, 64.94

 

CMYK 54 / 0 / 75 / 14

HEX #65DC36

RGB 101 220 54

HSL 103.01, 0.7%, 0.54%

LAB 78.59, -61.24, 66.43

 

CMYK 34 / 0 / 75 / 14

HEX #92DC36

RGB 146 220 54

HSL 86.75, 0.7%, 0.54%

LAB 80.5, -47.22, 68.93

 

CMYK 13 / 0 / 75 / 14

HEX #BFDC36

RGB 191 220 54

HSL 70.48, 0.7%, 0.54%

LAB 83.19, -30.09, 72.43

 

CMYK 0 / 7 / 75 / 14

HEX #DCCD36

RGB 220 205 54

HSL 54.58, 0.7%, 0.54%

LAB 81.37, -10.73, 71.55

 

CMYK 75 / 0 / 75 / 14

HEX #38DC36

RGB 56 220 54

HSL 119.28, 0.7%, 0.54%

LAB 77.46, -70.57, 64.94

 

CMYK 75 / 0 / 56 / 14

HEX #36DC61

RGB 54 220 97

HSL 135.54, 0.7%, 0.54%

LAB 77.78, -66.55, 48.06

 

CMYK 75 / 0 / 35 / 14

HEX #36DC8E

RGB 54 220 142

HSL 151.81, 0.7%, 0.54%

LAB 78.42, -59.15, 26.69

 

CMYK 75 / 0 / 15 / 14

HEX #36DCBB

RGB 54 220 187

HSL 168.07, 0.7%, 0.54%

LAB 79.36, -49, 4.33

 

CMYK 75 / 5 / 0 / 14

HEX #36D1DC

RGB 54 209 220

HSL 183.98, 0.7%, 0.54%

LAB 77.01, -35.05, -16.81

 

CMYK 75 / 0 / 75 / 14

HEX #38DC36

RGB 56 220 54

HSL 119.28, 0.7%, 0.54%

LAB 77.46, -70.57, 64.94

 

CMYK 85 / 0 / 85 / 6

HEX #25EF23

RGB 37 239 35

HSL 119.41, 0.86%, 0.54%

LAB 83.04, -79.33, 75.09

 

CMYK 75 / 0 / 75 / 14

HEX #38DC36

RGB 56 220 54

HSL 119.28, 0.7%, 0.54%

LAB 77.46, -70.57, 64.94

 

CMYK 63 / 0 / 64 / 21

HEX #4ACA49

RGB 74 202 73

HSL 119.53, 0.55%, 0.54%

LAB 72.35, -59.82, 52.58

 

CMYK 49 / 0 / 50 / 28

HEX #5DB75C

RGB 93 183 92

HSL 119.34, 0.39%, 0.54%

LAB 67.25, -45.56, 37.94

 

CMYK 32 / 0 / 32 / 36

HEX #6FA46F

RGB 111 164 111

HSL 120, 0.23%, 0.54%

LAB 62.57, -28.46, 22.08

 

CMYK 10 / 0 / 10 / 43

HEX #829182

RGB 130 145 130

HSL 120, 0.06%, 0.54%

LAB 58.61, -8.4, 6.13

 

CMYK 34 / 0 / 75 / 14

HEX #92DC36

RGB 146 220 54

HSL 86.75, 0.7%, 0.54%

LAB 80.5, -47.22, 68.93

 

CMYK 54 / 0 / 75 / 14

HEX #65DC36

RGB 101 220 54

HSL 103.01, 0.7%, 0.54%

LAB 78.59, -61.24, 66.43

 

CMYK 74 / 0 / 75 / 14

HEX #39DC36

RGB 57 220 54

HSL 118.92, 0.7%, 0.54%

LAB 77.47, -70.42, 64.96

 

CMYK 75 / 0 / 56 / 14

HEX #36DC60

RGB 54 220 96

HSL 135.18, 0.7%, 0.54%

LAB 77.77, -66.68, 48.51

 

CMYK 75 / 0 / 36 / 14

HEX #36DC8C

RGB 54 220 140

HSL 151.08, 0.7%, 0.54%

LAB 78.38, -59.54, 27.67

 

CMYK 82 / 0 / 84 / 36

HEX #1DA41B

RGB 29 164 27

HSL 119.12, 0.72%, 0.37%

LAB 58.87, -58.8, 55.2

 

CMYK 83 / 0 / 84 / 22

HEX #23C821

RGB 35 200 33

HSL 119.28, 0.72%, 0.46%

LAB 70.72, -68.55, 64.5

 

CMYK 75 / 0 / 75 / 14

HEX #38DC36

RGB 56 220 54

HSL 119.28, 0.7%, 0.54%

LAB 77.46, -70.57, 64.94

 

CMYK 60 / 0 / 61 / 11

HEX #5BE259

RGB 91 226 89

HSL 119.12, 0.7%, 0.62%

LAB 80.37, -62.85, 54.86

 

CMYK 46 / 0 / 47 / 9

HEX #7EE87C

RGB 126 232 124

HSL 118.89, 0.7%, 0.7%

LAB 83.76, -51.9, 43.05

 

CMYK 75 / 0 / 76 / 13

HEX #38DD36

RGB 56 221 54

HSL 119.28, 0.71%, 0.54%

LAB 77.77, -70.88, 65.25

 

CMYK 75 / 14 / 0 / 14

HEX #36BEDC

RGB 54 190 220

HSL 190.84, 0.7%, 0.54%

LAB 71.4, -25.84, -25.33

 

CMYK 0 / 75 / 44 / 14

HEX #DC367B

RGB 220 54 123

HSL 335.06, 0.7%, 0.54%

LAB 51.02, 67.49, 0.64

 

CMYK 75 / 0 / 76 / 13

HEX #38DD36

RGB 56 221 54

HSL 119.28, 0.71%, 0.54%

LAB 77.77, -70.88, 65.25

 

CMYK 75 / 74 / 0 / 14

HEX #3639DC

RGB 54 57 220

HSL 238.92, 0.7%, 0.54%

LAB 35.75, 52.46, -82.22

 

CMYK 0 / 75 / 74 / 14

HEX #DC3639

RGB 220 54 57

HSL 358.92, 0.7%, 0.54%

LAB 49.68, 63.19, 38.37

 

CMYK 75 / 0 / 76 / 13

HEX #38DD36

RGB 56 221 54

HSL 119.28, 0.71%, 0.54%

LAB 77.77, -70.88, 65.25

 

CMYK 75 / 14 / 0 / 14

HEX #36BEDC

RGB 54 190 220

HSL 190.84, 0.7%, 0.54%

LAB 71.4, -25.84, -25.33

 

CMYK 1 / 75 / 0 / 14

HEX #DA36DC

RGB 218 54 220

HSL 299.28, 0.7%, 0.54%

LAB 54.77, 79.23, -50.44

 

CMYK 0 / 62 / 75 / 14

HEX #DC5436

RGB 220 84 54

HSL 10.84, 0.7%, 0.54%

LAB 53.84, 51.64, 44.54

 

CMYK 75 / 0 / 76 / 13

HEX #38DD36

RGB 56 221 54

HSL 119.28, 0.71%, 0.54%

LAB 77.77, -70.88, 65.25

 

CMYK 75 / 36 / 0 / 14

HEX #368CDC

RGB 54 140 220

HSL 208.92, 0.7%, 0.54%

LAB 56.79, 1.48, -48.11

 

CMYK 1 / 75 / 0 / 14

HEX #DA36DC

RGB 218 54 220

HSL 299.28, 0.7%, 0.54%

LAB 54.77, 79.23, -50.44

 

CMYK 0 / 39 / 75 / 14

HEX #DC8636

RGB 220 134 54

HSL 28.92, 0.7%, 0.54%

LAB 63.78, 26.73, 54.74

 

Description

Color code: RGB 56 221 54 | qconv.com Color code: RGB 56 221 54 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 221 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 221 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 76% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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