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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 47 27 it is the complementary color RGB 197 208 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 47 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 47 27 shade: RGB 63 47 22, RGB 80 65 41, RGB 97 83 60, RGB 114 101 79 and RGB 131 119 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 47 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 41 29 8, RGB 24 11 0 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 58 39 27, RGB 58 31 27 and RGB 58 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 58 56 27, RGB 53 58 27, RGB 44 58 27 and RGB 36 58 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 47 27 shade matches the following richer shades: RGB 58 47 27, RGB 65 49 20, RGB 72 51 13 and RGB 79 53 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 51 45 34, RGB 44 43 41, RGB 37 41 48 and RGB 30 39 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 47 27 shade: RGB 58 30 27, RGB 58 39 27, RGB 58 47 27, RGB 58 55 27 and RGB 53 58 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 47 27 shade: RGB 2 2 1, RGB 30 25 14, RGB 58 47 27, RGB 87 70 40 and RGB 115 93 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 32 58 27 and RGB 35 27 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 27 58 47 and RGB 47 27 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 32 58 27, RGB 27 39 58 and RGB 53 27 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 47 27 shade: RGB 58 47 27, RGB 27 58 31, RGB 27 39 58 and RGB 58 27 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

Complementary color

CMYK 14 / 9 / 0 / 11

HEX #C5D0E4

RGB 197 208 228

HSL 218.71, 0.36%, 0.83%

LAB 83.22, 0.24, -11.14

 

CMYK 0 / 25 / 65 / 75

HEX #3F2F16

RGB 63 47 22

HSL 36.59, 0.48%, 0.17%

LAB 20.63, 3.77, 18.67

 

CMYK 0 / 19 / 49 / 69

HEX #504129

RGB 80 65 41

HSL 36.92, 0.32%, 0.24%

LAB 28.5, 2.73, 17.05

 

CMYK 0 / 14 / 38 / 62

HEX #61533C

RGB 97 83 60

HSL 37.3, 0.24%, 0.31%

LAB 36.09, 2.01, 15.62

 

CMYK 0 / 11 / 31 / 55

HEX #72654F

RGB 114 101 79

HSL 37.71, 0.18%, 0.38%

LAB 43.43, 1.47, 14.37

 

CMYK 0 / 9 / 25 / 49

HEX #837762

RGB 131 119 98

HSL 38.18, 0.14%, 0.45%

LAB 50.57, 1.04, 13.24

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 29 / 80 / 84

HEX #291D08

RGB 41 29 8

HSL 38.18, 0.67%, 0.1%

LAB 11.74, 2.92, 14.23

 

CMYK 0 / 54 / 100 / 91

HEX #180B00

RGB 24 11 0

HSL 27.5, 1%, 0.05%

LAB 3.92, 3.45, 5.93

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 33 / 53 / 77

HEX #3A271B

RGB 58 39 27

HSL 23.23, 0.36%, 0.17%

LAB 17.6, 7.14, 11.46

 

CMYK 0 / 47 / 53 / 77

HEX #3A1F1B

RGB 58 31 27

HSL 7.74, 0.36%, 0.17%

LAB 15.27, 12.57, 8.36

 

CMYK 0 / 53 / 53 / 77

HEX #3A1B1B

RGB 58 27 27

HSL 0, 0.36%, 0.17%

LAB 14.19, 15.22, 6.88

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 3 / 53 / 77

HEX #3A381B

RGB 58 56 27

HSL 56.13, 0.36%, 0.17%

LAB 23.02, -4.15, 18.35

 

CMYK 9 / 0 / 53 / 77

HEX #353A1B

RGB 53 58 27

HSL 69.68, 0.36%, 0.17%

LAB 23.21, -7.91, 18.47

 

CMYK 24 / 0 / 53 / 77

HEX #2C3A1B

RGB 44 58 27

HSL 87.1, 0.36%, 0.17%

LAB 22.45, -12.23, 17.35

 

CMYK 38 / 0 / 53 / 77

HEX #243A1B

RGB 36 58 27

HSL 102.58, 0.36%, 0.17%

LAB 21.87, -15.78, 16.51

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 25 / 69 / 75

HEX #413114

RGB 65 49 20

HSL 38.67, 0.53%, 0.17%

LAB 21.47, 3.3, 20.94

 

CMYK 0 / 29 / 82 / 72

HEX #48330D

RGB 72 51 13

HSL 38.64, 0.69%, 0.17%

LAB 22.91, 5.16, 26.6

 

CMYK 0 / 33 / 92 / 69

HEX #4F3506

RGB 79 53 6

HSL 38.63, 0.86%, 0.17%

LAB 24.39, 7.19, 31.35

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 12 / 33 / 80

HEX #332D22

RGB 51 45 34

HSL 38.82, 0.2%, 0.17%

LAB 18.78, 0.58, 8.12

 

CMYK 0 / 2 / 7 / 83

HEX #2C2B29

RGB 44 43 41

HSL 40, 0.04%, 0.17%

LAB 17.57, -0.01, 1.46

 

CMYK 23 / 15 / 0 / 81

HEX #252930

RGB 37 41 48

HSL 218.18, 0.13%, 0.17%

LAB 16.47, 0.12, -5.15

 

CMYK 45 / 29 / 0 / 78

HEX #1E2737

RGB 30 39 55

HSL 218.4, 0.29%, 0.17%

LAB 15.5, 1.1, -11.6

 

CMYK 0 / 48 / 53 / 77

HEX #3A1E1B

RGB 58 30 27

HSL 5.81, 0.36%, 0.17%

LAB 14.99, 13.24, 7.98

 

CMYK 0 / 33 / 53 / 77

HEX #3A271B

RGB 58 39 27

HSL 23.23, 0.36%, 0.17%

LAB 17.6, 7.14, 11.46

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 5 / 53 / 77

HEX #3A371B

RGB 58 55 27

HSL 54.19, 0.36%, 0.17%

LAB 22.69, -3.51, 17.94

 

CMYK 9 / 0 / 53 / 77

HEX #353A1B

RGB 53 58 27

HSL 69.68, 0.36%, 0.17%

LAB 23.21, -7.91, 18.47

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 17 / 53 / 88

HEX #1E190E

RGB 30 25 14

HSL 41.25, 0.36%, 0.09%

LAB 9.02, 0.34, 7.56

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 0 / 20 / 54 / 66

HEX #574628

RGB 87 70 40

HSL 38.3, 0.37%, 0.25%

LAB 30.78, 2.86, 20.72

 

CMYK 0 / 19 / 53 / 55

HEX #735D36

RGB 115 93 54

HSL 38.36, 0.36%, 0.33%

LAB 40.8, 3.55, 25.64

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 45 / 0 / 53 / 77

HEX #203A1B

RGB 32 58 27

HSL 110.32, 0.36%, 0.17%

LAB 21.62, -17.42, 16.15

 

CMYK 40 / 53 / 0 / 77

HEX #231B3A

RGB 35 27 58

HSL 255.48, 0.36%, 0.17%

LAB 12.26, 12.64, -18.76

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 53 / 0 / 19 / 77

HEX #1B3A2F

RGB 27 58 47

HSL 158.71, 0.36%, 0.17%

LAB 21.82, -14.73, 3.3

 

CMYK 19 / 53 / 0 / 77

HEX #2F1B3A

RGB 47 27 58

HSL 278.71, 0.36%, 0.17%

LAB 13.79, 16.8, -16.25

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 45 / 0 / 53 / 77

HEX #203A1B

RGB 32 58 27

HSL 110.32, 0.36%, 0.17%

LAB 21.62, -17.42, 16.15

 

CMYK 53 / 33 / 0 / 77

HEX #1B273A

RGB 27 39 58

HSL 216.77, 0.36%, 0.17%

LAB 15.43, 1.19, -13.83

 

CMYK 9 / 53 / 0 / 77

HEX #351B3A

RGB 53 27 58

HSL 290.32, 0.36%, 0.17%

LAB 14.66, 18.96, -14.83

 

CMYK 0 / 19 / 53 / 77

HEX #3A2F1B

RGB 58 47 27

HSL 38.71, 0.36%, 0.17%

LAB 20.09, 1.73, 14.69

 

CMYK 53 / 0 / 47 / 77

HEX #1B3A1F

RGB 27 58 31

HSL 127.74, 0.36%, 0.17%

LAB 21.42, -18.55, 13.31

 

CMYK 53 / 33 / 0 / 77

HEX #1B273A

RGB 27 39 58

HSL 216.77, 0.36%, 0.17%

LAB 15.43, 1.19, -13.83

 

CMYK 0 / 53 / 7 / 77

HEX #3A1B36

RGB 58 27 54

HSL 307.74, 0.36%, 0.17%

LAB 15.22, 19.9, -11.06

 

Description

Color code: RGB 58 47 27 | qconv.com Color code: RGB 58 47 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 47 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 47 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 53 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 53% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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