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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 74 100 it is the complementary color RGB 197 181 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 74 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 74 100 shade: RGB 63 74 95, RGB 80 92 114, RGB 97 110 133, RGB 114 128 152 and RGB 131 146 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 74 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 74 100 shade: RGB 58 74 100, RGB 41 56 81, RGB 24 38 62, RGB 7 20 43 and RGB 0 2 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 74 100 shade: RGB 57 73 100, RGB 57 62 100, RGB 64 57 100, RGB 75 57 100 and RGB 87 57 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 74 100 shade: RGB 57 73 100, RGB 57 62 100 and RGB 57 57 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 74 100 shade matches the following richer shades: RGB 57 73 100, RGB 44 70 113, RGB 32 67 125, RGB 19 64 138 and RGB 6 61 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 74 100 shade: RGB 57 73 100, RGB 70 77 87, RGB 83 80 74, RGB 96 83 62 and RGB 108 86 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 74 100 shade: RGB 57 96 100, RGB 57 85 100, RGB 57 74 100, RGB 57 62 100 and RGB 64 57 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 74 100 shade: RGB 27 35 47, RGB 42 54 74, RGB 57 73 100, RGB 72 93 126 and RGB 87 112 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 74 100 shade: RGB 58 74 100, RGB 92 57 100 and RGB 91 100 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 74 100 shade: RGB 58 74 100, RGB 100 57 74 and RGB 74 100 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 74 100 shade: RGB 58 74 100, RGB 92 57 100, RGB 100 84 57 and RGB 65 100 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 74 100 shade: RGB 58 74 100, RGB 100 57 95, RGB 100 84 57 and RGB 57 100 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 26 / 0 / 61

HEX #3A4A64

RGB 58 74 100

HSL 217.14, 0.27%, 0.31%

LAB 31.15, 1.15, -17.21

 

Complementary color

CMYK 0 / 8 / 21 / 23

HEX #C5B59B

RGB 197 181 155

HSL 37.14, 0.27%, 0.69%

LAB 74.37, 1.51, 15.32

 

CMYK 34 / 22 / 0 / 63

HEX #3F4A5F

RGB 63 74 95

HSL 219.38, 0.2%, 0.31%

LAB 31.3, 1.25, -13.77

 

CMYK 30 / 19 / 0 / 55

HEX #505C72

RGB 80 92 114

HSL 218.82, 0.18%, 0.38%

LAB 38.85, 0.95, -14.01

 

CMYK 27 / 17 / 0 / 48

HEX #616E85

RGB 97 110 133

HSL 218.33, 0.16%, 0.45%

LAB 46.16, 0.7, -14.28

 

CMYK 25 / 16 / 0 / 40

HEX #728098

RGB 114 128 152

HSL 217.89, 0.16%, 0.52%

LAB 53.26, 0.48, -14.58

 

CMYK 23 / 15 / 0 / 33

HEX #8392AB

RGB 131 146 171

HSL 217.5, 0.19%, 0.59%

LAB 60.18, 0.28, -14.9

 

CMYK 42 / 26 / 0 / 61

HEX #3A4A64

RGB 58 74 100

HSL 217.14, 0.27%, 0.31%

LAB 31.15, 1.15, -17.21

 

CMYK 49 / 31 / 0 / 68

HEX #293851

RGB 41 56 81

HSL 217.5, 0.33%, 0.24%

LAB 23.32, 1.71, -17.13

 

CMYK 61 / 39 / 0 / 76

HEX #18263E

RGB 24 38 62

HSL 217.89, 0.44%, 0.17%

LAB 15.11, 2.55, -17.16

 

CMYK 84 / 53 / 0 / 83

HEX #07142B

RGB 7 20 43

HSL 218.33, 0.72%, 0.1%

LAB 6.5, 3.67, -17.15

 

CMYK 100 / 92 / 0 / 91

HEX #000218

RGB 0 2 24

HSL 235, 1%, 0.05%

LAB 0.99, 3.38, -10.82

 

CMYK 43 / 27 / 0 / 61

HEX #394964

RGB 57 73 100

HSL 217.67, 0.27%, 0.31%

LAB 30.77, 1.5, -17.81

 

CMYK 43 / 38 / 0 / 61

HEX #393E64

RGB 57 62 100

HSL 233.02, 0.27%, 0.31%

LAB 27.39, 8.78, -23.07

 

CMYK 36 / 43 / 0 / 61

HEX #403964

RGB 64 57 100

HSL 249.77, 0.27%, 0.31%

LAB 26.55, 14.31, -24.35

 

CMYK 25 / 43 / 0 / 61

HEX #4B3964

RGB 75 57 100

HSL 265.12, 0.27%, 0.31%

LAB 27.69, 17.87, -22.49

 

CMYK 13 / 43 / 0 / 61

HEX #573964

RGB 87 57 100

HSL 281.86, 0.27%, 0.31%

LAB 29.09, 21.94, -20.2

 

CMYK 43 / 27 / 0 / 61

HEX #394964

RGB 57 73 100

HSL 217.67, 0.27%, 0.31%

LAB 30.77, 1.5, -17.81

 

CMYK 43 / 38 / 0 / 61

HEX #393E64

RGB 57 62 100

HSL 233.02, 0.27%, 0.31%

LAB 27.39, 8.78, -23.07

 

CMYK 43 / 43 / 0 / 61

HEX #393964

RGB 57 57 100

HSL 240, 0.27%, 0.31%

LAB 25.91, 12.17, -25.41

 

CMYK 43 / 27 / 0 / 61

HEX #394964

RGB 57 73 100

HSL 217.67, 0.27%, 0.31%

LAB 30.77, 1.5, -17.81

 

CMYK 61 / 38 / 0 / 56

HEX #2C4671

RGB 44 70 113

HSL 217.39, 0.44%, 0.31%

LAB 29.68, 4.47, -27.81

 

CMYK 74 / 46 / 0 / 51

HEX #20437D

RGB 32 67 125

HSL 217.42, 0.59%, 0.31%

LAB 28.91, 8.83, -36.62

 

CMYK 86 / 54 / 0 / 46

HEX #13408A

RGB 19 64 138

HSL 217.31, 0.76%, 0.31%

LAB 28.49, 14.69, -45.41

 

CMYK 96 / 60 / 0 / 41

HEX #063D97

RGB 6 61 151

HSL 217.24, 0.92%, 0.31%

LAB 28.41, 21.41, -53.54

 

CMYK 43 / 27 / 0 / 61

HEX #394964

RGB 57 73 100

HSL 217.67, 0.27%, 0.31%

LAB 30.77, 1.5, -17.81

 

CMYK 20 / 11 / 0 / 66

HEX #464D57

RGB 70 77 87

HSL 215.29, 0.11%, 0.31%

LAB 32.48, -0.37, -6.84

 

CMYK 0 / 4 / 11 / 67

HEX #53504A

RGB 83 80 74

HSL 40, 0.06%, 0.31%

LAB 34.13, 0.01, 3.97

 

CMYK 0 / 14 / 35 / 62

HEX #60533E

RGB 96 83 62

HSL 37.06, 0.22%, 0.31%

LAB 36.02, 1.84, 14.29

 

CMYK 0 / 20 / 55 / 58

HEX #6C5631

RGB 108 86 49

HSL 37.63, 0.38%, 0.31%

LAB 37.96, 3.98, 24.83

 

CMYK 43 / 4 / 0 / 61

HEX #396064

RGB 57 96 100

HSL 185.58, 0.27%, 0.31%

LAB 38.12, -12.61, -6.63

 

CMYK 43 / 15 / 0 / 61

HEX #395564

RGB 57 85 100

HSL 200.93, 0.27%, 0.31%

LAB 34.57, -6.08, -11.98

 

CMYK 43 / 26 / 0 / 61

HEX #394A64

RGB 57 74 100

HSL 216.28, 0.27%, 0.31%

LAB 31.08, 0.85, -17.32

 

CMYK 43 / 38 / 0 / 61

HEX #393E64

RGB 57 62 100

HSL 233.02, 0.27%, 0.31%

LAB 27.39, 8.78, -23.07

 

CMYK 36 / 43 / 0 / 61

HEX #403964

RGB 64 57 100

HSL 249.77, 0.27%, 0.31%

LAB 26.55, 14.31, -24.35

 

CMYK 43 / 26 / 0 / 82

HEX #1B232F

RGB 27 35 47

HSL 216, 0.27%, 0.15%

LAB 13.47, 0.19, -9.07

 

CMYK 43 / 27 / 0 / 71

HEX #2A364A

RGB 42 54 74

HSL 217.5, 0.28%, 0.23%

LAB 22.39, 1.03, -13.9

 

CMYK 43 / 27 / 0 / 61

HEX #394964

RGB 57 73 100

HSL 217.67, 0.27%, 0.31%

LAB 30.77, 1.5, -17.81

 

CMYK 43 / 26 / 0 / 51

HEX #485D7E

RGB 72 93 126

HSL 216.67, 0.27%, 0.39%

LAB 39.09, 1.32, -21.04

 

CMYK 43 / 26 / 0 / 40

HEX #577098

RGB 87 112 152

HSL 216.92, 0.27%, 0.47%

LAB 46.82, 1.77, -24.61

 

CMYK 42 / 26 / 0 / 61

HEX #3A4A64

RGB 58 74 100

HSL 217.14, 0.27%, 0.31%

LAB 31.15, 1.15, -17.21

 

CMYK 8 / 43 / 0 / 61

HEX #5C3964

RGB 92 57 100

HSL 288.84, 0.27%, 0.31%

LAB 29.72, 23.67, -19.17

 

CMYK 9 / 0 / 43 / 61

HEX #5B6439

RGB 91 100 57

HSL 72.56, 0.27%, 0.31%

LAB 40.63, -11.15, 23.21

 

CMYK 42 / 26 / 0 / 61

HEX #3A4A64

RGB 58 74 100

HSL 217.14, 0.27%, 0.31%

LAB 31.15, 1.15, -17.21

 

CMYK 0 / 43 / 26 / 61

HEX #64394A

RGB 100 57 74

HSL 336.28, 0.27%, 0.31%

LAB 29.74, 21.56, -2.18

 

CMYK 26 / 0 / 43 / 61

HEX #4A6439

RGB 74 100 57

HSL 96.28, 0.27%, 0.31%

LAB 39.35, -18.38, 21.33

 

CMYK 42 / 26 / 0 / 61

HEX #3A4A64

RGB 58 74 100

HSL 217.14, 0.27%, 0.31%

LAB 31.15, 1.15, -17.21

 

CMYK 8 / 43 / 0 / 61

HEX #5C3964

RGB 92 57 100

HSL 288.84, 0.27%, 0.31%

LAB 29.72, 23.67, -19.17

 

CMYK 0 / 16 / 43 / 61

HEX #645439

RGB 100 84 57

HSL 37.67, 0.27%, 0.31%

LAB 36.64, 2.38, 18.24

 

CMYK 35 / 0 / 43 / 61

HEX #416439

RGB 65 100 57

HSL 108.84, 0.27%, 0.31%

LAB 38.78, -21.91, 20.48

 

CMYK 42 / 26 / 0 / 61

HEX #3A4A64

RGB 58 74 100

HSL 217.14, 0.27%, 0.31%

LAB 31.15, 1.15, -17.21

 

CMYK 0 / 43 / 5 / 61

HEX #64395F

RGB 100 57 95

HSL 306.98, 0.27%, 0.31%

LAB 30.55, 25.42, -14.58

 

CMYK 0 / 16 / 43 / 61

HEX #645439

RGB 100 84 57

HSL 37.67, 0.27%, 0.31%

LAB 36.64, 2.38, 18.24

 

CMYK 43 / 0 / 38 / 61

HEX #39643E

RGB 57 100 62

HSL 126.98, 0.27%, 0.31%

LAB 38.43, -23.9, 17

 

Description

Color code: RGB 58 74 100 | qconv.com Color code: RGB 58 74 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 74 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 74 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 26 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 26% 0% 61% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Fila | Sportswear, T...
Link: http://www.fila.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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