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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 114 95 it is the complementary color RGB 197 141 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 114 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 114 95 shade: RGB 63 114 90, RGB 80 132 109, RGB 97 150 128, RGB 114 168 147 and RGB 131 186 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 114 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 114 95 shade: RGB 58 114 95, RGB 41 96 76, RGB 24 78 57, RGB 7 60 38 and RGB 0 42 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 114 95 shade: RGB 58 115 95, RGB 58 115 80, RGB 58 115 65, RGB 66 115 58 and RGB 82 115 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 114 95 shade: RGB 58 115 95, RGB 58 115 111, RGB 58 103 115, RGB 58 88 115 and RGB 58 73 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 114 95 shade matches the following richer shades: RGB 58 115 95, RGB 44 129 100, RGB 30 143 104, RGB 16 157 109 and RGB 1 171 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 114 95 shade: RGB 58 115 95, RGB 72 101 91, RGB 86 87 86, RGB 100 73 82 and RGB 114 59 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 114 95 shade: RGB 58 115 64, RGB 58 115 80, RGB 58 115 95, RGB 58 115 110 and RGB 58 104 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 114 95 shade: RGB 30 60 50, RGB 44 87 73, RGB 58 115 95, RGB 71 142 118 and RGB 86 169 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 114 95 shade: RGB 58 114 95, RGB 58 66 115 and RGB 115 72 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 114 95 shade: RGB 58 114 95, RGB 95 58 115 and RGB 115 95 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 114 95 shade: RGB 58 114 95, RGB 58 66 115, RGB 115 58 78 and RGB 115 106 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 114 95 shade: RGB 58 114 95, RGB 66 58 115, RGB 115 58 78 and RGB 106 115 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

Complementary color

CMYK 0 / 28 / 19 / 23

HEX #C58DA0

RGB 197 141 160

HSL 339.64, 0.33%, 0.66%

LAB 64.53, 24.1, -1.55

 

CMYK 45 / 0 / 21 / 55

HEX #3F725A

RGB 63 114 90

HSL 151.76, 0.29%, 0.35%

LAB 43.99, -23.21, 8.02

 

CMYK 39 / 0 / 17 / 48

HEX #50846D

RGB 80 132 109

HSL 153.46, 0.25%, 0.42%

LAB 51.05, -22.96, 6.99

 

CMYK 35 / 0 / 15 / 41

HEX #619680

RGB 97 150 128

HSL 155.09, 0.21%, 0.48%

LAB 57.95, -22.7, 6.05

 

CMYK 32 / 0 / 13 / 34

HEX #72A893

RGB 114 168 147

HSL 156.67, 0.24%, 0.55%

LAB 64.72, -22.47, 5.2

 

CMYK 30 / 0 / 11 / 27

HEX #83BAA6

RGB 131 186 166

HSL 158.18, 0.28%, 0.62%

LAB 71.35, -22.26, 4.4

 

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

CMYK 57 / 0 / 21 / 62

HEX #29604C

RGB 41 96 76

HSL 158.18, 0.4%, 0.27%

LAB 36.67, -23.58, 5.98

 

CMYK 69 / 0 / 27 / 69

HEX #184E39

RGB 24 78 57

HSL 156.67, 0.53%, 0.2%

LAB 29.26, -23.51, 7.3

 

CMYK 88 / 0 / 37 / 76

HEX #073C26

RGB 7 60 38

HSL 155.09, 0.79%, 0.13%

LAB 21.64, -22.99, 8.94

 

CMYK 100 / 0 / 55 / 84

HEX #002A13

RGB 0 42 19

HSL 147.14, 1%, 0.08%

LAB 13.84, -21.1, 11.07

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 50 / 0 / 30 / 55

HEX #3A7350

RGB 58 115 80

HSL 143.16, 0.33%, 0.34%

LAB 43.86, -27.41, 13.73

 

CMYK 50 / 0 / 43 / 55

HEX #3A7341

RGB 58 115 65

HSL 127.37, 0.33%, 0.34%

LAB 43.57, -30.32, 22.02

 

CMYK 43 / 0 / 50 / 55

HEX #42733A

RGB 66 115 58

HSL 111.58, 0.33%, 0.34%

LAB 43.84, -28.83, 26.34

 

CMYK 29 / 0 / 50 / 55

HEX #52733A

RGB 82 115 58

HSL 94.74, 0.33%, 0.34%

LAB 44.75, -22.89, 27.67

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 50 / 0 / 3 / 55

HEX #3A736F

RGB 58 115 111

HSL 175.79, 0.33%, 0.34%

LAB 44.67, -19.76, -3.58

 

CMYK 50 / 10 / 0 / 55

HEX #3A6773

RGB 58 103 115

HSL 192.63, 0.33%, 0.34%

LAB 40.96, -11.93, -11.55

 

CMYK 50 / 23 / 0 / 55

HEX #3A5873

RGB 58 88 115

HSL 208.42, 0.33%, 0.34%

LAB 36.21, -2.95, -18.81

 

CMYK 50 / 37 / 0 / 55

HEX #3A4973

RGB 58 73 115

HSL 224.21, 0.33%, 0.34%

LAB 31.58, 6.67, -26.01

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 66 / 0 / 22 / 49

HEX #2C8164

RGB 44 129 100

HSL 159.53, 0.49%, 0.34%

LAB 48.46, -32.78, 8.35

 

CMYK 79 / 0 / 27 / 44

HEX #1E8F68

RGB 30 143 104

HSL 159.29, 0.65%, 0.34%

LAB 52.86, -40.16, 12.19

 

CMYK 90 / 0 / 31 / 38

HEX #109D6D

RGB 16 157 109

HSL 159.57, 0.82%, 0.34%

LAB 57.39, -45.97, 15.64

 

CMYK 99 / 0 / 34 / 33

HEX #01AB71

RGB 1 171 113

HSL 159.53, 0.99%, 0.34%

LAB 61.93, -51.17, 19.64

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 29 / 0 / 10 / 60

HEX #48655B

RGB 72 101 91

HSL 159.31, 0.17%, 0.34%

LAB 40.31, -13.03, 2.22

 

CMYK 1 / 0 / 1 / 66

HEX #565756

RGB 86 87 86

HSL 120, 0.01%, 0.34%

LAB 36.87, -0.61, 0.43

 

CMYK 0 / 27 / 18 / 61

HEX #644952

RGB 100 73 82

HSL 340, 0.16%, 0.34%

LAB 34.16, 13.06, -0.84

 

CMYK 0 / 48 / 32 / 55

HEX #723B4D

RGB 114 59 77

HSL 340.36, 0.32%, 0.34%

LAB 32.35, 26.4, -0.06

 

CMYK 50 / 0 / 44 / 55

HEX #3A7340

RGB 58 115 64

HSL 126.32, 0.33%, 0.34%

LAB 43.55, -30.49, 22.56

 

CMYK 50 / 0 / 30 / 55

HEX #3A7350

RGB 58 115 80

HSL 143.16, 0.33%, 0.34%

LAB 43.86, -27.41, 13.73

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 50 / 0 / 4 / 55

HEX #3A736E

RGB 58 115 110

HSL 174.74, 0.33%, 0.34%

LAB 44.64, -20.03, -3.03

 

CMYK 50 / 10 / 0 / 55

HEX #3A6873

RGB 58 104 115

HSL 191.58, 0.33%, 0.34%

LAB 41.28, -12.5, -11.07

 

CMYK 50 / 0 / 17 / 76

HEX #1E3C32

RGB 30 60 50

HSL 160, 0.33%, 0.18%

LAB 22.79, -14.11, 2.71

 

CMYK 49 / 0 / 16 / 66

HEX #2C5749

RGB 44 87 73

HSL 160.47, 0.33%, 0.26%

LAB 33.63, -18.8, 3.53

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 50 / 0 / 17 / 44

HEX #478E76

RGB 71 142 118

HSL 159.72, 0.33%, 0.42%

LAB 54.02, -28.4, 5.97

 

CMYK 49 / 0 / 17 / 34

HEX #56A98D

RGB 86 169 141

HSL 159.76, 0.33%, 0.5%

LAB 63.57, -32.16, 6.72

 

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

CMYK 50 / 43 / 0 / 55

HEX #3A4273

RGB 58 66 115

HSL 231.58, 0.33%, 0.34%

LAB 29.5, 11.33, -29.31

 

CMYK 0 / 37 / 50 / 55

HEX #73483A

RGB 115 72 58

HSL 14.74, 0.33%, 0.34%

LAB 35.17, 16.65, 16.02

 

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

CMYK 17 / 50 / 0 / 55

HEX #5F3A73

RGB 95 58 115

HSL 278.95, 0.33%, 0.34%

LAB 31.11, 27.58, -26.52

 

CMYK 0 / 17 / 50 / 55

HEX #735F3A

RGB 115 95 58

HSL 38.95, 0.33%, 0.34%

LAB 41.43, 2.78, 24.13

 

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

CMYK 50 / 43 / 0 / 55

HEX #3A4273

RGB 58 66 115

HSL 231.58, 0.33%, 0.34%

LAB 29.5, 11.33, -29.31

 

CMYK 0 / 50 / 32 / 55

HEX #733A4E

RGB 115 58 78

HSL 338.95, 0.33%, 0.34%

LAB 32.3, 27.5, -0.75

 

CMYK 0 / 8 / 50 / 55

HEX #736A3A

RGB 115 106 58

HSL 50.53, 0.33%, 0.34%

LAB 44.6, -3.68, 28.08

 

CMYK 49 / 0 / 17 / 55

HEX #3A725F

RGB 58 114 95

HSL 159.64, 0.33%, 0.34%

LAB 43.89, -23.46, 4.86

 

CMYK 43 / 50 / 0 / 55

HEX #423A73

RGB 66 58 115

HSL 248.42, 0.33%, 0.34%

LAB 27.91, 18.87, -31.79

 

CMYK 0 / 50 / 32 / 55

HEX #733A4E

RGB 115 58 78

HSL 338.95, 0.33%, 0.34%

LAB 32.3, 27.5, -0.75

 

CMYK 8 / 0 / 50 / 55

HEX #6A733A

RGB 106 115 58

HSL 69.47, 0.33%, 0.34%

LAB 46.49, -12.8, 30.2

 

Description

Color code: RGB 58 114 95 | qconv.com Color code: RGB 58 114 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 114 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 114 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 17 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 17% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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