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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 129 54 it is the complementary color RGB 197 126 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 129 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 129 54 shade: RGB 63 129 49, RGB 80 147 68, RGB 97 165 87, RGB 114 183 106 and RGB 131 201 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 129 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 41 111 35, RGB 24 93 16, RGB 7 75 0 and RGB 0 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 78 129 54, RGB 98 129 54, RGB 119 129 54 and RGB 129 119 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 54 129 70, RGB 54 129 90, RGB 54 129 111 and RGB 54 127 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 129 54 shade matches the following richer shades: RGB 58 129 54, RGB 44 144 39, RGB 31 159 24 and RGB 18 173 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 71 114 69, RGB 84 99 83, RGB 97 84 98 and RGB 111 70 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 129 54 shade: RGB 99 129 54, RGB 79 129 54, RGB 59 129 54, RGB 54 129 69 and RGB 54 129 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 129 54 shade: RGB 32 71 29, RGB 45 100 41, RGB 58 129 54, RGB 71 158 66 and RGB 88 183 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 54 119 129 and RGB 129 54 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 54 59 129 and RGB 129 54 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 54 119 129, RGB 124 54 129 and RGB 129 64 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 129 54 shade: RGB 58 129 54, RGB 54 96 129, RGB 124 54 129 and RGB 129 86 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

Complementary color

CMYK 2 / 37 / 0 / 21

HEX #C57EC9

RGB 197 126 201

HSL 296.8, 0.41%, 0.64%

LAB 62.52, 39.45, -27.76

 

CMYK 51 / 0 / 62 / 49

HEX #3F8131

RGB 63 129 49

HSL 109.5, 0.45%, 0.35%

LAB 48.23, -37.3, 36.23

 

CMYK 46 / 0 / 54 / 42

HEX #509344

RGB 80 147 68

HSL 110.89, 0.37%, 0.42%

LAB 55.06, -37.4, 34.99

 

CMYK 41 / 0 / 47 / 35

HEX #61A557

RGB 97 165 87

HSL 112.31, 0.31%, 0.49%

LAB 61.77, -37.32, 33.69

 

CMYK 38 / 0 / 42 / 28

HEX #72B76A

RGB 114 183 106

HSL 113.77, 0.35%, 0.57%

LAB 68.38, -37.15, 32.42

 

CMYK 35 / 0 / 38 / 21

HEX #83C97D

RGB 131 201 125

HSL 115.26, 0.41%, 0.64%

LAB 74.87, -36.95, 31.2

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 63 / 0 / 68 / 56

HEX #296F23

RGB 41 111 35

HSL 115.26, 0.52%, 0.29%

LAB 41.16, -37.75, 34.74

 

CMYK 74 / 0 / 83 / 64

HEX #185D10

RGB 24 93 16

HSL 113.77, 0.71%, 0.21%

LAB 34.11, -36.66, 35.3

 

CMYK 91 / 0 / 100 / 71

HEX #074B00

RGB 7 75 0

HSL 114.4, 1%, 0.15%

LAB 26.95, -34.42, 34.42

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 40 / 0 / 58 / 49

HEX #4E8136

RGB 78 129 54

HSL 100.8, 0.41%, 0.36%

LAB 48.99, -31.71, 34.82

 

CMYK 24 / 0 / 58 / 49

HEX #628136

RGB 98 129 54

HSL 84.8, 0.41%, 0.36%

LAB 50.17, -24.01, 36.5

 

CMYK 8 / 0 / 58 / 49

HEX #778136

RGB 119 129 54

HSL 68, 0.41%, 0.36%

LAB 51.71, -15.07, 38.66

 

CMYK 0 / 8 / 58 / 49

HEX #817736

RGB 129 119 54

HSL 52, 0.41%, 0.36%

LAB 49.65, -5.09, 36.54

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 58 / 0 / 46 / 49

HEX #368146

RGB 54 129 70

HSL 132.8, 0.41%, 0.36%

LAB 48.17, -36.85, 25.13

 

CMYK 58 / 0 / 30 / 49

HEX #36815A

RGB 54 129 90

HSL 148.8, 0.41%, 0.36%

LAB 48.54, -32.93, 14.32

 

CMYK 58 / 0 / 14 / 49

HEX #36816F

RGB 54 129 111

HSL 165.6, 0.41%, 0.36%

LAB 49.05, -27.88, 2.8

 

CMYK 58 / 2 / 0 / 49

HEX #367F81

RGB 54 127 129

HSL 181.6, 0.41%, 0.36%

LAB 48.94, -21.83, -7.94

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 69 / 0 / 73 / 44

HEX #2C9027

RGB 44 144 39

HSL 117.14, 0.57%, 0.36%

LAB 52.54, -49.01, 45.14

 

CMYK 81 / 0 / 85 / 38

HEX #1F9F18

RGB 31 159 24

HSL 116.89, 0.74%, 0.36%

LAB 57.22, -57.17, 54.5

 

CMYK 90 / 0 / 95 / 32

HEX #12AD09

RGB 18 173 9

HSL 116.71, 0.9%, 0.36%

LAB 61.68, -63.2, 61.13

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 38 / 0 / 39 / 55

HEX #477245

RGB 71 114 69

HSL 117.33, 0.25%, 0.36%

LAB 43.95, -24.83, 20.36

 

CMYK 15 / 0 / 16 / 61

HEX #546353

RGB 84 99 83

HSL 116.25, 0.09%, 0.36%

LAB 40.3, -9.18, 7.2

 

CMYK 1 / 14 / 0 / 62

HEX #615462

RGB 97 84 98

HSL 295.71, 0.08%, 0.36%

LAB 37.42, 8.18, -6.13

 

CMYK 2 / 38 / 0 / 56

HEX #6F4671

RGB 111 70 113

HSL 297.21, 0.23%, 0.36%

LAB 35.89, 25.24, -17.66

 

CMYK 23 / 0 / 58 / 49

HEX #638136

RGB 99 129 54

HSL 84, 0.41%, 0.36%

LAB 50.24, -23.6, 36.59

 

CMYK 39 / 0 / 58 / 49

HEX #4F8136

RGB 79 129 54

HSL 100, 0.41%, 0.36%

LAB 49.04, -31.35, 34.89

 

CMYK 54 / 0 / 58 / 49

HEX #3B8136

RGB 59 129 54

HSL 116, 0.41%, 0.36%

LAB 48.13, -37.89, 33.59

 

CMYK 58 / 0 / 47 / 49

HEX #368145

RGB 54 129 69

HSL 132, 0.41%, 0.36%

LAB 48.15, -37.02, 25.65

 

CMYK 58 / 0 / 31 / 49

HEX #368159

RGB 54 129 89

HSL 148, 0.41%, 0.36%

LAB 48.52, -33.15, 14.86

 

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

CMYK 55 / 0 / 59 / 61

HEX #2D6429

RGB 45 100 41

HSL 115.93, 0.42%, 0.28%

LAB 37.54, -31.25, 27.66

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 55 / 0 / 58 / 38

HEX #479E42

RGB 71 158 66

HSL 116.74, 0.41%, 0.44%

LAB 58.21, -44.91, 39.64

 

CMYK 52 / 0 / 55 / 28

HEX #58B753

RGB 88 183 83

HSL 117, 0.41%, 0.52%

LAB 66.95, -48.15, 41.94

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 58 / 8 / 0 / 49

HEX #367781

RGB 54 119 129

HSL 188, 0.41%, 0.36%

LAB 46.4, -17.55, -11.77

 

CMYK 0 / 58 / 31 / 49

HEX #813659

RGB 129 54 89

HSL 332, 0.41%, 0.36%

LAB 34.04, 36.37, -5.03

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 58 / 54 / 0 / 49

HEX #363B81

RGB 54 59 129

HSL 236, 0.41%, 0.36%

LAB 28.11, 19.94, -40.34

 

CMYK 0 / 58 / 54 / 49

HEX #81363B

RGB 129 54 59

HSL 356, 0.41%, 0.36%

LAB 33.18, 32.86, 13.08

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 58 / 8 / 0 / 49

HEX #367781

RGB 54 119 129

HSL 188, 0.41%, 0.36%

LAB 46.4, -17.55, -11.77

 

CMYK 4 / 58 / 0 / 49

HEX #7C3681

RGB 124 54 129

HSL 296, 0.41%, 0.36%

LAB 35.02, 41.57, -28.85

 

CMYK 0 / 50 / 58 / 49

HEX #814036

RGB 129 64 54

HSL 8, 0.41%, 0.36%

LAB 35.2, 26.97, 18.92

 

CMYK 55 / 0 / 58 / 49

HEX #3A8136

RGB 58 129 54

HSL 116.8, 0.41%, 0.36%

LAB 48.09, -38.18, 33.54

 

CMYK 58 / 26 / 0 / 49

HEX #366081

RGB 54 96 129

HSL 206.4, 0.41%, 0.36%

LAB 39.13, -4.24, -22.89

 

CMYK 4 / 58 / 0 / 49

HEX #7C3681

RGB 124 54 129

HSL 296, 0.41%, 0.36%

LAB 35.02, 41.57, -28.85

 

CMYK 0 / 33 / 58 / 49

HEX #815636

RGB 129 86 54

HSL 25.6, 0.41%, 0.36%

LAB 40.56, 14.15, 25.7

 

Description

Color code: RGB 58 129 54 | qconv.com Color code: RGB 58 129 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 129 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 129 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 58 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 58% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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