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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 205 180 it is the complementary color RGB 197 50 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 205 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 205 180 shade: RGB 63 205 175, RGB 80 223 194, RGB 97 241 213, RGB 114 255 232 and RGB 131 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 205 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 205 180 shade: RGB 58 205 180, RGB 41 187 161, RGB 24 169 142, RGB 7 151 123 and RGB 0 133 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 205 180 shade: RGB 59 206 181, RGB 59 206 141, RGB 59 206 101, RGB 59 206 62 and RGB 95 206 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 205 180 shade: RGB 59 206 181, RGB 59 191 206, RGB 59 151 206, RGB 59 112 206 and RGB 59 72 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 205 180 shade matches the following richer shades: RGB 59 206 181, RGB 39 225 194 and RGB 19 245 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 205 180 shade: RGB 59 206 181, RGB 78 186 167, RGB 98 166 154, RGB 118 146 141 and RGB 138 126 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 205 180 shade: RGB 59 206 100, RGB 59 206 139, RGB 59 206 179, RGB 59 193 206 and RGB 59 154 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 205 180 shade: RGB 36 146 127, RGB 44 179 156, RGB 59 206 181, RGB 92 214 193 and RGB 125 222 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 205 180 shade: RGB 58 205 180, RGB 61 59 206 and RGB 206 120 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 205 180 shade: RGB 58 205 180, RGB 179 59 206 and RGB 206 179 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 205 180 shade: RGB 58 205 180, RGB 61 59 206, RGB 206 59 86 and RGB 203 206 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 205 180 shade: RGB 58 205 180, RGB 105 59 206, RGB 206 59 86 and RGB 159 206 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 12 / 20

HEX #3ACDB4

RGB 58 205 180

HSL 169.8, 0.6%, 0.52%

LAB 74.73, -43.94, 1.38

 

Complementary color

CMYK 0 / 75 / 62 / 23

HEX #C5324B

RGB 197 50 75

HSL 349.8, 0.6%, 0.48%

LAB 45.16, 58.57, 21.18

 

CMYK 69 / 0 / 15 / 20

HEX #3FCDAF

RGB 63 205 175

HSL 167.32, 0.59%, 0.53%

LAB 74.71, -44.53, 4.05

 

CMYK 64 / 0 / 13 / 13

HEX #50DFC2

RGB 80 223 194

HSL 167.83, 0.69%, 0.59%

LAB 80.95, -44.96, 2.97

 

CMYK 60 / 0 / 12 / 5

HEX #61F1D5

RGB 97 241 213

HSL 168.33, 0.84%, 0.66%

LAB 87.12, -45.23, 1.99

 

CMYK 55 / 0 / 9 / 0

HEX #72FFE8

RGB 114 255 232

HSL 170.21, 1%, 0.72%

LAB 92.1, -43.64, -0.59

 

CMYK 49 / 0 / 2 / 0

HEX #83FFFB

RGB 131 255 251

HSL 178.06, 1%, 0.76%

LAB 93.15, -35.6, -8.81

 

CMYK 72 / 0 / 12 / 20

HEX #3ACDB4

RGB 58 205 180

HSL 169.8, 0.6%, 0.52%

LAB 74.73, -43.94, 1.38

 

CMYK 78 / 0 / 14 / 27

HEX #29BBA1

RGB 41 187 161

HSL 169.32, 0.64%, 0.45%

LAB 68.45, -43.15, 2.55

 

CMYK 86 / 0 / 16 / 34

HEX #18A98E

RGB 24 169 142

HSL 168.83, 0.75%, 0.38%

LAB 62.1, -42.02, 3.86

 

CMYK 95 / 0 / 19 / 41

HEX #07977B

RGB 7 151 123

HSL 168.33, 0.91%, 0.31%

LAB 55.69, -40.46, 5.33

 

CMYK 100 / 0 / 22 / 48

HEX #008568

RGB 0 133 104

HSL 166.92, 1%, 0.26%

LAB 49.22, -38.31, 7.01

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB5

RGB 59 206 181

HSL 169.8, 0.6%, 0.52%

LAB 75.08, -43.98, 1.35

 

CMYK 71 / 0 / 32 / 19

HEX #3BCE8D

RGB 59 206 141

HSL 153.47, 0.6%, 0.52%

LAB 74.19, -53.36, 21.48

 

CMYK 71 / 0 / 51 / 19

HEX #3BCE65

RGB 59 206 101

HSL 137.14, 0.6%, 0.52%

LAB 73.55, -60.5, 41.07

 

CMYK 71 / 0 / 70 / 19

HEX #3BCE3E

RGB 59 206 62

HSL 121.22, 0.6%, 0.52%

LAB 73.17, -65.08, 57.79

 

CMYK 54 / 0 / 71 / 19

HEX #5FCE3B

RGB 95 206 59

HSL 105.31, 0.6%, 0.52%

LAB 74.12, -57.43, 60.2

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB5

RGB 59 206 181

HSL 169.8, 0.6%, 0.52%

LAB 75.08, -43.98, 1.35

 

CMYK 71 / 7 / 0 / 19

HEX #3BBFCE

RGB 59 191 206

HSL 186.12, 0.6%, 0.52%

LAB 71.32, -30.07, -17.82

 

CMYK 71 / 27 / 0 / 19

HEX #3B97CE

RGB 59 151 206

HSL 202.45, 0.6%, 0.52%

LAB 59.45, -9.15, -36.07

 

CMYK 71 / 46 / 0 / 19

HEX #3B70CE

RGB 59 112 206

HSL 218.37, 0.6%, 0.52%

LAB 48.23, 14.16, -53.85

 

CMYK 71 / 65 / 0 / 19

HEX #3B48CE

RGB 59 72 206

HSL 234.69, 0.6%, 0.52%

LAB 37.88, 39.52, -70.64

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB5

RGB 59 206 181

HSL 169.8, 0.6%, 0.52%

LAB 75.08, -43.98, 1.35

 

CMYK 83 / 0 / 14 / 12

HEX #27E1C2

RGB 39 225 194

HSL 170, 0.76%, 0.52%

LAB 80.84, -50.68, 2.73

 

CMYK 92 / 0 / 16 / 4

HEX #13F5CF

RGB 19 245 207

HSL 169.91, 0.92%, 0.52%

LAB 86.97, -56.52, 4.76

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB5

RGB 59 206 181

HSL 169.8, 0.6%, 0.52%

LAB 75.08, -43.98, 1.35

 

CMYK 58 / 0 / 10 / 27

HEX #4EBAA7

RGB 78 186 167

HSL 169.44, 0.44%, 0.52%

LAB 69.13, -35.54, 0.35

 

CMYK 41 / 0 / 7 / 35

HEX #62A69A

RGB 98 166 154

HSL 169.41, 0.28%, 0.52%

LAB 63.51, -24.48, -0.56

 

CMYK 19 / 0 / 3 / 43

HEX #76928D

RGB 118 146 141

HSL 169.29, 0.11%, 0.52%

LAB 58.35, -10.91, -0.63

 

CMYK 0 / 9 / 7 / 46

HEX #8A7E80

RGB 138 126 128

HSL 350, 0.05%, 0.52%

LAB 53.9, 4.93, 0.56

 

CMYK 71 / 0 / 51 / 19

HEX #3BCE64

RGB 59 206 100

HSL 136.73, 0.6%, 0.52%

LAB 73.54, -60.65, 41.54

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE8B

RGB 59 206 139

HSL 152.65, 0.6%, 0.52%

LAB 74.15, -53.78, 22.48

 

CMYK 71 / 0 / 13 / 19

HEX #3BCEB3

RGB 59 206 179

HSL 168.98, 0.6%, 0.52%

LAB 75.03, -44.5, 2.35

 

CMYK 71 / 6 / 0 / 19

HEX #3BC1CE

RGB 59 193 206

HSL 185.31, 0.6%, 0.52%

LAB 71.91, -31.04, -16.92

 

CMYK 71 / 25 / 0 / 19

HEX #3B9ACE

RGB 59 154 206

HSL 201.22, 0.6%, 0.52%

LAB 60.34, -10.82, -34.69

 

CMYK 75 / 0 / 13 / 43

HEX #24927F

RGB 36 146 127

HSL 169.64, 0.6%, 0.36%

LAB 54.52, -34.73, 1.39

 

CMYK 75 / 0 / 13 / 30

HEX #2CB39C

RGB 44 179 156

HSL 169.78, 0.61%, 0.44%

LAB 65.89, -40.66, 1.59

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB5

RGB 59 206 181

HSL 169.8, 0.6%, 0.52%

LAB 75.08, -43.98, 1.35

 

CMYK 57 / 0 / 10 / 16

HEX #5CD6C1

RGB 92 214 193

HSL 169.67, 0.6%, 0.6%

LAB 78.59, -39.09, 0.12

 

CMYK 44 / 0 / 8 / 13

HEX #7DDECD

RGB 125 222 205

HSL 169.48, 0.6%, 0.68%

LAB 82.38, -32.65, -0.59

 

CMYK 72 / 0 / 12 / 20

HEX #3ACDB4

RGB 58 205 180

HSL 169.8, 0.6%, 0.52%

LAB 74.73, -43.94, 1.38

 

CMYK 70 / 71 / 0 / 19

HEX #3D3BCE

RGB 61 59 206

HSL 240.82, 0.6%, 0.52%

LAB 35.16, 47.46, -75.11

 

CMYK 0 / 42 / 71 / 19

HEX #CE783B

RGB 206 120 59

HSL 24.9, 0.6%, 0.52%

LAB 58.85, 28.63, 46.76

 

CMYK 72 / 0 / 12 / 20

HEX #3ACDB4

RGB 58 205 180

HSL 169.8, 0.6%, 0.52%

LAB 74.73, -43.94, 1.38

 

CMYK 13 / 71 / 0 / 19

HEX #B33BCE

RGB 179 59 206

HSL 288.98, 0.6%, 0.52%

LAB 48.47, 67.37, -52.86

 

CMYK 0 / 13 / 71 / 19

HEX #CEB33B

RGB 206 179 59

HSL 48.98, 0.6%, 0.52%

LAB 73.34, -3.14, 61.67

 

CMYK 72 / 0 / 12 / 20

HEX #3ACDB4

RGB 58 205 180

HSL 169.8, 0.6%, 0.52%

LAB 74.73, -43.94, 1.38

 

CMYK 70 / 71 / 0 / 19

HEX #3D3BCE

RGB 61 59 206

HSL 240.82, 0.6%, 0.52%

LAB 35.16, 47.46, -75.11

 

CMYK 0 / 71 / 58 / 19

HEX #CE3B56

RGB 206 59 86

HSL 348.98, 0.6%, 0.52%

LAB 48.16, 58.88, 18.74

 

CMYK 1 / 0 / 71 / 19

HEX #CBCE3B

RGB 203 206 59

HSL 61.22, 0.6%, 0.52%

LAB 80.27, -18.19, 68.34

 

CMYK 72 / 0 / 12 / 20

HEX #3ACDB4

RGB 58 205 180

HSL 169.8, 0.6%, 0.52%

LAB 74.73, -43.94, 1.38

 

CMYK 49 / 71 / 0 / 19

HEX #693BCE

RGB 105 59 206

HSL 258.78, 0.6%, 0.52%

LAB 38.88, 53.39, -68.86

 

CMYK 0 / 71 / 58 / 19

HEX #CE3B56

RGB 206 59 86

HSL 348.98, 0.6%, 0.52%

LAB 48.16, 58.88, 18.74

 

CMYK 23 / 0 / 71 / 19

HEX #9FCE3B

RGB 159 206 59

HSL 79.18, 0.6%, 0.52%

LAB 77.18, -36.03, 64.28

 

Description

Color code: RGB 58 205 180 | qconv.com Color code: RGB 58 205 180 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 205 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 205 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 12 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 12% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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