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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 226 149 it is the complementary color RGB 197 29 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 226 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 226 149 shade: RGB 63 226 144, RGB 80 244 163, RGB 97 255 182, RGB 114 255 201 and RGB 131 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 226 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 226 149 shade: RGB 58 226 149, RGB 41 208 130, RGB 24 190 111, RGB 7 172 92 and RGB 0 154 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 226 149 shade: RGB 59 225 149, RGB 59 225 104, RGB 59 225 60, RGB 104 225 59 and RGB 148 225 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 226 149 shade: RGB 59 225 149, RGB 59 225 194, RGB 59 212 225, RGB 59 167 225 and RGB 59 122 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 226 149 shade matches the following richer shades: RGB 59 225 149 and RGB 41 243 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 226 149 shade: RGB 59 225 149, RGB 77 207 148, RGB 96 189 146, RGB 114 171 145 and RGB 132 153 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 226 149 shade: RGB 59 225 59, RGB 59 225 104, RGB 59 225 148, RGB 59 225 192 and RGB 59 214 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 226 149 shade: RGB 26 176 107, RGB 31 212 129, RGB 59 225 149, RGB 95 231 169 and RGB 131 236 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 226 149 shade: RGB 58 226 149, RGB 59 104 225 and RGB 225 81 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 226 149 shade: RGB 58 226 149, RGB 148 59 225 and RGB 225 148 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 226 149 shade: RGB 58 226 149, RGB 59 104 225, RGB 225 59 137 and RGB 225 181 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 226 149 shade: RGB 58 226 149, RGB 65 59 225, RGB 225 59 137 and RGB 220 225 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 34 / 11

HEX #3AE295

RGB 58 226 149

HSL 152.5, 0.74%, 0.56%

LAB 80.44, -59.48, 25.82

 

Complementary color

CMYK 0 / 85 / 46 / 23

HEX #C51D6A

RGB 197 29 106

HSL 332.5, 0.74%, 0.44%

LAB 43.93, 66.53, 0.21

 

CMYK 72 / 0 / 36 / 11

HEX #3FE290

RGB 63 226 144

HSL 149.82, 0.74%, 0.57%

LAB 80.44, -59.78, 28.4

 

CMYK 67 / 0 / 33 / 4

HEX #50F4A3

RGB 80 244 163

HSL 150.37, 0.88%, 0.64%

LAB 86.53, -60.29, 26.98

 

CMYK 62 / 0 / 29 / 0

HEX #61FFB6

RGB 97 255 182

HSL 152.28, 1%, 0.69%

LAB 90.52, -57.87, 22.84

 

CMYK 55 / 0 / 21 / 0

HEX #72FFC9

RGB 114 255 201

HSL 157.02, 1%, 0.72%

LAB 91.38, -50.66, 14.38

 

CMYK 49 / 0 / 14 / 0

HEX #83FFDC

RGB 131 255 220

HSL 163.06, 1%, 0.76%

LAB 92.36, -42.87, 6.07

 

CMYK 74 / 0 / 34 / 11

HEX #3AE295

RGB 58 226 149

HSL 152.5, 0.74%, 0.56%

LAB 80.44, -59.48, 25.82

 

CMYK 80 / 0 / 38 / 18

HEX #29D082

RGB 41 208 130

HSL 151.98, 0.67%, 0.49%

LAB 74.31, -58.59, 27.36

 

CMYK 87 / 0 / 42 / 25

HEX #18BE6F

RGB 24 190 111

HSL 151.45, 0.78%, 0.42%

LAB 68.14, -57.29, 29.04

 

CMYK 96 / 0 / 47 / 33

HEX #07AC5C

RGB 7 172 92

HSL 150.91, 0.92%, 0.35%

LAB 61.93, -55.47, 30.86

 

CMYK 100 / 0 / 53 / 40

HEX #009A49

RGB 0 154 73

HSL 148.44, 1%, 0.3%

LAB 55.68, -52.95, 32.79

 

CMYK 74 / 0 / 34 / 12

HEX #3BE195

RGB 59 225 149

HSL 152.53, 0.73%, 0.56%

LAB 80.15, -58.98, 25.43

 

CMYK 74 / 0 / 54 / 12

HEX #3BE168

RGB 59 225 104

HSL 136.27, 0.73%, 0.56%

LAB 79.49, -66.57, 46.89

 

CMYK 74 / 0 / 73 / 12

HEX #3BE13C

RGB 59 225 60

HSL 120.36, 0.73%, 0.56%

LAB 79.1, -71.22, 64.6

 

CMYK 54 / 0 / 74 / 12

HEX #68E13B

RGB 104 225 59

HSL 103.73, 0.73%, 0.56%

LAB 80.24, -61.91, 66.45

 

CMYK 34 / 0 / 74 / 12

HEX #94E13B

RGB 148 225 59

HSL 87.83, 0.73%, 0.56%

LAB 82.09, -48.33, 68.89

 

CMYK 74 / 0 / 34 / 12

HEX #3BE195

RGB 59 225 149

HSL 152.53, 0.73%, 0.56%

LAB 80.15, -58.98, 25.43

 

CMYK 74 / 0 / 14 / 12

HEX #3BE1C2

RGB 59 225 194

HSL 168.8, 0.73%, 0.56%

LAB 81.11, -48.75, 3.16

 

CMYK 74 / 6 / 0 / 12

HEX #3BD4E1

RGB 59 212 225

HSL 184.7, 0.73%, 0.56%

LAB 78.14, -34.44, -17.78

 

CMYK 74 / 26 / 0 / 12

HEX #3BA7E1

RGB 59 167 225

HSL 200.96, 0.73%, 0.56%

LAB 64.97, -11.56, -38.02

 

CMYK 74 / 46 / 0 / 12

HEX #3B7AE1

RGB 59 122 225

HSL 217.23, 0.73%, 0.56%

LAB 52.16, 14.85, -58.3

 

CMYK 74 / 0 / 34 / 12

HEX #3BE195

RGB 59 225 149

HSL 152.53, 0.73%, 0.56%

LAB 80.15, -58.98, 25.43

 

CMYK 83 / 0 / 38 / 5

HEX #29F397

RGB 41 243 151

HSL 152.67, 0.89%, 0.56%

LAB 85.41, -66.98, 31.43

 

CMYK 74 / 0 / 34 / 12

HEX #3BE195

RGB 59 225 149

HSL 152.53, 0.73%, 0.56%

LAB 80.15, -58.98, 25.43

 

CMYK 63 / 0 / 29 / 19

HEX #4DCF94

RGB 77 207 148

HSL 152.77, 0.58%, 0.56%

LAB 75.04, -49.28, 19.02

 

CMYK 49 / 0 / 23 / 26

HEX #60BD92

RGB 96 189 146

HSL 152.26, 0.41%, 0.56%

LAB 70.15, -37.8, 13.36

 

CMYK 33 / 0 / 15 / 33

HEX #72AB91

RGB 114 171 145

HSL 152.63, 0.25%, 0.56%

LAB 65.55, -24.41, 7.51

 

CMYK 14 / 0 / 7 / 40

HEX #84998F

RGB 132 153 143

HSL 151.43, 0.09%, 0.56%

LAB 61.37, -9.48, 2.75

 

CMYK 74 / 0 / 74 / 12

HEX #3BE13B

RGB 59 225 59

HSL 120, 0.73%, 0.56%

LAB 79.1, -71.3, 64.93

 

CMYK 74 / 0 / 54 / 12

HEX #3BE168

RGB 59 225 104

HSL 136.27, 0.73%, 0.56%

LAB 79.49, -66.57, 46.89

 

CMYK 74 / 0 / 34 / 12

HEX #3BE194

RGB 59 225 148

HSL 152.17, 0.73%, 0.56%

LAB 80.13, -59.18, 25.92

 

CMYK 74 / 0 / 15 / 12

HEX #3BE1C0

RGB 59 225 192

HSL 168.07, 0.73%, 0.56%

LAB 81.06, -49.25, 4.15

 

CMYK 74 / 5 / 0 / 12

HEX #3BD6E1

RGB 59 214 225

HSL 183.98, 0.73%, 0.56%

LAB 78.73, -35.37, -16.89

 

CMYK 85 / 0 / 39 / 31

HEX #1AB06B

RGB 26 176 107

HSL 152.4, 0.74%, 0.4%

LAB 63.62, -52.86, 25.17

 

CMYK 85 / 0 / 39 / 17

HEX #1FD481

RGB 31 212 129

HSL 152.49, 0.74%, 0.48%

LAB 75.43, -61.11, 29.34

 

CMYK 74 / 0 / 34 / 12

HEX #3BE195

RGB 59 225 149

HSL 152.53, 0.73%, 0.56%

LAB 80.15, -58.98, 25.43

 

CMYK 59 / 0 / 27 / 9

HEX #5FE7A9

RGB 95 231 169

HSL 152.65, 0.74%, 0.64%

LAB 83.15, -51.26, 19.31

 

CMYK 44 / 0 / 20 / 7

HEX #83ECBC

RGB 131 236 188

HSL 152.57, 0.73%, 0.72%

LAB 86.23, -41.28, 13.91

 

CMYK 74 / 0 / 34 / 11

HEX #3AE295

RGB 58 226 149

HSL 152.5, 0.74%, 0.56%

LAB 80.44, -59.48, 25.82

 

CMYK 74 / 54 / 0 / 12

HEX #3B68E1

RGB 59 104 225

HSL 223.73, 0.73%, 0.56%

LAB 47.32, 26.15, -66.11

 

CMYK 0 / 64 / 74 / 12

HEX #E1513B

RGB 225 81 59

HSL 7.95, 0.73%, 0.56%

LAB 54.25, 54.85, 42.59

 

CMYK 74 / 0 / 34 / 11

HEX #3AE295

RGB 58 226 149

HSL 152.5, 0.74%, 0.56%

LAB 80.44, -59.48, 25.82

 

CMYK 34 / 74 / 0 / 12

HEX #943BE1

RGB 148 59 225

HSL 272.17, 0.73%, 0.56%

LAB 45.44, 65.33, -68.84

 

CMYK 0 / 34 / 74 / 12

HEX #E1943B

RGB 225 148 59

HSL 32.17, 0.73%, 0.56%

LAB 67.65, 21.56, 56.66

 

CMYK 74 / 0 / 34 / 11

HEX #3AE295

RGB 58 226 149

HSL 152.5, 0.74%, 0.56%

LAB 80.44, -59.48, 25.82

 

CMYK 74 / 54 / 0 / 12

HEX #3B68E1

RGB 59 104 225

HSL 223.73, 0.73%, 0.56%

LAB 47.32, 26.15, -66.11

 

CMYK 0 / 74 / 39 / 12

HEX #E13B89

RGB 225 59 137

HSL 331.81, 0.73%, 0.56%

LAB 52.89, 68.59, -4.92

 

CMYK 0 / 20 / 74 / 12

HEX #E1B53B

RGB 225 181 59

HSL 44.1, 0.73%, 0.56%

LAB 75.68, 4, 64.59

 

CMYK 74 / 0 / 34 / 11

HEX #3AE295

RGB 58 226 149

HSL 152.5, 0.74%, 0.56%

LAB 80.44, -59.48, 25.82

 

CMYK 71 / 74 / 0 / 12

HEX #413BE1

RGB 65 59 225

HSL 242.17, 0.73%, 0.56%

LAB 37.28, 53.91, -82.54

 

CMYK 0 / 74 / 39 / 12

HEX #E13B89

RGB 225 59 137

HSL 331.81, 0.73%, 0.56%

LAB 52.89, 68.59, -4.92

 

CMYK 2 / 0 / 74 / 12

HEX #DCE13B

RGB 220 225 59

HSL 61.81, 0.73%, 0.56%

LAB 86.69, -20.43, 74.89

 

Description

Color code: RGB 58 226 149 | qconv.com Color code: RGB 58 226 149 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 226 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 226 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 34 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 34% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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